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Happy Halloween!

Happy Halloween everyone! Let’s all take a few minutes to celebrate the funniest holiday of the year. Hope your day is filled with lots of ghouls, goblins, ghosts, spooky monsters and maybe some David Letterman??? More crazy pumpkin carving pictures after the jump!

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Alejandra Villasmil’s Bizarre Collage World

Alejandra villasmil

Alejandra Villasmil’s creepy collages frighten and intrigue me all at once.

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Hikaru Cho’s Painted Surreal Body Manipulations Will Make You Do A Double Take

Hikaru Cho
  Hikaru Cho

Hikaru Cho

Hikaru Cho

Hikaru Cho‘s method of painting could best be described as a physical and unconventional type of doodling. Cho primarily uses acrylic paints on bodies or food to create believably 3D surrealistic effects, and even transfers this skill to stop-motion film and other video work. Her work alters our perspective of seemingly stable universal concepts, creating new forms that demand our engagement using only the special effects rendered through paint.

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Phoebe Washburn’s Fort Installations And Mixed Media Inventions

Phoebe Washburn - Installation Phoebe Washburn - InstallationPhoebe Washburn - Installation

Phoebe Washburn’s constructions, built from found or discarded objects such as plants, plywood, cardboard, or fish tanks, to name a few, have been gaining critical acclaim and momentum since 2008, when she took part in the coveted Whitney Biennial.

Of her craft and salvage, in W Magazine, Washburn states: “I’m not green; I’m greedy . . . There’s definitely an aspect of hoarding that drives this, absolutely! If I see someone walking down the street with a nice piece of wood, I’m like, Where did they get that?”

Her approach to discussing art is as playful and humble as the structures themselves, or their titles, which range from “Nunderwater Nort Lab” (above, top) to “Baby Brain (Not Safe for Use as Jacuzzi)” (above, below).

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Beni Bischof

bichof

Swiss artist Beni Bischof does not take himself serious, a sense of humor and a humble understanding of the world around him flows effortlessly between paintings, drawings, collages, prints, sculpture and installation. Bischof’s ability to allow each work to shine independently is rooted in his confidence to possibly make mistakes and his ability to approach each day with an honest approach to his varied process of art making. Bischof encourages us to look into the absurdity of our desires. Bricked Castles and Handicap Cars follow our intuition to objectify the flawed ambition to acquire maximum beauty, strength and power. In other works magazine pages are covered with grotesque abstract marks masking the beauty of the subject while offering an alternative channel for a ritualistic performance. In a painting two shapes representing heads confront one another celebrating the banality of our day-to-day confrontations. Enjoy more Bischof after the jump…

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Ryan Humphrey

RyanHumphrey

I am sure the mop-topped quartet known as the Beatles might not necessarily appreciate Ryan Humphrey re-appropriating their  their classic 1964 album cover for heavy metal (tears of blood and Slayer, to be exact), but I do. This reminds me of posters I made for our practice space in Hollywood a few years ago, which was sort of similar but the Fab Four had Kiss facepaint on, and were more in their go-to-India-psychedelia era. Other gems? Judas Priest’s seminal album “Screaming for Vengeance” emblazoned on a gay pride rainbow flag.

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Mel Davis’ Begin Here

Berkeley based artist Mel Davis has just opened her latest exhibition at Eleanor Harwood Gallery entitled Begin Here. From the press release: “With these new paintings, Mel Davis explores the polarities between the natural and the allegorical, the decorative and the expressive, the representational and the gestural. She is engaged in a conversation that exists between these states, measuring the gaps between thought and language, trying to expand on her diverse visual vocabulary. Integral in Davis’s new paintings is the notion of foliage as a connecting thread, both pictorial and metaphorical, describing a taut emotional and private landscape that illustrates the potency of variation. The works are engaged in a simple pared down composition but push an expansive, dramatic and romantic use of language. Always with the goal of achieving visual pleasure, the paintings are calculations of light shifts, the space that trees occupy, the reverie that happens when looking out a window, reminding us of our fragile coexistence with the natural world and its everlasting powers.” The show is on view through April 27th, 2013.

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Hide And Seek: Can You Find All Camouflaged Animals In This World Wildlife Fund Campaign?

Anais Boileau - digital image Anais Boileau - digital image Anais Boileau - digital image Anais Boileau - digital image

Art directors Anaïs Boileau and Samuel Volk are the dream team when it comes to creating short and snappy campaign ideas. This time around they have used their skills to benefit The World Wildlife Fund in a project called WWF/Botanimal. With flawless Photoshopping technique, they have camouflaged images of endangered animals into forested landscapes. With the tagline “Donate to save a tree and save 875,000 species for free”, this is one clever visual narrative detailing a worthy cause. Boileau and Volk show us exactly what these beautiful environments would be without the animals roaming around within them.

Boileau is also responsible for another campaign with a responsible message. Called WWF/WeWantFurniture.com, she imagined a brand and designed a corresponding website “selling” wood to customers. Apparently from all wood sold, 40 percent is made from illegal wood. She devised a very effective way to show customers  the ecological effects of buying cheap furniture. The effects of deforestation can be devastating, as we are reminded in this new campaign also.

Working with creative directors in a commercial environment, Boileau and Volk are able to maximize their reach to a large audience, and come up with visually interesting answers to complex questions. Boileau sums her work up nicely:

[Impassioned] by craft and art direction; I have been lucky to work with talented photographers, retouchers and CGI artists. The best part of my job is to imagine visual universes, and find creative solutions.

Click here to see more of Boileau’s work, including her hilarious take on disfigured fruits.
(Via Source)

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