Van Orton Design has recreated cult classic movie posters as vibrant digital works of art. The team is a creative collaboration of twin brothers from Turin, Italy. Using digital illustration tools, the brothers have created stained-glass reminiscent, 1970s retro themed images that are unbelievably elaborate and profoundly structured. Each poster is formulated by using the classic “one point perspective.” This is a a formula used by old masters that organizes an entire image based on a single vanishing point in the center. Every line is aimed to draw attention to the exact middle of the work — perfecting it’s perspective while simultaneously controlling the viewer’s eye. The posters portray a familiar scene from each film. The series ranges from new classics to older cult epics including The Shining, The Life Aquatic With Steve Zissou, Pulp Fiction, 2001: A Space Odyssey, Young Frankenstein, Knight Rider, Deep Red, Indiana Jones and The Last Crusade, The Legend Of Zelda, Big Trouble in Little China, Brazil, and others of the likes. Their style is simultaneously unique and archetypically vintage. The use of loud color and clever hue pairing scream out for attention without being overbearing or overtly overwhelming. Van Orton Design‘s work hits the mark of what any good movie poster should achieve; they both embody and generate excitement for every single film. The duo have created something truly collectable and and absolutely fun. (via designboom)
The work of British artist Claire Morgan is alive with natural forces. Birds appear to fly, flail, or fall through lighter-than-air formations of seeds. Using nylon thread Morgan suspends her installations giving the impression of an event caught in time. Peculiarly, she is able to express the idea of passing time and motion by appearing magically to stop it. Morgan’s interest in natural forces is clearly apparent in her work. The installations are nearly a way she can manipulate these otherwise immutable forces.
After searching through the deepest corners of the internet pornography universe, the South African mixed media artist Von Brandis blanked out the carnal content in an attempt to reinterpret sexual imagery. The project, titled “Obscene Interiors” somehow heightens the voyeuristic thrust of the erotic images; behind a shield of white, sexual activities become more mysterious and forbidden, forcing the viewer to examine the images with more self-consciousness than the original porn might elicit.
The series also works to redefine the erotic. As blanked-out figures magically flatten and morph into a single two-dimensional being, signs of intercourse and movement disappear. In contrast to the white-out bodies, which often appear to be pasted onto the photographs, the space of the pornography sets do indeed become the “obscene” photographic content, inviting the eye to penetrate their depths. The pornographic subject becomes the interior itself: the cheesy bedding, the slightly parted curtain, a glistening clock radio, a stained rug.
The images, if slightly dehumanized by their alterations, maintain their intense sexual charge; the off-kilter frame suggests movement within the room, an amateur pornographer’s fast and anxious shots. Shadows billow from the white shapes, hinting at the breath, dimension and passions of the human form.
The series, with its censorship, paradoxically becomes more suggestive and uncomfortable. Forced to consider the erotic impulse and visual fetishization, the viewer cannot help but feel awkward about our engagement with the porn. In this way, this powerful piece touches on contemporary debates about the medium: is porn a healthy, natural human activity, or is it objectifying and morally ambiguous? What do you think? (via Lost at E Minor)
Since October 2014, photographer Chris Forsyth has been capturing the architectural beauty and sophistication of Montreal’s metro stations. The city’s underground network is massive, with four lines, 68 stations, and over a million daily passengers. Forsyth’s vibrant, long-exposure shots accentuate an impressive side to the Metro, beyond its functionality: a creative and brightly bold character, which is both a hallmark of modernism and architectural design.
Construction on the Metro began in the 1960s, during the tenure of Mayor Jean Drapeau. Each station was assigned to a different Canadian architect in order to create unique designs for the spaces. For passengers today, it may sometimes be challenging to appreciate these artistic, historical nuances while in the midst of urban mayhem, but as Forsyth’s project description points out, “architectural portraits show that beautiful design is all around, even when we don’t have the time to slow down and notice.” Forsyth’s contemplative images reveal there are signs of human expression and ingenuity embedded in the very foundations of Montreal.
Visit Forsyth’s Instagram page to follow his ongoing project. For readers living in or visiting Montreal, be sure to share your photos of the Metro using the hashtag #mtlmetroproject.
We can’t talk design without talking about the products that make it all happen. When I first heard of Wacom’s forthcoming Inkling I could barely contain my excitement at the possibilities. It works on an up to A4 size paper, you can draw in layers and importing into your computer seems seamless. Imagine what you could do in Adobe Photoshop and Adobe Illustrator with this tool? My current Wacom Intuos is a permanent fixture and I can’t imagine working in Adobe Illustrator without it.
Japanese artist Yayoi Deki’s paintings and sculptures take you on a cartoon psychedelic voyage where everyone’s having an intense acid trip all at once forever for the rest of our lives.
Photographer Tim Dodd has long loved space, so when he happened to find a vintage Russian high altitude space suit on an auction website, he had to have it. The purchase has definitely been worth it. After owning it six months, he’s worn the suit at least 17 times to photograph himself in the series Everyday Astronaut. It depicts Dodd as an astronaut character that’s doing the everyday activities we all do, like walking the dog, cooking dinner, and grocery shopping, but all with a hilarious (and sometime tragic) twist.
In all of these images, the spacesuit is present. It’s the narrative thread that connects all of the Dodd’s stylishly-shot photographs. The character is an everyman, just going through the day like anyone else, except that he has this special suit. Does it give him super powers? No, but we get the sense that he might think it does, which adds a humorous touch to this series.
It’s impressive at the amount of details that Dodd included in each image. Every photo is an attribution NASA in some way, and some are more obvious than not. Like shopping for tang, watching Apollo 13 on TV, and even down to the bedding, take a look and see if you can spot all of the photographer’s carefully-placed references. (Via Fast Co.Exist)
Los Angeles’ own He’s My Brother She’s My Sister recently released their debut LP, Nobody Dances in this Town on Park The Van Records. They also just played their first ever sold out hometown show at the Troubadour to a very enthusiastic crowd, myself included.
Their energetic live performance is really something to see… it’s hard to not dance to this band which makes me laugh at the title of their new record. The band consists of brother and sister Rob and Rachel Kolar on vocals and guitar, Oliver Newell on upright bass, Aaron Robinson on slide guitar, and then there’s Lauren Brown who plays drums. Well, she’s not just a drummer, but a tap dancing drummer. She actually stands on top of the bass drum and tap dances on it while keeping the beat, it’s pretty fun to watch. If you like Neko Case and Rilo Kiley, with a little sprinkle of John Doe and X thrown in, you’ll love this band!
They are currently touring across the country with stops at the Independent in San Francisco on Feb. 2nd, One Eyed Jacks in New Orleans on Feb. 24th, Miami’s the Vagabond on March 2nd, as well as SXSW in Austin from March 13-18th along with many dates in between and after. Check them out if you want to see a great live performance and definitely pick up a copy of their new album so you don’t feel alone when everyone else is singing along.