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Hellen Jo

San Francisco based illustrator Hellen Jo creates comic inspired illustrations with watercolor. Really digging her work!

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Ryo Kawanishi

Ryo Kawanishi
I’ve noticed this with many Japanese photographers: the simplicity yet complex compositions, familiar yet abstracted subject matter, and their ability to bring me back to a moment from a movie where I think definitively, “I’ve felt this before”. Photographer Ryo Kawanishi is no exception to this. Looking at his site, I feel almost like I’m listening to a Happy End soundtrack (oh wait, I am) in some Asian suburb. Without really using any mentions of locality in his work, he is able to take me there. He seems to be represented by the webgallery TRYNOME which houses other talents.

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Evan Robarts’ Sculptures Made From Mundane Objects

 

Evan Robarts lives and works in Brooklyn, NY. His playful sculptures are constructed from found objects and industrial materials. Robarts reinvigorates everyday items like brooms, hockey sticks, and bicycle frames when he transforms them into vibrant compositions. In one piece the combination of cake sprinkles and plaster results in a dazzling abstraction that looks good enough to eat. Another body of work utilizes Popsicle sticks and ink to imitate a plane of freshly melted treats. Robarts’ zestful work triggers multiple senses and reminds us that exuberance can be found in all things.

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Takada’s Delicate World of Paper Sculptures

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TakadaPaperSculpture

Yuko Takada Keller creates detailed and intricate sculptures out of paper. Since 1996, she has been using small triangular pieces to create her designs, which she says “symbolizes something like a molecule.” Her work is inspired by dreams she’s had, and her delicate, cascading designs resonate with ethereality. She claims her work has also evolved over time since she’s realized the connection between the thin delicacy of the paper and skin membranes. From her website,

“Tracing paper has a transparency and an untransparency.
I’m interested in how tracing paper is like a skin membrane.
The skin membrane lies between dream and reality.
The skin membrane lies between consciousness and behavior.
The skin membrane is there when life is born.
The skin membrane is part of a human being.
I want to represent the space that people are aware of
The skin membrane is unconsciousness.”

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Mind-Blowing Surrealist Sand Sculptures By Carl Jara

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The incredible sand sculptures of Carl Jara more closely resemble ancient carved marble or surrealist daydreams than they do ordinary sand castles. His giant creations can reach an astounding height of fifteen feet, delightfully dwarfing beach goers and casting shadows across the sand. Jara has won several local, national, and international competitions with his powerful work.

Jara’s sculptural content seems to take a cue from his medium; each piece is devastatingly impermanent, fragile and vulnerable in the face of waves and rain. The carefully-constructed form of the sculptures express a similar evanescent quality, appearing as if they might vanish at any moment. The human body is split in two, and the flesh magically loses its materiality, intermingling with draped fabric. Here, bisecting the nude form is as simple unzipping a zipper that lines the torso; in this surreal realm, it appears as though we may shed our physical, mortal bodies like clothing.

And yet, somehow these images suggest a spiritual permanence of the creative self. Though the human figure is shown as transient, and although the artwork will surely vanish with the tides, Jara’s body of work hints at an invisible and unknown infinity. A man opens himself, revealing countless tiny selves arranged like Russian dolls. A piece titled Infinity presents a man, a philosopher maybe, holding unending manifestations of his own thought within a large, curved palm. Like grains of sand, we humans will one day be washed away, but in some surreal universe, our identities will be repeated, remembered time and again. (via Colossal)

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Emma Hack

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Painter and sculptor Emma Hack‘s collection, “Wallpaper,” is a series of meticulously painted models made to blend in with the designs behind them – true wallflowers! Hack must have been incredibly patient when working on canvases that move and breathe; her work is so precise, if you blur your vision, the models effortlessly become part of the wallpaper.

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This Plastic Skeleton Lives The Life Of “Basic” Girls On Instagram

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From the sounds of it, Skellie is your average girl. She loves Starbucks, takes full advantage of open bars, and goes on shopping sprees. Skellie chronicles her life on an Instagram account, where she’s known as @omgliterallydead. The caveat, though, is that Skellie is a skeleton – a fake one that you’d normally see around Halloween.

This project started as an inside joke between co-workers, and Dana Herlihey, a social media manager, is the brainchild behind Skellie and her antics. “In early October, a pose-able, plastic skeleton arrived at our office,” she told Buzzfeed. “My coworkers took to it; someone taped a Starbucks cup to the skeleton’s hand and I took a photo for my personal Instagram. (This was at the height of the Pumpkin Spice Latte craze.)”

Herlihey thought that it’d be funny for the skeleton to have its own Instagram account, and she realized the potential for contemporary satire. Skellie plays the part of a “basic” person who gets super excited over the most average things – Fridays, sushi, and snow are just a few. Each photo adds another definition of the term.

Herlihey has a lot of dedication to Skellie. When you see the skeleton at the coffee shop, at the dentist office, and at a bar, that means that Herlihey took her with her. “Some people love it, laugh, ask to take a photo, or make a witty pun as they pass by,” she explains to Buzzfeed.. “Others will pretend there is no skeleton sitting beside me or give me frequent disapproving side glances.” (Via Bored Panda and Buzzfeed)

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Jesse Greenberg’s Urethane Plastic Sculptures

Jesse Greenberg lives and works in New York City. He utilizes a wide variety of materials to create foreboding structures that reference the natural world as well as the artificial. The majority of his work is made from plastic and displayed so that viewers may touch what they see as the tactility of the work adds to the experience. Greenberg takes a cheap mass produced material that many take for granted and morphs it into deteriorated monuments that comment on consumption and decay.

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