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Beautiful/Decay: Future Perfect Book- Only 100 Copies Left!

Beautiful/Decay: Future Perfect has only been on the stands for 12 days and it’s almost sold out! At last count we had just under 100 copies left and the orders keep pouring in so make sure to order your copy or you’ll be stuck searching the treacherous seas of eBay to get one of the 1,500 hand numbered copies.

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Catherine Jacobi’s Artificial Heart

Catherine Jacobi takes everyday materials such as bike tire tubing (pictured above), discarded newspapers, roof shingles and other debris and creates sculptures that use the histories of the materials they are built with as a conceptual and narrative starting point.

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Daryl Banks’s Infectious Photographs

Photographer Daryl Banks works with an infectiously flirty style. Previously a fashion photographer, you can really see the influence of his previous career roots blend into his current work.

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“Timestack” Landscape Photographs Create Incredible Skies

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Matt Molloy photography5

The colorful skies of Matt Molloy‘s photographs nearly seem built from dozens of chunky brush strokes.  However, these photographs are actually a type of time lapse photography which Molloy calls “timestacks”.  Molloy shoots several photographs of the same location or image over a specific period of time.  He then takes those photographs and merges them into one image.  For the timestack photographs featured here, Molloy merges huge amounts of images – up to 500 photographs for only one image!  [via]

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Stefan Herda Uses Naturally-Sourced Paints To Capture The Mystery And Nostalgia Of Abandoned Houses

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Stefan Herda is a Toronto-based artist whose work and methodology explore our relationship with nature. He utilizes alternative techniques and natural materials in the creation of his art, deriving inks and dyes from wild blueberries, tea, turmeric, iron oxide, and more. From time-lapse videos of organic dyes interacting with household chemicals, to nebulae paintings infused with homemade ink and rainwater, his earth-toned and softly flowing works demonstrate an investigative and environmentally aware approach.

Featured here is Clapshacks, a series wherein Herda used natural colors and traditional textile dyeing techniques to paint portraits of derelict houses. Enclosed within hazy vignettes, buildings lean and collapse into the surrounding wilderness. There is a sense of peace and isolation; the buildings become crumbling, moss-strewn edifices that signify the resurging power of nature. There is a sense of retrospection, as well, that allows the viewer to consider the cycles of life, death, and renewal and the trajectory of human history. As Herda states in the project’s description, the Clapshack works “serve as a […] reference to old Romantic conventions, nostalgia for simpler times and the mystery inherent to the modern day ruin” (Source).

Visit Herda’s website to learn more. 

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Oil Paintings That Confront Playful Vapidness In The Wake Of Communism

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Teodora Axente is associated with the Cluj School, a group of Romanian artists making work after the 1989 Revolution, which ended Nicolae Ceausescu’s communist regime.

There is a dark sense of carousing in her work which examines the question of boredom in a secular world. Left to his or her own devices, Axente’s adult figures conjure up spirits or flights of whimsy in seemingly childlike ways, often seeking solace in shiny and tactile objects such as tinfoil, plastic wrap, or furs. However, translated to a non-secular world, each stroke Axente makes seem satirical or political, consciously examining religion or capitalism.

According to the artist, this dichotomy is the exact intention: “One of my concepts is to transform a real fact into a game . . . It is all about play from my perspective, the playfulness is more than a world of novelty in which everything happens and is reconstituted because of the freedom to act, to think.”

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Willy Verginer Comments On Environmental Issues Using Delicately Made Sculptures From Tree Trunks

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verginer sculpture

verginer sculpture

verginer sculpture
With razor-like precision sculptor Willy Verginer creates figures from a single tree trunk. He carves delicately made pieces which speak and brings to light important issues affecting living things. His latest delves deep into the environmental concerns of crude oil. Instead of overly stating the obvious Verginer makes subtle references to its affect. He places his latest figures including animals and people atop barrels of crude oil. Since oil is liquid the artist purposefully depicts the figures beginning to become stained or contaminated by the substance. This is graphically shown around their feet, hooves or paws and also in their faces. In some he will paint the base on which the figure stands in silver or gold signifying the value placed on the highly valued commodity which is gotten through sacrifice of both creature and environment. When a human figure is used he shows the gold or silver seeping into their shoes or clothes which signifies man’s greed.
The one lingering fact about crude oil responsible for almost every aspect of modern day living is that it is highly toxic and carcinogenic in every form. When it is burned the smoke it produces causes black soot in the air which gets captured in our lungs. If oil is accidentally spilled into the ocean it will kill fish and other sea life almost instantly. As we learn more about its ill effects scientists are looking to provide more alternative ways to produce power which include solar and wind energy. (via hifructose)

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Beautiful/Decay Is Santa Approved!

This holiday season give the gift of creativity with a year long subscription to Beautiful/Decay. Your loved ones will not only will get a limited edition art print with each book, but they will also receive a beautifully designed, hand numbered book, chock full of inspirational art from the best creative minds.

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