Designer Paul Smith discusses his design for Evian water in this part infomercial, part documentary.
Link via Moind
Each year, Japanese photographer Ariko Inaoka journeys to Reykjavik, Iceland to continue a very special project: the annual documentation of identical twin girls Erna and Hrefna.
Although Inaoka met the sisters in 2006 at a casting call for a photo shoot, she did not begin regularly photographing them until three years later when they were nine years old. Since then, she has returned to Iceland—a country that she cites as “the place for [her] creativity and inspiration”—each year to document the girls’ growth and to capture their unique interactions.
While all of Inaoka’s photographs of Erna and Hrefna convey an undeniable focus on her subjects’ youth, they also speak to something deeper: their strange and powerful bond. According to Inaoka, the twins are never apart and even share a seemingly telepathic relationship with one another.
Whether portrayed clutching matching dolls, donned in tulle tutus, or in playful positions, there remains a unique and haunting quality to the twins’ portraits—a certain je ne sais quoi that both speaks to and undeniably illustrates Inaoka’s declaration that she has “never seen such a powerful connection between any two human beings.” (Via Bored Panda)
Just because everyone and their mother is doing graffiti and “street art” these days -rendering the talent pool watered down and chunky like a hasty batch of kool-aid, doesn’t mean the form has reached its peak and the guys who actually know what they’re doing should hang up the gloves. James Reka, of Melbourne, Australia, knows what he’s doing. Reka just killed a solo show at Backwoods Gallery in Melbourne, and released “Pissing in the Wind”, a book of risograph prints documenting the life and times of the Aussie artist. Hope to see him in the ‘States soon.
No that isn’t the latest alien crop circles. This is the work of new media artist Sonja Hinrichsen who created this massive installation one step at a time by simply walking in circular patterns. The result is a semi-abstract pattern that mimics leaves on branches of the local snow covered trees. See more images of this simple yet extremely clever installation along with a process video after the jump.
In their book Waska Tatay, French photographer Thomas Rousset and graphic designer Raphael Verona document the cryptic reality of Bolivian witchcraft. During their trip to the Altiplano region of Bolivia, Rousset and Verona encountered the magical world of shamanism, spiritual healers and ancient mythology. Their book exposes the collision between old and new, mystical and mundane, spiritual and physical.
The ambivalence of Waska Tatay begins from a first glance. Book’s abstract cover of fading yellows and blues is contrasting with the actual matter. The clash continues throughout Rousset and Verona’s style of photography, which is tossing between reportage and staged portraiture. Finally, the grotesque ambiguity reaches its top when the subjects in all their ritual garments are photographed in their mundane surroundings. This incoherence between content and form exposes the viewer to the grim reality of tradition in today’s world.
“We decided to mix two languages: one very staged and those that are very snapshot. We mixed a lot to create ambiguity for the reader, in knowing what’s real and what’s fiction.”
Rousset and Verona claims to have tried to zoom the old fashioned world into today’s reality. The picture of a Bolivian girl standing in a tree is an iconic example of their idea: “You could see that the girl is a witch, trying to talk with divinities or evils but her voice to God is replaced by a cell phone,” says Verona. According to the photographers, what they witnessed in Bolivia was a sense of magical realism which they wanted to broadcast to the viewer. The book Waska Tatay is available on IDPURE. (via Wired)
Wildlife and Wildlives make up the world of artist Sage Vaughn. Swarming brightly colored butterflies along with strangely dressed kids makes for some interesting subject matter, and there is definitely a feeling of tension between the natural and unnatural elements in these paintings. Born in Jackson, Oregon and now working in Los Angeles, Sage also helped illustrate a killer music video for N.A.S.A. that you can see here.
The technological wizards at Burton Inc. have developed a 3D laser display that can project images onto thin air. By focusing laser beams onto a single spot and firing the lasers in bursts of 100 times per second, images appear out of nowhere like 21st century pointillist magic. So far, the images are rudimentary, looking for the most part like simple sketches in .GIF form. But it’s still a fantastic advancement of the technology.
“This is the only device that can show text and pictures in mid-air, without using a screen,” says Akira Asano, Burton Inc.’s director and head researcher. The first and foremost application of the technology has been for emergency warnings — such as in a tsunami scenario — or as signals in pedestrian-heavy areas, such as at a crosswalk.
Not only does Burton Inc. hope to see this technology implemented in public spaces but also in people’s personal cars, thereby transforming even civilian vehicles into portable 3D displays. (via This Is Colossal)
Dark paintings by Braden Labonte.