Using the natural shapes and contours of the body, German artist Gisene Marwedel transforms the human body into a living, breathing work of art. Marwedel paints finely detailed images, ranging from animals to landscapes to abstraction. She first learned the art of body painting while in India, where she began painting with henna. This skill evolved into a full-time hobby (she has a day job as a speech therapist). Her work depicts scenes of movement and grace with a hauntingly surreal aesthetic. (via mirror)
Carlos Cruz Diez‘ choice medium in his installation Chromosaturation is simply color. While we’re accustomed to seeing many different colors constantly and simultaneously, Diez uses only three colors presented one at a time as a departure point: red, green, and blue. Diez saturates a room with one of these single primary colors of light. The color floods from room to room, interacting with other colors, creating entirely new hues. The light immerses the gallery space so thoroughly that the color almost takes on a physical aspect. In his statement, Diez says:
“The Chromosaturation can act as a trigger, activating in the viewer the notion of color as a material or physical situation, going into space without the aid of any form or even without any support, regardless of cultural beliefs.”
In his first eleven years of life, the Serbian artist Dušan Krtolica has already exhibited his drawings at two nation-wide solo shows. He began his drawing career at two-years-old, displaying an astounding visual ability; since then, the prodigy has focussed his efforts on depicting wildlife and natural worlds, both existing and extinct. As with the notebooks of Renaissance master Leonardo da Vinci, Krtolica’s pages are filled to their edges with rich anatomical and zoological studies. Though passionate about drawing, the fifth-grader hopes someday to pursue his passion for animals by becoming a zoologist.
Krtolica’s drawings magically marry a childlike sense of wonder with a more seasoned visual precision; though startlingly detailed and studiously seen, his work maintains a frenetic and unabashed curiosity. His ocean floors and vast jungles are seemingly blessed with creatures of different periods, as if more mature and evolved animals could intermingle with primordial beasts. The bodies of animals overlap in the midst of a wonderful chaos, and an armed knight is envisioned with the same degree of specificity as a tiny beetle.
Though powerfully scientific and unfalteringly observant, Krtolica’s images contain within their borders an ineffable quality of life and vitality, as seen through the rubbing of hybrid wings, the weaving of a spider web. The artist possesses both the awe-filled eye of a child and the technical ability to render his imaginings on paper, and that is a truly magical combination indeed. Take a look. (via Demilked)
This is a bizarre yet interesting project by Russian photographer Igor Starkov. Here is a description of the project in the photographers own words:
Vladivostok amateur photographers often go to the countryside for photo sessions. Anyone can be a model but in general they are young girls and photographers are men of different ages.
The larger and more expensive the camera and the longer the lens, the bigger the chance to find a girl for a photo session.
I was photographing what they have created. Postures, looks, everything was as it would be on amateur photographs with the only difference that I was using film and medium format and perhaps was composing my frames more professionally.
And photographers are eager to touch young girls with their hands, put down a bretelle and may be get to know her closer. There is even a certain competition between the photographers – who managed to take pictures of more beautiful girls, and whose pictures are sexier. To persuade her to pose naked requires mastery not everyone has.
If you’ve ever renovated a home you know how challenging it is to find floor coverings that fit in with your Eames Eiffel chairs and Eli Walker paintings. And if you’re looking for something that’s made in the USA, great quality and environmentally friendly, it’s an even greater challenge. That’s where Stonepeak Ceramics comes in, they offer Italian quality tiles made in the USA using advanced technology to reduce waste and even carry a Greenguard certification.
We all know the story of Vincent van Gogh’s ear, an organ that the artist is rumored to have severed from his own head in a fit of lovesick madness. For her project Sugababe, the artist Diemut Strebe has recreated the living ear of the legendary Post-Impressionist. Teaming up with scientists and using an advanced 3D printing technique, Strebe constructed the true-to-life organ from a sample of the late artist’s DNA found in an envelope that he had licked in 1883 and live cartilage from the ear of Lieuwe van Gogh, a grandson of the painter’s brother. The replicated ear, now on view at The Center for Art and Media in Karlshruhe in Germany, is kept alive by being suspended in a solution laced with nutrients.
Strebe’s installation includes a microphone into which viewers can speak. The sound is then carried to the ear, which hears speech as a crackling noise that is projected through speakers for all to listen. For the artist, Sugababe is a physical manifestation of Theseus’ paradox, wherein the ancient Greek hero was asked if a ship would remain the same if all its individual parts were replaced with new ones. Here, Strebe asks if this clone of an ear might in fact be considered the same ear worn by van Gogh. Tragically unable to respond the viewers who speak to it, the organ seems startlingly alien. Though it is composed of the same elements as the original ear, it lacks the humanity and the romance we ascribe the artist whose molecular biology it shares.
Given the tragic history of the artist, Strebe’s work carries with it a sense of loss and poignancy. Where the living van Gogh was unappreciated— reviled, even—in his time, here even his tiny organ is preserved with the utmost care, his body transformed into a valuable work of art in and of itself. (via Design Boom and The Daily Beast)
The photographic murals of Mike Hewson don’t exactly decorate the buildings they inhabit. Rather, the murals create surreal optical illusions, highlighting the buildings by nearly making them disappear. Hewson, creatively uses perspective to erase walls or even entire structures. In some of his work this reveals the buildings inside – its purpose being put to use. Other times, his work interacts with the building in order to recall an empty space or a space’s potential. Hewson’s murals hints not only at structures that we’d often take for granted, but our often overlooked relationships with them.
Description of Robert William Overweg’s “Documenting Current Spaces” series:
I have been photographing virtual environments since the end of 2007.
I felt a need to document these worlds because I see them as the new public spaces. I was grasped by their perfect beauty, most of the time copying our own real world. But with constant highlights of beauty. These documentary photographs evolved into a journey of research and questioning.
Is there a difference between a photograph of a simulated object and a photograph of the object taken in real life. Another interesting question, when does popular culture leave the copyright protected arena and become public domain? Aren’t captured experiences instantly the property of the viewer/capturer?