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I can’t show you exactly what our initiation process looks like (i’d have to kill you if I did) but this video is pretty close.
One of the only independent buyers in the world who maintains an account with Crayola, Herb Williams is a bit obsessed. Living and working in Nashville, TN, Williams uses tens of thousands of crayons to create his often life-size sculptures. Williams pursues both play and larger ideas; he is interested in identifying iconic objects that society perceives to fit one role, and then reintroducing them in a different subtext. Williams explores concepts such as childhood, sexuality, religion and social hierarchy all using crayons. Considering everything down to the smell (crayons of course) that his sculptures exude Williams works meticulously, cutting down crayons to the size he needs and individually bonding them to create his forms.
For a special project for the National Heritage Center, for example, Williams created an outdoor installation meant to raise awareness about wildfire. The installation consisted of three freestanding sculptures, which abstractly resembled fire that slowly melted in the Texas weather conditions. Created in vivid colors the installation provided a stark contrast to the dry, brown landscape and certainly was reminiscent of an actual wildfire. A unique way to draw attention to a serious problem, the installation remained standing from October through the end of the year.
A common enough material, Williams has managed to give crayons a wholly new purpose in art making. As he says, “my intent is to continue to seriously create art that looks at itself unseriously.” See more of his work and read about him on his website.
Ramon Coronado is an independent, cross-media visual designer based out of Los Angeles. I saw his work at the Art Center Undergraduate Graduation show and noticed it immediately due to Ramon’s clean and professional presentation. I really liked his Mercado Negro project (after the jump), a 2 week on-taking that deals with reclaiming an ordinary, everyday object and transforming it into a whole new object.
Do you control your desire? Or do you allow it to control you? The elusive devil can be a sensory – and involuntary – appetite starting with a gleam in the eye. So when a leather-clad Dougray Scott walks out of a dimly lit diner, temptation of course awaits.
The Scottish actor aspired to make billions as Ethan Hunt’s nemesis in Mission Impossible 2 and he’s been both Dr. Jekyll and Mr. Hyde. He’s played at being a sadistic killer (New Town Killers), a chef falling in love (Love’s Kitchen), and is scheduled to be Dr. Godfrey in the soon to be released goth-horror Hemlock Grove. In this short video directed by Antony Hofman, we find Scott behind a gleaming Mercedes-Benz SLS AMG.
And he’s not resisting, of course, to harnesses the power and beauty of a 1695 kg amalgamation of precision design, performance, and aesthetics being fed by a V8 engine and controlled by a DCT 7-speed sports transmission, charging you up to 317 km/h. As the machine sparks over the dark streets of Los Angeles, the attraction ultimately rests on the drive you get.
As a kid I collected miniatures. I would go away with my parents and wherever we traveled there seemed to be a store that sold tiny objects. Back then they were mostly for dollhouses but I acquired these curiosities so I could display them on my desk. I thought it was cool that someone could actually make something that small. I remember some of the items in my collection included miniature coca cola bottles, tiny animals (mainly cats) and food such as jelly apples and cakes.
One of the highlights for me during the last couple months was hearing Michael Anderson shut down a pessimistic discussion about “no new types of painting.” His booming voice broke the ennui in the room with: “The future is really enormous and there must be at least 9 million new kinds of painting to be made.” Michael is optimistic, and his art is too. He was cool enough to let us into his studio, the Harlem Collage Shop, to check out what he is up to. Using street posters and billboards gathered in NYC and other major cities around the world, Anderson makes super-sized collages, commonly 8 x 8 feet and up. He collects the posters at night, which seems like a dangerous thing to do, but he’s a big guy and didn’t seem to give a shit, just citing his birthplace as the Bronx.
Nick Sethi reveals the intimate aspects of the exceptional lifestyle he shares with his friends in Brooklyn. His photographs provide a glimpse into their mild degeneracy and playfully ironic demeanor. They’re appealing because they lack seriousness and record a snapshot of a genuine culture that is not often accessible, though frequently watered down and imitated in more mainstream circuits. In his ‘portfolio’ series are portraits of his friends, standing with their pants around their knees, or wearing a giant bejeweled ‘SEX’ necklace. The photos have an apathy or melancholy combined with a subtle power emanating from the characters he documents. Although they are obviously staged with dramatic intention, they evoke a fantastically underwhelming air.
His most recent series, more specific in its aims than his overall portfolio, is titled FYEO. It is a curated selection of selfies that women have taken from inside tanning beds. Visually it’s the lights and the rays from them distorting the photographs that are the point of interest. They look like strange psychedelic light tubes in outer space. The selection is well done as he matches the aesthetic between the photographs seamlessly, but also chooses ones with just a tweak of oddity. The Playboy Bunny bellybutton ring paired with a Playboy tanning stamp, or the panties around the ankle create intrigue around these women and their own artistic decision when taking their photographs. Sethi himself is an avid selfy-taker. His HCO series of self-portraits – pictures of him posing throughout a Hollister store – is as entertaining as it is ridiculous and juvenile.