Precision and thorough work is the base of Yoo Huyn’s design pieces. Through small hollow spaces a portrait of a celebrity appears: Audrey Hepburn, Pablo Picasso, Marilyn Monroe, and Jim Morrison to name a few. The Korea based artist uses an intriguing method to create his hyper realistic photos.
He uses an X-acto knife, tweezers, ink and Korean paper. Hand carving takes a lot of patience, and in this case it also takes talent.
Yoo Hyun’s signature style consists of zig-zag patterns, but he doesn’t carve in straight lines. Instead, he varies the thickness of each strip, to create facial features and expressions. Each line specifically adds to the three-dimensional illusion. The negative spaces are see-through, so layering the portrait over a colored surface or pattern adds even more depth.
From far away, and placed in front of a black background we can clearly recognize the face but zooming in, the cut-outs and white parts make a pattern which looks like an abstract illustration. There is something fascinating about his inspirations; the fact that he chooses celebrities mostly from Hollywood vs the contrast of the use of traditional ink and paper.
Yoo Huyn pushes the limits of what can be done intuitively and without the help of a computer.
This Friday ALL items in the Beautiful/Decay shop will be 20% off. Our full-color, willd and trippy posters make for great gifts. Plus, we’ve added a second wave of posters to the store, so be sure to check out the whole selection—and get 20% storewide savings this Black Friday. (Trampling sold separately.)
Melbourne based artist Casey Jenkins is a self-described “craftivist” who founded Craft Cartel, an organization that seeks to combine crafting and political activism, in 2007. “Craft imbues you with power because you’re forced to contemplate the issue you’re addressing. It’s very reflective in a sense of when you put that message out into the world, people know you must really care because you’ve devoted that much time to it,” Jenkins says.
Jenkins’ most recent performance project, “Casting Off My Womb” (Aussie TV calls it “Vaginal Knitting”) involves the artist spending 28 days (the average length of a menstrual cycle) knitting from a new skein of wool that she has placed inside of her vagina each day. Jenkins explains that her performance would not be a performance if she didn’t include menstruation. While she is menstruating, Jenkins says it becomes more difficult to knit because the wool is wet, and she has to tug on the thread a bit harder. Overall, though, she claims the process is slightly uncomfortable, but can also be arousing at times. For Jenkins, she enjoys that her performance associates the vulva – something that can be found offensive or vulgar or invoke a level of fear – with the comfort and warmth that knitting provides and evokes.
“The fact that [cunt’s] considered the most offensive word in the English language is a real marker of the time that we’re living and of the society’s attitude towards woman. There’s nothing possibly negative about it. It’s just a deep, warm and delightful part of the female anatomy.”
Illustrator Mark Todd has had work in publications like McSweeneys and The New York Times, and is now collaborating with Mishka for a show in New York. “Power Fury!” opens on April 15th at 350 Broadway in Brooklyn and runs through May 13th.
Katherine Akey’s works traces the delicacies of life on this planet in various ways. Through photograms and photographs, she narrates the whimsical beauty of nature. These smokey, sparkling greys are from a body of work titled Aurora, where she captured the mysterious movement of the night sky. Her penchant for unearthing, discovering, and a curiosity about the sacred aspects of voyage have imbedded in her a unique way of viewing the world, one she projects masterfully from glass lens to gelatin. Outfitting herself to visit Svalbard in the next year, she will no doubt deliver a new body of work that is even more sophisticated and compelling.
Akey is a beautiful writer, and her this excerpt from her blog shows her motivations and what led her to commit to the upcoming Arctic Circle Residency in Svalbard. Beautiful and compelling, it reads like poetry:
“These questions and their associated emotional valences could be analyzed using the machines and tools of a scientist; I choose, however, to use the events of the past, the texts left behind, the myths generated, and, hopefully, my own foray into those parts of the world as material for art making. My work also confronts the reality that adventure as we have long thought of it is just about snuffed out. Astronauts go to the safety of space stations instead of venturing into the infinite universe, and robots have taken the place of humans to explore the dusty surface of Mars. The ambitions of so many of these men who went north to explore were complicated and compelling; what drove them to embark, what kindled the hope that kept them alive, and what they give credit to for their success once they return are all completely different things. The North Pole itself is elusive and misleading; there’s a geographic north pole, a magnetic north pole, the celestial North Pole, and a northern pole of inaccessibility. The Arctic, unlike the Antarctic, is a frozen ocean, not a continent; there’s no land mass, just sea ice. The mythic explorer hero is also a foggy, misleading concept; these men were egotistical, driven by ambition, and many of them died miserable, needless deaths alone. All of my interests and works come out of this deep respect for the Human; I see it so clearly in these fevered moments of triumph-cum-horror, like the World Wars or the Golden Age(s) of exploration.”
With a visual aesthetic ranging from anime and manga, to the French art nouveau movement and traditional Japanese scroll art, Aya Kato transforms a common fairytale or love story into a passionate and vivid art piece.
With the design “Pharaoh,” Kato travels to the sphinx-riddled lands of ancient pyramids to create a royally bearded king transforming in swirling smoke into icons of Egyptian lore, from falcons to jackal heads and beyond. The 200 print run limited edition shirt is on a unique color way that will not be reprinted once sold out- so be sure to order today before it’s gone!
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Beautiful/Decay is pleased to introduce online website building platform Made With Color, which empowers artists artists to build a professional website in minutes. Made With Color allows artists to build a sleek website and share their art without having to code and spend hours on lay-outs. The simplified and responsive navigation is made to be functional. Giving both the artists and the viewers the possibility to explore some of the best contemporary art in a pleasant environment. This week, we are sharing Edith Beaucage’s latest work ‘Chill Bivouac Rhymes’ series.
California based Edith Beaucage translates an atmosphere onto the canvas, using the painting as a snapshot. Her work involves characters, a scenario and a scene. Allowing the imagination of the viewers to go beyond the painting and envision their own story. The ‘Chill Bivouac Rhymes’ series is built as a loose leaf narrative. A ballerina, her entourage, her Russian lover, a rave and a specific, yet invented location: Yellow Boa Canyon.
The paintings depict the characters interacting with each other in the fantasy land created by the artist. Edit Beaucage’s strokes are ‘broad, fluid and relaxed’. Translating a world of floating moments and effortless motions. The characters are blended with the landscape. The same tonality of colors and the same brushstrokes are used for each of them. The artist captures a couple kissing, a girl dancing, a men smoking and a teenager sleeping. Never omitting to add-on the wandering, lingering rhythm which ends up altering the mood and spirit of the viewer.
At the end of the world, if all of our waste, memories, and collective knowledge were to be resurrected into living masses, it would look something like this. In an exhibition of metaphorical power and desolate beauty, artist Philip Ob Rey (in collaboration with Louie Otesanek, who inspired the movement, and photographer Mailie Viney) brings us V, an installation/photography project currently on display at the Cell63 in Berlin. Featured in V are black-and-white photographs of faceless, monolithic giants plodding aimlessly through an apocalyptic wilderness, here represented by the vast and darkly beautiful horizons of Iceland. Made of tangled VHS rolls — along with natural artifacts (feathers, stones, shells, and dry seaweeds) Ob Rey found amidst the fjords and active geothermal areas of Iceland — the bodies of the mysterious, god-like beings rip and tear in the wind. Elsewhere, eerie cocooned beings sit in silent, candle-lit caves encroached by snow, emanating a sense of wisdom and despair.
For Ob Rey, the giants manifest the five essential elements in a post-apocalyptic context, as well as the voices of lost generations trapped within the magnetic rolls. With their withering, film-wrapped bodies and their ancient-yet-futuristic appearances, the giants stand as mute omens that warn against current cultural and environmental trends. “They are covered with a black toxic skin, [a] chaotic flesh of magnetic encoded images,” Ob Rey explains. “I built in 5 essential elements, creatures made of VHS, dreamlike and disfigured in reaction against the growing dictatorship of the mass media and the unstoppable plastic pollution due to the overconsumption of the new technologies.”
At once cautionary and retrospective, Ob Rey’s V provides a beautiful, neutral medium in which to envision the earth pre- and post-human life. As temporally indistinct visions, the summoned giants allow us to emotionally explore the idea of our own end, when one day our bodily traces linger as non-recyclable materials floating around on the earth’s desolate surface. If you are in Berlin,V is showing until May 8th. You can see more of Ob Rey’s work on his Facebook page and website, where he works under the title “Humantropy” (a word referring to the nature of universal chaos and the decline of humankind). More stunning shots from V after the jump. (Via beautiful.bizarre)