Call me a little girl still, but I am kind of in love with these fanciful Parisian fairy tale Cinderella story-book sculptures by Vincent Olinet. Check out his pictures of giant, candy-colored pastel pastelles after the jump. Like, really? You single-handedly designed my dream canopy Rococo Marie Antoinette-inspired princess bed floating atop a lake of water lilies, AND my birthday cake? Who are you and how have you tapped so deeply into every woman’s secret Princess psyche? Or not. Still, I love these sculptures, for their overt magic. And yes, I probably needn’t say it, but he is French.
A recent graduate of Ontario College of Art and Design (OCAD), Stanzie Tooth paints scenes that evoke a sense of calm. Her works often feature woodland landscapes, sometimes bursting with pastel hues that would make a Fauvist blush.
R. Crumb’s Underground
Curated by Todd Hignite
July 11-August 16, 2009
July 11th launches Grand Central Art Center‘s opening reception for the Yerba Buena’s Center for the Arts traveling exhibit, “R.Crumb’s Underground.” This exhibition salutes San Francisco treasure Robert Crumb with an eclectic mix of early work, collaborations, and the world premiere of his “spool” drawings. Universally acknowledged as the founder of the underground comic scene, Crumb gained cult popularity for his pioneering Zap Comix and stardom with the Terry Zwigoff documentary, Crumb. The YBCA traveling exhibit also shows how his work has blossomed in philosophical complexity, highlighting his collaborative work, including intimate confessions produced with wife Aline Kominsky-Crumb.
For more information, click here.
Saturday, July 11, 2009
Opening Reception, 7-10PM
Sickly sweet works from LA based artist Zachary Rossman. Such delicate use of naturally colored papers, and the drawings have hints of the hyper-detailed patterns that make my brain twitch with excitement.
Alejandro Guzman focuses his artistic practice on the idea of creative misunderstandings through art. Guzman uses performance, sculpture, painting, drawing, photography and video to explore his interest in human nature, behavior, migration, consumption and materialism. A Puerto Rican artist living and working in New York there are cultural and historical references to indigenous folklore traditions, colonialism and storytelling combined with European and American modernism throughout Guzman’s work.
Also interested in shared human experiences, Guzman designs performances and art objects that offer experience and provoke thought. For his exhibition, Intellectual Derelict, Guzman created a sculptural performance object, a dual character, one half covered in colorful flowers and drawings and the other in mirrors and black-and-white drawings. The figure was involved in three performances that were meant to enhance a viewer’s experience with the natural world. For another performance for AD Projects, Guzman wore a modified Vejigante mask. El Vejigante is a historical figure generally part of Puerto Rican festivals. He was born out of Spanish Christianity, West African Yoruba rites and Taino aesthetics. The figure both embraces and resists his multifaceted roots and represents the ability to live both inside and outside society.
Always incorporating industrial and natural materials as well as his own drawings and sculptures, Guzman’s creations and performances are thoughtful, insightful and visually engaging.
The idea behind “Smile On Your Brother” is to inspire people to think about their first skateboard and what it meant to them. For many skaters, this still represents a pivotal moment in their lives, with every last little detail, fresh in their minds. Bringing together contemporary artists both in, and affected by the skateboard industry to help raise funds to go towards the first goal of Contributor which is to donate 100 skateboards to disadvantaged youth across Canada in 2009/2010. The show will travel throughout Canada, starting in Vancouver and ending in Quebec City.
There’s some really awesome artists participating in the show, you can check them out here on the artists page, including myself (though excluded from that “awesome artists” list- its the one on the 6th column and 5 rows down). In accordance with the physical tour itself, “Smile On Your Brother” is also holding an online auction ending October 25th 2009. You can get a nice picture of how many skateboards there were contributed- take a look and get some personally customized boards that also benefit charity- win win! I put some of my personal favorites after the jump.
I have absolutely no idea what Sasquatch Birth Journal 2 is this is but you’ll laugh, you’ll cry, you’ll WTF! It says that it’s part of the Sundance Film Festival but who knows. It may be a bizarre teaser for a film or some creative agencies latest viral vid. It’s made by Zellner Bros but I’m not really sure who they are. In any case it’s totally bizarre so I thought I’d share. If anyone has any info on what this is all about please do share. I’m officially intrigued. Enjoy!
In Maria Jose Garcia Piaggio’s “Through the Window,” she appropriates found images as part of her investigation about cybersex. A project in two parts, the images of men capture them watching though free portals; the women’s photos are taken from live shows where the viewer has to pay to participate.
“I want to be able to show these scenarios that we all know are there but we keep hidden, deconstructing it from the virtual context and taking it to other scenarios to show these two groups to the viewer.”
There’s no mention in the project description of consent, so it’s unclear whether these voyeurs and provocateurs are willing participants in this project. Likewise, there are no descriptive texts or photographer/videographer credits available. Since these are found images, Piaggio serves less as an artist and more as a curator of these experiences. The images she’s chosen are interesting in their variety: the men’s and women’s faces are both alternately fully exposed and hidden. Rooms are revealed in the background, or left darkened and unspecific. Some subjects smile into the camera, others seem unaware that they’re being photographed.
It’s a broad subject and a provocative one, and Piaggio’s notes indicate that this is just the start of the project. She says, “I reflect about the body, the pose and the clichés.” In continuing to compile these images, Piaggio has the opportunity to push past the expected and reveal more about the proclivities of the watchers and the watched.