Lets keep the posts about ornate & detailed drawings going today with the fantastical drawings of Louise Despont.
Brazilian artist Rodrigo Torres creates intricate collages by combining bank notes collected from around the world. Beautiful and painstakingly detailed, they are visually arresting and require a closer look. The ones I find most interesting single out common themes found within a variety of notes, such as crowds, portraits, and buildings/architecture, and showcase unexpected similarities between multiple countries’ approaches to currency design. In Rodrigo’s portrait collage, he positions heads to the right or left, with those silhouettes facing directly to the side seated at each respective end. The majority of head positions are in varying degrees of ¾ perspective; very few bank note portraits seem to face directly forward. Most notes are monochromatic, but differ on the single color used; this in turn creates an aesthetically pleasing rainbow effect. It’s uncanny to see a multiplicity of notes side by side in this constructed context. Despite countless cultural, historical, and environmental differences in nations around the world, their money appears strikingly similar.
Torres’s has been selected by Art Basel Switzerland to be featured in the month’s Art Feature sector in Switzerland, which runs June 14 – June 17.
One year in the making, Loom is an epic story of a moth caught in a spiders web. You probably can guess the outcome but rest assured that you’ve never seen nature take its course in such an intense and vivid way. Watch the full video after the jump.
I don’t want to ruin this, so just make sure you watch this video all the way to the end. Patrick Wolf is a total nut! Directed by Jorge Jaramillo.
Married couple, Akiko Ida & Pierre Javalle, use their culinary, photographic, and miniature figurine making skills to create an endearing body of work where food become recognizable landscapes. Not quite the equivalent of my dream for mountains of blueberries, but close enough!
In the late 1930s, Dr. Seuss (Theodor Seuss Geisel) brought his imaginary creatures to life, sculpting them out of wood, mounting them on the wall, and imbuing them with a haunting realism by incorporating real animal parts. The remains of deceased animals came from his father’s workplace, the Forest Park Zoo.
After their construction, the creatures, bearing delightful names like the “Andulovian Grackler” and the “Two Horned Drouberhannis,” were sold as a collection under the title “Collection of Unorthodox Taxidermy.” After living in a child’s bedroom, the pieces were retired to an old barn and resold in 2004. The Chase Group later made resin copies of many of the works. Some of these pieces are available for sale on eBay.
Each sculpture stays true to Seuss’s touchingly earnest connection with the imaginative realm of childhood. The animals, though mounted on a wall, maintain a poignant emotive ability; the marriage of raised brows and mellow smiles with the antlers of genuine beasts makes the works magically vital, communicative— and somehow— real.
The profound soulfulness of the work is only enhanced by its hints of morbidity. In what is perhaps a critique of taxidermy practices, the prolific artist chose to present these fantastical creatures within the context of human domination, forcing viewers to reconcile our desire to believe in magic with the knowledge of environmental destruction. In this way, the aging of the works has not detracted from their potency but has serendipitously heightened it; years after the prolific author’s death, we are asked to search these faded faces for indicators of bestial personalities and traces of the beloved artist’s hand. Take a look. (via This is Colossal and the world’s best ever)
Jeremy Dower’s psychedelic paintings are out of this world. Every time I look at them I feel like I”m in a far away land where everything is colored rainbow bright and stuffed animals have come to life and rule the world!