British photographer Vikram Kushwah recreates pieces of the past with staged photography. Working with fashion designer, writer, and researcher Trisha Sakhlecham, the two produced a series of images titled Memoirs of Lost Time. The subject matter, its tone, and coloring of the photographs are a dreamy and hazy. They straddle the fine line between what is a dream and what is a memory. Each image features a person gazing beyond the landscape, as though they are longing for something lost.
On his website, Kushwah writes about Memoirs of Lost Time. He says that the series is inspired by the romantic notions of childhood memories, and goes on to say:
…A biographical documentation of sorts, of seven creative personalities’ childhood recollections, this book captures not only what was, but also suggests a very imaginative take on what could have been.
Stories evocative of the intimate moments and bygone days of these personalities are embellished with wondrously staged pictures featuring the subjects themselves. Each chapter takes you into the personal and never seen before world of one of these personalities with a short story, an insightful interview and photographs, weaving in and out of reality, where you start beginning to drift into a realm of imaginative possibilities and yet remain attached to the facts that were.
With dreams, like distant memories, we sometimes question whether or not something actually happened. While this could be distressing, Kushwah chooses to embrace uncertainty and magic of it all. There are some fantastical elements, like a woman that is carried away by small umbrellas. But mostly, these images lack action. Instead, they depict quiet moments in the company of many books or the vast outdoors. Reading and nature provide the perfect fodder for imaginations to run wild. (Via My Modern Met)
Massachusetts-based visual artist Aliza Razell combines photography and watercolor painting in her series of self-portraits that feature splashes and spills of color. Razell uses watercolors to enhance the vitality of her photographs by evoking mythological and psychological themes. One series, “Anesidora,” represents the Pandora’s jar narrative (the myth features a jar, not a box, as commonly believed) and another series, ikävä, is the Finnish word for missing or longing after something. Razell’s photography-watercolor combination perfectly captures the humanity and surreality of mythological events and the poetic evocations of a fleeting feeling. (via fubiz)
Where to start with Jay Howell? The legendary laidbacksman and zinester, recently relocated to Los Angeles by way of San Francisco, seems to have taken good vibes to every corner of every creative cul de sac. Howell, who participated in the group show “Supply and Demand” at Brooklyn’s House of Vans early this fall, works his quirky, character-driven vision onto all available formats. His trademark dudes, rockers, and big-breasted babes have graced gallery walls, skate decks, apparel, original cartoons, original “nickelodeon cartoons”, album covers (he has serious ties to the musical community), and public spaces. Sometimes it feels like he has a message, but then you kind of wonder whether it’s really reflected in his work or not. And then you’re just like, dude, who cares?
Martin Hugo’s sketchbooks détourné the commercial imagery he encountered while designing corporate fashion in the “Empire State.” These books read as Hugo’s coping mechanism for trafficking in cultures he actively disdains. Using styles from esoteric hardcore music and quotidian visual culture, Hugo degrades and problematizes “high-brow” mainstays like the fashion industry, the contemporary art world, and our global plutocracy. But these minimal collages would be a bore if they were just well-designed, on-the-nose crits of capitalism’s look and effect; whether it’s through his deft rebranding of The Whitney (it rhymes), or by imploring us to “Support Our Predator Drones,” it’s Hugo’s gallows humor that makes them shine. He is able to look into the abyss of American culture and find the ha-has we need to get through the (last) day(s).
Italo Romano is no average skateboarder. He skates better than most people I know and doesn’t sweat the small stuff like not having legs. After watching the above video I felt like a fat, lazy pessimist who see’s the world as a half empty cup. Make sure to watch this video next time you’re complaining about how tough you have it, how things feel impossible, or when you want to give up. Thanks Italo for showing us that anything is possible and that giving up is the easy way out!
Liz Hickok is a San Francisco-based artist working in photography, video, sculpture, and installation. Hickok received her MFA from Mills College in Oakland, California. She earned a BFA and BA from the School of the Museum of Fine Arts and Tufts University in Boston, Massachusetts. Hickok lived and worked in Boston for over ten years before moving to the San Francisco Bay Area. “Hickok’s Cityscapes in Jell-O” series has received extensive media coverage, such as The New York Times, NPR, and The CBS Early Show. Her artwork has been exhibited across the United States and is included in international collections.
Hickok will be showing work at The Emerald Tablet in San Francisco October 20 – November 18 as part of A.D.D., a group exhibition. (via)
New York based Korean artist, Do Ho Suh, creates beautifully detailed installations where he constantly has us question the identity of the individual in modern day society. Those of you who live here in Los Angeles, might have seen a few of his sculptures at LACMA where he worked with the idea of the clashing of culture and identity most Korean-Americans face by crashing a traditional Korean house into a modern day American house. Inside, traditional Korean furniture spilling into various rooms of the American house, all mixing into one chaotic mess. I have always genuinely enjoyed the way Do Ho Suh communicates his concepts, and his painfully close attention to detail.
Whimsical mixed media work from west coaster Adam Baz. His mystical drawings unfold with simple yet refined details and bursts of color. Also reminds me a little bit of of Zachary Rossman’s work, which is definitely a good thing.