Photographer Stacy Kranitz captures a segment of society which is rarely seen by the public eye; the hang out rituals of young, post pubescent males at Skatopia Skate Park in the backwoods of Ohio. Her relationship with a young man named Jerimy, allowed her to document his daily life in these rural parts. Through three mediums: photography, video documentary and ‘zine, Kranitz explores this brutal and interesting world. Her angle is definitely from a woman’s perspective, as she knows how to capture the vulnerability in these faceless people, sometimes engaged in crude acts, that might not be so much in life but definitely is true on film.
The rural environment sets the tone for a road warrior type setting where rough skating, sexual innuendo and violence is suggested. There’s a lot of blood, spit and urine. The photos have a war documentary type vibe, meaning everything is up close and personal. It adds to the car crash scenario of wanting to look away but instead looking closer, allowing your curiosity to take over. Part of Kranitz’ intention is to study the catharsis in violence. Others are capturing youth’s raw vitality. She accomplishes both with these studies.
On Skatopia’s website there’s a section listed as ‘anarchy’. It defines the word from the Greek preface meaning “without rulers; without masters”. It fits in well with the tone of these pictures as the subjects do engage in rituals of freedom. Skate culture has always been associated with rebellion and is a part of society that still perks people’s interest today.
I am breaking all the rules for Sam Lubicz. By that I mean featuring both his collage work and photography IN THE SAME POST. Why? Because they’re both good and because I believe a dialogue exists between the two. Despite being two different modes of expression, Lubicz’s collage work and photographs share a certain playful moodiness that emphasizes the relationship between the two mediums. Like maybe one’s a pug and one’s a schnauzer but they’re both dogs. I love dogs.
Anne Lindberg is interested in creating work that resonates with non-verbal primal human conditions. Seeking to make work that is subtle, rhythmic, abstract and immersive Lindberg finds beauty in creating disturbances by layering materials to create varying tones, densities and pathways.
The architecture and design practice, Serie, created an amazing installation for the Maximum India Festival on the ceiling of the Monsoon Club at the Kennedy Center in DC in 2011. Incorporating over one million threads the piece is a 3D carpet that was inspired by the traditional flat woven rugs in India (Dhurries).
Gabriel Dawe’s breath-taking, mind-bending large-scale installations are made out of nothing but thread. The works are created using sets of string that can be up to 50 miles long. They play with space, dimension and perception.
Brian Wills is also interested in perception and rhythm and the way the brain processes pattern. His hand-made works are created by individually winding threads around board, or other material. Creating dynamic surfaces his works are engaging and beautiful.
French artist Sebastien Preschoux makes thread installations in sections of the forest. Capturing the installations for posterity via photography the results are stunning. We imagine the works sitting quietly in the forest, as if created by a spider from another world, delicately vibrant against the natural backdrop waiting to be discovered.
For the last forty years, Stan Herd has been transforming open plots of land into stunning works of art. His medium, which he refers to as landscape or earthworks art, involves sculpting the terrain by mowing outlines, trimming grass for depth, and using various plants to create shade and texture. His large-scale projects have cropped up across Kansas, reinterpreting famous art pieces and even delving into important social issues, earning him coverage and accolades from publications around the world.
In a recent piece commissioned by the Minneapolis Institute of Art (Mia), Herd reimagined Vincent van Gogh’s 1889 “Olive Trees” using an acre of land outside the airport. With expressive accuracy, Herd has transformed an otherwise flat, empty field into the likeness of van Gogh’s vision of nature and divinity, capturing the iconic, wistful trees and dancing sun. In the video above, Herd describes his inspiration and enduring admiration for the long-dead artist:
“The amazing thing about van Gogh’s painting is that there’s not a single straight line in the whole canvas; everything is organic and curved and flowing and it’s like a pulse. I’m just amazed that after months of looking at one painting that I continue to discover things in it. […] I think this is what van Gogh saw. Everything was moving for him, and everything was moving together.” (Source)
If you’re flying into Minneapolis this fall, be sure to keep an eye out for this masterpiece. You can learn more about Herd on his website and Facebook page. More images of “Olive Trees” and other works after the jump.
I’ve been dealing with food poisoning all morning but I mustered enough energy to post this lil trippy video. Not much info on this other than “Experiments in ovine geometry” but it’s pretty funny and well worth a look. Watch the full video after the jump!
Illustrator, Raymond Lemstra, acts to create a bridge that brings together the youth and the mature through his illustrations. His nostalgia for the sense of wonder we all experienced consistently in our childhood inspires him to create a world in which his audience might find the inspiration, and imagination to re-live that sensation once again.
Fascinated by the natural world, Joel Rea paints the pulsing elemental forces of our planet interplaying with human relationships formed in our society and consciousness. Driven to explore universal meanings around the human condition, Joel is also interested in depicting the underlying inner forces which drive human behaviour. He presents these narratives visually through the use of vivid surreal landscapes, seascapes, animals and self portraiture. Joel also harvests ideas from his dreams and draws subject matter from his life journey and his own personal struggle to become a professional painter, a life long ambition which was many times nearly derailed by the unpredictable turmoil of his years coming of age as a young man. (via)