Old discarded clothes guide Miami artists Alain Guerra and Neraldo de la Paz to create works that are fueled by their “silent histories.” After they began to discover their love for using found objects in their work, they became inspired by the trashed clothes they found at a secondhand store near their home. Out of these materials, they’ve constructed bodies, nests, fabulous mounded towers of garments, and whole families of cotton people, eerily alluding to those that wore the clothes when they were new.
Cam Floyd has a talent for producing dream-like images. He covers the canvas with detail, color, and washed out textures. Southern born and raised, Floyd attended the Maryland Institute College of Art in Baltimore. He now relocated to LA where he works as a studio assistant to prestigious illustrator James Jean.
When photographer Bez Uma finished his latest series, “Pieces of June,” his camera suddenly died, fitting right in line with the mysteriously magical and spiritual journey his photos depict. His photos are understated, all the while offering glimmers of the surreal, like small insights to a fantasy world.
We sent off Book 4 to the printers the other day, so we thought we’d give you a sneak peak of what we have in store for you. The above is a screen cap from an amazing collaboration between 26 artists from around the world. I don’t want to give away all the details for this project, but think of it as a Y2K version of one of the most classic art-based games. Confused? Good! Read on to see more behind-the-scenes tidbits….
Adam Batchelor is an illustrator from Norwich, UK. His work heavily uses white space to draw attention to his detailed illustrations. His illustrations look as if you dropped something on the floor…and waited way more than the 5 second rule to pick it up. A little gross, but beautifully done! Batchelors’ series Nepali Waste (which the piece above is a part of) uses a variety of mixed media like colored pencil, dirt, blood, and even mosquito! Very interesting.
Saya Woolfalk draws from dreams and desires, imagining fantasy lands, such as in her recent 3D work, “No Place.” She worked with an anthropologist to create her utopia, “No Place,” to explore the nature of humans and their capabilities for the future.
I kind of love Edwin Rostron’s animated short, Morris and the Other. It reminds me of a more horrifying version of The Origin of Love, which I may or may not have played on repeat in my dorm room way back when. Anyway, I have no idea how to explain this video but the artist describes it as, “a hypnotic tale of frustration and desire, lovingly drawn in 2B pencil.” Works for me. Also: which one is Morris? I feel like the Other might be the ethereal floating diamond/kite. Maybe.
Hailing grom London, artist Neil Morley creates his multi-layered works using college techniques. Morley is influenced by artists like Sigmar Polke, and uses reproductions of nineteenth century reportage etchings from the London Illustrated News and satirical magazines such as Punch. His work is a reflection on his research on travel, tourism, colonialism, and post-colonialism. The paintings create parallels between nineteenth century colonialism and twenty-first century tourism: “Tourism is one of the largest industries in the world and has arguably had the most influence on First World perceptions of utopia such as white, sandy beaches, clear blue sea, simplicity and adventure couched in luxury. Tourism has the propensity to mask realities such as poverty, poor infrastructure, and dictatorship. The all–inclusive resort and the heavily structured guided tour itineraries cherry pick and conceal these realities.” Packing a very heavy/important message makes his work that much more interesting.