Max Siedentopf is a car transformer. He pimps cars which, in his opinion need an upgrade. He sneaks up at dawn in the streets of Amsterdam and with a couple of euros tapes cardboards onto the cars. The add-ons recreate the design of race cars, low budget style.
It’s all thought through. All the major components, rear wings, side pods and front wings, help imitate a fancy expensive supercar. Max Siedentopf cannot get his head around the fact that in a world where personalization and self-expression is craved and sought after, cars are still so poor looking.
Car owners are usually like pet owners, proud and close to the subject they affectionate and take care of daily. They usually end up looking alike. Would this mean ugly looking cars have ugly looking owners? Thanks to Max Siedentopf, and if the owners keep their upgrade on, this will never be brought up anymore.
Jeremy Olson, an artist based in Brooklyn, New York, is interested in geometry and simultaneous perspective. Much like the canonical works of Pablo Picasso and Georges Braque, Olson looks at portraits in a different manner; the intricate ways in which he chooses to scramble the geometric pieces that make up the sitter’s face, makes for a fun time. The viewer must intently figure out which pieces go where to make sense of the portrait as a whole.
Aside from his interest in geometry, Olson, also plays with traditional painterly portrait styles by using a hyperreal approach. By including all of these three elements [geometry, traditional and hyperreal portraiture], the artist breaks down the face into a spectrum of beauty that simultaneously makes for a violent yet charming visual. (via Ignant)
This film is an intimate portrait of Mark Brookmire. He has lived a solitary life for the last 20 years in a cabin in the woods of Western New York. After Mark was diagnosed with terminal lung cancer and given three months to live, his daughter immediately sought to capture the spirit of her father as a poet, falconer and free-spirit in this deeply personal documentary. Watch the full documentary after the jump.
Photographer Juuke Schoorl‘s collection is called “Rek,” which means “stretch” in Dutch. It’s a fitting name for both the act observed as well as that demanded of viewers as they are asked to consider all manner of textures both natural and unnatural. In her artist’s statement, Schoorl says that she “[explores] aesthetic possibilities of the human skin through a mixture of image capturing techniques.”
Using nylon fishing rope and cello tape, she creates temporary perforations and artificial patterns on what she calls “this curious stretchable material.” Some of her experiments look natural, almost like scarification. Others approach alien, such as one that tugs the side of a woman’s neck into what look similar to gills or another kind of grittier protrusion.
Interestingly, Schoorl’s subjects all look composed, serene even as viewers might flinch back on instinct. Perhaps that is the point; Schoorl invites viewers to be curious, to wonder at these new patterns and human landscapes. She wants us to consider our “biological upholstery that aside from it’s [sic] protective capabilities could also serve as a medium for aesthetic expression.” (via Juxtapoz)
Walter Robinson creates amusing sculptures that work as witty social criticisms about consumerism and popular culture.
I’m fascinated by the human drive to possess material objects and by our intransigent attachment to the things we own. In my work I investigate the ways that consumer products have been crafted to perpetuate hunger for more. Brand and corporate logos, mascots, cartoon characters, advertising text and signage are the semiotic sources I draw from.
Robinson subverts meanings of familiar brands and Western cultural symbols by tweaking their scale, context and color.
With marketing and adverting psychology in mind, Robinson uses seductive surfaces, saturated color, bling and glitter to draw his audience to examine their own relationship to consumer culture and it’s effect on the environment and world events.
Hover boards are still not a reality and cars don’t fly in space. We all know this. However reality didn’t stop Michael J. Fox from skating in the sky and it sure as hell didn’t stop French photographer Renaud Marion from creating this extremely well executed series of classic cars that have been turned into sleek floating vehicles of the future. Marion kept all the best elements of the classic rides sans the wheels to create cars that even the Jetsons would be proud to ride in. (via)