The company says it best themselves! “Blip Boutique is a Los Angeles based collective creating visual content that is truly not boring! We conceive and produce original concepts for digital and emerging media that are innovative in both content and form. We thrive on working at the intersection of design, art, and technology, and our research and development in these fields is fundamental to our creative process. Blip Boutique strives to create engaging and innovative visual art in an ever expanding and elastic digital world, for a range of clients in music, fashion, advertising, the arts as well as ourselves. Feast your eyes and Fantasize.”
The faces that Rachel Niffenegger paints are seductive. A couple of her inspirations are “an obsession for gross out humor and imaginings of fantastical death scenes.” Her combination of a beautiful palette with zombiesque ghost portraiture works. You could hang one of these over your couch, and when your family visits – they might not even notice you had a screaming skull from hell suspended in the air over them.
Alejandro Bombín’s paintings are deceptive. At first glance, many of them appear to be old, faded images from vintage publications that were scanned into the computer. Something went awry and now they look glitchy. But, what they actually are is meticulously detailed acrylic works that produce a digital mistake by hand.
By dividing up the image into rows (take a look at the detail above), Bombín is able to draw the the picture and fracture it by shifting the picture right or left from its original center. He uses a pointillist technique and pairs pure colors together, which from far away forms a cohesive image. And, at the same time, these colors and the texture from it are reminiscent of a lo-res, pixelated image.
The distorted images point to our desire to hold onto the past and the failings that we experience with technology. Digitizing something ensures that we’ll have it forever. Photographs and newspaper clippings? Not so much. But what happens when technology fails us too? Bombín’s paintings remind us that both can be fickle and that there are no guarantees.
French art director and photographer Patrice Letarnec combines his two talents when he devised this cleverly simplistic photoseries. Having his subjects switch their top and bottom clothes, Letarnec then has them stand on their hands, walking about upside down on their daily routes. Thus the title of the series, Head Over Heels, which is taken quite literally.
The results are subjects which look familiar at first, until a general unease sets in to the missing head, arms which are too long, and legs that are far too short. The orangutan-like subjects are more comedic than disconcerting, another win for Letarnec’s eye (who also deserves a bit of credit for finding subjects who can balance on their hands so well while blindfolded).
In Ted Parker’s positive world of blank smiles and happiness naked women are dragged around by their husbands, dogs smoke, couple drink tea naked, lions play basketball, and police officers touch each others genitals all with a giant smile on their faces.
When I think of Detroit I think of decaying buildings and poverty but this insightful documentary by Palladium Boots (Hosted by Johnny Knoxville) has given me new hope and enthusiasm about Detroit. Follow Knoxville on this 4 part documentary through the city and meet the people who are working to bring creativity and excitement to this once great city. Watch part 2-4 after the jump.
Inspired by singularities, LHC and other high science, Ryan Wallace creates complex abstract images based on visual data. Nerdy? Yes. Completely beautiful? Also, Yes. Keep an eye out on this young New Yorker. Upcoming projects include a group show @ Cinders, a solo exhibitions @ Morgan Lehman, and a curatorial endeavor @ Raid Projects LA.
John Parot, who was featured in our B/D Book 3, and Rachel Niffenegger currently have exhibitions up at Chicago gallery Western Exhibitions./(which, coincidentally enough, also stocks B/D Book 3!) John Parot, with his exhibition “Hobbies,” continues his poetic musings on gay urban living, and focuses in on internet dating to reflect how identity, meaning and love are constructed under the auspices of Web 2.0’s arrow. A multi-hued pie chart displays Facebook-esque likes and dislikes: “hot fudge sundae,” “enough with the man-scarves,” and “no beige!”
Rachel Niffenegger, in Gallery 2, creates sculptures and ephemeral-washed paintings dealing with the grotesque nature of the human body, executed with a hauntingly beautiful hand. Drawing its title from an ancient epitaph, “As you pass by and cast an eye as you are now so once was I,” the exhibition seems to conjure the ghostly spirits from beyond the gravestone she references.