Ari Abramczyk is a Los Angeles based fashion photographer specializing in underwater photography. I love how Abramczyk creates an added layer of interest in her photos with vivid colors and light patterns. She really utilizes the unique qualities of water in her photos. Granted, all things underwater look pretty cool, Abramczyk just makes it cooler.
At first glance the Stone Fields of designer Giuseppe Randazzo seem to be akin to stoic environmental art a la Andy Goldsworthy. Under closer scrutiny, however, these pieces are far from ‘natural’. Randazzo begins with optimal packing algorithms – algorithms that determine the most efficient way to fill a certain amount of space with various sized objects. He then modifies the algorithms to produce different arrangements of stones in the circular field. Further, the stones aren’t ‘natural’ – that is, they’re not real! Rather, the images produced by Randazzo are actually hyper-realistic 3D renderings.
The Artist Collective known as DSC or Dinosaur Special Cassette make some pretty neat stuff. Based out of the UK, it consists of two people who create drawings and garments. A colorful variation of ideas on instagram eventually show up in clothing lines for children and adults. These drawings stand alone in originality encompassing vibrant hue reminiscent of rainbows and youthful subject matter. They possess an amazing amount of original wonder and charm. They take a lot of influence from children’s textile patterns but with a tad more flavor. The narratives speak to Romare Bearden in collaged color and placement. It’s exciting to see people on social media drawing with such abandon. This is where you can see the best scribbles of DSC.
DSC’s clothing is sewn under the label Klushka. These are one of a kind pieces inspired by their fabulous drawings. One called “Critter Applique Jumper” is a blue smiling blob painted on top a pink sweatshirt made of newsprint patterned material. It combines early Sex Pistols never mind the bollocks with a funky collage effect. A collection of long tees or nighties with elaborately drawn prints of aliens and dollar signs are also offered. Those take reference from eighties artists like Jean Michel Basquiat and Keith Haring.
This Thanksgiving we wanted to thank all of our loyal followers for supporting us over the last 20 years! To give thanks we’ve made it easy for you to save big without having to leave the comfort of your home so you can spend more time with friends and family. Between Thursday November 26th until Midnight Monday the 30th everything on the Beautiful/Decay shop is 50% off! Use discount code holiday50 to get all our books, magazines, artist posters, shirts and accessories at half the price. We have limited quantities of everything and will not be restocking any sold out products so act fast to take advantage of this rare holiday sale!
Marc-Phillipe Coudeyre’s line, “Black Renaissance,” combines the Rococo-ruffled sensibility of cocoon-puffed panier hoop-skirted volume, the gold-stud, gold leather, feather fur glam-rock aesthetic of Ziggy Stardust, and the morosely black capelets characteristic of Victorian mourning attire. The end result is a collection that is fit for a bizarre, alien Avian-human hybrid from the future. I definitely wouldn’t mind living on one of his planet’s black moons. Hailing from Antwerp, Coudeyre epitomizes the Belgian progressive aesthetic. Courtesy of the Flanders Fashion Institute, he will be showcasing his designs at New York Fashion week, at Showroom Antwerp.
We have images of PJ Richardson‘s submission for the Diesel x Keystone Design Union (KDU) “Only The Brave” Exhibition, which opened on April 30th in NYC. I love how he juxtaposes gentle greens, salmon pinks, and loud reds with equally vibrant, downright playful monsters and type. All of these visual elements make this piece particularly mesmerizing!
DIAcussion, a group show that engages in dialogue and discussion through form and subject, opens tonight at envoy enterprises, 87 Rivington St. (6-8 PM). The exhibition seems to approach its concept very directly; a lot of the interplay between the work is very pronounced, sort of in your face. This is far from a problem, as the overall quality of the show looks to be pretty high. The focus on figurative elements opens up a direct, personal vein through which we are able to consider the implications of the vastly different ways in which we approach the same goals. You can keep your questions at face value (medium vs. medium, subject vs. subject). And you can take in the decaying face of Gerald Collings’ The Hollow (above) and go all out dust-to-dust; considering the myriad ways you might choose to live your life in the face of the possibility that we all end up in the same lame, dead position eventually, that we all think we know the best way out of the maze but none of us actually find the exit in time.
All images courtesy of the artist and envoy enterprises, New York.