JUCO (JUlia Galdo & COdy Cloud) is a photography duo out of Eagle Rock, CA making some stunning photographs. Drawing inspiration from African big timers Seidou Keita and Malick Sibidé, they’re the best blend of fine art and fashion photography since Steven Meisel. Enjoy!( via )
Christopher Lavery’s sculptures and installations work as poetic monuments– stretching beyond one particular brand or medium, and focusing, instead, on the art of humanity in relation to our natural state of dreaming.
For instance, Cloudscape (top image above), a collection of representational clouds, stands as tall as 42 feet and hovers alongside Pena Blvd. in Denver, Colorado. Each piece, made of steel, solar panels, polygal, and LED lighting, allows us to reconsider our own relationship with the sky– how a cloud is a talisman or connector: nature’s billboard, ephemerally reminding us to look up and inward.
Big Gold Word Bubble (plan and model, 2nd and 3rd image above), his latest endeavor, after completion, will stand 14’ tall and examine this idea of how, parallel to the clouds, language is both concrete and abstract: a beautifully harmonized collective word bubble and diversely individualized journey of interpretation. To help support its construction and transit to Art in the Park at Elm Park in Worcester, MA, click here. To view more Cloudscape installation shots, scroll down after the jump.
We’ve recently explored the world of creative dog grooming, and now it’s time to turn an eye towards portraits of ornate fowls. Singapore-based photographer Ernest Goh documented the world of Malaysian Chicken Beauty Pageants. Yes, believe it or not, these events exist (because why not?), and are captured in Goh’s tongue-and-cheek titled publication, Cocks: The Chicken Book.
Goh selected the Ayam Seramas breed of chicken for his series, who are known for their beauty. He sets places each creature against a black background and allows their exquisite coloring and patterned feathers shine. These photographs highlight their outward appearance as well as their quirky personality, as the cock their heads and strut their stuff.
On his website, Goh features a quote that’s some food for thought. It’s taken from the famous novel Animal Farm, and it seems very appropriate for this energetic series: “The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which.” The results of the colorful portraits are akin to what we’d see if a human had the lens turned on them. With this similarity, perhaps chicken beauty pageants aren’t that silly after all. (Via PetaPixel)
Rachael McArthur is a Toronto-based artist whose photography explores the fascinating crossroads of modernity and classical culture, with a particular focus on the family structure. Featured here is an ongoing project called A Family Façade, which examines domesticity and social identity through a Victorian lens. Throughout the images—each with an intentionally staged appearance—McArthur captures the gilded debris of aristocracy and repression: ornamental coffins filled with flowers, pipes and alcohol bottles arranged like cherished knickknacks, and lockable suitcases containing old family photos and letters. Pulled between beauty and contrivance, each photo produces a tension of arbitrary decoration and the muffled underbelly of familial memory and secrets.
McArthur is particularly interested in how the body can be used to project a constructed (and often idealized) identity. In the Victorian era—not unlike today—materiality and the cohesion of the familial unit were a means to manifest an air of “success” and contentment. This is seen in McArthur’s adorned sculptures; well-dressed and surrounded by beautiful, antiquated objects, they appear deceivingly calm and graceful, provided for in every material way. The absence of faces and limbs, however, tells a different story; without eyes or hands to express the figures’ emotional worlds, the viewer sees the beautiful objects for what they are—superficial, gaudy façades that merely upholster an unsettling truth.
Layer after layer of meaning can be unraveled from McArthur’s works as she examines the historical and present-day significance of family and identity. Visit her website, blog, and Instagram to learn more about her work.
Francesco Albano‘s human body sculptures drip, melt, hang, and often appear to be boneless – even the work primarily featuring bones is distorted and lumpy. Working with wax, polyester, latex, iron, and other materials, Albano sculpts shapes and contortions that render the erect and boundaried body flaccid and grotesque.
Albano is “interested in and influenced by a wide range of subjects from philosophical, mystical and spiritual arguments to scientific theories, from psychological studies to real life stories. Albano uses skin and bone as a critical and personal tool of expression to focus on the effect of societal pressures and psychological violence on the human body and collective conscience. More than an inner envelope the artist defines the human skin as a limit and an identity, that interacts with outer world.” He’s lived in Istanbul since 2010. (via my amp goes to 11 and galerist)
Whether David Mesguich is creating sculptures or painting with watercolors, he maintains a basic color palette, heavy in contrasting blacks, whites, greys, and tones of sepia. His geometric sculptures of faces and people look like they were printed from a 3D printer. This conception gives his figures a digital effect that, when paired with the size, gaze, warp effects, or placement of them, has the potential to unsettle a viewer. This effect is even more pronounced when considered alongside Mesguich’s cardboard CCTV camera sculptures,100 of which he placed in various locations around Marseille. This idea of surveillance is even depicted throughout his watercolor paintings that represent scenes of city life, usually related to mobility and movement. Mesguich’s work seeks to challenge “modes of control” by addressing the “transparency of windows and shadows.”
Qui est Paul? We may never truly know who he is but apparently he’s got very good taste in outdoor furniture. The French firm’s designs boasts bubbly, slick and upbeat pieces that fit just as well in a home as a five star resort. I especially love the Sardana seating that wraps around a tree and can be lit from the inside.
Ofra Lapid’s Broken houses series is based on photographs of abandoned structures neglected by man and destroyed by the weather. The photos are found on the web while pursuing an amateur photographer from North Dakota who obsessively documents the decaying process of these houses. His photographs are used to create small scale models. Afterward, in the studio, the models are photographed again, omitted from their background and placed in gray. Eventually these are Digital pigment print size 30×36 cm.