Nice wall-mounted sculptures made from books by Tennessee via Malaysia artist Daniel Lai. The sculptures feature clay figures in “Thinker” poses positioned amongst artfully folded leaves from various books. These capture the quiet, contemplative mind-space brought on by a good read, and would make good company in any studio, study, or living room. The Internet and tablet readers are alright, but there’s something about print that just can’t be beat. Always up for a good tribute to ink on paper. (via)
Londoner Petra Storrs is not just a set, prop, and costume/fashion designer– she’s an artist who collaborates with performers to transcend ideas beyond the ephemeral and into a sturdy cult of fantasy. The “reflective mirror dress” she designed for Paloma Faith, for example, not only sharpens the singer’s playful theatrical identity, but further investigates this concept of “the gaze”. In Dazed and Confused Magazine, Faith elaborates on the intention, “Obviously, as a performer, I am normally the observed, but I wanted to flip that dynamic around and make the audience the focus.” Storrs response, of course, was to whip up a garment that literally does just that.
But it’s not just creative camaraderie that gets Storrs’ juices flowing– she also finds inspiration from everyday objects and history, or everyday objects that hold history such as . . . tea. Camellia & the Rabbit, her latest design endeavor (collected here), involves performance artist Rachel Snider, who uses “tea as a central motif/metaphor” and a narrative “like sea shanties” to interweave “historical facts and stories of tea”– thus, evoking our own personal relationship to this British afternoon tradition.
I recently stumbled upon this seriously amazing artist duo, Mildred & Pacolli. Their work is AWESOME! I love it. They recently had an exhibition at the Lower Haters gallery in San Francisco called WE ARE US. You should check out some of their work!
Portia Munson turns one thousand garages worth of plastic kitsch and junk into surprisingly beautiful mounds of stuff that both uplift and mock our contemporary consumer culture. Portia will have a new installation at the PPOW exhibition “Debris” opening March 20th- if you are in NYC be sure to check it out.
I felt like I was peering into Debra Scacco’s personal journals as I walked around her exhibit BIRDS OF PASSAGE at Marine Contemporary. Her large and small works on paper feature her solid penmanship, which she glides across the surface into geographical formations like States and Countries. “I Cannot Reach You” and “Hold Me” are just a couple of the repeated lines running throughout their corresponding paintings and although this may sound strange, there is almost a psychic connection between the viewer and the work that gives off the feeling of the syntax without actually having to read it. So, even if Debra wrote them in Itallian and I don’t speak or read Itallian, I would still be able to grasp the emotion trying to reach out for me. These are elegant and beautiful works that can take months and months to complete, especially the installation in the center of the room where she had to glue over 1000 golden pins together to form what looks like a map of all the pieces in the show combined onto one plane.
Usually I try to not post things that are um, over 400 years old considering we are a contemporary art publication. However, I was looking at Giuseppe Arcimboldo’s works this morning and was marveling at how fresh they seem, even today. It’s like that childhood tendency to make vegetable heads taken to a bizarre and grotesque extreme. Be sure to check out “The Admiral” portrait after the jump- made entirely of unknowing fish! In fact I think this kind of playful/derangement continues to be a source of inspiration and lines of exploration for artists even today. What do you guys think?
Barry X Ball’s personally selected subjects all start their floating-head lives as plaster casts that eventually becoming impaled on some sort of suspended device. They’re scanned by 3D laser scanners then meticulously carved into portraitures that bear high resemblance to their subjects. One of such was Matthew Barney, whose head was installed on a 69 inch spike of plated gold. Hey guys…what do you say? Barneys instead of Jacks?