Estevan Oriol is a brave soul. In Los Angeles, there are some neighborhoods that most people do not have access to. This disconnect between the outsiders and the neighborhoods, allows the mind to conjure up images of what it might be like to live in a gang territory, hood, barrio, etc. Estevan does what most photographers will not and cannot do; he treks into these neighborhoods and captures life in its rawest form. His photographs bridge the gap between our wildest imaginations and reality. No sugar-coating for the media here. Estevan’s work not only deals with street life, but with celebrities. Even music videos. The man is truly talented.
Feast your eyes on more dope images after the break.
Las fall street artists MOMO and El Tono were invited collaborate on a project for the Bien Urbain festival in France. Both artists often work with an abstract painted style. For their collaboration, though, the artists added a third dimension. Using pieces of wood, the artists filled gaps in walls and windows throughout the city. Instead of being unused negative space, the gaps were transformed into a framing device for these abstract compositions. Simple but elegant, the series is illustrative of innovative trends in street on new approaches to interacting with the urban environment.
Sex and drugs go hand in hand so it’s no surprise that this trippy animation by Vince Collins has equal parts sex and acid flashback induced morphing. Ps. it was made in 1983 which makes it even better!
David Redon makes vintage popular culture look new by adding celebrities. The art director at Parisian agency Quai Des Orfèvres combines famous people like Kanye, Beyonce, and Pharrell with Mid-Century advertisements in a series he calls Ads Libitum. We see them endorsing soap, make up, toothpaste, and drive-in restaurants, all having been Photoshopped to fit in with the look and feel of the past.
Redon explains to Adweek why he crafts these remixes, stating, “I like the shift between vintage and modern pop culture, because these days the border between art and commercial is very small, and artists work their images like brands do.” It’s true. Kanye definitely cultivates a specific persona that is polarizing and it’s part of how he sells himself. Pharrell, on the hand, markets himself as a happy-go-lucky likable guy, which makes him more family-friendly with wider appeal.
Ads Libitum is primarily American marketing and culture through the eyes of a non-American. Redon makes some interesting choices on celebrity and advertising pairings. Nirvana, for instance, seems a little outdated, as does Michael Jackson, but to someone who’s an outsider, these people are an icon of music in the United States. (Via Adweek)
Our massive 50% off sale on the B/D shop continues today and into the weekend so if you haven’t already bought a stack shirts and books for pennies on the dollar here’s your chance. We’re clearing off the shelves for new inventory and for our brand new website and shop that launches next week so pull out your card, get some product on the cheap, and support your favorite brand. Long live the cult of decay!
Andrea Tese creates Inheritance, a poignant and thought-provoking photographic series that involves a deeply personal documentation of the artist’s mourning process following the passing of her grandfather. Apart from it being a personal tool for grieving, the Inheritance project is also an exploration of existential ideas in regards to legacy, impermanence, and the definition of self.
These photographs function simultaneously as an acknowledgement to the ephemeral nature of life and as an indulgence in man’s unwillingness to give in to this understanding – his desire to arrest time, to counter anonymity, to leave something behind, to be immortal.
By rearranging the mundane objects that filled Grandpa’s home before his passing, Tese creates these pictorial compositions that recreate her grandfather’s life in a profound, and powerful but controversial way. In essence, here, we see life as a collection of objects, a rather simple and intuitive idea, but one that certainly makes us think whether we get to leave this world with a valuable legacy or not. Are material objects our life-long legacy to our family and friends, and is that enough? Do our personal belongings carry the essence of our being?
Anyhow, it is inevitable to dismiss the fact that Tese does capture her grandfather’s spirit through his ‘junk’. After all, with most philosophical questions aside, it is fair to say that our stuff will be the only tangible pieces of self that will be left after our death. Inheritance is a definite ” poignant reminder that our junk will outlast us all.” (via Co.Design)
I believe we were at Adobe Books on 16th Street in San Francisco when Sonny Smith first told me about his ambitious project 100 Records. It was one of many conversations Sonny was having with other artists; simply asking them if they would make artwork for the record cover of a fictitious band. The exhibit opened a few weeks ago at Gallery 16 and instead of writing more about the project, I would invite you to read Victoria Gannon’s review on Art Practical. I would also suggest that you watch KQED‘s feature with words from Sonny Smith himself. Exhibition closes May 28th. Will travel to other cities this Summer/Fall. Enjoy more images after the jump…