We all know that Valentines day is a scam created by greedy corporations looking for an excuse to make an extra buck. However I have to admit that this is one valentines day gift I wouldn’t mind getting behind. I introduce to you the Love Is Lame series of teddy bears by NYC based designer Chad Silver. What started as an art school project has turned into a full fledged company that helps you say those five affectionate words to your loved one.
Swiss photographer Joel Tettamanti documents every corner of the world from Vietnam to Rome. However I find his 2009 series of images from Greenland called Aasiaat completely mesmerizing. perhaps it’s how the snow covers every inch of the ground or the brightly colored buildings but there is just something magical about this series that makes me want to book the next plane to Greenland to start the worlds biggest snow fight. (via holyghost)
Japanese artist/designer/architect (and construction worker?) Yusuke Oono was thinking beyond flat when she conceived her 3-Dimensional art books. First designing the layouts of each book (which includes titles like Sweet Home, Jungle Book, In A Cheese, and a 360° Christmas Book) by hand and with the aid of design programs, Oono then uses a laser-cutter to carve out the highly-detailed dioramas that make up each page of the story. These pages are then bound together, creating a compiled book which more than pops out, but can be read in 360°.
The work of artist Adel Abdessemed is at once direct and poetic. He often uses common imagery and objects as a point of departure. However, the mundane beginnings of these objects only further underscore the weighty nature of his art. Abdessemed’s installations are able to provoke a sudden impact of its viewer. Still, the installations communicate complex ideas that unfold over extended viewing. At times controversial, his work is effective in piquing thought and discussion.
Max Gärtner is a man with seriously good cutting skills. And an amazing talent for line work. He draws the heads of bears, tigers, birds, wolves and humans with an incredible intricacy. The Berlin based illustrator transforms hundreds of pencil-drawn lines into interwoven, floating stencils and then pins the result onto backing boards. Drawing inspiration from the original masters of line work – Gustav Klimt and Egon Schiele, Gärtner is concentrated on rendering elegant forms from flat lines.
Currently showing an exhibition at BC Gallery in Berlin titled “No Lie In Fire“, Gärtner pays tribute to animals that have either metaphorical or subliminal importance to him. Trying to close the gap between the ‘supernatural’ and ‘natural’ world, the artist embarks on journeys through the woods and takes note of different animal forms that influence him while there. He says:
There are encounters in life, which are accompanied by an incredible force and which, once experienced, leave you convinced of their significance as messages from a higher universal power. [No Lie In Fire] is an exhibition of portraits of some of the creatures I have encountered and who have influenced the course of my life on a fundamental level. I do not know how else to describe it, other than encounters with extremely old souls, which I would like to identity here, free from any religious connotations, as gods. (Source)
Because of his obsession with, and respect for the natural world, Gärtner has garnered himself a reputation as ‘an explorer among artists’. He is continually interested in the role that the creatures around us play, and how they influence us. To him, reality and dreams are one and the same. His exhibition runs from Nov 14 – Dec 27. Watch the trailer for the show after the jump.
We had written about the powerful duo photographer Zoren Gold, and graphic artist Minori Murakami back in May of this year. Now they are back with some new additions to their editorial section and it is just as packed with their wonderfully strong sense of collaborative design as before.
It’s Halloween season, and campy macabre aesthetic surrounds us, making the general public a little more open to the darker parts of our existence. Reflecting back on the origin of this holiday, All Hallow’s Eve and Samhain, the pagan celebration, it’s clear that death and the unseen world is the foundation. Our ancestors believed that the veil to the other side became thin or disappeared completely on this night, allowing the spirit world to comingle with the physical and living world. There are many people and cultures that still hold this belief and practice today.
In light of the season I began searching through aesthetically significant contemporary art that finds its foundations in death and dying. This is Part 1 of 2 of the scope of art about death, ranging widely in medium and other interwoven themes. Damien Hirst, Angelo Filomeno, Joel Peter Witkin, Konrad Smolenski and Doris Salcedo all embrace the subject of death and dying in a widely varied manner. As well, all are highly revered in their own right for their individual continuums of art produced over the years.
Damien Hirst is no stranger to controversy as an artist. He always delivers shock value well and does not shy away from creating work that makes viewers squirm. Materials he used to create the pieces featured here range from dead flies, to animal carcasses, formaldehyde and maggots. Hirst’s works don’t just discuss the business of birth, death and dying- they display it in action right before your eyes, in a way that some of the work nearly becomes about life itself.