Chaotic Moon, an Austin based software design company, has created cyberpunk “tattoos” that monitor vitals. As a new addition to the “quantified self movement,” Chaotic Moon’s new invention, Tech Tats, invites a creative answer to the Fitbit. Using ATiny microcontrollers and electroconductive tattoo paint, Tech Tats are temporary tattoos that exist directly on the skin and, through sensors, gather information that can measure temperature, heart rate, hydration levels and others of the likes. When connected to a smartphone app via Bluetooth Low Energy, Tech Tats can allow users to keep track of their bodies as well as send data directly to doctors. Unlike it’s predecessors which are wearable devices, Tech Tats offer a lightweight low-key option that can be hidden under clothes if so desired. Or, the on the other hand, Tech Tats also offer the ability to self design a cyberpunk tattoo that can be worn anywhere on skin. The design is still in the prototype phase, however, the company has high hopes for the product. Chaotic Moon aims to some day replace the nuisance of the annual trip to the doctor’s office. They also foresee a use for the military, as they could detect injuries, toxins and other stresses. Another use could transform banking as the microchips could store credit card information within our skin instead our wallets. The product has potential to be a step further to cyborg-hood, just as it’s aesthetic suggests. (via hyperallergic)
Charles Avery‘s artistic practice is centered around a fictional island. Everything he creates has some connection to either the history of this place, or specimens and relics that are found there. Since 2004 Avery has been building the story of this place through intricately detailed drawings, sculptures, installations, and texts.
The gateway to the Island is the town of Onomatopoeia – once the stepping off point of the pioneers who first came to the place, turned colonial outpost, turned boom town, bustling metropolis, depression ravaged slum, to regenerated city of culture and tourist destination. (Source)
Avery builds on his own personal history as a starting point to this Island. Born on the Isle of Mull off the West Coast of Scotland, it seems as if he is commenting on the influence the British Monarchy has had over his home country, and also on numerous other countries and islands. His oeuvre is concerned with the progress of a nation – from rags to riches, and back again. The retelling of this folklore is a complex one. His work includes samples of the flora and fauna found there (different types of tree branches and birds), the fashions worn (a lot of different headpieces) and also studies of the local’s behavior. He creates a full anthropological study.
His past projects include “The Island” – concerned with the same place, just with the information organized differently. His attention to detail is so great, he even shows us the type of creature that we would encounter in the Island’s pantheon: a strange hybrid of dogs joined at the head, engaged in battle. Judging from these animals and the frenzied activity he depicts in his studies of the town square, this Island is definitely one I am glad to visit theoretically. (Via HiFructose)
Edie Fake resides in Chicago. In his work with zines, comics, and illustration, he applies a unique sense of design to playful postmodern compositions, and creates original musings on eroticism with subtle, deft penwork. He recently received a book grant from Printed Matter in NYC. He does pretty rad tattoos as well.
Jörg Brüggemann’s work captures the raw aesthetic behind the fans of heavy metal in order to illustrate the genre’s ability to unite the fans of it’s sound in order to create a unique culture, despite social, economic, or political differences. The photographs have been taken all around the world including Argentina, Austria, Brazil, Egypt, Germany, Indonesia, Malaysia, Switzerland and the USA.
Check out the artwork of Japanese artist Takahiro Iwasaki. “Not only are his small buildings and electrical towers excruciatingly small and delicate, but they also rest on absurdly mundane objects: rolls of tape, a haphazardly wrinkled towel, or from the bristles of a discarded toothbrush. Only on close inspection do the small details come into focus, faint hints of urbanization sprouting from disorder.” (via).
Carlo Van de Roer‘s Portrait Machine series is a special kind of portrait photography. De Roer’s portraits are of friends, family, and well known personalities (you may have recognized Miranda July in the first photograph) with a Polaroid Aura Camera. Related to spirit photography, Aura photography uses electromagnetic readings to create the “auras” of colors in the photographs as well as a report explaining the reading. Though the process, readings, and reports are hardly scientific, they reveal much about how much we invest in portraiture. We continually attempt to translate an inner person from outer appearances, particular from a person’s face. The aura photography further reveals to what extent each person can be a mystery to another, even between those familiar to each other.