Pennsylvania-based Charles Huettner is a 2D animator who crafts symbiotic relationships between doughy eyed pudges, shapely humanoids, and anything with a blank stare and bulbous limbs. His animations employ seamless transformations and an athletic flow that quickly cuts and softly glides at all the right moments. The blankness and mushiness of the figures make them capable of anything, making them perfect vessels for experimentation with form and motion.
His 2013 short entitled The Jump, is a beautiful glimpse at a spirit world where two teenagers dabble in visionary experimentation with suddenly tragic results. With a sophisticated Akira-esque score, we watch as these teens’ innocent curiosity leads to a dark tragedy, all the while a red ghost stares empty and indifferent. The Jump was a standout in “Ghost Stories”, a recent release from Late Night Work Club. Along with many other animators he contributes to the Late Night Work Club, “a loose, rotating collective of indie animators”, which has been shown to put out some of the most impressive shorts in the online animation community.
If you attended one of the previous annual Animation Shows, you may have seen Run Wrake’s short animation “Rabbit” (and me!) From the show, Run Wrake’s film was one of my favorites. He used elements from the classic Dick and Jane books to weave an equally classic tale of greed and it’s horrible consequences. I love how, just like in the Dick and Jane books, everything in every scene is accurately labeled.
Photographer Maja Daniels is studying aging. Her photo series “Into Oblivion,” shows the raw and fragile lives of those living in an Alzheimer’s ward. Working in a geriatric unit in France, the Swedish photographer Daniels spent three years documenting life for the residents. Those suffering from Alzheimer’s were kept in a locked ward as a protective precaution due to their innate tendencies to wander and get lost.
“This series documents not only the day-to-day challenges in an often ignored sector, but also the wider implications of the growing populations of elderly in modern society as an increasing life span has coincided with the breakdown of the family unit. These aspects have caused a growing disregard for the elderly, swept aside by a commercially driven, youth-obsessed culture. As growing old and being dependent is more taboo than ever, the geriatric institution hides our elders away, safely out of sight.”
Children do not care for their parents as they once did, and national healthcare often fails to meet the needs of those who need it. Bringing the viewer into the heart of this lifestyle, Daniels is hoping to motivate us to view our own personal role within healthcare policy:
“While giving a vision about what living with Alzheimer’s in an institution might mean, I want to motivate people to think about current care policies and the effects it can have on somebody’s life. This project gives a rare insight to a part of the modern geriatric institution. It attempts to create a discussion about our institutionalized, modern way of living as well as the use of confinement as an aspect of care.”
Fashimals is a mysterious group of photoshop wizards who combine our friends from the animal kingdom with the hippest fashion statements from the streets of Williamsburgh, NY to the runways in Milan, Italy. How about a Terry Richardson weasel like creature (pictured above) or slick looking lizard in a three piece suit (pictured after the jump?) Fashimals brings all these looks to you and more with a great sense of humor and impeccable style. What else can we ask for?
Christopher Saunders lives and works in Brooklyn, NY. His paintings are gloomy, atmospheric, and mesmerizing. In his own words: “My recent landscape paintings are primarily built around the cloud symbol as a depiction of event, at once internal, experiential and representational. The parameters for these events are of place rather than site and suggest the apocalyptic and contemplative sublime. The clouds depicted do not reference a specific photograph but are aggregated forms generated from a multi-source photographic index. Each cloud composition is derived from a collage method which conflates images of sky, pollution, smoke, explosions, plumes, swarms, and overexposed film. Additionally, the convention of field (plane) is employed to frame and stage these lurching deformations. Compositionally, field assumes the dual role of ground (rural and urban) and atmosphere (color and light). The image value of cloud (as event) lies within its openness, its internal dynamism, and the scope of the imaginary variations to which it lends itself. Thus field and cloud collide, collude, overlap and unfold along the horizon line of precipice. These are dramas of transition, a landscape on the move where there is no contradiction between the limitless of becoming and the singularity of the event.” (Via)
Portraits carved in marble have been around for hundreds of years but somehow Barry X. Ball has managed to bring a new twist to this ancient material with some minor tweaks like using the veins and swirls in the marble to his advantage. A great selection of Ball’s exquisite sculptures in a massive variety of stone after the jump.