The idea behind “Smile On Your Brother” is to inspire people to think about their first skateboard and what it meant to them. For many skaters, this still represents a pivotal moment in their lives, with every last little detail, fresh in their minds. Bringing together contemporary artists both in, and affected by the skateboard industry to help raise funds to go towards the first goal of Contributor which is to donate 100 skateboards to disadvantaged youth across Canada in 2009/2010. The show will travel throughout Canada, starting in Vancouver and ending in Quebec City.
There’s some really awesome artists participating in the show, you can check them out here on the artists page, including myself (though excluded from that “awesome artists” list- its the one on the 6th column and 5 rows down). In accordance with the physical tour itself, “Smile On Your Brother” is also holding an online auction ending October 25th 2009. You can get a nice picture of how many skateboards there were contributed- take a look and get some personally customized boards that also benefit charity- win win! I put some of my personal favorites after the jump.
Mastodon Mesa, an on-going project at the Pacific Design Center curated by Graham Kolbeins and Mya Stark, invites you to lose yourself in the twists and turns of Albert Reyes’ vast handbuilt maze. Comprised of re-purposed wood discarded on the streets of L.A., this stunning installation has been under construction for more than four years, hidden away from the world in Reyes’ back yard—until now. Albert Reyes is a Los Angeles-based artist whose hyper-realistic yet dreamlike drawings address themes both personal and cultural. His canvas has ranged from recycled hardcover book covers to public sidewalks, where his beer spit drawings drew national media attention along with original illustrations and prints by Reyes are also on display. Check out more images from his maze as well as a video shot by Graham when the maze was still in its original habitat.
Thursday, May 20th from 5-8pm
Mastodon Mesa, Suite B210
Pacific Design Center
8687 Melrose Ave
West Hollywood, CA 90069
The Horror is the alias of Daniel Cantrell. Daniel Cantrell was born in Gubabubbahubba, a small town in the north of England. He began drawing at a young age but he has never improved. He has a Degree and a Masters in subjects too boring to even write. His drawings are usually about acceptance, violence, lust, fate and the dangers of dental hygiene. Cantrell also runs Good and Evil magazine.
Practically everyone can remember a time in his or her childhood when they got to eat a Cornetto ice cream cone, it starts out with an ice cream and topping swirl and ends in a tasty burst of chocolate. Cornetto took the same approach in creating their new series of short films called Cupidity. Each film is highly cinematic and like the Cornetto cones themselves, reveal something new in every act. The films take us around the globe in Istanbul, Hong Kong, New York and Los Angeles, showing off a beautifully filmed vignette showcasing each city.
The Cupidity series of short films Cornetto created are tales of love from a teenager’s perspective- a time when love is grandiose and mysterious, the stuff of fairy tales. The film featured here is called Kismet Diner and is set in a cozy, fifties style diner. The story revolves around Laura, the adorably shy waitress with a gift for singing. The story reveals itself in four acts, each act getting the viewer closer to the “choclately burst” at the end. The whimsical story and storybook setting calls to mind the charm of movies like Amelie.
Cupidity is an interesting project for an ice cream company to take on and certainly one that is blurring the lines between advertising and content. We solute Cornetto for pushing the boundaries of their ad campaigns and adding a creative bend to how they market their brand.
Photographer E.E. McCollum’s heavenly figures are both encased and exploding out of their shell in The Cocoon Series. The translucent film covering the figures in the photos transforms the bodies as it mimics that of a butterfly cocoon. McCowell’s work is both stunning and absolutely transcendent, as they seem to be not of this world. Each stretch and fold molds the figures into new shapes as they try to erupt from their form. A master of light and shadow, McCollum started in photography using traditional darkroom processes. This influence can be seen in his current series because they have a stark contrast of lights and darks, much like analogue photography.
The film cast engulfing his figures is lit so well that you we can see every fine line of the body underneath, showing the mesmerizing positions of the bodies. These majestic and elegant poses are not unlike those of dancers, who McCollum often photographs in his other work. Each figure becomes sculptural as the lighting and film engulfing it reshapes and morphs it into another state of being, just like the caterpillar changing into a butterfly. McCollum’s most dramatic and captivating photos are those in which the body is finally erupting out of its “cocoon.” The incredible movement created in these photos is as intense and magical as the transformational act of the creation of butterfly. (via artfucksme)
I love the mystery of these images; the way the material distorts our perception of the body, the layers of the images. -E.E. McCollum