We all look the same inside.
We all look the same inside.
London designer/artist Arran Gregory recently opened “Wolf”, a solo exhibition of sculpture and illustration at Print House Gallery in London. The show features these reflective, mirrored wolf and rhinocerous taxidermy heads cut in angular geometry. The mirrors sort of remove the animal from the equation, leaving gallery patron staring back at his or herself, left to ponder our relationship with animals- dead and alive. The end result is kind of jarring, as though accountability for our own actions is a scarier concept then sharp teeth in open jaws. More pics below. (via)
“Borrowed time is an exploration into the moment the point of no return has been reached and the subsequent freedom that follows. Using the visual of midflight plane failures was my attempt to show the moment that horror, relief, freedom, and graphic beauty all meet at once.”
“Because there are very few images/actual references of planes when they have these types of engine malfunctions mid-flight, I had to replicate/make as visual correct as possible what occurs when these types of catastrophic malfunctions occur.”
This series from Michael Massaia, entitled “Borrowed Time – Mid Flight Engine Failure”, is made without Photoshop or digital composites. The ones where the planes are actually flying upwards are particularly interesting, as if, though on fire, they have no intention of going down. See more after the jump.
Belgian artist Wim Delvoye takes old used tires and transforms them into dense ornate carved objects of wonder. Keep in mind that these are hand carved…Yes hand carved!
I couldn’t find much about Dutch artist Eduard Bezembinder‘s work (most likely due to a language barrier and a seemingly sparse but fun website), but his Flickr page is full of interesting painting, drawing, graphic design, and collage art. Additionally, his Saatchi profile claims he is “one of the first art bloggers.” I love these particular collages because the image integration is nearly seamless, which increases the absurdity to be found in these juxtapositions. Heavily featuring a mix of mythical, classical, and pop culture elements that represent interactions between the animal and the human, these collages are both nostalgic and humorous. (via feru leru)
Susan Anderson creates terrifying photographs that document the bizarre world of child beauty pagents. Adult female beauty paraphernalia like veneers, fake nails, false eye lashes, lip gloss and pounds of make-up are applied to these little tykes, making them appear like tiny moms from middle America. They all have this extremely coached, extremely posed quality that teeters between demonic and sexual. Seeing all this beauty regime regalia applied out of context in this way sort of makes me realize how ridiculous it all is anyways…Her exhibition, if you are in Los Angeles, will be opening at Kopeikin Gallery on Saturday, October 24th.
What would a television see if it could look back at us? Artist Donna Stevens reveals images of children hypnotically looking into a television screen in her series titled Idiot Box. Each photographs captures the entranced look on a child’s face as they gaze on with a zombie-like stare, complete with the glow of the screen lighting up their face. Although this series is somewhat comical, as the children have their mouths hanging open or a silly grimace slapped on, there is a heavy darkness to it. Stevens’s aims to question the role of technology in our society and explore the effects it may have as children are exposed to it at such a young age at such a high volume. Although we can benefit from technology, what is lacking in our lives because of it? Although Idiot Box includes fairly simple images, the affect the vacant eyes have on the viewer is enough to make you stop and think.
Stevens’ incredibly memorable photography explores themes of identity and hardship, as she is interested in people’s journey to find their place in the world. Humanity’s struggles can be found as a theme in her work, both in Idiot Box and in her series Thirteen. In the latter series, she poignantly captures the anxiety and uncertainty that comes along with becoming a woman. Stevens’ ability to encompass such strong emotions and themes in a single portrait is apparent in each photograph. Originally hailing from Australia, the photographer is currently based in Brooklyn, where she continues to create her sharp, thought provoking work.