Vittorio Ciccarelli’s photographic series titled Invisible captures parts of the world that we pass by – what we look at, but don’t really see. The artist highlights fast food chain signs, lamp posts, factory windows, and more in these simplified and beautifully-designed images. Ciccarelli’s works feature vibrant blues, reds, and yellow hues, and it’s clear that he caught these places on a good day.
By zeroing in on just a couple of sets of windows or a portions of a sign, he creates abstract compositions. We now focus on the formal aspects of the work rather than where or what the image is of. Sure, we might recognize that the two lights are the top of a lamp post, but that seems secondary to the gorgeous shapes and how they interact with the cloudless blue sky. When you look at these places just so, as Ciccarelli has done, you see how peculiar the seemingly “invisible” things in the world really are.
Daisuke Tajima’s paintings are vertiginous in all aspects. They depict ultra-detailed never-ending tall buildings. The artist is placing the perspective from above, as if we were flying amongst the city. But the beauty of these paintings lies in the fact that they are all imaginary.
To get lost into his art. This seems to be the aim of the young artist. The paintings are massive and the features of the city landscapes so small. The rooftops are particularly intricately detailed. From the pipes and machineries to the hoists. The repetition of these elements form a pattern which appears regularly throughout the painting and which makes the whole picture look claustrophobic. Daisuke Tajima says he feels comfortable in this world. He seems to dominate what is around him. An escape which he purposely created in order to be able to feel safe and in control.
“I wanted to hide away in my own world to ease the loneliness and insecurity I felt from not belonging. This piece is a world I can believe in.”
Daisuke Tajima just recently graduated in Japan. His talent was rewarded by a prize of 10 million yen (about $83K) for the cityscape series “gokinchotaikoku II”. Although this sounds like a rich outcome, it doesn’t look like success will stop the prodigy from creating sensitive and meaningful art pieces. Loosing himself into the depth of an imaginary city is Daisuke Tajima’s symbolic hideaway. (via Juxtapoz)
A short animation from the mind of David OReilly. We observe the destructive, hopeful, yet abusive marriage between a cat and a mouse. Incredibly witty, minimalistic, and very conceptual. This is a personal favorite of mine.
Meet Noodles, Loli, and Scout, the radiantly emotive canine subjects of the photographer Elke Vogelsang’s personal project “All Good Dogs…” For the series, the artist captures the psychological lives of her trio of rescue animals, each honestly and earnestly displaying his or her own personal inclinations and attitudes.
Vogelsang explains that all her dogs love participating, knowing that they will get rewarded with treats and play; often it’s hard to limit a shot to one or two dogs, as Loli (the diva), Scout (the patient daydreamer), and Noodles (the excitable trickster) all vie for her camera’s affections.
What emerges from this unique and intimate play between dog and human is a touching archive of self-expression, a whimsical catalog of physical impulses and profound yearnings shared between species. Vogelsang’s lens treats the animals’ instinctive movements with the utmost care and fascination, capturing their desires (for treats, for activity, for love) by tracing the slightest movement of a pink tongue or a snout prickled with excited whiskers. Viewers are invited to empathize with a tilt of the head, a glint in the eye.
The artist’s sensitivities and attention to detail allow for effortless harmony not only between artist, viewer, and canine but also between individual dogs. Noodles, Loli, and Scout feed off of one another’s energies and restraint, moving with astounding purpose while remaining in synch with one another. In one image, two share a powerful yawn or bark, opening their eyes and mouths wide to the camera. Aligned in a perfect tryptic, the three are shot in black and white, each with their noses sniffing upwards and their lips carefully parted.
Simultaneously earnest and humorous, this standout series reminds viewers of the wisdom and longings of our canine friends, who are indeed “All Good Dogs…” (via Colossal and Bored Panda)
If you’ve spent any time looking at Google Earth, you’ll notice that the photography isn’t always perfect; sometimes things appear a little weird. Brooklyn-based artist Clement Valla looks for these oddities, scouring the site and viewing places from different vantage points. At certain angles, highways appear as if they’re melting, dipping into ravines and rivers. It’s trippy. He collects these images and calls them Postcards From Google Earth.
These scenes aren’t the result of glitches or of errors in the algorithm, but are the logical result of the system. Valla explains, “They are an edge condition—an anomaly within the system, a nonstandard, an outlier, even, but not an error. These jarring moments expose how Google Earth works, focusing our attention on the software.” 3D images like we see here are generated through texture mapping, where the flat satellite image of earth is applied over 3D terrain. Most of the time this is seamless, but sometimes, when the spaces are so different, things look wrong. Valla goes on to remark:
Google Earth is a database disguised as a photographic representation. These uncanny images focus our attention on that process itself, and the network of algorithms, computers, storage systems, automated cameras, maps, pilots, engineers, photographers, surveyors and map-makers that generate them. (Via Amusing Planet)
The figures of Korean artist Wang Zi Won seem above all peaceful. His statues are also machines that perform prayers. He mixes Buddhist imagery with autobiographical depictions to illustrate a futuristic mix of technology and spirituality. It is interesting that Wang’s sculpture’s abandon the physical body – in a sense something Buddhism and visions of the future share in common. Indeed, his vision of the future seems to be a bit of an optimistic one. That is, one in which further harmony between man and machine leads to a more complete existence and identity. [via]
The street artist Basik has a singular style. Though often sparse in color, his murals don’t lack in detail. The compositions seem extensively planned. No component is set without intention as if its precise creation were some sort of ritual. Basik’s extreme attention to line is rare in the aerosol can wielding medium. He says of his work:
“I found human and animal bodies, especially hands and weird face expressions, very captivating. I started a research about lines, shapes and solid aspects of the colours. Subjects painted are often idealized and slightly surreal. Strokes become bones, while paint’s matter turns into flesh. I love to make my works on useless and broken items. Painting becomes more intense and dramatic whilst the support gets a whole new dimension and dignity.”