Imagination comes to life with Yeondoo Jung‘s Wonderland series. He takes children’s illustrations and re-creates them in staged photographs. Some are incredibly spot-on accurate, while others had some creative tweaking added to complete the image. All in all it made for a unique series of images we wont soon forget.
Christopher Russell hand etches and scratches the surface of his photographs to create intricate drawings and patterns. The process involves using a sharp stylus to remove the top image-layer of the print, revealing the soft white paper pulp underneath.
“Choi Xooang is an artist who sculpts concrete bodies. This may sound somewhat banal at first, but we come to be surprised at his ability to grasp the world pathologically. Choi’s understanding of the world began with his 10-20 cm miniature figures displayed at this first solo show. These miniature figures, suffering from an expansive delusion, do not realize their relative diminutiveness, and tend to overstate their ability and situation. They have a bloated musculature, partly enlarged bodies in macho-like gestures suited for revealing such megalomaniacal symptoms. Their effort to emphasize their existence through bragging and exaggerated gestures at times seems pompous, but they are too diminutive to impact the world, despite their attempts.
Choi’s concern with society’s pathological state later moved to an interest in vegetative states those making utmost efforts in living everyday life undergo. A person in a vegetative state cannot perceive or affect his surroundings at all due to serious brain damage, although he looks like he’s breathing, laughing, weeping, and awakening himself. Choi likens an individual’s mental state intimidated by an unidentified force, to a person in a vegetative powerless state. The artist’s perception of this state is confirmed in the work titled Vegetative State displayed at his second solo show. A bare tree grows from the head of a vulnerable man who has fallen down. This work, depicting a man changing into a vegetative state, like Daphne who transformed into a laurel, appears realistic and elaborate in its finishing, through its amazing figurative imagery and the meaning of the title.”-Ki Hye-kyung, Curator of National Museum of Contemporary Art, Korea
Troy Coulterman sculpts weird and wonderful figures in bizarre circumstances. His use of unnatural, vibrant colors interrupts his already unusual sculptures, giving them an added edge. Graphic novels and comic book artists are the inspiration behind his exaggerated characters in his work, as if these vivacious and animated characters have jumped right off the comic book page and into reality. Receiving his Master of Fine Arts in Sculpture, Coulterman uses his skill to from his figures out of resin, often placing them in a realm with swirling clouds and dripping hair. Coulterman explains the meaning behind his highly stylized work.
“These abstract, absurd forms that interact with the figurative pieces, they’re in a way visual metaphors to describe the psyche of the figures, the emotional moments in the figures.”
Although some of his figures have geometric faces replacing what would be normal human features, most of his work has an element of abnormal organic matter spewing from eyes or engulfing the figure. These organic forms appear somewhat disturbing but ultimately beautiful with their striking colors and detail. Another aspect of Coulterman’s work that is impossible to ignore is each unique and dramatic facial expression his figures possess. Each expression the artist sculpts creates an unmistakable mood in his artwork. Originally from Ontario, Canada, Coulterman has exhibited all over the world and has been included in many different art publications. He is currently represented by Slate Gallery in Regina, SK, Canada.
A little TGIF fun…Mr. Erial Ali is proud to offer the unique *magical* service of creating a Celestial Soul Portrait of YOU (and maybe also your family?). I’m curious who’d pay upwards of $250 for this. Is my soul even worth that much money?? Click more to see before and afters.
When I close my eyes and dream of outdoor furniture, I see visions of Loll’s cheery Vang Chairs, or whiling away the hours in their rocking Racer Chair , or napping in the shade on a 405 Chaise. Loll’s furniture has a strong architectural presence while remaining friendly and homey. See more after the jump.
In a place usually left to stillness and silence, black waters churn ceaselessly. Anish Kapoor, a London-based artist known for his sculptural installations using stainless steel, PVC, and other media, has created a whirlpool beneath the wooden floorboards of a former movie theater in San Gimignano, Italy. With a spine-tingling power that seems to suck your gaze to the center of the earth, the vortex pulls endlessly downward into a lightless void. Darkly beautiful and hypnotic, the waters evoke feelings of both admiration and fear. Appealing to the fascination we have for black holes and infinite space, Kapoor has created an existential zone of disturbing liminality, a place which exists between presence and absence, here and there. Speaking of his fascination for spatial emptiness in the press release, Kapoor explains:
“All my life I have reflected and worked on the concept that there is more space than can be seen, that there are void spaces, or, as it were, that there is a vaster horizon. The odd thing about removing content, in making space, is that we, as human beings, find it very hard to deal with the absence of content. It’s the horror vacui. This Platonic concept lies at the origin of the myth of the cave, the one from which humans look towards the outside world. But here there is also a kind of Freudian opposite image, that of the back of the cave, which is the dark and empty back of being. Your greatest poet, Dante, also ventured into a place like that. It is the place of the void, which paradoxically is full – of fear, of darkness. Whether you represent it with a mirror or with a dark form, it is always the ‘back’, the point that attracts my interest and triggers my creativity.” (Source)
By creating this zone of dread — a vacuum of inverted reality that threatens our mortal existences with its apparent soullessness — Kapoor’s whirlpool unveils a special form of significance. The whirlpool is a world “which is paradoxically full,” for instead of beauty and safety, we are confronted with a vital impulse: a void brimming with life-affirming fear that destabilizes our constructions of reality. The whirlpool evades all concrete meaning by always moving, existing beyond our knowledge, troubling us with the notion of infinite absence.
The show ran until May 9th. This whirlpool is an another version of Kapoor’s Descension, which was featured earlier this year at the Kochi-Muziris Biennale. Visit Kapoor’s website and Galleria Continua to learn more. (Via My Amp Goes to 11)