Art and design boutique Kittozutto (Yana and Jun) just recently updated their website with some brand new work! They’re the minds behind B/D shirt “The Web” (pictured above), which will be released this summer.
They combine fine art illustration with digital imaging, and the highly detailed results are often best seen in large formats. Women, fluids, and nature inspire their hyper-realistic yet surreal illustrations.
I’m sure you recognize the reference here. In case you were in doubt, the Belgian artist Jan Fabre is reinterpreting the most iconic work of the renaissance, Michelangelo’s Pietà.
Michelangelo’s famous work of art depicts the body of Jesus on the lap of his mother Mary after the Crucifixion.
Fabre’s interpretation gets personal, a little macabre, and a bit controversial…
In his rendition, Fabre places himself as Jesus with a butterfly perched on the side of his mouth. The heavy, dead-looking body wears a crisp, classy but torn suite. A closer look reveals a scarab at the edge of his cuff that is slowly drifting off towards the artist’s lifeless hand, which is tenuously holding on to a human brain.
The Virgin Mary’s face is replaced by a skull, which many would say is a reference to the Vanitas, the universal symbol of death.
The work was shown in Venice in 2011. This was in close relation to, but not a part of the 54th edition of the Venice Biennale. Given the place and the country (a very religious one) in which it was shown, you can image the controversy it created. The artist commented on the matter:
“is not to convey a blasphemous or even merely or provocative message. This work represents a “performance sculpture” that illustrates a mother’s real feelings when she yearns to take the place of her dead son.”
Colombian photographer Daniel González captures the simple, joyful and freeing experience of being one with each other and with our natural surroundings. Through juxtaposing scenic, untouched landscapes and nude bodies, the artist tries to create parallels between the natural state of our bodies and the natural behavior of wild and beautiful forests and gardens. It is evident that the given the setting, a nude body transcends any bad connotation and relates, rather, to a truer conception of reality and of the human body.
The message becomes a bit more clear once we’ve caught up on the patterns throughout the series. For instance, we notice that the women featured are not only naked, to manny a symbol of freedom in itself, but they also showcase their bodies in freeing, vulnerable, relaxed poses- all indicative of becoming who they truly are, in the most natural way possible.
I feel like if Harm van den Dorpel’s gave a seminar about his work that he would be completely deadpanned and really matter-of-fact about it. Even though some of them look like 20-minute photoshop exercises, I can’t help but be mystified.
Maybe it’s because I woke up with a massive hunger in my stomach today but this just might be the most delicious pixelated mosaic I’ve ever seen. Constructed for a Japanese TV spot, British cupcake magicians Crumbs and Doilies whipped 10,000 tasty cupcakes to create this Cherry Blossom mosaic. See the original image that inspired the mosaic and some tasty detail shots after the jump. (via gaks)
To call Clark Goolsby a multi-media artist almost seems like an understatement. Indeed, the sheer volume of materials and techniques he expertly employs is staggering, often combining spray paint, acrylics, pencil, wood, foam, plastic, string, and even audio into one finished product – but even that far from represents the impressive span of Goolsby’s “multi-ness.” He seamlessly transitions between different styles, from abstracted, multifaceted geometric forms to realistically rendered objects, crisp lines to more impressionistic strokes and drippings. As if that wasn’t enough, Goolsby tackles a seemingly endless mix of iconography, juxtaposing rainbows and antlers, inverted crosses and trophies, pyramids and statuesque faces. Oh, and by the way, it’s all in technicolor.
The result is just as overwhelming as you might imagine, and that’s exactly the point. Goolsby’s work parallels the milieu of stimuli we are constantly barraged with every day of our lives – a combination, he suggests, which poses a persistent, sometimes surprising threat to our survival. Goolsby’s most recent solo exhibition, Strange/Love at POVevolving Gallery in Los Angeles, focuses on “how we maintain optimism in a world that is so full of potentially life ending situations.” At the center of this exhibition, an 18 foot long skeletal form made of wood and foam entitled “Dead Man” lies horizontally, suspended from the ceiling by hundreds of neon-colored threads. Goolsby’s work reminds us that, even if we are all essentially dead men grasping onto life by the threads, at least those threads are bright, illustrating a sense of playful joie de vivre which urges us to live larger than life, finding beauty in the unrelenting stream of chaos while we still can.
American artist Robert Wechsler is a bit of a trickster. He takes everyday objects and transforms them into unexpected oddities and puzzling sights. He alters things and spaces, changing our understanding of the most understated and mundane item/place. His latest ‘practical joke’ Money was commissioned by The New Yorker and involves him cutting notches into different coins and slotting them together to look like atoms or complex cube shapes.
He has a fine sense of humor, and has practiced it extensively through previous projects. He has welded nine bikes together to create a giant carousel, re-plumbed a public drinking fountain that fooled thirsty members of the public, and instead of quenching their own thirst, watered nearby plants. Wechsler has also worked with currency before – he has cast a penny 30,000 times it’s size and replaced a manhole cover with it. He explains his motivations:
My focus is necessarily on the familiar. Comfortably accustomed to everyday objects and spaces, we are blind to their unseen beauty and elegance. Who looks at a shopping cart or a toaster for the object itself? This state of static expectations is fertile ground for surprise. It is a conscious re-examination of my subjects that re-instates the novel back into the familiar. This is the moment of surprise, the moment we discover what is unseen in what is always seen. In reverence for what initially appears modest we get a small glimpse of the boundless elegance of our world. (Source)
Adding another conceptual layer to the project, the Money series is exhibited on Cointemporary – the online gallery where you can purchase artworks with bitcoins. (Via Fubiz)