Lying on a bed of lilacs, here are a dozen of women being themselves and embracing it. A statement a lot of women have trouble owning, according to Carey Fruth who has made the decision to show that there is only blond tall thin American standards in movies. By making these series, she speaks to women and gives them the powerful message of acceptance and freedom of their own bodies.
Inspired by one of the scenes in the movie American Beauty where a middle aged man is fantasizing about a teenage girl, she decides to take the power back from this perfect girl and to give it to women out there, that are as beautiful but not perceived as such by society. The models posing sensually are all volunteers, acquaintances to the photographer. They come from different backgrounds, ethnicities, have different body shapes, ages.The girls are not directed during the shoot, they are just told to be themselves. The result are these beautiful women revealing their femininity, authenticity and vulnerability.
Through her work, Cary Fruth wants to fight positive image by having women accepting their bodies: “by stepping into a fantasy dream girl world and by letting go of that fear, they free themselves up to direct that energy they once wasted on telling themselves that they weren’t good enough to elsewhere in their life”. She also wants to prove her peers that there is no failure when it comes to telling the truth in photography. Apparently most photographers are “scared that if they do something all inclusive and different from the current ideal of beauty that people will not come to their business”. The success of the ‘American beauty’ series is the living proof that good things come to those who believe. In every aspect, Cary Fruth’s concept and photographs are feeding us with positivity and hope.
Artist Chris Maynard creates tiny ethereal designs on feathers. His process begins by collecting feathers of birds (usually not of North America descent) from aviaries and zoos. He uses delicate, detail oriented tools such as eye surgery scissors, forceps, and magnifying glasses that have been passed down to him through his family. With these tools, he is able to achieve intimate levels of detail, crafting miniaturized fantastical avian worlds. His uses his work to transform the ordinary into something surreal and perhaps a bit magical. He explains that he would like the viewer
“to take away being able to look at the world in a different way…I want people to be able to take a breath and look at something a little differently, something that they know. Feathers are a universal symbol. Feathers for different people will mean different things, but generally, it means flight, it can mean escape, something we want to strive for, a bridge between here and the heavens. I want people to take their own message from it, but I think what comes out are some of those themes.”
The original integrity of the feathers is important to the artist. He does not manipulate the color or over arching shape with the aim to “honor the birds and the feathers.” Maynard, having a strong background in biology and ecology, has published a book titled Feathers: Form & Function. He uses his work not only to express artistic notions but also explains origin and function of his material. Each work is intricate, delicate, and whimsical.
Sculptor Beth Cavener Stichter carves dramatic, expressive human-size animals from clay which exhibit the extremes of human characteristics and emotions. She has goats, wolves, lambs, snakes and rabbits display acts of greed, betrayal and jealousy. Using the malleable nature of clay, Stichter produces wonderfully sensitive pieces loaded with drama and theatricality.
In her latest series Four Humors, she takes a theory developed by the Ancient Greeks which describes what a psychologically healthy human body should look like. The Four Humors were black bile, yellow bile, phlegm and blood. If a body had too much of any of these substances, then that would correspond to a personality deficiency. Stichter says she was intrigued that people could be evaluated solely by the amount of liquid they contained in their bodies. Stichter explores multiple base theories and ideas in her work. She goes on to say:
There are primitive animal instincts in our own depths, waiting for the chance to slide past a conscious moment. The sculptures I create focus on human psychology, stripped of context and rationalization, and articulated through animal and human forms. On the surface, these figures are simply feral and domestic individuals suspended in a moment of tension. Beneath the surface they embody the impacts of aggression, territorial desires, isolation, and pack mentality. (Source)
See if you can recognize yourself in more of her sculptures after the jump. (Via Art Fucks Me)
Anonymous Spanish art collective Luzinterruptus has installed their latest public interventionist project, “Consumerist Christmas Tree”, as part of Lumiere, a citywide celebration of light that takes place in Durham, England. To construct this 9 meter high tree, the group asked people to donate their plastic bags in exchange for cloth ones, resulting in a donation of around 4,000 bags. In addition to the tree, Luzinterruptus created strands of garland by installing lights in leftover bags and hanging them across streets. According to the artists, the tree “is an installation that will help to raise awareness of the excessive use of plastic bags and the consequences that this consumption has on the environment…We thought about a grand Christmas tree, built of the bags used during the period prior to Christmas, the dates in which their use dramatically increases.” (via unknown editors)
Double exposure portraits by Spanish-based artist Antonio Mora (a.k.a. Mylovt) blend human and nature worlds into surreal hybrid artworks. Mora works with images he’d found browsing through online databases, magazines and blogs, and then fuses them together using skillful photo manipulation techniques. His seamless way of mixing various concepts together leaves the viewer with mind-tricking illusions.
“I want people to feel inspired when observing my artworks, and that is what I long for. I often look at images hundreds of times without finding anything, and then the spark just arrives. It’s a bit like fishing, a matter of patience and intuition.”
Mora describes his artworks as cocktails, mixtures of ordinary elements merged into forceful and expressive daydreams. According to the artist, his inspiration is provided by the limitless Internet itself and he feels as a medium between the two parallel worlds: real-life and the Web.
Antonio Mora originally graduated from graphic design. Right after his studies, he started a personal design studio which turned him into an art director for 15 years. Gradually, artist decided to concentrate on his art solely. Mora is one of the artists whose instant fame relies on social media: “Social networks, especially Pinterest, have been an important vehicle to spread by artworks”.
His mind-bending photo manipulations are very accessible to the public, as Mora offers anyone the chance to have their own portrait turned into an astounding work of art. (via Writeca)
Japanese photographer Daisuke Takakura creates a carousal of interactive humans. Double your pleasure. Double your fun. His pieces challenge you to focus and rest your amygdala—puzzling you with more questions than answers; energizing your eyeballs to pounce in all directions. His reproduction of clones create a maze-like quest in his photography.
The duplicated self is positioned in a variety of stances; each with their own agenda. Whether a day in the office, playtime in the city, resting on dinosaurs or in a female basketball court frenzy—the multiplication of bodies in these settings create an unbalanced curiosity in trying to interpret what each person is doing. Repeating the “self” into many selves provides more than one imagination to be analyzed or identified with.
In one of his monodramatic photos, women are seen running from a building covered in scarlet red, which appears to be blood down the front of their dresses. In the background, other women rest at the building entrance parading sea foam green umbrellas over their heads.