Architecture duo known as Gijs Van Vaerenbergh have installed 186 tons of 5mm thick steel walls in Genk, Belgium, creating a dense labyrinth for visitors to navigate their way through. The dense maze is made from walls 5 meters high and creates an impressive structure of many corridors and industrial looking alleyways. The pathways and shapes of the labyrinth aren’t only rectangular, or flat either. The pair have cut out cylindrical and spherical shapes and voids in the maze, allowing for some very strange view points. The pair describe their project a bit more:
A series of Boolean transformations create spaces and perspectives that reinterpret the traditional Labyrinth is a sculptural installation that focuses on the experience of space. These Boolean transformations convert the walk through the labyrinth into a sequence of spatial and sculptural experiences. At the same time, the cutouts function as ‘frames’ to the labyrinth. Seen from some certain perspectives, the cut-outs are fragmentary, whereas from other viewpoints the entire cut-out shape is unveiled. (Source)
The pair are known for their ambitious, eye catching public installations and like to create architecture that reacts to or compliments the environment it is placed in. The particular installation is part of the 10th anniversary celebrations at the c-mine Arts Center which now stands where a coal mine once did. Gijs Van Vaerenbergh have taken ideas of the mine shafts below the surface and transferred them into their ideas for the labyrinth. They go on to say:
Furthermore, the production and construction processes remain visible in the final design. Visitors who ascend the mine shafts nearby, can view the labyrinth as a materialised floor plan and sculptural whole – a perspective that runs against what a labyrinth should do: conceal itself. (Source)
I was talking with Jason Redwood a few weeks ago, checking out some process shots of a new painting he’s working on (titled fathomless psychotropicali), and realized it’d be kind of cool to do a blog post on the progression of the painting, from start to finish. So, Jason snapped a few pics from different stages of the painting being completed- kinda cool! The entire series is below.
Some people live life large not having time for life’s small obstacles. such is the case with street artist Aryz whose massive murals start with size xlarge and go up. Aryz’s murals of invisible men, bathing beauties, and humble farmers in fields of flowers demand our attention not only with their massive scale but with their gorgeous and bold colors which can be seen from miles away.
Milwaukee based painter, Richard Galling is making some nice jams right now. There are a lot of youngsters in the Midwest right now playing around with loose geometric abstraction, and I must say, these stand out above the rest. Medieval dedication and form isolation. More after the jump…
There is a place between here and there that exists, but doesn’t prefer being pointed to on a map; that is where Birgit Dieker exists. Each piece talks about humans and their well-being, while telling us that none of this is real. The world is falling apart, and, because of Dieker’s work, we understand the value of the crumbs and sheddings.
Each month, Beautiful/Decay will release a new shirt on the Beautiful/Decay shop before they hit any retail stores. The shirts will be printed in unique color ways in a select print run of just 300 shirts. Oh, and did we mention that we’ll be giving you a 33% discount off retail prices, pricing them at just $20 a shirt?
Here’s a rundown of the B/D monthly shirt release:
– Available in advance before the season ships to retailers
– Unique color way printed in a select run of 300 shirts
– 33% discount off retail price, at just $20 a shirt
First Release “Lost Face” by Vladimir (Waldez) Snegotskiy aka Ctrl-V
Vladimir Sengotskiy creates his hypercolor fantasmagoric creations in multi-media, ranging from print, web, motion and beyond. His recent design for Beautiful/Decay apparel is a neo-neon medusa’s head mask, seething with bright purple, yellow, blue and brown snakes and line confetti. Carnival masques meets facepaint!
Jacob Ring captured images in Melbourne and Brisbane, Australia, as well as Hong Kong, Singapore and Thailand. His collections of film photographs are done on straight 35mm and shot on an old nikon f4. The collection was created to document travels to various destinations, while focusing on visual abstraction and strong color depth.
Toronto-based photographer Kotama Bouabane has an incredibly poignant series called “Melting Words.” The ice letters form typical break-up phrases, with their indelible messages transcending the medium’s own impermanence.