Malaysian based artist and designer Tang Chiew Ling creates illustrations using unconventional illustration materials. Using things like cotton and leaves, Ling will create a fashion illustration around these objects, recontextualizing them into an interesting new design. For these particular illustrations, Ling uses the natural beauty and curves of leaves found in her garden and in drains to illustrate high-end fashion for various models. With her careful and deliberate arrangement of decaying and dead leaves, Ling transforms nature into fashion. (via design boom)
We interns went exploring/gallery hoppin’ this past week, as the Beautiful/Decay office resides conveniently in the heart of the Culver City Art District.
I was particularly charmed by “Seasonal Change,” a group exhibition which just opened at LeBasse Projects on June 20th. With a line-up featuring the talents of Edwin Ushiro, James Roper, and Tessar Lo, this exhibition just sounded so promising! Some pieces are ethereal with slightly serious undertones; others are blatantly whimsical and playfully riotous, but all seem to be on the brink of something explosive…on the verge of unleashing ear-splitting noise.
“Seasonal Change” runs until mid-July, I believe, so be sure to check it out before then!
Annie Needham is a speculative designer, fiction writer, architect, knitter, and… empathetic attachment maker. Have you ever wanted to feel something, or some experience, that was completely out of reach? What could it be like to stand in a shark cage? Feel colors? Go Okie-Noodling? Well, with these “Empathetic Attachments,” you can. The devices create the experience for someone who wanted to feel the same stress, anxiety, and excitement of the event without necessarily doing it.
Good morning, dear readers. Remember that one nightmare you had when Book 2 was sold out online? Now you can wake up to a bright new day, because we restocked our online store. So feel free to head on over, and if you feel like it, purchase a copy of Book 2: What A Mess. Please keep in mind – only 1500 copies were printed… so grab one while it’s still available! We love you.
Do you know thousands of artists and designers who need to get some well deserved exposure? Do love writing about art and want an outlet? Do you want over a million monthly readers from around the world reading and hanging on your every word? Do you want to join Beautiful/Decay in our quest for all things groundbreaking and creative? If so then send a few short writing samples (or links) as well as a cover letter about why you want to join the Beautiful/Decay blog contributor team to contactbd(at)beautifuldecay.com.
We are looking for smart writers in all corners of the globe who have their fingers on the pulse of the contemporary art and design world and want to join our independent group of writers and art enthusiasts.
Writers must be able to commit to a minimum of five 300 word posts per week. This is a paid part-time freelance position.
Artist Ed Fairburn is using maps and star charts as a base to draw detailed portraits. Inlaid in the weave of the roads, signs and lines, the faces appear textured and emotional.
Ed Fairburn draws dashes or fills up a specific area on the map. Playing with the existing colors symbolizing lands, water or housings. It takes him a couple of days to a month to complete a drawing. The artist draws on vintage road maps looking forward to discovering uncommon names or places he once visited in the past. The star charts drawings confer a different atmosphere, a poetic mood to the faces trapped in the constellation. He chooses his ‘canvas’ himself. The patterns and orientations are key for him to start drawing. In terms of details, lines, names printed on the maps; the more cluttered, the better outcome.
The more contrast exists between the lines, shapes and shadows on the portraits, the more depth it creates on the overall drawing. Not two inches are ever the same, and yet the accumulation of dashes and small lines create a pattern inherent to a part of the face. For either the road or star maps; the association of a land, a space with a human face resonates with evasion and travel. The possibility for the viewer to escape from reality and dive into a foreign land, a dream destination. ( via Booooooom)
Ed Fariburn’s drawings will be displayed at the Mike Wright Gallery in Denver, Colorado until December 19th 2015.
The nightmarish sculptures of Italian artist Sasha Vinci are both alluring and unsettling. With the human body often being his subject, his work portrays a sense of longing, a palpable sense of a tormented soul. Having work with titles like The Eternal Wait and You Are Here You Exist, the suffering of human existence is strongly felt. Ripe with emotion, his mutated figures look for a sense of belonging in the world. His fleshy subjects seem to have skin that melts off their feet and hands, binding the two together. Vinci’s subjects are trapped by means of their own body, perhaps a metaphor for humanity’s own self-destructive nature.
Although monochromatic, we can almost see the color of flesh and blood absent in many of his sculptures. In his artwork titled The Eternal Wait, the drips of flesh coming down from the entire body add an intensely graphic, carnal element that is extremely alarming. We cannot see the face in this or any of Sasha Vinci’s figures, adding another layer of isolation to these already lonely creatures. One of Vinci’s more disturbing sculptures is The Hung, where a person’s body, or what’s left of it, is being hung. The body has been disfigured, with half of its limbs missing from its faceless body. The artist’s work forms a truly ominous atmosphere that draws you in while at the same time chilling you to the bone. Sasha Vinci, being a multi-talented artist, also creates work in mediums such as installations, performance, painting, drawing, and writing.
(via Hi Fructose)
Artist Ria Brodell aspired to don Freddy Mercury’s tight white jeans and signature ‘stache, and the Miami Vice Dude’s cool calypso-linen pantsuit rather than play princess or tea party. What I love most about her achingly sincere self-portraits posing as dubious icons of masculinity is the tangled web of complications it weaves. What does it mean for a queer woman to paint herself in goache as Carey Grant, a gay man playing a straight man in sexuality-restricted 1950’s Hollywood? Hmm….what do you guys think? Any of you boys rather play with Barbie than GI Joe’s?