Critical Objects is a personal initiative of Berlin-based graphic design firm, HelloMe. The project began as a series of explorations that thrive on not having any particular goal. The project consists of a series of objects that transcend a blurry line between artistic sculpture and functional furniture. The beauty of the project is that it remains unknown to the user if these things should really every be used, touched, sat on, or turned on… We have a small collection featured here, so be sure to check out the full series at Critical Objects.
SpY is a Madrid based artist who playfully disturbs urban signs and signifiers, often confiscating them, transforming them, then installing them on the street. I love his really simple gestures, like putting orange construction cones on a sculpted bull’s horns–they just have the hilarious edge of an adolescent prankster (who went to art school and secretly adores Duchamp.)
In their inaugural unveiling, Dethkills will display 21 pieces that have been meticulously crafted over the past year. Each piece demonstrates their intricate and unconventional uses of “wet-in-wet” washes and dry brush technique, in conjunction with latex and acrylic paints.
This collection will display a group of works entitled “The 27 Club,” featuring iconic images of musicians and artists, such as Jimi Hendrix and Kurt Cobain, who were taken well before their time. Painted in the stark contrast of black and white, these legends are given new life.
The exhibition also includes a series of smaller works that illuminate the intricacies of everyday items, like a phone booth that you pass on your daily route or a box of your grandfather’s medals in the attic; relics of a not so distant, yet highly divergent, past.
The first 100 people at the exhibit will receive a handmade one-of-a-kind Dethkills photozine, with silk-screened cover and silk-screened insert, that showcases the process and progression of each piece in the show from beginning to end.
Opening Saturday November 13th 7-11pm
939 Chung King Road
Los Angeles, CA 90012
French photographer Pascal Pierrou takes interest in creating the ultimate ‘modern girl’ photo catalogue. Pierrou, a fashion photographer, is interested in showcasing alternative ‘feminine beauty’, the type that we are not really used to seeing in popular television or mass-produced advertisements. He primarily focuses on girls with short hair/no hair, tattoos, and piercings. While these women’s looks are not uncommon per se, Pierrou is looking to create a fashion-like photoshoot that shows off these women in a way that is uncommon and unexpected. For instance, his way of pairing a naked woman with a sword tells us that he is looking to show off a double-sided profile, one that shows off a rough edge, and another that features the soft lines of a slender and feminine naked body.
This idea of rough and soft lines is somewhat of a pattern amongst the photos on this series. These characteristics are indicative of what Pierrou thinks about today’s modern girl- often times, a woman that carries a powerful and tough, but ultimately soft appearance and character.
His inspiration for the series was Andy Warhols ‘Factory’ which was popular in the 60s in New York. Pierrou imagined people of a new factory, free women, feminists, artists that would exhibit their skin, hair, tattoos and words without being ashamed.
Hungarian artist Flora Borsi’s latest work was fueled by the emotions she felt after visiting Detroit. The artistic examination of architectural and infrastructural ruin has proven to be a topic of interest for many a creative person. From the ruins of once bustling institutions comes an idealization of the past that in turn triggers reflection on the future. She explains that she was “saddened by the state of abandoned buildings and factories”. She transferred this feeling into her latest project, simply entitled “Detroit”, which is a clever series of photos where she places old photographs of people in Detroit on top of photos she took during her time visiting the city.
Her photos include couples roaming the streets, children ice skating, and factory workers manufacturing tire parts. She merges what she sees as a very alive past and a very much less alive present. Through her splicing of past and present, she addresses the melancholy associated with the decay of an urban setting and the nostalgia of a metropolis in its heyday.
Her series reaches beyond a simple display of sadness and neglect, and the clashing of the city’s past and recent present provides strong grounds for reflection on the idea of rebirth. By doing this, she has somewhat created her own vision of urban decay in a way that is both bleak and hopeful.
I don’t know too much about Jagoda Boruch, except that this shooter is 19 years old and lives in Poland… and apparantly has an affinity for obstructing the faces of the people she photographs. At least, that’s the case in this series of images; whereby Jagoda omits the face but reveals the frankness of life’s quirks instead.
This is a picture of a picture projected onto the scene that the picture was taken of. Duh. Needless to say, artist Christian Engelmann likes to mess with people. His art is often interactive and always maintains a sense of playfulness aimed at eliciting exaggerated double-takes. Engelmann tries to jolt people out of their every day state of being and remind us that the universe is full of surprises.
Kevin Francis Gray’s neoclassicist-inspired sculptures are beautifully minimalist. Most of his work is created with leather, bronze, marble or fibreglass resin, depicting a stunning color palette of white, black, grey, brown, and gold. His subject is the human form and much of his work features shrouded figures. Gray attends to the detail and subtlety of the drapery that contain his figures, sometimes with a shocking element. His work exudes a familiarity and universality that is at once haunting and captivating. His work recently appeared in 2012’s Snow White and the Huntsman as a darker version of the mirror man. Gray was born in Northern Ireland and currently lives in London