Somewhere between sculpture, fashion, and performance art lies the curious work of Daniel Ramosobregón. This Colombian designer’s wearable art takes the form of dismembered components of the human body in a pure white slate. Each piece is created from porcelain casts of the particular body part that it represents. Then, they are attached to gold plated brass metal and appropriately worn almost always directly attached to the body segment it mimics, creating a deeply psychological affect. It is as if each human body section is jumping out of its place into the air only to be confronted by it own body once again. Ramosobregón’s series is titled Outrospection inspired by the philosopher Roman Krznaric, who claims that humans must live towards the outside to truly know themselves. This meaning, experiencing life is how we discover and form our identities. The designer further explains the meaning behind his wearable limbs.
I have appropriated his concept while relating it to out-of-body experiences more commonly known as astral projections, by seeking to represent -in a metaphorical way- the mind being projected inside out of the body as a way of self-expression and representation.
These “out-of-body” experiences are represented in his work as ghostly and unnerving fractions of the body unnaturally detached. The most startling piece is the white, porcelain tongue that is only attached to the subject’s body by part of it being held in his mouth. Ramosobregón’s series Outrospection is a perfectly balanced mix of beautiful craft and amputation. Although the photos of his crisp white and well-designed sculptures appear somewhat unsettling, Ramosobregón’s work is unarguably delicate and stunning.
Danish artist Troels Carlsen warps classic anatomical illustrations of natural organisms to produce mixed media works on paper. I can’t tell if the drawings that Carlsen’s manipulating are originally produced by the artist or not (maybe a mixture of the two), but the images stand up well enough even without such information. On a purely visual level, the contrast between the illustrative anatomical drawings and Carlsen’s slightly humorous injections works really nicely. But these drawings hold conceptual tones as well. Thick commentary on the body and mind is laid out cleanly for all to see. (via)
Zach Hyman’s photographs are concerned with the idea of bodies and boundaries and the spaces they occupy. Often, the bodies he captures are nude and placed in an environment that illuminates the boundaries of nature and culture. Something wonderfully vulnerable is evoked by the placement of these bodies. His subjects, though placed in settings seemingly incongruent with the exposition of their bodies, appear naturally comfortable. The way he captures light and contextualizes these bodies lend his work a universal quality that is at once identifiable and particular.
In today’s economy, it’s not uncommon for recent college graduates to move back home with their parents. According to The New York Times Magazine, 1 in 5 people in their 20’s and early 30’s find themselves in this particular situation. The phenomena is fodder for photographer Damon Casarez’s recent series Boomerang Kids, which was shot in eight states and over 14 cities. His poignant images paint portraits not of people who are lazy, but those who have massive student debt, or see their current situation as a means to achieving their own American Dream. They exist in a strange limbo where they’ve grown up but still aren’t entirely self-sufficient adults.
Even for those not living at home, this series might resonate with you on some level. Student loans and a general high cost of living can make anyone feel like it’s hard to make the ends meet. After all the possibilities offered in college, the real world is generally not as kind. But, these images don’t feel hopeless; they feel hopeful and demonstrate the changing landscape of growing up. (Via Feature Shoot)
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Michael Kelly and Johnny Kelly are two brothers from Dublin, Ireland who work separately and sometimes together also. Michael lives and works in Tralee, Ireland, while Johnny is based out of London, UK. Micheal’s photographs are beautifully saturated images, that posses a feeling of nostalgia and modernity. Johnny is an illustrator, with a love for the paper arts, his piece “Don’t Panic”, as shown above, is a great example of his amazing use of color and shape.