Emerald Rose Whipple captures innocent moments and transforms them into large-scale oil paintings. The result is a modern dream-like landscape reminiscent of Monet’s Impressionism. The subjects are the artist’s friends and models she knows from her former career in fashion. The loose strokes applied to the color scheme chosen by the artist create a tie and dye effect around the portraits, creating an eerie atmosphere.
Looking like photographies, the pixel paintings combine the aesthetic of classical 19th century paintings with modern snapshots taken by an smartphone. The purpose of Emerald Rose Whipple is to stay away from any medium that’s disposable. To perceive and project the essence of each individual on a canvas is an intense process requiring the artist to meditate before a painting session. She doesn’t want to inject any negativity into her work as it would translate immediately.
She is inviting the viewer into a world of reverie and to let go of any misconception. Obsessed with the painter Balthus and especially with the painting Thérèse Dreamingrepresenting a young lady sitting in a nonchalant pose, she is fascinated by the original non sexual intention of the painter. She is suggesting that the viewers, when looking at her artwork, disconnect from their reality to dive into the reality of her paintings; reflecting from far and coming up with their own interpretation and visualizing natural beauty.
Calling all UK based designers, illustrators, and creative minds: Beautiful/Decay has teamed up with 20th Century Fox to bring you the bloodiest, goriest, most epic art competition, Fresh Blood Hunt.Fresh Blood Hunt is a rare opportunity for UK-based creatives- lend your skills to design an art piece inspired by the upcoming Tim Burton film Abraham Lincoln Vampire Hunter!
The contest winner will have their artwork turned into a mural, painted by the talented Jim Rockwell AND win a BRAND NEW 17″ MACBOOK PRO and ADOBE CREATIVE SUITE 6! That’s one “suite” prize! The chosen artist can join Jim Rockwell in London while he’s painting the mural and the whole event will be captured in a time-lapse video.
If you’re in LA make sure to swing by POVevolving Gallery in Chinatown and check out the latest exhibit by Marco Zamora featuring beautifully rendered paintings and a great video installation. The show is up through july 7th.
Girls-Unawares is a 3d artist based in Hamburg, Germany who creates media-morphed, sexually-reduced, ad-aesthetical and fetishized models that deconstruct fashion photography. See the more explicit images after the jump.
James Clarkson‘s collages take photographic images of objects from old art catalogues and treats them as a blank canvas to add abstract paint-strokes and form new art. The Sheffield-based artist focuses on the contradictions between high-art, design and mass-production; demoting the artworks of the photography to mere found objects in order to explore new forms and meaning. Check out more images after the jump.
Photographer Mark Holthusen shows an unexpected side to cockfighting in his aptly-titled series Pelea De Gallos (Cockfight).Instead of capturing the brutal matches, he went a more tame route. Holthusen rented a photo studio called Hollywood Fotos and invited the Partido Tres Hermanos cockfighting team in Zaragosa, Mexico to have their portraits taken.
Holthusen’s pictures focus on seven different team members that pose with their beloved rooster. Some cradle the bird in their arms with others grip it with both hands. Either way, the majestic-looking creature sits as calmly as the men do.
In a blog post about Pelea De Gallos, Holthusen shares his experience. The team is made up of people who are a dentist, teacher, businessman, and student. “In the end they were nothing but smiles, excited to have their pictures taken.”
However docile these images appear, they are tainted with the knowledge that these birds are forced into a cruel blood sport where death is an outcome. Roosters are specifically bred, fed, trained, and given steroids to make them into killing machines for our entertainment. It’s illegal in the United States but still popular and prevalent in many other countries.
If you enjoy Holthusen’s photos, check out his Second in Show series that we recently featured. It highlights the eerie similarities between show dogs and their owners.
In his series Evergreen, the photographer Bjørn Haldorsen visits the Evergreen funeral home in Brooklyn; like throwing flour on the invisible man, his images hope to give form to the invisible, intangible notion of death. In capturing the peripheral objects and mundane moments of embalming and service preparation, he paints a poignantly nuanced portrait of mortality.
These bitterly honest slices of a life once lived avoid sentimentality or theatricality. Unlike in Victorian post-mortem photography, Haldorsen avoids full portraits of the dead, opting instead to capture the seemingly banal elements of the business of death. Staff members arrange casket pillows routinely and perfunctorily, and only the corner of an urn is shot, revealing the accidental dust allowed to collect around it.
Yet within the work is a potent thread of emotionality and love as seen through subtle tricks of light; where a gray-haired body rests on a gurney, a figure, basks divinely in an overexposed door, as if to mourn in mysterious and unknowable ways. Similarly, a man sits in a dimly-lit room, sequestered from the lonesome darkness of the funeral space. Lifeless hands with yellowed nails seem to reach out at the viewer, exhaustedly collapsing on sanitary plastic wrapping, and swelled feet are contorted by wear, dirt still caught between their nails. Youthful hands gently insert a match flame into the wrinkled nose of the diseased; the ritual frozen forever, made to feel sacred and painfully intimate.
Haldorson’s vision of death reads as jarringly rational, offering little solace in the face of death, and yet upon closer inspection, viewers may discover hints of hope, the slightest traces of loving memory, preserved forever. Take a look. (via Feature Shoot)