Erik Ravelo‘s photo series Los Intocables, or The Untouchables, captures children pinned up crucifixion style against the backs of adult authority figures. “The Right to Childhood Should Be Protected” subheads the title of this provocative series that addresses the responsibility of adult figures with regard to the harming of children in various contexts. Ravelo places the children at the forefront of issues such as military occupation, tourism, healthcare, religion, and school violence, asking viewers to consider the potential for abuse within these issues and institutions. More photos and a short video after the jump.
Jan Fabre is an innovative visual artist whose works explore the realms of psychology, anatomy, and metamorphosis. Throughout his career, Fabre has been particularly fascinated by the human brain—the seat of cognition, and arguably, the spirit—and the way neurobiology intersects with the heart. He studied the brain for over ten years, working in dialogue with neurobiologist Giacomo Rizzolatti. Wondering about the brain’s role in the experience of emotion and empathy, Fabre asks himself and his viewers, “Do we feel with our brains and think with our heart?”
Featured here is a series of Fabre’s Carrara marble brain sculptures, each one bearing surprising elements; insects crawl across the veined surfaces, and scissors and corkscrews protrude in a macabre flare of the surgeon’s table. Fabre experienced being in a coma twice in his life, which caused him to explore the brain as an eerie, post-mortem state (Source). As a result, death is present throughout these works; the brains stand as white monuments not only to our mortality, but to our statuses as both individuals and interconnected human beings. Following this theme, Fabre has also sculpted marble bodies resting on tombs, similarly adorned with insects, which represent the transmutation of the physical and spiritual, life and decay.
Fabre’s work will be exhibited at the Deweer Gallery in Otegem, Belgium, from November 4th–December 20th, 2015. Titled 30 Years / 7 Rooms, the show features Fabre’s decades-long collaboration with Mark Deweer. (Via Hi-Fructose)
Bart Hess, perhaps best known as the guy who did the slime art in Lady Gaga’s videos, creates work that distorts the human body in delightful and troubling ways. Visually, it’s astonishing. Hess intersects high fashion and fine art with an ease reserved for very few. His visually tactile aesthetic is informed by a marriage of hand-craftsmanship and digital retouching.
Hess’s recent projects, entitled Heart to Mouth, MUTANTS, and Shaved, respectively, use futuristic materials and textures to blur the boundary between textile and skin. “My work involves a lot of handcraft and a lot of work behind the computer,” Said Hess in a recent interview. “These two opposite work-methods inspire each-other. Personally I think that making for example an animations helps me to think differently about the movement of a textile.”
Hess’s mixture of craft and computer is marvelous to witness, because while he plays on tropes about the human body, he doesn’t offer any suggestion as what to think about it. It’s a purely visceral, colorful, and visually arresting experience. The rest is up to the viewer. (via gaite)
Marina Abramović is one of the most compelling artists of our time. Seductive, fearless and outrageous, she has been redefining what art is for nearly forty years. Using her own body as a vehicle, pushing herself beyond her physical and mental limits, and at times risking her life in the process, Marina creates performances that challenge, shock and move us. Through her and with her, boundaries are crossed, consciousness expanded — and art as we know it is reborn.
The feature-length documentary film Marina Abramovic The Artist Is Present follows the artist as she prepares for what may be the most challenging performance of her life — a new piece that will be the highlight of a major retrospective of her work, taking place this spring at The Museum of Modern Art in New York.
To be given a retrospective at one of the world’s premiere museums is, for any living artist, the most exhilarating sort of milestone. For Marina, it is far more — it is the chance to finally silence the question she has been hearing over and over again for four decades: “But why is this art?” At 63, she has lost patience with being branded “alternative.” That designation, she says, just gives people license to rip her off. What she wants now is for performance art to be legitimated. She is thinking of her legacy — and the MOMA show, as she well knows, can secure it once and for all. “It is,” she says simply, “the most important [show] of my life.””
View some of our favorite videos and interviews with Marina Abramovic after the jump.
Some tasty motion graphics & 3d mastering can be found on Jon Malkemus’s site.
There is something peaceful and almost soothing about the charming characters in Edward Kinsella’s illustrations.
Mexican artist Ricardo Solis has re-imagined both the divine and evolutionary theories on the origin of life. In his whimsical paintings, artist depicts various animals — from a goldfish to an elephant — being colored, carved out of stone or even weaved as the friendly mama bear below. Solis’ works connect the realistic style of painting with his tameless imagination.
The viewer is presented with a variety of animals, painted in an almost anatomically accurate manner. Under closer inspection, the works reveal a Guliver-inspired action: tiny humans crawling up and down the monolithic animals, covering them in paint, sculpting or attaching ribbon stripes from a flying Zeppelin. Although Solis’ creative interpretation is far from reality, his lighthearted version of genesis is relaxing and fun to observe.
Solis was born in Guadalajara, Mexico. Despite being brought up in a large metropolis, he was always attracted to art and nature. After graduating from the School of Visual Arts and becoming a professional painter, Solis has a chance to link these two passions together and channel them through his dreamlike works of art. In his website Ricardo Solis claims to believe in “the undeniable existence of a Creator” which seems like the epitome of his work. (via Lost At E Minor)
Alvvino, Berlin based design/illustrator creates a style that seems long past. When i first peeked at his website I thought to myself “Classic!” Then I thought “no no, you’re just an intern here. You have no authority to make judgements like that” But the craftsmanship of these pieces are inevitable and their atmosphere is both pleasant and consuming.