I’m sure everyone is familiar with what’s going on with the political turmoil in Iran right now, and if you aren’t, there’s plenty to read about in the news. Here’s a video (it’s really quite beautiful) from Iranian Artists in Exile Youtube page. “… As you read these words, the people in Iran have taken to the streets in nationwide protests. Despite brutal government suppression tactics the Iranian people are courageously fighting for their rights. As antiriot police batons crush the bones of demonstrators whose only protest is election fraud, Iranians are screaming for the world to hear them: WE DENOUNCE MAHMOOD AHMADINEJAD!”
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The works of Helle Mardahl vary in medium with paintings, sculpture and collaged photographs addressing human fallacies and inventive absurdities. The artist’s background in fashion is demonstrated by the precise coordination and arrangement of shape and color embodying the figures. They don exaggerated features and contorted body parts and are masked to the point of sheer spectacle and wonderment. The artist’s interest in bedazzlement and burdened woe is a convincing combination of Rembrandt’s hobo drawings and Nick Cave’s soundsuits.
Gaspar Lepage is the pseudonym of Bristol artist Marcello Velho. His work, which is mostly animated GIFs, explores the pre-Web 2.0 era internet aesthetic (Geocities, basically) through content consisting of strange half-robot/half-monster creatures in environments inhabited by weird plants, graffitied walls, and lots of bubble writing.
In these difficult economic times, with decreased support from corporate America, Gen Art is looking to its loyal supporters of the past 15 years to help it celebrate its successes while looking forward towards insuring another great 15 years of programming. This is your chance to personally help save a company we hope you believe in.
I ♥ Gen Art: 15th Anniversary Benefit will feature an exhibition of the works of over 60 of today’s most exciting emerging/mid-career artists working in mixed mediums who either are Gen Art alumni artists or have been affiliated with or supportive of Gen Art programming over the years. Artwork will be exhibited and available for sale.
All proceeds from the evening will benefit the Gen Art Foundation, whose ongoing mission is to support undiscovered talent and providing a platform for emerging artists to garner increased exposure to a loyal audience of consumers and media.
June 24, 2009
*7-8pm VIP Preview
7 W. 34th St.
Inspired by a nightmare, “Analysis Creature” is Wonman Kim (Animabase)’s series full of weird and strange skeletal and mechanic creatures. Each piece is like an x-ray of a unique creature from her brain. He is currently working as a graphic designer, illustrator, and conceptual artist in Seoul, South Korea.
Beautiful/Decay was recently reviewed in the monthly arts and culture magazine, THE. We got a glowing review for our retrospective art show, “Beautiful/Decay A to Z” at Kopeikin Gallery. In case you missed it, we celebrated the culmination of our complete alphabetic run in a traditional magazine format by compiling an all-star list of 26 of our favorite past featured artists (one for each issue of the magazine & letter of the alphabet). A great excerpt from the review: “The art was executed with dignity and evident pride, imparting substance without calling attention to its own intelligence.”
Crazy Love is probably one of the more bizarre documentaries i’ve seen in a while. Here’s a great review of the film by Eric D. Snider.
Ideally, you would watch “Crazy Love” without knowing anything about it beyond what’s contained in these first few paragraphs. It is a documentary about two New Yorkers who met and fell in love in the 1950s, and the turbulence their relationship has endured since then. It’s a bizarre, riveting, and outrageously original story, and it’s 100 percent true. You’ll enjoy it more if you’re surprised by what happens, which you won’t be if you continue reading this review, or any other review or summary of the film, including the one-line plot outline at IMDb.com.
I would love to leave it at that, but it’s impossible to review the film without talking about some of its basic elements. And the fact is, despite knowing some of the story’s more jaw-dropping developments beforehand, I was still riveted and surprised by the movie. Reading a review won’t ruin it for you; you’ll just be slightly less flabbergasted when you see it.
“Crazy Love” does not mince words about its protagonists: These people are not right in the head, and their love for one another defies all reason. But then again, one is compelled to consider, doesn’t all love defy reason? Isn’t its irrationality part of what makes it true love?
(Here’s where you should stop reading and go see the film.)