Here are a few images from a 2009 fashion shoot by Eric Nehr modeled directly after the works of Egon Schiele. For some reason, these snaps expose Schiele’s notorious vanity even further. But of course no one does self portraits like he did, with his writhing, angular paintings full of turn-of-the-century angst. A nice tribute. (via)
Carol Inez Charney is a photographer based in San Francisco. Her newest body of work is a series of images that resemble colorful abstractions. In reality the photographs are close-ups of water on windows as well as the colors that surround them. In her own words: “My current photographic series, Interior Landscape, uses natural distortions present in our everyday world—namely, moisture on windows—to evoke a painterly image that recontextualizes our everyday architectural landscape. While focusing on the minute details of these natural distortions, we enter a space of quiet contemplation, which simultaneously inspires a new kind of internal and external vision. After several years of combining painting and photography with mixed results, one very cold day in Minnesota I looked through a window completely covered in condensation out to the frosty distant landscape. I realized I could use the camera to reinterpret the world around me into a form akin to that of painting.” (via)
Have you ever walked into a gallery or museum and wondered “How did they ever install that giant sculpture or painting?” Well WRAPIT-TAPEIT-WALKIT-PLACEIT comes to the rescue with a collection of amazing behind the scenes shots of gallery assistants and museum installers moving, assembling, and dissembling all your favorite works of art. Go through their deep archives or submit your own behind the scenes images and share what it takes to make art magic happen. (via)
Super talented Melissa Cooke draws so realistically that you would think her renderings are photographs. Instead of using pencil lines to outline her subjects and draft her compositions, she achieves incredible depth by dusting layers of graphite onto paper with a dry brush. Flirting between different mediums (photography, drawing and painting), she is an expert of achieving highly detailed, strongly contrasting, striking images.
For her series The Between Spaces, she blends two different angles together in one drawing, achieving an impressive effect of superimposed snapshots. Thanks to her unique graphite technique, her highlights seem to glow and radiate off the page. Hair turns from being a series of fine white lines dusted over a darker layer to being a delicate web of strands. Eyes have detailed reflections; the skin Cooke draws have pores; the faces have a complex structure of wrinkles and lines. Cooke says of her series:
The drawings ride the line between what is physical and emotional, inner and outer, real and fantasy. Elements that are innately indescribable. There is a richness in those spaces that I can explore visually. (Source)
Moving on from portraiture, Cooke has also tried her hand at still lifes – objects that she finds in her daily life. Inspired by an abandoned wig she found in the dandelions, she started her series of objects.
These still lives evoke the figure while hinting at a larger narrative. There is both an attraction and repulsion to these discarded objects, like evidence left at a crime scene. That tension is something that has always inspired me, and will continue to propel me forward with the new body of work. (Source)
Swiss artist Tenko‘s work seems to represent a twisting, flawed humanity that we try to forget. Looking at his work I’m very conscious of the fact that my supposedly higher thoughts and feelings all rely on a system of organs, pumps, and fluids to exist and no amount of perfume is going hide the fact that we are simply beasts of flesh and bone. Maybe it’s all those perfectly modeled legs or even the grotesque facial expressions but I feel like I’m definitely gonna have to exfoliate tonight.
Meet Canadian artist Alice Gibney. Her work has a hauntingly beautiful presence, layering intimate charcoal lines on large scale paper panels. Her recent series are filled with imagery depicting self vs nature and human manifestation of grief. She’s currently spending some time in Berlin, hopefully gathering up loads of inspiration for her next series of work when she returns to NYC to finish her MFA at Parsons.
Continuing on my Flickr curatorial mission, here is oh carlyn, an artist based in Portland, Oregon.
One of my favorite things about her work is her method of documentation, which is basically for lack of better words, poor quality mobile-photography. But there’s something really nice about the way a cellphone takes pictures. It really captures the atmosphere… the intimacy of the air and dust.