Fountain is a sculpture made by Letha Wilson using drywall and wood reclaimed from art gallery walls, and an artist’s studio walls. In this piece the form of a classical water fountain is invoked, typically present in a garden or entryway as a symbol of the utopian ideal. Walls and building materials previously used to house artworks, complete with paint stains and remnants of their past life, are re-newed into this functional water fountain. The drywall materials will gradually deteriorate away over the course of the exhibition as the paper and rock-based materials are worn down by constantly moving water.
Filthy Lurker’s sculptures walk the fine line between site specific installations, street art, and teenage gags. His website states that “his art is sparkling with humor, recklessness, and shocks you to look at the world in a new way.” What do you think? Is he merely a prankster who works on a large scale or does Mr. Lurker have something profound to say?
Dean Sullivan is like that doodling space-obsessed boy who sat behind you in kindergarten and claimed he really, honestly, for real had an alien abduction experience once and monsters living in his closet.
“The term “urban fabric” often refers to everything that makes up the built environment, excluding environmental, economic, functional and sociocultural actualities. Using raw material culled from an archive of merchant posters Christopher Michlig collected from LA streets, Patternesque is a group of 16 collages, each a pattern study riffing on idiosyncratic typographic anatomy. While each collage is a distinct composition, common threads run throughout. Emphasizing the flexible, open-ended nature of the project, the work also suggests the morphology of urban space. Alongside the collages, Michlig presents a group of architecture-related relief sculptures. Based on a tradition of architectural model making in which massing models are used to dimensionally summarize the fundamental forms of buildings, Michlig’s “City Plan” relief sculptures interpret typographic space as proposed city plans. Reflective of the spaces from which the original posters were collected, while simultaneously nondescript, each city plan forces a consideration of the power dynamic of language itself as an imagined built environment.” – Christopher Michlig
photo credit: Josh White
Maricor and Maricar, two twin sisters based in Sydney, design and hand stitch vivid colored quotes and phrases written in bold typography. The result is fresh and bright. They work as a team on sewn animations, illustrations and hand embroideries, coming up with unexpected color combinations. They work is most of the time commissioned for renowned international magazines within the publishing and advertising field. The latest embroidered pieces the artists created were quotes and bold statements. The words Love, You gotta keep cheering, Not everybody’s cup of tea and Shut up I’m dreaming are playfully displayed on monochromatic backgrounds.
Their embroidery making process starts off with a sketch. With the help of digitalization or the use of watercolors they fill the typos with vibrant gradient schemes. The design is usually traced onto cotton or linen based fabrics before the needle work; rendering a tactile 3D effect. Both equally involved in projects, they make sure their ideas are always original and pushing the technical limits of embroidery. They find inspiration in other designer’s work and take great pride in the fact that they have a unique and talented skill.
Artist Juan Fontanive creates hypnotizing flip books by assembling old mechanic bits from bike parts and clocks together with images of birds and butterflies. He hand draws, paints and screen prints the images onto paper and uses them to create his magical pieces. Fontanive is able to inject life into these static images with the help of stainless steel, a few cogs, a motor or two and some electronics. These half-film, half-sculptures he is able to build are beautiful delicate mechanisms – and are a dream to watch. Combined with the sound of the pages actually turning; the whirring and humming of the bits working, it seems as if the insects are literally flying off the page.
Fontanive calls his creations “films without light” and has developed his passion of making 16mm experimental films combined with a love of drawing machines. Art writer Gilda Williams says of his pieces:
“The artist’s flapping hummingbirds and rushing fish are sculptural animations, or perhaps automata: machine-powered facsimiles of life…In many ways, Fontanive’s artworks seem strangely possessed, producing curiously moving animals that are neither living nor dead, or creating ghostly systems which seem to float mid-air and follow a pace and logic of their own.”
In the past Fontanive has created a machine that breathed life into Victorian clocks. You can see this and many other fascinating projects of his here. (Via thisiscolossal)
Simon Monk lives and works in London. He has an ongoing body of work entitled Secret Identity that consists of various action figures painted with oils exactly to scale. Depicting these figures within a plastic confine allows for a reflection on consumerism and commodification. These encapsulated mythic heroes are simultaneously honored and belittled.