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Fabio Lattanzi Antinori

I’m loving these layered and bizarre digital collages by Fabio Lattanzi Antinori. Also make sure to check out his Madonna series after the jump.

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James Powers’ Airplanes

James Powers’ paintings use airports and airplanes as a starting point to create work that shifts back and forth between abstraction and representation.

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Laura Dodsworth Photographs 100 Real Women’s Breasts In “Bare Reality”

 Copyright Laura Dodsworth

Copyright Laura Dodsworth

UK photographer Laura Dodsworth took 100 photos of women’s bare breasts for her project Bare Reality. Her goal is to present a non-Photoshopped spectrum of bodies of women aged from 19 to 101. It’s not just about appearances, though. Dodsworth also gathers personal stories about the participants and narratives about the way women feel about their breasts.

“More than simply part of our bodies, breasts represent sexuality, motherhood and femininity. When we talk about breasts we talk about intimate aspects of our lives as women, such as growing up, sexuality, motherhood, breastfeeding, relationships, body image, health, cancer and ageing.”

There has been a lot of attention paid to the portrayal of women’s bodies recently. Natural beauty and non-surgically altered physiques have started to appear more frequently in ad campaigns and fashion magazines. During European summers, it’s more common to see topless women of all sizes and shapes. In the US, the breasts we tend to see outside of our mirrors and homes are youthful or enhanced. It leads to a skewed view of reality; what to expect from one’s own body and what to expect in a partner.

These real women with real bodies are all different. Some are marked by age and time, others by disease. Small, large, upright, and sagging, each portrait has a story, including: “I’m one of the lucky ones,” “Breasts make you feel like a proper woman,” and “My milk went when Hitler marched in.” Dodsworth writes:

“I have always been fascinated by the dichotomy between women’s personal lives and how they are depicted in the media; between how we feel about breasts privately and how they are presented for public consumption. Bare Reality is, for me, the inevitable result of being a woman, a feminist and a photographer.”

 

Dodsworth’s is currently holding a kickstarter campaign to publish a book of this project.

 

 

 

 

 

 

 

 

 

 

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Jiha Moon

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meticulously fluid paintings by Jiha Moon. Most of Jiha’s work depicts classic asian landscapes with lush brushstrokes that at once look like clouds and debris floating through the air and a tip of the hat to abstract expressionism.

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The Dark Surrealism And Honest Sensuality Of Fabio Esposito’s Fashion And Beauty Photography

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Fabio Esposito is a London-based (Italian-born) fashion and beauty photographer with an alternative and darkly sensual style. Among his impressive list of collaborators are the designers Jitrois, Pam Hogg, Úna Burke, and Jay Briggs (who we featured recently — read more here), as well as the artists Amanda Lear and Francesca Belmonte. No matter what Esposito is shooting — be it leather couture, surrealist still lifes, or bizarre head apparatuses — his results are consistently expressive, using powerful lighting and color schemes (often in monochromatic tones) to evoke emotion and tell a story. When I inquired about how he would describe his style, Esposito explained:

“My style keeps changing with my emotions, but it’s always a fight between my dark side and the part of me that could not live without vibrant colours. When you strive to express your inner world and somehow show it through your work, then this is what I think makes it different and unique.”

There is no doubt that Espostio brings an original and exciting element into fashion and beauty photography. Inspired by artists such as Dalí and Caravaggio, his work follows artistic traditions while transforming them into something new; like a contemporary Dalí, many of Esposito’s works contain strange and surprising elements, such as the armless, nude woman wearing a mask that resembles a crossover between a disfigured classical sculpture and a cyborg. Recalling Caravaggio, Esposito’s photos often have a chiaroscuro-type effect, using blotted shadows to create bold contrasts on the skin of his models. The result is a set of images that are classical, honest, and seductive in their beauty, yet buzzing with a distinctly modern and alternative edge.

Visit Esposito’s website, FacebookTwitter, and Instagram to view more of his work. He is currently collaborating with Jay Briggs on a new millinery collection, which — given the darkly beautiful photo shoots they’ve created in the past — is worth keeping an eye out for.

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Storm Tharp’s Fluid figure paintings.

Portland, Oregon based artist Storm Tharp’s fluid figurative paintings mix ornate patterning with a delicate “happy accidents” style of brush work that make his striking figures seem to be in motion yet completely still. This playfulness of medium creates an unsettling state in the work making each piece psychological portraits of figures who could be real or completely out of the artists imagination.

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Awesome Video Of The Day: Kameraet

Kameraet is a fun and silly video made by Marc Reisbig & Hanne Berkaak in 2009 for Gyldendal Education for a Norwegian digital educational website for children. The video was shot in a garage in Oslo, Norway using stop motion animation. If you like dragons blowing bubbles, mushroom happy faces, and dancing owls I suggest you press play.

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Faye Moorhouse’s Amusingly Weird Movie Poster Illustrations Are Better Than The Real Thing

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Faye Moorhouse is a Brighton-based freelance artist known for her raw and weird paintings. Messy lines, odd proportions, and smeared watercolors characterize her highly stylized work. Her subject matter is similarly strange — from violent animal attacks to eerie midnight gatherings to depressed-looking people loitering around rundown towns, everything she paints is a complex mix of childlike play and adult absurdity.

Featured here is Moorhouse’s new series called the Wonky Movie Poster Show, wherein she has illustrated twenty movie posters. As she wrote in an email to It’s Nice That last week, the paintings are intended to be “weird and ugly and hopefully funny” (Source). Her assessment is correct; the eros of the Nymphomania poster is reduced to a bedraggled woman who appears to be yawning, and the stately lion of The Lion King looks apathetically over the white void of his kingdom. By filtering these familiar images through her own bizarre lens, Moorhouse strips away the hype and seriousness surrounding these films and makes us laugh.

Moorhouse’s unique style has gotten her work recognized. In addition to her fun and bizarre self-initiated projects, her clients include The New York Times, Salt Hill Journal, and Epiphany Zine. Visit Moorhouse’s website, Instagram, and Twitter to follow her work. Prints, ceramics, and other goods can be purchased via her Etsy shop. (Via It’s Nice That)

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