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Sheila Hicks’ Larger-Than-Life Tufts Of Fibers Create Wonderfully Tactile Installation

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Some works of art look so wonderfully tactile that you’re drawn to want to touch them. Such is the case of Séance by American artist Sheila Hicks. The larger-than-life installation features huge tufts of colorful fabric stacked on top of one another. It was recently presented by Demisch Danant at Design Miami/Basel’s Design at Large Program.

A black-painted curved wall is covered with giant splotches of vibrantly colored wool, linen, and cotton. Crafting them utilized a processes that originates as pure powdered pigment and is later combined with a binding agent that creates a pliable fiber. This process is symbolically thought of as translating color into 3D form which is then repeated again and again for the purpose of Hick’s installation.

The multi-faceted Séance features a suspended column and a “color table” in addition to the things against the wall. A waterfall of individual strands pour from the ceiling onto a stack of blobs below them, carrying a powerful visual. The color table encourages viewers to create color combinations based on their own associations. When they’re done, they can share and trade them with other participants and piece together a unique narrative. (via designboom)

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Saddo’s Darkly Surreal Paintings Of Tattooed Human/Bird Hybrid Creatures

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Artist, illustrator, and muralist Saddo creates paintings that are a fusion of birds, humans, armor, and more. In stately-looking portraits, these hybrid creatures look as though they’re ready to enter battle or to try and cheat death. Sometimes, act as the grim reaper themselves. The dark-colored images match the somber subject matter, and many of Saddo’s surreal works are meant to echo that sentiment.

The catalyst for Saddo’s subject mater comes from a move to Lisbon with the artist Aitch. Some imagery is influenced by Spanish and Portuguese explorers and conquistadors from the 15th to 18th century, as well as illustrations of birds, Islamic miniatures depicting battle scenes, and science fiction movies. Other paintings are inspired by the cold. “…the winter caught us by surprise, we didn’t expect it to be so rainy, gloomy, and depressing.” Saddo explains.“It deeply affected our mood and even our physical state, we often felt trapped inside our dark, moist house, inside slow moving, joint aching bodies.” Every once and a while, a coffin would appear in their illustrations and paintings.

The culmination of these disparate influences facilitate morbid, strange, and fascinating works that have intriguing small details hidden within each composition.

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Motiongraff Visits Nicholas Gazin

The good folks at Motiongraff visit Kooky NYC illustrator Nicholas Gazin for a stop motion photographic tour of his illustration process. You can also find Nicholas’ work in our current book, Beautiful/Decay: Future Perfect. Watch the full video after the jump!

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Joseph Parra’s Manipulated Photographs Are Braided, Folded, Cut, And Scratched To Reveal The Unseen

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Joseph Parra is an artist working with the human portrait and figure. While he obviously draws and paints very well, Parra is not necessarily concerned with perfectly replicating what someone looks like. He finds this notion limiting to an artist; after all, a photo or realistic painting can only go so far. You’ve made someone look like their outward appearance, but now what?

Parra strives to delve deeper into the figure or portrait and reveal what is unseen. His work questions what it means to be human using a couple of different methods. One way is through layers. Aside from a portrait, he adds of media that distorts the face or the body. Parra scrapes, pricks, and sands his subjects. In his words, this is “acting as reminders that we are merely a union of ideas.” Additionally, he will cut, braid, or fold paper as a way to express the complex nature of humanity. Oneself (directly below) is the same portrait but manipulated in three different ways. It references the fractured, multiple, and twisted ways we often view ourselves. Some days we think we’re great, while others we are loathsome.

Much of Parra’s work is screen prints and digital prints, which I think enhance his ideas and again parallels the human experience. We see these images mutilated and/or distorted, and they look very textural. Yet up close, they are mostly reproduced images and have a smooth sheen – the rawness is kept contained. I compare it to having a friend who appears very put together on the surface, but beneath you know they are a mess.

Parra was featured last year on Beautiful/Decay, not long after graduating college. Since then, he’s created more work that focuses on the braiding or manipulating of paper, which are some of my favorite pieces. I’m looking forward to seeing where Parra goes from here.

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Alex Cornell

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San Francisco based Alex Cornell has a track record of pursued professions that makes most feel like underachievers; he is a graphic designer, musician, and dabbles in photography.  These collection of posters are reminiscent of 40’s atomic bomb informational posters with a hint of contemporary influence.  His organization of graphic elements is very clean and eye pleasing.

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Leo Eguiarte’s Hyper Colored Brain

Los Angeles based painter and all around good guy Leo Eguiarte recently updated his site full of hyper colored paintings that will have you feeling like you just took 50 hits of acid. Nice work Leo, keep them coming!

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Daniel Firman

I’m really shocked by how life-like (and well-dressed!) these plaster figures are– what a great art and fashion combo. He also balanced a taxidermied elephant on her trunk, proving something that seems outside the realm of possibility by what we think we know about gravity.

(Photo courtesy Neotorama)

Alright, that’s it for taxidermy! I’ve maxxxed out!

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Bobby Scheidemann

Bobby Scheidemann’s photography portfolio.

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