Austrian artist Anatlo Knotek is a self described visual poet who creates all his art with the help of the English alphabet. Knotek takes ordinary words and phrases and creates new visual puns and deconstructions. As words fall apart, come together, and reshuffle we see new meanings, poignant ideas, and revealed secret messages. (via)
If you ever thought about breaking into the B/D office and stealing all the boxes of shirts going to stores think again. Ziggy the B/D mascot will hunt you down and slaughter you. Look at the photo after the jump to see his vicious tactics. I nearly lost a finger.
Israeli artist Ron Arad has a thing for the Fiat 500 car. Ever since his father was almost struck by a garbage truck while driving a Cinquecento, the Italian automobile played an important part in his life. Arad tells the story of how he came to own his first Fiat to W Magazine. While stopped at a red light in a taxi, a Fiat pulled up next to him, and he
….opened the door of the taxi and shouted to the driver, ‘Are you selling?’ The next day, his car was [his]’. (Source)
That car was used to cart his family around for a number of years, and even housed a homeless man for a short period. After looking at it every day, he decided he wanted to immortalize the car like the cultural icon it is. Using a metal press at a shipyard in Groningen, in the Netherlands, he managed to squash and squeeze the cars into a 12cm thick plate. After spending a while trialing with smaller cars and a variety of presses, Arad found the perfect way to flatten the frames while still keeping the integrity of the shape and design. It is quite a bizarre sight seeing something which is normally such a full shape being hung on the wall like it is a colored cardboard version of a car. Arad has indeed preserved the idea of the Fiat 500 for all to gush sentimentality over.
His exhibition “Ron Arad: In Reverse” is on view at Paul Kasmin Gallery, 515 West 27th Street in New York City, until March 14, 2015.
This short video by French artist Marc-Antoine Lucatelli features dancer Lucas Boirat as he uses his body to manipulate an image of shape-shifting geometric light that is sourced from his hands. The energy behind Boirat’s dancing paired with the abstract energy of light gives this video and these gifs the effect of a push and pull between Boirat and the light. Boirat seems to dance to effect the balance of power between light and shadow, with the light ultimately returning to dust at the hands of Boirat. These modern martial arts inspired dance moves paired with the dreamy experimental music of EdIT create an experience that feels at once primal and futuristic. I find myself completely engrossed with Lucatelli’s video and the way he beautifully captures this stunning power struggle. (via my modern met)
Marta Soul’s alter-ego unapologetically kisses 18 different men in the photography series “Idilios.” The red headed protagonist moves from idealized scene to idealized scene engaging in a single kiss with a different suitor each time. Soul says on her site, “immediate satisfaction is found in the kiss. It is the begin[ning] and end[ing] of the entire narrative scene and it is the iconographic element of the image too.”
It is true that the kiss is the central role of the series. Soul poses the lovers with their back turned towards us, bodies entirely choreographed, masking their expressions. Perfectly dressed and suited, the kiss is the only thing we know about the lovers, aside from the incredible wealth demonstrated by their scenarios. With these gestures, the passion between them is concealed from us and allows us to imagine the story between them.
In some ways, the saturation of colors in these passionately distanced and stylized environments are reminiscent of a 1950’s film. They might provide us with the possibility of Hollywood romance: exquisite clothes and remarkable vistas. But, more aptly, the unidentified lovers offer us a paperback romance experience where we can transfer our own fantasies into a world that does not exist outside a creative director’s imagination.
Photorealism, also known as Super-Realism, New Realism, Sharp Focus Realism or Hyper-Realism, involves artists employing photographs to create their paintings. The style evolved out of Pop art as a sort of resistance to Abstract Expression and Minimalism in the late 1960s and early 1970s. Photorealist artists create works that are hyper illusionistic; compelling viewers to wonder and marvel at the work’s resemblance to reality. Employing a variety of techniques artists seek to generate paintings with a high level of representational verisimilitude. Photo realists use the camera or photographs to gather information. They may also rely on a mechanical device to transfer the image to the canvas, such as a projector, though the artist still requires a high level of skill to complete the work. Usually employing multiple photographs, artists involved with the style are interested in technical or pictorial challenges that might include unique surfaces or textures.
Pioneers of the movement include painters such as Richard Estes, Robert Bechtle and Tom Blackwell. One of the best-known photorealist painters, Chuck Close, works using a gridded photograph. A spinal artery collapse in 1988 left Close severely paralyzed. After the injury Close continued to paint, creating large portraits in low-resolution grid squares created by an assistant. From afar, these squares appear as a unified image, but in pixelated form.
Today there are a myriad of artists practicing photorealism including Jason de Graaf, Alison Van Pelt,Paul Cadden,David Kassan,Gregory Thielker,Diego Fazio, Bryan Drury and Ben Weiner . With the advancement of technology, contemporary photo realist artists are able to achieve paintings that exceed the capabilities of photography—capturing details the lens may not, or achieving an extraordinary level of precision. Often these photo realists are referred to as hyperrealists as the images resemble one, or an amalgamation of, high-resolution photographs. Inspiring and impressive, photo realists’ works tease the imagination and challenge perception.
Oakland-based artist Grady Gordon produces ghoulish black and white monotype prints. The knowledge that each image is unique contributes to a sense that the figures depicted are real. That at any moment they could leave the paper and enter your nightmares. Until this year, Gordon only depicted heads in his work; the full figures definitely amplify the gruesome vibe. But the heads definitely have their appeal as well- leering faces that move in and out of swirling blacks. Gordon is having a solo show in Denver in October. Some of these works will be on view then.
The best way to stay current with the world of Grady Gordon is to follow the dude on instagram @joaquindead. Don’t blame me if you never sleep again though. More full figures and previews of the Denver show after the jump.
Bethany Krull’s ‘Dominance and Affection’ revolves around the exploration of this duality as it can be seen in the relationship between humans and the rest of the natural world. In today’s increasingly nature-deprived society, our most intimate connection tends to be with plants and animals that we ourselves have drastically altered through the process of domestication. We have turned wild animals into companions, genetically sculpting them into sweeter, cuter, less dangerous versions of themselves. We shower our pets with love at the same time we cage and contain them and it is this affection contradicting complete control that Krull is interested in illustrating in her work. For no amount of love lavished upon these creatures will erase the fact that the success of the relationship lies in our complete domination over all aspects of their existence.