Guy Denning of Bristol, UK has been putting out emotive, figurative paintings for almost two decades. He works mostly in oil, perhaps the perfect medium for working with the human figure due to its unique luminous qualities, and he takes the guesswork out of using art as a mirror for the human condition by directly rendering our anguish and strife in muted, stylized tones. He also maintains a pretty awesome daily drawing blog.
Like all artists you probably dread having to spend months creating our portfolio sites. You can spend endless hours dissecting code and troubleshooting plugins until you go cross-eyed and once you get done you’re so traumatized that you’ll put off updating your site for as long as possible. There has to be a better way right? Well our pals at Made With Color are here to save the day!
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Korean artist Kim Joon fabricates images of fragments of hollow porcelain that resemble nude bodies. Through a painstaking digital process, Kim coats the anthropomorphic forms in bold patterns from ceramic brands such as Villeroy & Boch, Herend, and Royal Copenhagen. What results are deceptively convincing surfaces complete with reflection and shadows.
According to Kim tattoos are not only physical inscriptions on the body but also signifiers of mental impressions left on the consciousness. Alluding to society’s weakness for material objects, Kim’s tattoo imagery reflects our obsessions and deep-seated attachments. The artist’s exploration of tattoos stems from his experiences tattooing his peers while in the Korean military. In his earliest works, Kim grappled with the notion of tattoos as socially taboo in Korean society. He created sculptures that mimicked tattooed portions of flesh. Using water-based markers, he embellished latex-coated sponges, creating anonymous parts divorced from the human form. In recent years, Kim’s work has neatly overturned the negative connotations surrounding tattoos in Korea. In his hands, not only do tattoos reflect social habits and desires but they’re also a vehicle for transforming the body into a highly aestheticized object.
I’m always pleasantly surprised by the great work that artists post to our Flickr Creative Pic Pool. This time around I present the work of Brendan Lee Satish Tang . The images in this post come from Brendan’s Manga Ormolu series which “enters the dialogue on contemporary culture, technology, and globalization through a fabricated relationship between ceramic tradition (using the form of Chinese Ming dynasty vessels) and techno-Pop Art.” You can read more about Brendan’s work on his site and see a few previous bodies of work.
If you would like to possibly featured on the B/D blog make sure to join our flickr pool. You never know who we’ll pick next!
Jane Perkins reproduces classic paintings using found plastic objects like buttons, beads, jewelry, shells, toy figures, LEGOs, and other plastic items. With her careful and meticulous arrangements, she faithfully recalls well-known works, enhancing the texture of them and creating interesting depth. She implements each item’s original color and shape skillfully into the compositions, illustrating shades and lines with the outlines of the objects. From afar, her pieces could pass for prints of these famous works, but up close, the viewer is granted another layer of appreciation for them. Perkins applies her background in textile design to her plastic found object arrangements, artfully utilizing the textures of each object. (via my modern met)
“Dushi” is the title of Dutch artist Florentijn Hofman‘s current exhibition, on display until July 4th, 2009 at Gallery West in the Hague, Netherlands. The show is comprised of gigantic stuffed animals “where the change of scale completely changes their function and feeling.” The giant animal motif is not a new one for Hofman, as you’ll see after the jump.
Artist, photographer, and writer Rachel Wolfe is definitely multi-talented. (She’s also already authored a book, 90,000 Miles On I-90.) Her personal photos give us a glimpse into her life’s journeys and travels, which she eloquently narrates in her own voice. If you visit her site, you can also read some of her original poetry!
Hungarian photographer Flora Borsi digitally “distouches” images of models. After analyzing fashion portraits, the artist took note of the overt emphasis on perfection the images took. She then decided to play with the process to perfect by attempting the opposite. Her images wink to the classic artist portrait, perhaps even take their composition from what looks like could be a model or actor’s headshot, yet instead of aiming to portray women at their most beautiful, her mission was to create something truly unusual. Her portraits highlight distorted faces of women that tend to have three eyes, peculiar brow lines, and lips that droop, giving an almost absent chin. With a thread of shiny hair and dramatic lighting, this body of work almost acts as a portrait series of genuine alien beings. The artist explains the project in her own words:
“In this project I’ve been analyzing some fashion portraits, how perfect they are. So I made the opposite of retouching, somehow I distouched these pictures of perfect models. This project is connected to surrealist painters point of view: beauty wasn’t enough to give me interest. I love imperfections as much as I love surrealism. These pictures are my little monsters, no one wants to look like them, because they are totally unique.”
Borsi’s work uses digital manipulation in order to explore her fascination with surrealism. She focuses on issues surrounding identity, relationships, emotions, and dreams with the aim to investigate the complexity of the human psyche.