Say hello to Harrison Roberts. Harrison stopped by our offices to drop off his work for the upcoming Art Works Every Time exhibit. He was a bit flushed and out of breath – having lugged his pieces, many of them quite large, up several flights of stairs on a muggy Los Angeles afternoon – and then we made him pose for our camera! I’ve been admiring his collection of 2 and 3-dimensional works. They speak so boldly from afar but I can’t help inspecting them from very close in order to take in all the unexpected details; his concoctions speak equally well – albeit with altered voices – from both perspectives. You can see Harrison’s complete collection next Saturday, June 12th, at the Art Works Every Time opening reception at L.A.’s Synchronicity Gallery. Thanks Harrison!
Working out of Melbourne, Australian photographer Jessica Tremp produces some lovely creative pieces. Her technique is rather dusty, as if her work was produced some sixty years ago; complementing her taxidermic subjects and derelict settings. Each piece impresses the viewer with unsettling beauty.
The inner child of Genadii Berёzkin craves cutting and pasting, but the grown artist understands balance and aesthetics. Together, they create fun and graphic collages. Berёzkin’s restraint sets him apart from his peers. His sense of simplicity lends his art charm; nothing is ever overworked.
Have you longed to be smart and solve conundrums like the mystery of time, space and light? But also drop out of high school, hit the juke box joint, thrust forward a double thumbs up and engage in a a semi-awkward/flamboyantly cool Kazotsky filled trademark dance like The Fonz? Well…now you can. Subscribe to Beautiful/Decay today.
Have you met Ben? Ben stopped by the Beautiful/Decay headquarters yesterday to drop off work for the upcoming Art Works Every Time exhibit. You may recognize Ben’s style from two of his recent Beautiful/Decay Apparel T-shirt designs: Greetings From New York & Greetings From Los Angeles. Ben’s been busting out some new paparazzi-inspired paintings for the exhibit. I had the pleasure of listening to him chat about his recent explorations and process, and the importance of a high-quality brush. You’ll be able to see all of Ben’s submissions next Saturday, June 12 at the Art Works Every Time opening reception at LA’s Synchronicity Gallery. Check out some more behind-the-scenes shots after the jump. Thanks Ben!
Scott Espeseth’s works draw from cartoons, children’s books, and the doodles we used to sketch into the margins of notebooks when we were supposed to be taking notes. (Who says memorizing the state capitals is more important that creative expression, anyways?) Espeseth says he draws in order to get lost in a different space and time, often to reminisce. He favors a wide range of media that are “commonplace, overlooked, and sometimes obsolete,” from silverpoint to the humble ballpoint pen.
Do you revel in hot, anguished tears rolling down the innocent face of a child? We certainly do not. How can you solve this world-wide problem? We suggest you subscribe to Beautiful/Decay. As artist C.W. Moss has illustrated in Reason #2 of our hand-painted illustrated series, a subscription a year will erase every child’s tear.
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