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Splendor And Power At The Origin Of Dark Ceramic Sculptures By Anne Wenzel

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Through dark and melancholic ceramic sculptures Anne Wenzel shares her views on the world’s fears and tragedies (natural catastrophes, bomb attacks, fear of millenarianism…)  She draws away the tradition of ceramic to create her contemporary and intense sculptures. The artist’s ‘modern day vanitas’ sculptures not only shake the core but also question the role of splendor and power within a deformed and vanished piece of art. Recently, Anne Wenzel has created two sets of sculptures: busts in ‘Damaged Goods’ and blossoms in ‘Attempted Decadence’.

In the first group of work, she uses the classic military bust and shiny dark brown tones of glaze to condemn the glorification of authority during times of war. She questions the fact that we worship emblematic figures that have caused violence and have damaged entire populations and their countries.
Power, destruction, heroism and violence, themes dear to the artist emerge from her strong historical awareness and political engagement; she sheds new light on the role that art plays in depicting them.

The glamour and glorification expressed in the sorrowful blossoms is raising intentional open questions that Anne Wenzel is not willing to answer for us. She wants the viewer to take a stand and ask: I am seeing this beautiful metaphor of greatness and beauty, but am I being manipulated? The purple and rust tones petals are liquefied, dripping over the structure that’s holding them. Turning healthy and fresh flowers into a devastated and agonizing dying bouquet, the visual creates a balance in the expression of abstraction and figurative art.

Anne Wenzel’s art pieces will be showing at the following events:
Emergent Gallery in Belgium until September 2015
Rijks Museum in Amsterdam until January 2016
Bonnefanten Museum in Maastricht until February 2015

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Andrzej Dragan’s Raw Photography

Andrzej Dragan‘s style of photography is gritty and raw.  Detail of the skin is usually retouched and airbrushed out by a lot of photographers but for Dragan they seem to be emphasized.

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Scott Everingham

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Scott Everingham is an artist who is based in Toronto. As a painter, Scott particularly enjoys the various forms of experiences created through the vast language of paint. He creates abstract, gorgeously fictional environments where you could almost make out tangible imagery. An experience I would relate to observing an illusion out of the corner of your eye. Though Scott’s paintings appear almost completely spontaneous, you would be surprised to know that along with the process of impulsive mark making, there are extensive preparations through drawing.

Currently, Scott Everingham is exhibiting his paintings in Amsterdam and Rotterdam at the Le Secet Museum. If this blog post has sparked your interest in Scott Everingham, you can view his work up close at his solo exhibition at Galarie Trois Points in Montreal in January 2011.

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Jennifer McClure’s Intimate Series Explores The Failings Of Past Relationships

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There’s always something more to be said in a failed romantic relationship. No matter who was right or wrong, time allows for reflection by both parties. But, more often than not, we don’t get the chance to say our peace. Photographer Jennifer McClure offers an intimate look at these types of situations in her series, You Who Never Arrived. She explores her past relationships by putting herself in front of the camera and reimagines the situations of former loves. McClure re-stages the events in hotels, using friends and acquaintances to play the part of beaus.

This series is no doubt an intimate one, as we see the photographer’s vulnerability on display. Her perception of the past was changed in this exercise, and she explains to Feature Shoot:

I thought I was going to find out what was wrong with all of the men I dated. I had assumed that I was ready for a grown-up relationship and that I simply wasn’t choosing well. After hearing what all of the stand-ins had to say about my actions and my behavior, I saw that I always ran away when things started to get serious. I was afraid to let anyone get too close, and I much preferred fantasy over reality. I always shot before the men arrived (when I was still right) and after they left (when I was so very wrong). The most devastating photos to me are the ones I shot the mornings after.

Since everything was shot in a hotel room, the sets were always a surprise, forcing the photographer to improvise in things like lighting and decor. Combined with the improv’d dialogue, these images feel like film stills. (Via Feature Shoot)

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Artwork Of The Day: Mad Cow Motorcycle

I’m loving Billie Grace Lynn’s Mad Cow Motorcycle.  A combination of electric motorcycle and cow bones. Could this be commentary on our dependence of fossil fuels?

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Gisene Marwedel Transforms The Nude Human Body Into Surreal Works Of Art

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nude human body Gisene Marwedel

Gisene Marwedel

Using the natural shapes and contours of the body, German artist Gisene Marwedel transforms the human body into a living, breathing work of art. Marwedel paints finely detailed images, ranging from animals to landscapes to abstraction. She first learned the art of body painting while in India, where she began painting with henna. This skill evolved into a full-time hobby (she has a day job as a speech therapist). Her work depicts scenes of movement and grace with a hauntingly surreal aesthetic. (via mirror)

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Noam Rappaport at Ratio 3

Noam Rappaport lives and works in Los Angeles. He has just opened his first West Coast solo exhibition at Ratio 3 in San Francisco. Rappaport’s minimal structures are at once slight and commanding, often relying on negative space to complete visual metaphors. The walls behind his pieces are simultaneously backround to and an integral part of the work. The show runs through March 23rd.  From the press release: “This exhibition will feature a series of new works which simultaneously reside between painting, sculpture, assemblage, and drawing. One predominant motif within Rappaport’s work is the representation of image through minimal compositions, color, and mark making. With Rappaport’s discerning use of simplified geometric shapes and refined color palates, the compositions reflect elements of the human form, landscape, and architecture. This suggestion of imagery is balanced with concepts of objecthood as expressed through constructions of commonplace materials and shaped canvases. The peripheries of these objects become the focus as color fields divide the shallow relief canvases, aluminum sheets drape over the edge of plywood panels and graphic lines appear to float in front of the surface.

These hybrid painting supports create a physical and perceptual relationship to the viewer. Negative spaces and blocks of color begin to suggest doorways, windows, and various characteristics that mirror the human figure. The attention to the space between the viewer and the work reinforces the idea that not only does a viewer look but he or she is also looked upon to play an active role in the object’s function.”

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Awesome Video Of The Day: Reds

 

Want to see what kind of music video a bit of creativity and $200,a two car garage,  soldering iron, handmade clay molds, christmas lights, and no CGI can produce? If so watch this great promo video for  Reds by Houses directed by LAMAR+NIK after the jump!

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