Designer, illustrator, and printmaker Vaughn Fender is a big thinker when it comes to typeography. His type is big, bold, and full of character!
With a healthy interest in new life, spirituality, and the infinite variations of consciousness, Michael Page paints
dreamscapes of alternative realities. Through boundless shapes of thick brush strokes and effervescent colors, his paintings portray the Pneuma or spirit/soul that breathes in every living organism. (via i heart my art)
It is very bad that I am writing about PES today, going into his website, watching his very entertaining and creative videos.. while I am at work here at B/D. It is all very distracting. I love how he finds use for any random object into something recognizable – yet not immediately obvious. I would have never thought of clown cake decorations to stand in for explosions. I could watch these all day.
Eddie Martinez and José Lerma have a two person show up at Halsey Mckay Gallery in East Hampton NY. It’s only up until this Wednesday, August the 29th, I know it’s just two days to get there, but these are two of the best drawing/fabric/paintslingers of our generation. The colors in Martinez’s paintings can’t be replicated in a photograph because the paint is physical, like a thick smear of deep red oil paint that looks like martian roofing slate, or maybe a crack inside an antediluvian sea cliff containing some strange fossil reminding us of how old thinking is, and how we are only here for a little while so we should be kind to each other. Yes, red paint can say all that. Lerma’s pirate-like-figuration feels musical, and reminds me of the Clancy Brothers singing a sea shanty “Way haul away, haul away Jose.” History comes up to us and then recedes like the tide in Lerma’s work, you recognize something and then it is and isn’t what you thought. This is a good summer trip, like the first time you went to a water slide park after noticing girls/boys for the first time, an expanse of wave pools lapping lazily against a big breasted life guard and tower slides of pure unadulterated joy.
This documentary features the story of self-made curators Herbert and Dorothy Vogel, a couple who began collecting works of unknown artists in the early 60s, crowding their little one bedroom apartment with tiny artworks by following two rules: 1. affordable, 2. small enough to fit in their apartment. The collection developed into one of the most important contemporary compilations – many of the amateurs they befriended in their early years continued on to become world renowned artists. Today, the collection is worth millions of dollars, but the couple has yet to sell a single piece. Their apartment got so packed, Dorothy reminisced, “Not even a toothpick could be squeezed in.” The couple donated a great part of their collection to the National Gallery of Art in Washington D.C. The Vogels still live in the same little apartment, and have restarted their collection again. “Curatorial visionaries,” they started their collection on meager means, Herbert a postal clerk and Dorothy a librarian; even with the rising fame of their collection, the two have maintained a humble lifestyle, sharing their space with fresh art, 19 turtles, fish, and a cat!
Re-makes of an old classic, imagine Jim Davis on multiple drugs. I always was a fan of men in uniforms… (a fat cat costume?).
It is time to up your game, shadow puppeteers. This morning presents you with some shadow art that will challenge your routine. The main artists featured here are Kumi Yamashita plus the art team Tim Noble and Sue Webster (who are responsible for the above image). Even if you’re afraid of your own shadow, don’t miss out on the goodies after the jump.