Our massive 50% off sale is still going strong. We had so many people lovin’ the savings we decided to keep it going especially for the Cult of Decay! Shop Now! Check out 10 of our top picks from the B/D Shop after the jump! Oh and if that’s not enough Here is an additional 25% off code (BD25W7U) for a total of 75% off!!!! The sale is ending Monday so drop what you’re doing and shop, shop, shop!
The embroidery artist Ana Teresa Barboza, previously featured here for her arresting renditions of the human body, is at it again with her series of intricate, deconstructed landscapes. Turning her gaze outwards towards the vastness of the natural world, she celebrates the materiality of her craft, allowing her thread to spill from the boundaries of the embroidery hoop like wild nets wrenched from a tumultuous sea. Here, calm seascapes, serene pastures, and chaotic, rocky waves adopt the same sense of inexhaustibility, refusing to commit solely to embroidery and extending into the realm of the sculptural.
In this series, titled “Suspension,” Barboza’s medium mirrors her content. Like the art and craft of embroidery itself, her visual narratives are composed of iconography historically associated with the female: nature’s rolling hills, curved waves, and fluid, moonlit water. As her pieces unravel, they express something powerful and inevitable in female desire and spirit. No longer contained by the neat frame of the traditional hoop, exuberant colors and textures spring forth from a two dimensional realm into three, interrupting the comfortable barriers that normally exist between art object and viewer. These labors of love are not meant for pillows; instead, they proudly hang on a gallery wall.
Each of Barboza’s suspensions evoke folktales like those of mermaids, selkies, or sirens, woman creatures of the sea who are as frightful as they are alluring. We are presented with delicate illusions, mirages of landscapes, only to witness their dissolution into thick, tactile thread that invites our incredulous touch. Take a look. (via Colossal)
Caras Ionut is one of those rare photographer/Photoshopper hybrids whose work stands head and shoulders above even some of the best retouchers. Some of his images tend towards the realistic, others towards the fantastic, but all of them display a skill with both a camera and post-processing techniques that’s truly remarkable.
Ionut says his goal is to create dreamscapes — both the positive and negative kind.
“Most people when considering dreams would think of good positive dreams, and I like to think I captured that in my work,” he writes in his biography on 500px. “I also seem to visit the darker side of what people may see of dreams, not necessarily what one would see as negative, but possibly a dream that one could not quite understand or may feel alone.”
View a selection of our favorite images Ionut has captured, each available to license on 500px’s photo marketplace: 500px Prime” after the jump.
Panni Malekzadeh’s paintings of young girls juxtaposed with sex store neon signage deal with human vulnerability, boredom, fragility and the imprisonment of oneself. Her work has always been about things in herself that she felt incredibly uncomfortable and embarrassed by. Suggesting ideas of beauty vs. despair, shame, embarrassment and vulnerability that woman many times experience in their lives, Malekzadeh exploits what’s dangerous and what scares her about herself.
Does an artist’s, like a pro-wrestler’s, value depend on his or her physical mass? Not necessarily; however, Faye Mullen’si am an artist and i weigh physically contextualizes the worth of the artist in a quantiﬁed way with the intention to resurface the question of self worth and the value of the artist’s creative output.
Artist Alice Smeets re-imagines 20th century tarot cards through contemporary photography. Having always been interested in spiritual themes and fascinated by tarot cards, Smeet recreates the many different faces of tarot cards using the streets of Haiti as her subject. Her goal was not just to interpret the deck of tarot cards through her lens, but to also have them hold a deep, personal element. Cards like “Justice” and “The Hanged Man” become more intimate by collaborating with each of her subjects represented in this series.
Each Haitian shown in her Ghetto Tarot cards are actually artists themselves. Smeet, aiming to keep authenticity in her work, collaborated with an artist corporation in Haiti called Atiz Rezistans, or “resistant artists”. The photographer worked with these fellow artists to construct her tableaus to capture the captivating imagery in each card. In fact, Smeet includes the work of each “resistant artist” as props in the series. Working in partnership with these artists, she was able to form a relationship and learn what the word “ghetto” means to them. Smeet states that by titling the series Ghetto Tarot, she is giving the word new meaning, a more positive connotation. By exploring this theme of reappropriation, she discovers new ways of changing ideas and implications about certain imagery and words. Smeet explains,
“If we realize that its a choice whether we look at destruction and see despair or to regard it as the start of something new, we can change the meaning of every word, action and sentiment.”