‘Wow’ is usually the first thing I say when I look at Matthew Porter’s photographs. Big, bold, and wildly imaginative, Porter fabricates iconic images straight out of a teenage boy’s day-dream. All critiques aside, it’s pretty cool to see a muscle car flying through the air, no? His latest show “High Lonesome” runs through January 23rd at M+B in LA, so hurry up and check it out!
“Candace Couse is a visual artist exploring issues surrounding space, place, and the body. Her work examines the basic human need to acquire territory as a prerequisite to identity, as well as the loss of security and anxiety that comes with disorientation. Functioning on the assumption that orientation is primary to all other human experience, the body plays a central role in her art practice as both a mechanism for experience and as the principal terrain that we all initially acquire. Her work eagerly engages with the idea of personal geographies as intimate approaches to orientation and identity that are profoundly detached from collective knowledge and public geographies. ”
100 mugs in 100 days. The creative duo Charlie and Blair rose to the challenge. The result is a collection of ceramic mugs, hand made and hand painted. Passionate about their work, they were able without any difficulty to create the mugs in a conventional and less conventional way. Adrian ‘Charlie’ is the one making the shapes, while Heather ‘Blair’ paints. The project nourished their excitement and enthusiasm, striving to stay focused and creative at the same time. “It’s that passion and drive that keeps you motivated to create day in and day out”.
The design of the mugs started as commercial. Adrian says the greatest challenge was to innovate. To encounter the risk of facing self doubt, anxiety and failure during the process. Therefore, there’s a clear exploration of shape, form and function. Some pieces end up not representing at all a conventional mug. The paintings on the mugs were inspired by travels to Turkey, Korea and Japan. Heather translated architecture and decorative patterns on mosques, tiles and jewelry into the ornaments of the mugs. She mostly used quirky designs and doodles. There’s an intention to contrast the original and singular shapes with classic color tones. Making each piece unique and one of a kind.
U.S. Marshals is American photographer Brian Finke’s fourth and most recent series. The artist documents the everyday activities of the law enforcement officers. The photos are particularly relevant in light of police violence in the U.S. The most recent case is in Ferguson, Missouri, where an unarmed teenager was shot by a police officer, the issue of race, of course, being a huge factor. The photographs provide a privileged glimpse of the conduct of these federal officers, something that should certainly be available for examination.
U.S. marshals function at a federal jurisdiction, transporting prisoners, judges, prosecutors, witnesses, and arresting “the country’s most dangerous fugitives”. According to Finke’s website, they have been involved in “missions ranging from tracking down train robbers in the Wild West, to protecting African American school children segregating the south in the Civil Rights Era, from enforcing all U.S. laws in Antartica, to seizing and auctioning off fraudster Bernie Madoff’s property.” A diverse resume to be sure.
The photographs are not surprising in what they portray – men and women in uniform and bulletproof gear – but there are moments of intrigue. I’m definitely interested to know what the story is behind the pink cuffs when all of the other gear in the photographs is so much more severe. I’m also curious to know what’s going on with the shirtless and shoeless man in nothing but a bathing suit being escorted away by a marshal.
Finke is releasing a book of his U.S. Marshal series November 20th and will coincide with a solo exhibition at ClampArt.
The artist’s canvas is not just where the brush meets the surface. It is also a window into the artist’s mind. When viewing Lari Pittman’s work, the flashes of bright color and chaotic landscape of wild, yet calculated brush strokes, tantalize your eyes. You’re looking through the window of a genius. It always amazes me how people conceptualize abstract works such as this. Truly remarkable.
Ruth Murray’s paintings of teens and tweens goofing off, partying, eating too much candy, and causing mischief.
Dear “Psychedelic” Artists: It takes more than neon paint and a strategically placed black light to blow one’s mind. Just ask Larry Carlson, visionary multi media artist! I would describe Carlson’s work as Magritte and Dali’s love child if such a child were conceived after the advent of Photoshop. Beautiful yet jarring, welcoming yet otherworldly, Carlson’s work is a true feast for the eye.
Hey Readers, we’ve been loving all the Plywerk contest submissions so far, make sure you them commin’! There is definitely a lot of talent within the Beautiful/Decay crowd. Also, a little reminder that Tuesday (August 25) will be your last chance to submit your work. For all of you that have no idea what I’m talking about, here is the link to our Plywerk contest post: Plywerk Contest
Good luck guys!