Genetic mutation, cancerous lesions, and other bio abnormalities taking shape in gif illustrations by Spanish group Videogramo. Kind of has, like, a whole Discovery Museum kind of feeling. Some of the gifs take a bit to load, but they’re definitely worth the wait.
MRI technologist Andy Ellison spends his days scanning human brains, searching for abnormalities. He began scanning fruit on a whim, using an orange in a test of the machine’s settings; the results were so stunningly beautiful and transfixing that he began bringing produce to work, scanning our favorite fruits and veggies on his time off, and posting animated sequences of cross-section images onto his blog, Inside Insides.
The high-resolution black and white sequences apply the imaging tool to the arts, highlighting the geometrical perfection of organic objects. The slow motion animations are imbued with a sense of life and vitality; like pumping ventricles, the matrices of a pineapple seem to gape open and shut. A tomato resembles a microscopic cell, seemingly splitting and reproducing with astonishing speed, and a head of garlic seems to emerge, its cloves flawlessly woven together, from nothingness.
Ellison’s slow motion animation allows mesmerized viewers to be seduced by the rhythmic revelations, and the everyday is elevated to cosmic levels; an scanned eggplant seems to explode into a complex network of stars. These food products, these mundane miracles, get a moment to shine in the imaging machine’s dense whites and pure, weightless blacks. The uniqueness of each fruit takes center stage (can you find the bruised onion?), and together, they paint a rich portrait of the natural world. These elegant plant structures, viewed in this way, don’t seem so different from our very own organs. So the next time you stroll down the produce aisle, take a moment to consider the miraculous visions that lurk beneath the surface. (via Salon and Offbeat)
Minni Havas’ richly colored fashion illustrations are full of movement and impeccable detail.
Anne Simone combines her knowledge of computer programming with a love of music. Bittersweet is her new lp which features a twist. The lyrics of lead track “Digitize Me” make up a running computer program and the words you hear are directly taken from written code. The idea came to Simone when she thought about a computer reading language. In that environment, a simple machine responds to basic commands of yes/no, true/false and 1s and 0s.
The artist compared it to human nature and concluded that life would be so much simpler, if we just followed these Zen-like rules. If we did, there would be less complication and miscommunication in our lives. Getting a further glimpse of what actually occurs when two different disciplines collide, it can be witnessed on the actual computer printout of “Digitize me”. Nothing too complicated or elaborate in the aesthetic sense, it reveals just a simple drawing. The real innovation is in concept and design. A place marker for today’s interdisciplinary melding of styles and tastes. Originally from Vancouver, Canada, Simone currently resides in Seattle, Washington, where she works as a software designer. Her passion has led to a double life that now overlaps and is reflected in well written, emotionally charged songs. These are further enhanced by an equally lovely voice, reminiscent of Imogen Heap or Tegan and Sara. Besides uplifting music, other novel bits on her new record take cues from classic synthsters Kraftwerk. The German outfit had a single called “Pocket Calculator” where the sound of fingers pressing a keypad accounted for the actual beat. Another, “Computer Love” taken from the same album, falls in line with Simone’s dreamier tracks. For the technically minded or just curious, the code/lyrics to “Digitize Me” is available on GitHub (https://github.com/kineticsongs/digitizeMe).
A “kinetic diary” of fairly ordinary gifs, but gifs galore! (The last one is just for Sasha.)
Chris Appelhans has done some awesome production and character design for films like Monster House, City of Ember, and Coraline. He exhibits a fabulous range, from the ultra-dark and disgustingly well-rendered to the innocent and simple–and oftentimes the two realms overlap. How his work always seems to retain a sense of hope is beyond me!
Check out his Frank and Frank cartoons as well as his modern-day adaptation of Alice in Wonderland (pictures after the jump, of course!).