I’m absolutely loving these sleepy narrative illustrations by Japanese artists Fuco Ueda. It’s as if each painting was painted with the tears of fairies from a far away distant land where animals and cute teenagers lived as equals.
I’m really shocked by how life-like (and well-dressed!) these plaster figures are– what a great art and fashion combo. He also balanced a taxidermied elephant on her trunk, proving something that seems outside the realm of possibility by what we think we know about gravity.
(Photo courtesy Neotorama)
Alright, that’s it for taxidermy! I’ve maxxxed out!
CCA grad Kara Joslyn is based in Oakland. Joslyn works mostly in black and white and mixed media to create stark, quietly emotional paintings. There’s a lot of hardened dignity in the artist’s work. The black and white depictions here of crumbling stone, ancient pottery, and dried parcels of wood can’t help but lend a resolute seriousness to each painting. This (and their stunning visual qualities) allows them to be taken in with purpose, as though something very special is captured and any time spent with the work is not wasted. By rendering material which was once strong and hard in a state of brokenness and neglect, Joslyn brings us to considerations of the inevitable effects of neglect and time, and the realization that hardly anything remains prominent forever.
Ben Grasso is wired for telekinesis. Before painting he warms up, surrounded by mystic runes and burning incense, by bending spoons with his mind. Just kidding, but that is what I want to believe. His paintings are filled with magical forces; it’s to do with buildings and de/construction, but there are other characters – namely beer cans, explosions, and scarecrows. It’s entertaining to be presented with something walking the fine line between real and totally illusory, Grasso is making work in that sweet spot.
Four score and seven years ago, shortly after college, I worked a certain retail job at a company that shall not be named (American Apparel) and had the pleasure of working with Max Wittert. Max was famous store-wide for his amazing and humorous doodles lampooning everyone who came into the store…and all of us employees. Max…I would kill to find those illustrations again, do you still have them? Anyway, we ran into each other again after many a long year at the Renegade Craft Fair last weekend, and much to my delight I discovered he’s now following his heart working as an illustrator. Wonderful work!
Strata #4 is a two channel video by the artist known simply as Quayola. For the video, Quayola used images of two grand altarpieces by Rubens and Van Dyck. He worked with an HDR photographer to obtain huge 20,000 by 20,000 pixel images of the work. Then using unbelievable computing power and algorithms Quayloa investigates each masterpiece’s underlying structure, composition, and color. Strata #4 at turn resembles 20th century abstract renditions of the baroque work. Yet his video squarely part of a New Aesthetic, part of a 21st century sensibility.
NYC based artist Norman Mooney makes works that are at once physical and metaphysical. His works explore the elemental and cyclical synergies of nature. Materiality, pattern, scale and experience are key concerns within his practice. Although he works in a wide array of materials his massive burst sculptures are completely jaw dropping. Radiating from every angle these incredible explosions shimmer and shine like a star far off in the galaxy. (via)