Collage has fascinated artist Matthias Jung since he was a child when he built his first fantastical buildings in his father’s photo lab. Not much has changed since then, and he still cut aparts photos to make them into new scenes. He doesn’t want help from digital technology in his artwork, and doesn’t use Photoshop.
Jung explains why he focuses on structures, writing:
I am always amazed at how architectural details can evoke certain associations and feelings. This is how a latticed window conveys coziness; one might even say it is soulful. Framework is soothing, sometimes touching. Antennas have something sinister about them. They point to something outside the picture. Concrete is cold and foreign – but maybe interesting for just that reason.
He began with the series Houses in January 2015, and developed seven complex images within a few weeks. “All the images used have been photographed by me,” he explains. “Many were taken during trips in northeastern Germany. My last trip took me to the Ruhr region where there are abandoned steel mills and heaps of coal. I find that to be very exciting.”
Matthis says that his dreams are collages, and that for them to “function properly,” he also has to consider design rules.
Thus, the relationship between order/disorder and homogeneity/diversity must agree. A building has to first be stable and credible before I can add some “disorder,” to let it fly for example. One such disorder refers to another, only hinting at reality. I weave, so to speak, spiritual realities into everyday things.
These photographs are taken from two series by NYC photographer Amy Stein: “Domesticated”, and “Halloween in Harlem”. The photos were put together a while ago now, but I’ve always loved them. And, as Ms. Stein seems to be dealing with an issue involving use of her work without permission and $40,000, I figured she deserved some love.
“Domesticated” depicts real stories ivolving animals and humans culled from local news stories. Stein used often used taxidermied animals in her perfectly positioned shots, which include bobcats confused by newfound construction and curious bears checking out backyard pools.
“Halloween in Harlem” is pretty straightforward: Stein’s eye set to run freely capturing the spirit of the holiday and creepy children in masks on the street.
By now most of you have seen or heard about this brilliant documentary by LA filmmaker Nirvan Mullick about a 9 year old boy named Caine and his amazing incredible DIY arcade. Stuck at this fathers office on the weekends, Caine took his boredom and turned it into one of the most awe inspiring arcades I’ve ever seen, completely made out of discarded cardboard and packing tape. Unfortunately Caine rarely got any foot traffic in his little shop of fun. That is until Nirvan came by and decided to share this little boys inspiring story with the world. With a few Facebook invites and some help from strangers Nirvan managed to create an amazing day for Caine by way of a surprise flash mob.
What’s more amazing about this story is that since the videos launch just a few days ago Nirvan has helped raise over $114,000 towards a college fund for Caine. Watch this video, get inspired to do better, and get off your ass and make something. There’s no more excuses now that you have seen the amazing things that a 9 year old boy with no money and a bunch of creativity can accomplish! (via colossal,mefi)
The work of artist Luka Fineisen seems like it may exist for only a moment. Giant bubbles are scattered throughout the gallery floor. The size of the bubbles are contrasted by their seeming fragility. Fineisen in this way freezes a tense moment, stretching a delicate life long enough for close inspection. The gallery’s reflection on each bubble reminds the viewer of the delicate and temporal nature of aspects of the world around us. At any moment, something we’ve taken for granted can pop.
Léonard Condemine is a French mixed media artist who sculpts enigmatic masks and photographs them in haunting contexts. His work is influenced by occultism, mythology, and the tribal arts, representing the body in arcane relation with the earth; nude figures crouch by the fire, in the forest, and beneath starry skies. Decorated with paint, feathers, and mirror shards, the masks are stunning works of art that transform the subjects into mythic (or perhaps monstrous) beings. Impressively, none of his images have been digitally manipulated; the magic of his work arises from a brilliant synthesis of setting, costume, composition, and light, thereby transforming reality into the realm of dreams.
Condemine is interested in the dual forces of identity formation and identity loss. The masks, albeit on a human body, are extremely adept at obscuring the figures’ humanity; with their faces (and thus their emotions) inaccessible to the viewer, the figures become embodiments of mystical forces and the wilderness around them. This effect is so powerful, that when Condemine and his brothers posed for the final series of photos last November, not even their closest friends could identify them beneath their masks. This alienation from subjectivity is both unsettling and compelling, revealing identity as a construct, and also opening the images up to endless interpretation.
Learn more about Condemine and his work on his Tumblr and Instagram. More detailed images of the masks can be viewed on his blog.
Brazilian artist Felipe Guga creates melt-in-your-mouth imagery in sunny Rio de Janeiro. Maybe that’s why his pieces remind me of fruity cocktails and sand in my hair. Guga has successfully designed an array of t-shirts, websites and print ads with his sun-bleached pallete and swirling collage effects.
In his dream-like art and illustrations, London-based graphic artist and illustrator Ruben Ireland mixes traditional techniques — ink and acrylic — with non-traditional techniques — dirty water, food and weathered paper — and modern techniques — Photoshop and a wacom tablet. Women are fused with natural elements and despite the soft textures appear stronger and more beautiful for it.