Anne De Vries is interested in “reducing a staged scene into a two dimensional image and then photographing it. The image becomes further removed from a dominant physical presence and allows the focus to shift more to the codes and spells that these tableaus evoke. These images are meant to exploit the visual and iconographic potential of the common world as a language.” Check out “Constructing Virtual Reality” (in collaboration with art group AIDS 3D– there’s something weird with their site right now, we’re not trying to give you guys computer viruses…) where a semblance of a 80’s/90’s cyber world is created by photographic tricks: long exposures and grid made out of strings with black light.
This incredibly detailed newspaper art or “lace newspapers” are the work of Canadian paper artist Myriam Dion. Using an Exacto knife and a surgeon’s precision, Dion creates intricate lacey shapes using existing text images from newspapers, cutting out white space and leaving some of the paper image in tact. The results are beautiful new images that have been completely transformed through Dion’s skilled paper cutting and fine attention to detail. She creates other deconstructive work, like her ornate burned photograph series.
Dion is currently working on a masters degree in visual and media arts at the University of Quebec, and will have her work featured in a number of upcoming exhibitions, including Pulse Miami,Art Toronto 2013, and Foire en art actuel de Québec. (via colossal)
Los Angeles-based Apenest, a publishing/ printmaking project created by Cody Hoyt and Brian Willmont, presents Plain Air. Plain Air is the second in their series of exhibitions focused on showcasing talented emerging artists at Cinders Gallery in Brooklyn, NY. Plain Air is running from Oct 15th – Nov 14th, so if you’re in the neighborhood don’t miss out!
Joana Avillez is a radical comic book drawing machine from Manhattan, NYC. Her work exists in a universe all her own where old timey cartoons wear Geta shoes and one-of-a-kind hats, while reading old issues of Heavy Metal and Raw, over a nice hot bowl of asian soup. Buy copies of her most recent book “Life Dressing: The Idiosyncratic Fashionistas” here.
Roxy Radulescu lives and works in Los Angeles, CA. In addition to her many graphic design projects she is currently working on a series entitled Movies In Color in which she sheds light on the color composition found within single frames of famous films. Not only does deconstructing frames from a film like 2001: A Space Odyssey help to reveal a gorgeous color spectrum, it also highlights the masterful Cinematographer responsible for framing and shooting the picture. In her own words it is ” …a pursuit that showcases the relationship between color, cinematography, set design, and production design. Overall, it is a study of color in films, but has other uses and applications. One of the goals is to give artists color palettes they can use in paintings, films, videos, graphic design, and other pursuits. I search for stills that are compositionally interesting as well as rich in color. I use the help of a color generator to get a very basic range of swatches. Then I piece together the general palette from that and other colors I think are prominent or worth including from the still.”
Artist Danny van Rynswyk’s latest work is a series of captivating digital paintings and three dimensional painted sculptures reminiscent of Victorian era portraits Skulls, Aliens and Beetles: Enter The Demonic Monochromatic Characters of Danny van Rynswyk and curio shop items. They are all monochromatic and depict a series of moody characters in contemplative stances. They are all dressed in Victorian era clothing and are sometimes sporting rabbit or demon masks which add to their eerie masquerade. His characters also have disturbingly childlike traits which add to the odd atmosphere of his project. His work is both beautiful and grotesque and in many ways inspired by the surreal and the deep, dark corners of the imagination.
He creates his work with the help of 3D software, which allows him to combine fine art and technology. He paints the sculptures by hand and, as a finishing touch, places them under antique glass domes, which add to the curio shop aspect of his work. The glass domes also add to magic of his pieces and make them look like precious collector’s items.
Van Rynswyk’s abundant use of skulls, gothic imagery and wide eyed characters reminds one of Tim Burton. The shadows in his work are purely German Expressionist in the way that they are painted, and play off an absence of light in order to create a stonger atmosphere. His work is the stuff of dreams and nightmares, anatomy and science fiction and it allows the audience to create narratives surrounding his peculiar characters.
Photographer Abelardo Morell brings that outdoors in in his series Camera Obscura. Morell installs a lens or prism in a window and transforms an entire room into a camera obscura. The view outside is then projected on the opposing wall – upside down through the lens and right side up through the prism. A long-exposure photograph captures the outside world as its projected within the room. He says of the process and series:
“Over time, this project has taken me from my living room to all sorts of interiors around the world. One of the satisfactions I get from making this imagery comes from my seeing the weird and yet natural marriage of the inside and outside.
Jim Darling’s paintings use tromp-l’oeil airplane windows to frame picturesque though abstracted landscapes. The windows create a consistent context for the imagery, which otherwise might not be as recognizable. I’d hazard to say many of the people reading this article have had the compulsion when on a plane to take a photo of the view below, but rarely if ever does it turn out as what you see. Darling’s paintings manage to maintain the feeling of what you’re seeing out your window. They are abstracted views of farmland divided into squares and circles by roads, or blocks of suburban houses with pools and green yards of grass.
It’s especially interesting to see the very realistic rendering of the window beside the loose and impressionistic landscapes. Each window responds to the painting within it. The windown accompanying the New York skyline, depicted in sandier colours, maintains the same colour themes and scratchy technique, but still appears much more meticulously realistic than the loose style the city is painted in.
These paintings are rather subdued in contrast to some of Jim Darling’s other works. Recently he’s been creating large-scale installations and even what you could call sculpted paintings. His installations are made of discarded items and junk to create a giant yellow robot, or a curved X in the middle of a church in Detroit. For his painted sculpture he made a head puking water with a motorboat riding through it, all out of wood and painted in simple colours. Check it out on his website. (Via I Need A Guide)