John Grade’s Capacitor is a site-specific installation which reacts to the climate of the site it inhabits. Located within the John Michael Kohler Arts Center in Sheboygan, Wisconsin, this enormous coil is roughly 40′ x 20′ x 20′ and slowly reacts to the changing wind directions and temperatures of the outside environment. Physically behaving according to statistics collected outside the institution, a mechanized controller within the installation powers the enormous coil’s shape. According to Grade, “the whole of the sculpture will appear to be very slowly breathing”. Capacitor also changes the brightness of the lights within the construct, giving an entire reaction to outside elements. (contemporist and artist’s site)
Chilean designer and illustrator Alvaro Arteaga Sabaini has a wide scope of work in genres from band illustrations to product marketing. I love the one above titled “Ziggy Stardog”! We have a Ziggy Stardog too in the office too, but he doesn’t look like that one.
Our Future Perfect project has gotten off to a good start with submissions rolling in after just a few days. We’re looking forward to receiving your image of what a better tomorrow will look like. The deadline for all artists to submit work is March 29th.Visit the Future Perfect website for all details and submission guidelines.
Create your vision for a better tomorrow and get featured in Beautiful/Decay book 6.
We want to see the world you want to live in, your Future Perfect. Submit your work of art based on the Future Perfect theme; you are free to use any medium and interpret the theme as you see fit. On March 29th we will pick one lucky person from the submissions who will get a package of Beautiful/Decay goods valued at $300 and a 10-15 page interview in Beautiful/Decay book 6! Up to 70 additional future perfect submissions will also be selected and published.
Share your vision, plan a better tomorrow and join Beautiful/Decay to create a Future Perfect.
Painting is enjoying a remarkable creative renaissance in the 21st century, with many of the world’s leading artists now working in this most enduring and seductive of media. 100 Painters of Tomorrow is an ambitious new project, initiated by editor-curator Kurt Beers and the publishers Thames & Hudson, to find the 100 most exciting painters at work today. Culminating in a major publication that will introduce and present each artist and their work, creating a snapshot of the best new talent in painting from across the globe, submissions are invited from artists from now until March 15th 2013.
The open call submission is international and open to any artist who uses paint as their primary medium. There is no age limit for entry, but each of the selected artists will have gained professional recognition in the last five years (that is, since 2008/9) through their education, gallery representation or in the production of a significant body of work (see Guidelines). In addition, more than 100 of the world’s leading art schools have been directly invited to participate, nominating recent graduates to submit their applications.
Artists’ submissions will be judged by an internationaljury featuring some of the most prominent names in contemporary art, including the painter Cecily Brown, curators Sir Norman Rosenthal, Yuko Hasegawa, Gregor Muir and Suzanne Cotter, and writer-critics Suzanne Hudson, Philip Tinari, Tony Godfrey and Barry Schwabsky.
Decontruct. Reconstruct. Gabi Trinkaus’ collages make for portraits that, at a distance, look like paintings of gorgeous people. On closer inspection, they bring details of chopped up textures, words, and logos.
Eddie Martinez invited Beautiful/Decay over to his sunny Brooklyn studio to check out his new body of work. The next day the show was headed to Berlin, so it was excellent to get to talk to Eddie before the work shipped. I was able to take pics for over an hour while Martinez came in and out of the studio space. Martinez had shelves built to hold the work at nice heights, making it easier to get up close and examine the paintings. The reason I like Martinez’s work is that it doesn’t try to mimic reality, but instead the work represents reality. It works sort of the way a great story functions: there is a language which uncovers something hidden or reveals something new about the world. As far as we know, human beings are the only creatures which live with a sense of time. Because we are bound to our own time, each generation needs people who show us back to ourselves, which in turn allows us to conceptualize ourselves and the world. I think this is what Martinez is doing, and without a doubt his work does that for me. The show, Seeker, opens November 11th at Peres Projects Mitte, Berlin.