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Manifest Destiny! – A Cabin In The City Sky Line

Manifest Destiny! is a temporary rustic cabin occupying on of the last remaining unclaimed spaces in downtown San Francisco. Positioned above and between well established city buildings the tiny cabin can be seen affixed to the side of the Hotel des Arts, floating above the restaurant Le Central like an anomalous outgrowth of the contemporary streetscape.

Created by Jenny Chapman and Mark Reigelman, Manifest Destiny  is a commentary/critique on the unwavering perseverance of San Francisco’s early settlers.  During the mid 19th century, as the eastern United States became over-crowded and expensive, the West offered limitless possibilities for those willing and able to make the journey.  The drive to seek new possibilities and establish a better life at any cost is the conceptual motivation for this project. See more photos of this piece and some installation shots after the jump.

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Fascinating Portraits Of Criminals Covered In Russian Prison Tattoos

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Tattoos, historically, have been on the bodies of sailors and prisoners. It’s only in relatively recent years that they’ve entered mainstream society and lost some of their negative social stigma. Arkady Bronnikov collected photographs of tattooed Russian prisoners between the mid-1960s and mid-1980s. The amount he obtained was massive – 918 images worth –  thanks to his position in the government. As a senior expert in criminalistics at the USSR Ministry of Internal Affairs for over 30 years, part of Bronnikov’s duties involved visiting correctional institutions of the Ural and Siberia regions. He interviewed, gathered information, and photographed convicts and their tattoos, which gradually helped him build this comprehensive archive.

The images were later acquired by FUEL, a London-based design group, in 2013. Some of the photographs and official police papers authored by Bronnikov from the Soviet period will be published by FUEL in two volumes, the first of which was just released. Now, they are part of a current exhibition titled FUEL present: Russian Criminal Tattoo Police Files at Grimaldi Gavin in London until November 22 of this year.

When these photos were taken, Bronnikov wasn’t concerned with composition or style. They were meant to act as a record and served a purely practical purpose. The gallery explains, “Their bodies display an unofficial history, told not just through tattoos, but also in scars and missing digits. Closer inspection only confirms our inability to comprehend the unimaginable lives of this previously unacknowledged caste.

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Sound Of Decay: The Zax “Nothing To Celebrate”

Start your Monday and the right foot (or should I say paw?) with The Zax’s Nothing To Celebrate video which tells the story of “Peke” a mature pekingese dog and his mistress, the ‘Pink Lady’, living a lavish lifestyle and an having an impossible romance while bored to death in their pink apartment drinking pink champagne and playing all day and all night. Watch the full video directed by Ben And Julia after the jump.

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Deep Fried Gadgets; Photo Series from Henry Hargreaves


Deep Fried Gadgets is a recent series from Brooklyn photographer Henry Hargreaves. For the shoot, Hargreaves fried foam reproductions of popular tech gadgets like Ipads and Gameboys. Aside from drawing on the perverse joy of destroying expensive things, the series provides a nice commentary on sustenance, technology, and our current value system. Tasty. Click past the jump to see more Deep Fried Gadgets. (via)

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Beautiful/Decay: Future Perfect Book Available On The B/D Shop!


Dear B/D Cult Members,

We are please to announce the release of our newest book,  Beautiful/Decay: Future Perfect. Presented by Toyota Prius Projects, Beautiful/Decay brings together over 100 artists from around the US creating new imagery revolving around the books “future perfect” theme.

We asked artists to “show us what your ideal future would look like.” and over 300 submissions poured in, spanning every medium, technique, and style. From the 300 submissions, one Grand Prize winner was selected and over 100 finalist’s work will be featured throughout the publication.

The book also includes a feature length article with notable, emerging, New York artist, Robin Williams whose surreal paintings give us a view into her very own Future Perfect. Only 1,500 copies were made, all of which are ad-free and hand numbered. 80% of the 1,500 books are already sent to subscribers so make sure you grab your copy before they inevitably sell out!

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Typography Made From Empty Space And Everday Objects

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The words ‘serif’ and ‘sans serif’ can get a designers heart beating a bit faster – new and interesting fonts can be a inspirational jumping off point.  These photograph based letters from New York based photographer Bela Borsodi definitely have a wide appeal.  Borsodi uses household objects and empty space so as to nearly make it appear he happened on the letters by chance.  He clearly has a knack for making the meticulously planned appear casual.  Borsodi’s skill has won him clients such as the Esquire, Details, and the Wall Street Journal.  Also, see his work previously here. [via]

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Roland Hicks’ Sticky Paintings

Roland Hicks’ hyperrealistic paintings of gum stuck to the bottoms of shoes is a perfect example of how any subject matter can be made interesting.

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Choi Xooang’s Exquisitely Nightmarish Human Sculptures

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Korean artist Choi Xooang creates sculptures that you’d see in your nightmares. The grotesque artworks are made out of resin and shocking in the brutal ways that they manipulate the human body. Severed limbs, skin corsets, and people-made backpacks are all featured in these pale, hyperreal mutant characters. Although they feature exquisite craftsmanship (the life-like details are stunning), it’s hard to get away from subject matter.

Galerie Albert Benamou – Véronique Maxé, who represent the artist, write about Choi’s work, stating the ideas behind his work:

His existentialist creatures, in the torments of their flesh and their contradictions, become our double dumb and clueless. The artist says that emotions are the only things given to a man or woman apart from their social status in the functioning of a capitalist society. Choi Xooang not only gives us his own feelings but attempts to retrieve a collective soul, a chart of all the sufferings and joys experienced by everyone.

We see these types of feelings represented; while there is pain, there is also sensuality between the characters, and even some eroticism shown throughout the strange hybrid people. With this, Choi communicates that pain and pleasure can walk a thin line. (Via Hi Fructose)

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