Argentinian artist Lorena Guzman brings beautiful and twisted fairy tales to life on a daily basis. Using polyester resins and hobby materials she creates haunting scenarios complete with intricate details that continue to be uncovered the closer you look. She uses popular folk lore, bed time stories and myths as a base to her work. Guzman makes work about over-sized alligators who help monkeys cross rivers; genies who are spinning animals around on their fingers as a hypnotic trick; a surreal alpine landscape that is actually a coiled snake; an octopus who eats rabbits; and a crow who is building a cosy nest in the back of a skull.
Guzman chooses subjects that are curious, disturbing or grotesque in some way or another. Her Chihuahua Toy sculpture comments on the bizarre subculture of dog breeding and the type of monsters people choose to create. She asks if a two headed dog is really that much worse than Bull Terriers or Boxers that have been specifically chosen for features that, to some, are ugly.
Another piece is about a hunting mission that focused around catching the illusive albino hare in the Spanish town of Santa María de los Llanos. Pointing out our strange behaviors and traditions is what Guzman excels at. She has been prolifically creating work for over ten years. Be sure to check out her many other incredible sculptures.
I know what you’re going to say. “Amir why are you posting photos of cute babies on the blog?” but come on people these photos by Kawashi Makotori are fucking unbelievable! Seriously… This baby is so cute I want to take her and squeeze her til’ she explodes. Now that’s cute!
Sparkling sequence and plush yarn are just some of the mixture of materials that artist Rachel Denny uses in her work to cover bodies, or sometimes just heads, of animals. This Portland based artist’s work lives in a world somewhere between taxidermy and your grandmother’s craft room. Her unique take on animal trophy heads uses cashmere knitting and twine to transform what looks like the shape of the head of a dead animal. Denny’s artwork includes a diverse variety of woodland fauna, including deer, horses, goats, lambs, and even bears. Sometimes her colorful, eclectic materials, including satin, matchsticks, and pennies cover an entire body of a creature, other times it is just the head unattached to its body.
The creative and interesting use of materials used transforms the animals into something different, something very inviting and attractive, but also unnatural. The seductive sparkles of the black sequence Denny uses pulls you in closer, all the while there is a “bear” underneath. There is a theme of masking over organic beauty with our own human inventions that is apparent in the artists work. Humans often take a natural object or creature that is already beautiful, and try to improve on it. We alter it so that it fits our own needs, or that we may see it as looking even better. Although Denny’s work is incredibly bright and fun with her pastel yarn and sparkling materials, there is a dark hint of the hand that humans have on the natural environment. (via The Jealous Curator)
Lindsay Bottos, a student at the Maryland Institute College of Art, has created “Anonymous,” a series of webcam selfies overlain with anonymous messages she’s received via her Tumblr page. The messages Bottos uses criticize her appearance, body-shaming and slut-shaming the selfies she’s posted to her Tumblr page. “I get tons of anonymous messages like this every day and while this isn’t unique to women, the content of the messages and the frequency in which I get them are definitely related to my gender. I almost exclusively get them after I post selfies. The authority people feel they have to share their opinion on my appearance is something myself and many other girls online deal with daily.”
The timing of Bottos’ project coincides with a recent article published by Pacific Standard that makes the case for online harassment, especially of women, as the next issue facing women’s civil rights. Even through a medium like the internet, a platform perceived as a level playing field of expression, women receive a disproportionate amount of threats and abuse related to their gender and appearance. Bottos asserts, “The act of women taking selfies is inherently feminist, especially in a society that tries so hard to tell women that our bodies are projects to be worked on and a society that profits off of the insecurities that it perpetuates. Selfies are like a ‘fuck you’ to all of that, they declare that ‘hey I look awesome today and I want to share that with everyone’ and that’s pretty revolutionary.”
Bottos’ other projects also heavily feature text, written or embroidered, onto various surfaces. For “Get Over It,” Bottos embroidered thoughts about her sexual assault onto a tear- and mascara-stained pillowcase; for “The Morning After,” she wrote thoughts in permanent marker in places touched by a hook-up; and for “I Don’t Really Miss You,” Bottos embroidered thoughts about a relationship onto images, clothing, and mementos. Whichever medium she uses, Bottos conveys her vulnerability though language and form, rendering an honest and engaging perspective. (via buzzfeed)
Graphic designer Peter Saville has designed a white cardboard, flatpack plinth, for sale in a limited edition of 200, the idea being that in today’s age of ‘culture for the masses’ we’re all entitled to choose what merits artistic status.
The exhibition showcases the plinths with ‘work’ by a selection of Saville’s peers and friends including Hans Ulrich Obrist, Thomas Demand, Gavin Turk and Jarvis Cocker, each allowed to place whatever they wish on their plinth. The results vary from the sublime (Douglas Gordon’s pile of ash atop a charred plinth) to the inflated (Cerith Wyn Evans’ helium balloon).