In French photographer Fred Lebain‘s series “Spring in New York”, the artist visited various sites around New York City, photographed them, and then returned to these sites with a large-scale print of his photographs. By lining the landscape and the photo up perfectly, he creates a cheeky illusion which is often given away by a corner of the poster curling up, or the print shifting in the wind. Turning the 3-D world into a 2-D image brings light to the incredible amount of detail in each composition, and to the fact that recreating these scenes perfectly is impossible, especially in a landscape as dynamic as New York City. Lebain also reminds us that our surroundings are temporary and ever-changing, as minute details between his photographs and their surroundings indicate. By the time Lebain has printed his image, the landscape has already changed. Each moment in life is unique and will never happen exactly the same way again. His work is also reminiscent of another urban camoflague master – Liu Bolin, a Bejing artist who paints himself into his surroundings, rendering his body almost completely invisible.
Chen-Dao Lee paints highly stylized pop images that are a kind of Taiwanese version of a Quentin Tarantino neo-noir film. Painted in candyfloss pinks, reds and blues, his work borders on anime, or a kind of twisted superhero comic. His subjects are powerful women (and peculiar men) who have a cynicism, sexuality and also a sickly sweetness about them. Posed together, armed with guns and wearing frilly socks and high heels, or engaged in a semi-erotic masked wrestling fight, Lee’s characters are contemporary individuals, expressing the whole spectrum of emotions.
In his recent series, Lee has shifted from depicting a logical scenario in his paintings to focusing on the figures entanglement to describe emotions or relationships which are ambiguous, embarrassing or even helpless. Beautiful young women and fallen heroes frequently appear in Lee’s works as a symbol of the projection of modern people’s inner contradictions. (Source)
With titles like Cat fight – Love Kick, Boss, Not The Hero Type, Valentine, BFF, Lee embraces a kind of feminism with a dark sense of humor. He paints scenarios loaded with sexual innuendo, but instead of them being erotic, or about power plays, he focuses on ennui. The women (and men) show a lack of enthusiasm and engagement, but rather a nonchalance about what ever is going on around them.
His past series have included paintings of women guiltily carrying loads of fast food, indulgent night life scenes with money being tossed around, strange card nights, groups of men eating sushi off a blow-up doll, and overweight men with bad tan lines wearing cute costume masks. Lee is able to blend sarcasm, skepticism and empathy to create instant modern day classics. (Via Illusion Scene)
In the fall of 2009 artist Michael Anthony Simon left Chicago behind, and moved to the countryside of Korea. He wanted to experience a new place and culture that would hopefully inform a fresh body of work that could exist beyond the constraints of the western art world. In the spring of 2011, contemporary artist, Ai Weiwei was arrested on falsified charges of tax evasion by a notoriously conservative Chinese government. The claims were suspect to say the least, and many silent protests were organized throughout the world by major museums and institutions calling for his release. These silent protests became a louder gesture than anything anyone could have audibly said. This act of defiant solidarity became a source of motivation for Simon in the year to come. Realizing that by attempting to silence something you make it’s presence that much more apparent he commenced on a series entitled “The Silence Paintings”. Analyzing the design and significance of the word ‘silence’ in different languages lead him to the creation of an intuitive process that would allow for compositions to develop naturally, but with purpose and intention.
Hannah Stouffer, aka Grand Array, creates some beautifully ethereal works with a nice
sense of line. A delicate and intricate sensibility hand-seeped around the edges with
fanciful hinted obsessions with the animal kingdom and the darker sides of things…
Have you found yourself in a dark wood? Has the clear path been lost? Do you have a dead fish in your hand? If so then HELP ME HELP YOU at Goat Helper: Volume 1 debuting tomorrow at Los Angeles artspace Show Cave!
This LIVE screening of experimental video art and animation, installation, live video, goat themed food art, costumed “Helpers”, and of course Oreo the beloved pygmy goat. The screening features work from Shana Moulton, Jacob Ciocci of Paper Rad, John Michael Boling, Art Clokey (creator of Gumby) and many more! Don’t miss out. Screening starts at 9PM sharp.