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Paul Henry Ramirez

orangespin, Paul Henry Ramirez

In the ‘Spin Series’ artist Paul Henry Ramirez addresses social and aesthetic issues with abstract paintings. Each painting is set on a turntable and the audience is invited to rotate the painting. Ramirez creates a collaborative relationship between viewer and artist by making his paintings interactive. This makes it possible for the viewer to find the ‘internal logics, tensions, and interactions that order the multiple parts of the constructed configurations’. I really enjoy the image of the painting as it is spinning, but also like the sexually implicit imagry that emerges from the paintings when they are static.

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Ryan Lauterio

A nice mix of sculpture and painting on Ryan Lauterio’s portfolio site. My favorite piece is the above monorail. It looks like an ancient ruin from Disney Land.

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B/D APPAREL ARTIST INTERVIEW: CHRIS GRAY

Illustrator and designer Chris Gray

 

Chris Gray is a UK based designer and illustrator currently working in the studio at Love Creative working with clients like BBC, Christian Aid, Playstation, Bollocks to Poverty, Absolut and Dr Martens. His whimsical, iconic aesthetic reduces complex thought systems to catchy graphics that evidence a strong sense of color and play. Chris Gray recently designed Beautiful/Decay’s smash hit “Sex” (pictured above, for purchase here) and “Casual Apple” shirts. Read his full interview after the jump!

 

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Andy Callahan

Andy Callahan
Photographer and designer Andy Callahan hails from Leeds/Brighton. He’s also one part of duo MOUNT MILK, who for the exciting stuff I feel like they may be working on, still has nothing on their website- may this be incentive to change that! I’m really interested in this kind of design work recently that places a large emphasis on photography and laying out of the design in the composition of the shot.

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Joel Shapiro’s Gravity Defying Installation

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Interested in the floor, the wall, their flatness and the way his sculptures engage with both of them, artist Joel Shapiro’s installations and sculptures are dynamic and engaging.   Suspending sculptures at various points and angles throughout a space, Shapiro seeks to create a sense of movement that depends on the forms and their relationships to one another.  Though not site-specific, his installations are in direct dialogue with architecture.  Shapiro is compelled by what he refers to as that “capricious” moment where forms come together to become something else.

Born in Sunnyside, Queens to a physician and microbiologist Shapiro tried to follow his parents into science, but realized that he had to become an artist.  Of the need to make art he says, “You have to have some real drive and deep belief, a combination of ego and humility, so it’s difficult. You have to have some sense of self and have to have some doubting sense of self in order to externalize your interior, so it’s a peculiar combination of factors, at least in my case, that you sort of, in retrospect, allow. I’m always surprised that the work looks good!”

The extreme structural and architectural nature of Shapiro’s work, however, perhaps begs at that scientific inclination.  There is a precision to his abstraction that is challenging in the way it defies gravity and logic.  Catch his show currently up at LA Louver through January 14th.

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Gravity-Defying Sandcastles Look Like Strange Sea Monsters

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Unlike most sandcastles, Sandcastle Matt’s creations appear wholly organic; as if birthed from the sea, his structures resemble organisms composed of some primordial tissue, emerging like great unknown beasts from the deep. The artist uses wood, sticks, or vines as a base for these abstract visions. Later, he covers the sculptures in sand using a special technique you might recall from your own childhood: mixing sand and beach water, he creates a sort of paste, which he allows to fall from his hands in drips, which eventually dry and harden.

The artist must carefully construct the bones of the structure according to mathematical law so as to prevent it from toppling over when weighted; the arresting marriage of calculated geometry and unpredictable, organic-looking dribble results in a uniquely seen vision, one that is not easily discerned as either natural or manmade. It is, in fact, both, though one of Matt’s images was circulated on the blogosphere as a meme and mistakenly identified as the startling result of lightning hitting sand.

Like any good sandcastle, Matt’s architectural monuments allow for imaginative play. Viewers are invited to wonder, to make up stories (viral meme or no): are these the relics of some ancient, tiny civilization? The bones and flesh of a sea monster? Seen through the archway of one of Matt’s distinctive structures. the entire Boston skyline is dwarfed, silhouetted as if reflected in some strange mirror; seemingly against all natural law, his castles balance effortlessly, stretching out to the waves before them. (via Colossal)

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Sandra Dieckmann’s Wild Kingdom

Looks like today might be all animal themed posts so lets take a look at the work of Sandra Dieckmann, a lovely German born, London based illustrator who creates pattern rich illustrations full of your favorite creatures from the wild.

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anitabling.

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Here’s some hand-crafted whimsy for your Wednesday from artist anitabling.  from Uruguay.  Relief and countour give these geographic, multi-media sculptures a topographical view of a quirky, colorful world.  Check out more work on her photo stream.

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