Freelance illustrator Sam Brester pulls humor into social commentary, and sometimes criticism with his work, which is cut even more effectively through his odd perspectives and quirky characters. His illustrations can be found accompanying many a newspaper article both in the states and abroad. His personal project Hand of Man Publishing should not be missed… particularly if you’re in the market to purchase, publish, or peruse some zines.
Nothing like a penis popsicle to wake you up on a Tuesday morning. Ewa Mos, who likes to go by Moscva, has a fun illustration style that feels childish, in a good way. She also is a talented photographer, which you can discover on her photo blog.
Brooklyn-based printmaker Pete Watts puts graphite to paper to create highly detailed, model-style cutaways of complex man-made/earth conjunctions. You can get a closer look at Pete’s drawings through his zine titled Everything is Forever.
To celebrate the release of B/D Apparel’s new Spring collection, we are featuring a 5-part interview series, giving you a behind-the-scenes look at each of the artists who create our graphics. Within these interviews, we explore their creative process, tools of the trade, influences, and their advice for fellow creatives.
For the first interview in the series, we caught up with Jiro Bevis, who collaborated with us to create “B/D Breakfast Club” and “Thumbs Up”. Jiro’s work interweaves iconic pop cultural references and inside jokes alike, resulting in a bold mix of idiosyncratic images, united by Bevis’ humorous approach.
Artie Vierkant is an artist from San Diego, CA. His work includes paintings, sculpture, and a massive array of digital works. He has even taken Avatar the movie and superimposed it onto a spinning sphere. Most of the works “concern how digital media can constitute fully tangible objects.” His work includes too much to mention. Check out his site and more of his work.
When first seeing Brendan Cass’s paintings, you’ll know you are looking at the work of someone who is very free. Color swoops across huge surfaces, tenuously resolving itself into luminous landscapes. When I dropped by his studio he was freshly back from a trip to Spain. Brendan was laughing in this pic because Bebe, his cat, kept running in front of the camera.
I believe we were at Adobe Books on 16th Street in San Francisco when Sonny Smith first told me about his ambitious project 100 Records. It was one of many conversations Sonny was having with other artists; simply asking them if they would make artwork for the record cover of a fictitious band. The exhibit opened a few weeks ago at Gallery 16 and instead of writing more about the project, I would invite you to read Victoria Gannon’s review on Art Practical. I would also suggest that you watch KQED‘s feature with words from Sonny Smith himself. Exhibition closes May 28th. Will travel to other cities this Summer/Fall. Enjoy more images after the jump…