What if you could stick your hand into a little box and all of a sudden find yourself in a virtual, parallel, world? Well, thanks to designer and maker, Jayne Vidheecharoen, you might be able to quite soon! The project is still undergoing development, but the prototype already shows a lot of promise, and Jayne is currently running a kickstarter campaign to help develop it further. Check it out in action after the jump…
Alejandro Bombín’s paintings are deceptive. At first glance, many of them appear to be old, faded images from vintage publications that were scanned into the computer. Something went awry and now they look glitchy. But, what they actually are is meticulously detailed acrylic works that produce a digital mistake by hand.
By dividing up the image into rows (take a look at the detail above), Bombín is able to draw the the picture and fracture it by shifting the picture right or left from its original center. He uses a pointillist technique and pairs pure colors together, which from far away forms a cohesive image. And, at the same time, these colors and the texture from it are reminiscent of a lo-res, pixelated image.
The distorted images point to our desire to hold onto the past and the failings that we experience with technology. Digitizing something ensures that we’ll have it forever. Photographs and newspaper clippings? Not so much. But what happens when technology fails us too? Bombín’s paintings remind us that both can be fickle and that there are no guarantees.
New York-based photographer Oliver Wasow works mostly with digital photography, having taught it at Bard and SVA. He creates hyperrealistic, crisp landscapes that at times can look like portals into another world. And while he’s refrained from it recently, his composite work from the late 90s is my favorite.
Swedish artist Johan Andersson creates hyperrealistic oil paintings that depict subjects who are socially vulnerable, be it politically, economically, or physically. These subjects are often largely dismissed or ignored, rendered almost invisible by mainstream society and culture. Andersson’s portraits capture the beauty and strength borne from this vulnerability, asking the viewer to question representations and relationships of identity across a spectrum of marginalization. Andersson currently lives in Los Angeles.
The art of air collage is similar to air guitar. You emulate an original and make it your own. In Lorenzo Castellini’s case that means taking the faces of famous painters and paintings then collaging them onto modern day figures in contemporary settings. The end result is a humorous take on these iconic images and a look at how they would fare in the present day. Even though the project is supposed to be satirical it succeeds in capturing the viewer’s attention by using almost universally well known paintings and placing them in different contexts.
Some of the lighthearted narratives include Van Gogh in various “ear scenarios” and The Venus de milo placed in a shell gasoline logo. The funny stories that emerge by manipulating these images is that art can be brought into the everyday realm and perhaps reach people on a different level. It also uses a childlike technique which plays on perspective and rearranges found images to make comment on the moment. Castellini will take a photo and superimpose the painted image onto that then take another photo of him holding up the collage.
The faces Castellini chooses are from famous paintings which range from Picasso’s les demoiselles d’Avignon to Hieronymous Bosch. These resemble street paintings where the artist pairs faces taken from found images with appropriate photographic gestures which include upper and lower extremities. Material wise it references copying and printing techniques bringing it up to par with today’s standards and practices. (designboom)
To celebrate the release of B/D Apparel’s new Spring collection, we are featuring a 5-part interview series, giving you a behind-the-scenes look at each of the artists who create our graphics. Within these interviews, we explore their creative process, tools of the trade, influences, and their advice for fellow creatives.
For the first interview in the series, we caught up with Jiro Bevis, who collaborated with us to create “B/D Breakfast Club” and “Thumbs Up”. Jiro’s work interweaves iconic pop cultural references and inside jokes alike, resulting in a bold mix of idiosyncratic images, united by Bevis’ humorous approach.
Intertwined strips of ceramics escaping from their original form. Haejin Lee’s abstract sculptures blend perfection and fantasy. A flawless object, face or body part suddenly disintegrates into a uncontrolled harmonized chaos. Fascinated by the indefinite loop of the Mobius strip (a surface with a non orientable property), she brings into her art pieces the transformation of a flat surface into a 3 dimensional rendering. The final piece mirrors two essential aspects for the artist: continuity and infinity.
The dichotomy between perfection and confusion reflects the technical difficulties the artist had to face while conceptualizing the pieces. In order to get a steady work of art, she had to anticipate the weight of the strips once dried and heated. Often created in monochromatic tones, the plain colors add intensity to the sculptures. Haejin Lee is inviting us to interpret the passage from reality to surrealism. As if the strips, bandages of our exterior enveloppe had to fly away in order to reveal the essence of our souls, imagination and creativity. By acknowledging that the pieces were ‘almost impossible to balance’, the artist insists on the difficulty yet essential need for individuals to unconsciously or not; define their equilibrium.
There is something fantastically unworldly yet alluringly familiar about Amy Joy Watson’s bright sculptures. Whether it’s a drooping bow or a glitter-filled orb, this Australian’s artful structures feel like a 1986 birthday party, translated or abstracted by a video game of that same era: there are no soft edges, only the disjointed illusion of it.
To make each piece, Watson stitches or glues together watercolor-stained balsa wood, occasionally adding a tasteful Gobstopper here, or helium balloon there, to garnish her own primal sense of whimsy and sacred geometry, resulting in a somewhat spiritual monument to another imaginative age and time.