Don’t forget to take advantage of our big Mystery Pack sale. For one week only we’re slashing our already discounted Mystery Packs for both magazines and t-shirts. This is your chance to save a bundle of cash, get a killer surprise package in the mail, and have fun all at once. It’s like Beautiful/Decay throwing you a surprise party and giving you the best gift ever! Sale ends March 15th!
The work of Trenton Doyle Hancock is the focus of …And Then It All Came Back To Me, a new solo exhibit currently at the James Cohan Gallery through December 22. The Texas-based artist is well known for his exceptionally intricate work and the epic narrative that flows through it. Hancock seamlessly ties together classical, religious, and pop-culture references and styles into emotionally engaging artwork. His new series veers from his narrative to a more autobiographical theme and his role as an artist.
Trenton Doyle Hancock was also a featured artist in Beautiful/Decay Issue: V. Be sure to check it out if you’d like for more of Hancock and his work.
Inspired by her Filipino American and family background, Christine Morla‘s “sculpture-paintings” are crafted in such a meticuluos yet delicate manner, that is hard not to notice the layers and layers of paper woven flowers that are made up of Filipino snacks packaging that she uses as inspiration for the color palette in the pieces. The craft of weaving was passed down by her own father and using these many cultural references from her own family and culture, she crafts these representations of both abstract and digital environments highlighted in vibrant patchworks of colors.
Stina Persson is an incredibly talented illustrator hailing from Stockholm, Sweden. I’m a huge fan of her rich, full color palette paired with seductive, free-flowing lines. Even the way she handles cut paper is so sophisticated!
Jordi Pages morphing, slipping, and sliding video called Mass is the perfect way to slip right in to Tuesday!
Fredrik Odman’s Composed Animals series combines some of my favorite animals into super animal combinations. Imagine how graceful a swan jackrabbit could be. He would be fast as lightening but as smooth as butter!
Have you ever tried that trick when you photograph a moving light source with a super slow shutter speed to “draw” with your flashlight? Caleb Charland takes that to a whole new level with his most recent work, combining burning matches, mirrors, and sparking wires to make light “sculptures” which he captures on his digital camera. Super awesome? Yes.
Brendan Lott is a painter, sculptor, and exporter of services. These works (which you can see at San Francisco’s Baer Ridgway Gallery starting Oct. 17) began as an attempt to bring his practice in line with his life as a person living in 21st century America – he has no direct input into the development or manufacture of any product he consumes, other than to consume it. He finally abandoned his studio practice and began to spend his art making time collecting digital snapshots anonymously from peer-to-peer file sharing networks. Out of tens of thousands of snapshots he looks at, he selects just a few and email them to professional painters living in China. They reproduce the image in oils and send the painting back to him. (The above text was adapted from his website’s about page.) I wonder what these Chinese painters think as they’re working on these snapshots in varying degrees of gluttonous “American” fun aside from the fact that they are the extreme opposite of misty mountain ranges and philosophical poets?