The Oscars were a few weeks back but I couldn’t help myself from posting Melissa Di Pasquale’s hilarious photos from her Oscars costume party. The rules stipulated that everyone must come dressed as one of the following: any character from any film that has ever won an Oscar, Or dressed as any character from any film from the past year that has been nominated for an Oscar. The competition was fierce with prizes and bragging rights at stake. I can see this turning into a nationwide contest. You could throw a party in different cities and compare costumes side to side .Would LA beat Chicago, Would NYC lose to Nebraska? I’m not big on costumes but I’d be happy to host the LA party. I only have one question. Did my favorite film, The Lost Boys win an Oscar?
Improvised Making is and was an interactive installation by artist Dominic Wilcox. Created for the Making Together exhibit in Milan, Wilcox began the installation/sculpture with a single chair. He invited the public to donate sticks for the project and sticks of all sorts were brought to the gallery. Over the course of six days, Wilcox taped all of the sticks as they were brought to him to the chair. Carefully balancing and taping each piece to the structure, he only allowed the four legs of the chair to touch the ground and support the structure. Prior to moving the completed sculpture into another gallery, the structure’s shadow was documented in red on the wall and floor.
Dutch artists Thomas voor ‘t Hekke and Bas van Oerle make up the duo known as Front 404. While their work varies in medium it is consistent in being humorously subversive. For example, their project Plantmines is a sort of landmine that is constructive rather than destructive. Unaware passersby step on and discharge the plant mine sending colored powder and confetti into the air. More importantly, though, the confetti contains flower seeds that are intended to eventually grow at the site of the “blast”. The duo says of the project:
“You’ve stepped on a Plantmine, and the explosion of flower confetti serves as an instant party to celebrate that you live in a country where you don’t have to worry about stepping on a real landmine. The flower confetti contains flower seeds, to create a permanent happy and colourful spot in the place of the plantmine explosion.”
Check out the video to see a Plantmine or two blow up.
Oleg Dou takes inspiration from 20th century portraits of dead children and creates an arresting series of ghostly images that are at once innocent and frightening.
As digital technology takes over analog traditions it becomes harder to keep alive the tried and true methods of yesteryear. Case in point, analog photography. This is why British photographer Richard Nicholson began documenting the few remaining professional dark rooms in London before they all slowly disappeared and were replaced with high resolution digital cameras and massive digital printers. Will these labs one day only live in history museums and through the work of such photographers such as Richard? Only time will tell.
Get a Canon 30D, an intervalometer, a microscope, and add some soothing music to make an innovative masterpiece like this one. Enjoy!
Daan Botlek‘s trademark figural painted works always evoke a certain one-off kind of narrative, but his latest series, Escape From Wuhlheide, carries this idea even further. Based in the Dutch city of Rotterdam, Botlek (previously here) was exploring an abandoned and graffiti-filled building in Berlin, when the idea of painting an escape came to mind.
“While wandering through Wuhlheide looking for some spots to paint the idea arose…to make some sort of storyline of an escape.”
The story in Escape From Wuhlheide reads like a cartoon rendered in real life, blending street art, animation, illustration and painting. Each ‘cell’ of the escape is painted individually, depicting two blanked-outline characters making their way through the dilapidated space, peeking around corners, crawling up walls and climbing ladders. Each ‘cell’ is then photographed, documenting their run away. (via colossal)
Artist Mark Dean Veca opened his new solo exhibit Made For You and Me at Cristin Tierney January 31st and is on view through March 9th. The title of the exhibit is a lyric from the Woodie Guthrie song This Land is Your Land. The song, originally expressing an anti-capitalist sensibility, has since often been appropriated to convey capitalist sentiments such as growth through consumption. Interestingly, Veca’s work often reverses this same process. He re-appropriates corporate images to comment on corruption, consumption, and a generally waning culture. Appropriately the gallery statement calls his work a kind of “Sinister Pop”. This is particularly evident in his piece titled Tailspin. The piece depicts the Exxon-Mobil Pegasus pointing down, blue on one side, red on the other, and spinning. Tailspin subtly references a society’s consumption dependent on energy resources that are exceedingly spinning out of control.