Sølve Sundsbø is a London-based (Norway-born) photographer whose highly stylized shoots bring an experimental edge into the world of high fashion. This particular series — called Points a la Ligne — was shot for Numéro magazine’s May 2008 issue. The concept is simple, yet powerful; patterned shadows of stripes and circles are cast across the body of a nude model (Edita Vilkeviciute). Between the model’s painted-white skin and the pitch-black shadows surrounding and traversing her, the photos are strongly contrasted. Her lipstick — in varying bright shades — is the only source of color that punctuates the series, attracting the eye to her mouth.
The result of Sundsbø’s experiments with light and shadow is a photo series that lends a sensual geometry to the body. In some images, the shadows — which appear painted on, initially — give her body a feline appearance, and in others, almost a pop-art/film noir aspect, or even more abstractly, the way sunlight reflects off of sand dunes. The interpretations are varied, but the illusory effect on her form is beautiful.
Sundsbø has shot for a number of fashion publications and beauty brands, including Vogue, NYTimes, Chanel, Dolce & Gabbana, and H&M. You can explore the rest of his imaginative, sensual, and highly polished work on his website. (Via Art Fucks Me)
As an arts blogger I spend most of my day looking at amazing things created by artists, performers and creatives. If you’re reading Beautiful/Decay, a good portion of your time is likely also spent in awe of the creative output of others. I decided to make a move to the other side of the screen, rolled up my sleeves and learned to create something awesome. I joined forces with Skillshare, an online learning community that provides access to over 15,000 creative classes, to help accelerate my creative inspiration. Whether you’re looking to learn graphic design, illustration, photography or practically anything else, Skillshare can teach you what you need to know to execute your vision. Even better, they’re offering Beautiful/Decay readers two free months of Skillshare Premium (usually it’s $10 per month). Visit this link to redeem the promo or use the promo code BEAUTIFULDECAY..
Joey Piziali’s work takes on abstraction full force with geometric order mixed with a bit of painterly chaos. See Joey’s work in San Francisco this Saturday in a group show at Guerrero Gallery. See more of Joey’s work after the jump.
There’s always something more to be said in a failed romantic relationship. No matter who was right or wrong, time allows for reflection by both parties. But, more often than not, we don’t get the chance to say our peace. Photographer Jennifer McClure offers an intimate look at these types of situations in her series, You Who Never Arrived. She explores her past relationships by putting herself in front of the camera and reimagines the situations of former loves. McClure re-stages the events in hotels, using friends and acquaintances to play the part of beaus.
This series is no doubt an intimate one, as we see the photographer’s vulnerability on display. Her perception of the past was changed in this exercise, and she explains to Feature Shoot:
I thought I was going to find out what was wrong with all of the men I dated. I had assumed that I was ready for a grown-up relationship and that I simply wasn’t choosing well. After hearing what all of the stand-ins had to say about my actions and my behavior, I saw that I always ran away when things started to get serious. I was afraid to let anyone get too close, and I much preferred fantasy over reality. I always shot before the men arrived (when I was still right) and after they left (when I was so very wrong). The most devastating photos to me are the ones I shot the mornings after.
Since everything was shot in a hotel room, the sets were always a surprise, forcing the photographer to improvise in things like lighting and decor. Combined with the improv’d dialogue, these images feel like film stills. (Via Feature Shoot)
New Zealand-based illustrator Henrietta Harris, previously featured here, continues to compel the eye with her alluring and dreamily distorted portraits. In her pastel-toned watercolors, she renders the human figure fluid and infinite. Seemingly caught in moments of a romantic introspection bordering on spiritual transcendence, her subjects dissolve into swirls, scribbles, and line.
Here, Harris’s artistic process is inextricably fused with the completed portrait, and the creative act of art making is just as significant as the subject itself. Quick, doodled lines of primary and secondary colors become equally as material and substantial as the multiple-toned and shaded flesh itself, and the artist’s stream of consciousness thrillingly interrupts any objective reflection of reality. Individual identities collapse to form a whirlpool of ecstatic color, and the body itself becomes a cosmic landscape, revolving, twisting, and floating like a strange fleshy galaxy.
The intense movement of Harris’s work is balanced only by her soft, muted colors and the hushed expressions of her subjects. Peering sleepily downwards, her watercolor muses exude a quiet yet concentrated aura, as if lost in a meditative trance. Two-dimensional lines like static electricity course through three-dimensional bodies, slicing their features in two, and still they stare forward resolutely. Deconstructed perhaps by their own imaginations, they surrender themselves to the hand of the artist, which leaps and coils whimsically across the page. Take a look. (via The Inspiration Grid)
This has to be the ultimate piece of street art. Not only can you stick it to the man by removing corporate companies messages off of billboards and other video based ads but you can put up whatever you like in its place. Maybe a video of you doing your favorite dance move, sleeping, or better yet an image of the stars and sky that you would see if the massive eyesores weren’t there. I’m curious to see where advances in technology and street art will take us. What do you think? Watch the full video after the jump.
***UPDATE!*** Well looks like the jokes on me. There is another version of this video where the guy says he is on a drug right before he starts talking. Apparently this is a viral video for a new movie called Limitless. Guess the man stuck it to me in the end! Damn It!
Artist Keith Loutit combined two techniques – tilt-shift and time-lapse photography – to create a “dreamy” impression of the monster trucks rally in Brisbane, Australia. In tilt-shift photography, objects are made to appear small and toylike by altering the camera’s lens to narrow the image’s depth of field – the portion of a scene that appears sharp. By running together 15,000 of these still photos – taken over three hours at the event in November – he created a magical time-lapse animation that has earned plaudits across the web. The self-taught artist’s videos, including footage of swimmers at Bondi Beach in Sydney produced using a similar technique, have attracted huge numbers of views on video-sharing websites such as Vimeo.
UK based designer & illustrator Tom Hovey infuses his work with a lively quality and a sense of humor. Tom works freelance and his artwork has been featured in a variety of magazines and exhibitions – to name just a few of his drawing outlets. Tom keeps his work fresh through his daily sketchbook blog, which I highly recommend checking out – it may just put a smile on your face, like it did on mine!