Jeff Sonhouse creates the most tripped out jester-saint psychedelic pimps who are all standing on the verge of getting it on. Fly tinted shades, canary top hats, tight pin stripes, righteous afros, bow ties, fox pelt stoles…you get the idea!
Though New York based artist, Kiki Smith, works with various kinds of materials, she is most widely known for her sculptures. Kiki works with many topics of which include shame, our relationship to nature, and she is even considered to be a feminist artist. But if you must define what she is “about,” I would say that she is very interested in humanity as natural creatures and our inner conflict with wanting to suppress natural urges. Even when crude, her craftsmanship exhibit so much beauty, that I am always consistently filled with feelings of whimsy.
I wish I had more information about these bizarre airbrush paintings by Norman Catherine but I don’t. You might be thinking to yourself that they were made a couple of months ago but in fact they are from the 1960’s & 70’s which is a wild fact considering the contemporary color choices and subject matter. If anyone can track down more info on Norman please share!
Jordan Sullivan’s series The Burial Cloud examines and reflects on the rape of his mother in 1973, Petacalco, Mexico. Each photograph is just a glimpse into a memory, a fleeting moment that we cannot hold onto or make sense of. Sullivan has created this series from found photos and letters from his mother, as well as his own staged photography. The tone in the photographs quickly changes from adventurous and carefree to somber and destructive, all the while embodying the same distant vagueness. This leaves us with curiosity and wonder of the events that took place. Sullivan explains:
“[My mother] had traveled with her friends to Petacalco in search of an epic wave that a pair of surfers had recently discovered.”
This series lays out the event just as it would appear as a memory; in fragmented images that shift throughout time. There is no implication of a time or place in much of the imagery, just a window inward reflecting on the human psyche. The emotion of the woman shown, the photographer’s mother, changes from bright and excited to isolated and alone. The Burial Cloud is a journey in which we must piece together a story we cannot fully understand. A story told through disjointed, stunning images that include roaring oceans, burning flora, and scenes of discontent. These ethereal photographs radiate feelings of discovery, doubt, youth, and fear. Sullivan shines light on a delicate subject while beautifully capturing his mother and a tragic past. The Burial Cloud will be released as an illustrated biography in 2016, and will include photographs, text, and collages.
Overloading, as you can clearly see, is a serious problem in China; about 80 percent of trucks (or any means of transportation used to transport goods) are overloaded. These vehicles have been damaging the country’s already-crumbling highways and they have been the cause of collapsed bridges in the past. This bizarre collection of photographs,published by China Foto Press, reveal the heartbreaking reality of the statistics, as we see here the incredible amounts of junk that these tiny transportation vehicles carry on a daily basis. Although amusing and puzzling at first, these colorful and peculiarly beautiful compositions beg for awareness and possibly a chance for change.
“Highway and bridge tolls in China are too high for transportation companies. Sometimes, they can account for as much as 20 percent of the total expense. Therefore, many companies carry too much freight to try to make trips more profitable and compete with rivals.” – Cui Zhongfu, secretary-general of the China Federation of Logistics and Purchasing.
The rivalry over transportation companies has cost China about a dozen collapsed bridges each year. For instance, Qiantang River in Hangzhou, a bridge that was designed for vehicles weighing only 30 tons and trailers weighing 55 tons, was abused by truckers carrying loads in excess of 100 tons. The bridge finally gave in and collapsed in July 2011, when a 129-ton truck tried to cross it. In the same month, a bridge in Yancheng and another 301-meter steel-arch bridge in Wuyishan, Fujian province, collapsed. Both bridges had been built about 10 years ago. (Via Amusing Planet)
Amazingly ridiculous neon neo-90’s rave monsters from future primitive fashion line Casette Playa.
Watch your world come to life with the Samsung Galaxy S4 . With a 5″ full HD every photo you shoot comes to life on the screen. A bigger screen means better viewing for all that you do online, whether it’s watching the latest video by your favorite performance artist, catching up on graphic design news or showing off the latest piece of art you created to your friends- Samsung’s HD screen let’s you see it bigger and better.
The Samsung Galaxy S4 comes equipped with loads of apps that make your every day life easier. Pair the phone with your TV for a remote you’ll never lose, the built in optical reader recognizes and searches printed text, even in the winter time getting directions with your gloves on is a cinch. Grab info from a business card and turn it into a contact instantly! Have a new favorite song you want to share, use the Group Play app to play the song on multiple phones. And for gamers, get your friends together for game session on the S4’s HD screen.
The photo possibilities are endless with a front and rear camera that can be used simultaneously and the ability to make gifs and apply filters on the fly. Conferencing is easy with the ability to share your screen with friends and family.
Have friends or clients overseas? Translate on the fly with S Translator for global communication on the go.
Best of all the Samsung Galaxy S4’s stylish design will be right at home with your other electronics.
This post is sponsored by Samsung
Petrina Hicks’ latest series Beautiful Creatures appeals to our senses. Immediately alluring the large-scale, hyper-real photographs, are all rendered so clearly and with such control that they are reminiscent of advertisements, promoting a slick new television series perhaps, or teen clothing range. But with a series of little ruptures, within images and between them, Hicks disrupts our usually beguiled response to such artistry. For her, photography’s capability to both create and corrupt the process of seduction and consumption, is of endless interest.
In her 2010 series Every Rose Has Its Thorn (last two images), Hicks subtly and quietly teases the threads of consumerism and unravels the relationship between beauty and money. As if to understand the mechanics of this art she pulls it apart, extracting, classifying and itemizing elements of visual seduction. Perfect pink roses, bunches of grapes, fluffy white kittens, and stone statues of an idealized human form, reappear as Hicks distils recurring motifs, singles-out illusory devises and over-saturates symbolism. It is seduction on steroids. In a time when so much fine art photography embraces the banal and anti-aesthetic as a distancing device from ever-seductive commercial imagery, Hicks has taken a radically alternative approach.