I’m loving Brendan George Ko’s The Barking Wall series. More images after the jump.
Los Angeles-based Apenest, a publishing/ printmaking project created by Cody Hoyt and Brian Willmont, presents Plain Air. Plain Air is the second in their series of exhibitions focused on showcasing talented emerging artists at Cinders Gallery in Brooklyn, NY. Plain Air is running from Oct 15th – Nov 14th, so if you’re in the neighborhood don’t miss out!
Kristina Diamond‘s photography series, “I Will Be Dying and So Will You,” makes you feel like you’re having one of those dreams that you don’t particularly care to wake up from. You know, the one where you’ve finally discovered the other fantastic and terrible world residing just around the corner of your consciousness. You have those dreams too, right?
Well, Diamond does. She has developed a moody sort of wonderland in which man is not king, in fact he, or she in this case, seems to be struggling to maintain her very existence. Falling from rocks, blotted out by shrubbery–I don’t believe our flaxen-haired heroin is long for this world.
It’s this sense of anxiety in Diamond’s photographs that is most intriguing, the sense that something awful is about to happen. Diamond captures that bittersweet lull before the storm with delicate accuracy. But is our heroin simply afraid of waking up? Or is the disquiet caused by something more menacing?
Emily Deutchman’s “Presidents with Boob Faces” are exactly what it sounds like: a collection of paintings of the United States presidents with breasts appended to their facial features. After graduating from Skidmore College, the young artist found herself doodling human mammary glands on portraits of her friends, and she soon extended the project to historic leaders of the free world. With the exception of Obama’s portrait, which is modeled after the iconic “Change” poster, each piece is based off of its subject’s official presidential portrait. The facial features of each man dictates the placement of the breasts. For Ronald Reagan, it’s skin above the neck. For Clinton, it’s the nose. Some of the boobs are painted from actual breasts, sent to the artist by friends.
While Deutchman insists that the work has no clear agenda aside from humor, she invites political interpretations. With the expected candidacy of Hillary Clinton in 2016, dialogues on women in politics have come to the fore, and we are asked to consider the gender inequality that persists in the upper echelons of power. There are few art pieces that exude the machismo of the presidential portrait, and in adding female sex organs to the idealized masculine visage, the artist subverts our notion of national power and authority. Deutchman’s use of pastel-toned watercolors heighten the feminine softness inherent in the work. A more naughty glance at the work renders it a scathing satire of contemporary politics and the corruption of high offices. Take a look. (via Lost at E Minor)
Celebrated artist Alberto Giacometti once said, “The object of art is not to reproduce reality, but to create a reality of the same intensity.” Giacometti was an artist noted for his abstraction and deconstruction of the human form, which he depicted through a multitude of sculptures, paintings and drawings in elongated shape and scumbled lines. Figurative paintings and portraiture are nothing new, yet subgenres of portraiture continue to emerge, survive and move us. The common phrase “Beauty is in the eye of the beholder” aptly applies, and the activation of perception, observation and process are represented in beautiful and intricate ways in the four contemporary artists whose work is featured here. Featured artists include: Karim Hamid, Colin Chillag, Borondo and Angela Fraleigh.
Welcome to a myriad of details in an evolving fractal landscape. Courtesy of SubBlue. Watch the full video after the jump.
Rob Wakshinski draws strange characters that make me smile. Intricate linework and fun concepts, check out his website for more.
Guim Tió Zarraluki is a Spanish mixed media artist who creates work that transforms magazines into haunting and abstract images. Much of his work features portraits sourced from magazine advertisements. He alters the page with chemicals and oil pastels, transforming these “picture perfect” models into abstract, and sometimes unsettling, figures. His work maintains a photorealistic sensibility while containing something haunting and foreboding. If you look carefully, you’ll notice that the artist has left a small part of the magazine untouched or barely altered, leaving a trace of the original during his process. Tió also has a photography series of human figures with faces painted in a similar aesthetic, turning his form back in on itself to create abstracted figurative images. (via)
“The artist stages a controversial issue for contemporary society and his work becomes an exploration of the collective unconscious, which governs the aesthetic valences on all types of human monstrosities in the sign of narcissistic beauty emulation as the key to success; a parody of stereotypes that today govern the new conceptions of the meaning “human being”. (via)
You can watch him at work on a magazine page alteration here.