Sometimes the Internet works in funny ways. Case in point is the photography of Maria Friberg, whose series “Still Lives” was shot between 2003-2007 and is just now getting viral attention online. The Swedish artist likes to reflect Man’s relationship to nature and so maybe the public is drawn to her images as subconscious reminders that we all need to do our part in order to help our planet. Especially since we’re only getting closer and closer to point of no return. (via)
In an increasingly global world, it seems that more is spreading than just information and culture: pollution, for one. Alejandro Duran creates site-specific art out of this manmade resource, staging hauntingly beautiful installations that draw awareness to what he calls “colonization by consumerism.”
“More than creating a surreal or fantastical landscape, these installations mirror the reality of our current environmental predicament,” Duran says in his artist’s statement. Called Washed Up, the project has seen debris from all over the world and, though the colors can be stunningly lovely, the message is unmistakably grim. Swirls of color and organic-seeming patterns and shapes are shaped out of plastic and artificially neon bottle caps.
Duran’s statement describes the way he has mapped the relationship between the world of man and the world of nature, as well as the toll it’s taken on us all:
“Over the course of this project, I have identified plastic waste from fifty nations on six continents that have washed ashore along the coast of Sian Ka’an. I have used this international debris to create color-based, site-specific sculptures. Conflating the hand of man and nature, at times I distribute the objects the way the waves would; at other times, the plastic takes on the shape of algae, roots, rivers, or fruit, reflecting the infiltration of plastics into the natural environment.”
Rachel Perry Welty reconstitutes supermarket labels and flyers, receipts, twist ties, fruit stickers, and many other products you’d find in the world of consumer junk to create obsessive photo installations.
Using up to 30,000 volts of electricity, artist Dries Ketels tries to capture a quality usually unseen in most portraits. His latest series, called Our Souls Captured in the Electromagnetic Field is an exploration of the human condition. He says by using a unique combination of different chemicals, painting materials and electricity, he is able to capture something more about his subjects. He wants to go deeper into their psyche, and to reveal something about people that is usually unseen. In the process he has come up with some pretty striking images.
He raises some pretty interesting questions while trying to reveal the working of our inner selves:
What is this soul or this character of an individual other than a bunch of electromagnetic interactions in the brain of that individual? What is the most important thing that a portrait should grasp? Are our actions, that define us as a human being, more than electromagnetic interactions? (Dries Ketels)
Ketels also makes the connection in his images between the patterns formed from the lightning and veins in the body, or synapses in the brain. He links the macro-world to the micro-world; the external universe to our internal one. The young artist is interested in new, exciting and innovative methods and ideas:
For a few of my series around realism I leave the traditional realism behind and present the reality of realism. One of the most important attitudes that helped me developing a relaity of realism and becoming what I am is the simple act of going left when everybody else is going right. It’s the only way to discover the new and push the boundaries forward. (Source)
To see more of his boundary pushing art, see here.
I am in love with Dimitri Tsykalov’s series of fruit and veggie skulls. So intricately carved into accurate representations! He seems to take an interest in unorthodox sculpture materials… as he used meat to create war weapons as a commentary on the exposed soldier inside a butchering.
Ben Sanders lives and works in Los Angeles, CA. His wacky acrylic paintings are full of vibrant colors, characters, and objects. Always with a sense of humor, Sanders renders portraits like The Physical Imposibility Of A Politically Correct Thanksgiving Card with glee. Another series focuses on paintings of “Magic Shoes” against exuberant backdrops of slick geometric shapes. His joyfully off-kilter environments are a treat for the senses.
If you have ever adopted an animal, then Jaime Toh’s SPCA (Society for the Prevention of Cruelty to Animals) “Costume” campaign is sure to tug at your heart strings. Accompanied by the tagline, “Don’t put pedigree above personality,” the advertisements urge people to consider adopting animals in desperate need of a home rather being focused on finding a specific breed (that most likely comes from a breeder). In each image, we see a SPCA animal underneath the coat of a cat or dog with a higher pedigree. In a slightly morbid way, they wear their outsides as a suit, complete with zippers that behead their hosts.
Toh’s images feature smiling, happy dogs with cats do not look as entertained (I’m not surprised). Every animal looks more disheveled than its costume as he plays up the physical differences between shelter and a purebred/adopted pet. But, by visually shedding their outsides, it conveys the concept that when choosing a pet, personality outweighs looks. (Via InspireFirst)
Amanda Clyne’s paintings compare the similarities between fashion photography and historical portraits of society’s elite. Amidst today’s cultural fascination with beauty and persona, Amanda’s paintings critique our digital obsession and question the consequences for human intimacy.