Thankfully, we didn’t trick fearless intern Miss Corinna Nicole Loo into thinking that the photo above we took of her, hard at work in the B/D offices, was for anything other than public consumption. (Apologies on tricking you for your ‘goodbye post’, Greg.) And yet, the smiles are all real my friends! Corinna can attest to the fact that slaving away night and day for the greater good of Beautiful/Decay is quite fun! During her stay here, she’s done some great design work, blog posts (you can view her ouevre, as ze French say, here), humorous anecdotes about her two kitties (wearing sombreros) and of course titillating data entry….well, maybe that wasn’t so titillating for her, but, nonetheless! Thank you for all your hard work and contributions to the B/D team, we know you will have a great impact both at UCLA and the design world….so, the start of another school year will wrest you from our firmly clenched claws, Miss Loo, but of course we hope you will return to us again soon. Some of Corinna’s personal work after the jump!
It is difficult to define the Lightwork series of Conrad Shawcross – sculpture, installation, perhaps even performance. His pieces are typically large machines that move and spin bright lights in a manner that is somehow at once mechanistic and human. The sculptures are built of elaborate machinery similar in appearance to factory robots. However, in a way Shawcross juxtaposes the utilitarian appearance of his machines with their art-making purpose.
He says, “I really like them as unfinished objects. The minute they turn, you are left in a much easier position of ‘ok, that’s about a spinning light bulb’. But before they operate, you have to be more aggressively thoughtful to try and work out what they are for.” (via)
I have absolutely no idea what Sasquatch Birth Journal 2 is this is but you’ll laugh, you’ll cry, you’ll WTF! It says that it’s part of the Sundance Film Festival but who knows. It may be a bizarre teaser for a film or some creative agencies latest viral vid. It’s made by Zellner Bros but I’m not really sure who they are. In any case it’s totally bizarre so I thought I’d share. If anyone has any info on what this is all about please do share. I’m officially intrigued. Enjoy!
Tim Lee’s pen and ink drawings conger a notion that hopeless romance still thrives in the world of art. Watch out for “The Kids are Alright” Tour featuring Tim and other surrealist spectacles when it hits Black Maria Gallery Los Angeles in July.
Naked hyperrealist sculptures made out of polymer clay. South Korean artist, Choi Xooang, uses the human naked body as a mean to express pure emotions. The artist doesn’t represent his personal state, he is trying to extract collective emotions.
Choi Xooang manipulates the outcome of his sculptures, enabling us to relate faster to the point he is making. It’s easier for most of us to connect with a human body than a painting, or an abstract sculpture. The characters are bold and skinny. Attributes that accentuate our vulnerability. The artist, by using these shortcuts, has us standing in front of his pieces with all our fragility and our compassion at the surface.
The purpose of Choi Xooang is twofold. He is presenting his humanistic vision of the world. Human emotions are the only thing that were given to a man and a woman apart from their social status in a capitalistic society. Therefore, he has chosen to show through his art, the most intense and dark emotions an individual can come across such as fear, sadness, desire, sexual tensions and relationship confusions. If this process is not clear when facing the sculptures, the realization that something is touching us deeply eventually happens.
We might not know exactly what it is. The weird combination of animals and humans, the poses of same sex characters, the suggestive poses and the non expressive stares have us reflect internally. We are seeing in this sculptures what we are feeling inside. It might not be obvious at first, and we might not know what detail sold us out, but we are. (via Juxtapoz).
At first glance, the oil paintings of Jan Esmann could easily be confused with photographs; seen in heightened resolution and depth of field, the portraits capture the remarkable tangibility of the human face. Also unlike your typical photographic subject, all of the painter’s characters are sleeping, caught wide-mouthed in their own personal dreamscapes, allowing viewers an uncomfortable and enchanting intimacy with the private imaginings of the unconscious mind.
Seen from above and as if lit by candlelight, Esmann’s strange and transfixing portraits evoke narratives like that of the mythological Psyche, who, against her lover Cupid’s warnings and prohibitions, snuck a candle into their bedchamber so that she might glimpse his face. The painted faces seem to stand at the precipice of wakefulness, their folded, glistening eyelids precariously shut. The viewer is allowed to witness the most vulnerable of states, yet (s)he does not escape the unnerving sense that s(he) might be caught, found out.
The consistent open mouths betray sleepy yearnings, unabashed moments of ecstasy in slumber. As if possessed by spiritual or erotic climax, Esmann’s subjects are sensuous and blissful; saliva glitters on canines, and sweat sets the face aglow. Unconfined to a more truthful representation of human perception (either photographic or otherwise), the artist’s hyper-realist style enables her to picture every inch of flesh with the same breathtaking clarity. Viewers may examine every feature, while the objects of our attentions remain frozen in time and space. In this beautifully bizarre series, we are permitted our voyeuristic impulses. (via Lost at E Minor)
Cathy Opie has created a stunning new selection of portraits exploring lesbian identity in her latest body of work, “Girlfriends.” The women in her portraits range from Madonna and Angelina Jolie’s ex-girlfriend Jenny Shimizu, to Le Tigre’s JD Samson. Both honest and alluring, her photography recontextualizes the paradigm of femininity. Currently on view at New York’s Barbara Gladstone Gallery through April 24.