Pierce Thiot and his wife, photographer Stacy Thiot, have been collaborating on an ongoing project titled “Will It Beard” wherein the couple test the limits of what a beard can hold. Pierce tells BuzzFeed, “Over Christmas break, my mom had her grandkids do a talent show for her (she’s an adorable grandma). I tried to put as many pencils as possible in it for my ‘talent.’ I got over 20. Needless to say, my mother was very proud.”
Since then, the couple has put dried pasta, flowers, chips, matches, balloons, scissors, and even Mr. Potato Head pieces into Pierce’s beard. Through this playful series, the Thiots prove there is more to beards than just looking cool. You can keep up with the project’s progress on Tumblr and Instagram. (via moarrr)
If you work all day in front of a computer then you will without a doubt relate to this Modeselektor video where two figures battle it out in a world full of videos within videos. I myself am always in a battle with my computer monitor where one window is closed only to reveal another window full of work and information that I have to digest. The entire scenarios takes place on a computer monitor with the figures jumping back and forth from screen to screen creating a clever and playful effect courtesy of director Dent de Cuir. Watch the full video after the jump!
Kirra Jamison has a new site and a new series. This Australian artist creates works in series that are visually striking and unexpected. Her series of gouache drawings on paper are reminiscent of intricate Chinese paper cuts to a monumental scale. She is an artist to watch, continually moving forward and diversifying her body of work through new mediums and new series, each even more intriguing than the last. Her past works explore themes of mystical narrative, isolated places, and decorative patterns.
A little while back, Flickr user Rafa Toro uploaded this great set of images from a series of collectible horror stickers produced in the 80s called Monstruos Diabolicos. I find myself returning to it again and again to bask in its sticky, vintage awesomeness. Find some of my favorites after the jump, and check out Toro’s own rendtions in his “Redux” set of digital illustrations.
Forsman & Bodenfor‘s latest interactive multimedia site for IKEA (titled “Come Into The Closet“) is controlled by sound and music via mouse and keyboard. With 5 rooms to meddle with, feel free to tap the Spacebar, beatbox/belt out your own tune, or upload MP3s, and sit back as the characters on the screen move around to those sounds accordingly.
Side note: I read on IKEAFANS that the IKEA catalog is the 3rd most printed item in the world–right behind the Bible and Harry Potter. What?!
For Ruined Polaroids, William Miller uses a broken polaroid SX-70 that he stumbled upon at a yard sale; quickly discovering that its decades-old gears mangled the film and transformed the exposure, the artist submitted the the whims of the photographic relic, allowing it to form blurred and unpredictably patterned abstractions from his shots.
Within the “ruined” images, we find a surprising emotionality, with the faulty chemical process producing expressionistic renderings of a less literal kind of photographic memory. Cataloging the accidentally lovely results of mechanical happenstance, each shot enters a richly moody realm evocative of the work of mid-century abstract expressionists like Jackson Pollock or Mark Rothko. As the spastic movements of gears, chemicals, and fingers become the subject of the work, the artistic process overrides a predetermined result. Rather than serving as a record of a particular instant, Ruined Polaroids poignantly archives the accidental deterioration of a camera past its time.
Ultimately, the conceptual work also serves to refute contemporary understanding of the photograph. In her seminal work On Photography, published in 1977 at the height of polaroid popularity, Susan Sontag discusses the illusion of a photographic truth, theorizing that the photographer, unlike all other artists, is capable of disguising subjectivity for objective fact. Miller’s work expertly challenges this assumed power of the photographic medium, acutely presenting each image as evidence of its failures. The immediacy of the polaroid image only accelerates this process; printed instantly and held against some imagined reality, the bleeding lights and darks veer jarringly from what we expect from the camera. Take a look. (via Lost at E Minor and This Is Paper)
Philadelphia-based designer Alex Hohlov, aka Veone, does some nice procedurally generated abstract pieces when he’s not doing commercial work. The illustrations convey a strong sense of motion…it reminds me of what flying through hyperspace might look like.