One of the most integral aspects of photography is the utilization of light. For his series, “Visible Light,” photographer Alexander Harding uses this vital resource as his subject. Harding manipulates natural sunlight, refracting it to create ethereal spaces filled with the soft luminescence of the sun’s rays. Harding says,
Whether it is acknowledged or not, we all have a strong relationship with the sun. Its light enables our visual perception and at times, shapes our emotions. Although the sun affects how we feel, its light remains mysterious and ephemeral. We can feel it on our skin and in our eyes, but it seems intangible to us. We cannot hold or preserve it.
Through my work I explore the sun’s physical presence and quantitative character, attempting to give sunlight an environment to travel within and record its behaviors. I primarily use photography to make my work as its apparatus promotes a very critical and literal type of visual perception and it is processes are controlled by light itself.
Harding’s work asks viewers to consider the centrality and importance of sunlight, and to think of this primary energy source as an art object in and of itself. (via lens scratch)
No, I don’t just admire Jason Horowitz’s photos of renowned New York drag queen, Shi-Queeta Lee for her strikingly similar name to my own. These up close-n-personal, hyper-realistic shots elegantly straddle the realms of glamour and repulsion, real and ideal, portraiture and abstraction. His show opens at Curator’s Office February 20th.
As you may know for the last couple of weeks B/D has joined forces with 20th Century Fox to bring you the Fresh Blood Hunt competition to celebrate the release of Abraham Lincoln Vampire Hunter. The contest was a huge success with submissions coming in from all over. Although it was difficult to choose there could be only one winner and we’re happy to report that the talented Emily Jane was the clear choice. Not only did Emily win thousands of dollars worth of prizes but her artwork was immortalized on one of London’s busiest streets as a massive four panel mural! Watch a time lapse video of the mural getting painted after the jump!
Mary Anne Kluth’sVisitor Center project is a multi-layered series involving ceramic rocks, talks with her geologist father, and detailed dioramas. Here is a description of the project in the artists own words:
My recent work is a conceptual project which began with a simple exercise. I asked my geologist father to describe the formal attributes of his favorite rocks from his collection, which he has been amassing over his entire 40-year career. Then I made ceramic models based only on his descriptions, having no other specific knowledge of the originals. Once I had these ceramic “abstracted rocks”, I then asked my dad to guess which rock sample matched up with which ceramic piece, and got him to tell me basic stories about the places he found each original. I then made dioramas to re-create the scenes he described, and took photographs to document these simulations.
The final presentation is a faux-museum, displaying the c-prints and ceramics alongside the language we used to create them, as well as watercolors made from the original rock samples my dad was thinking of, and infographic paintings elaborating on the ideas and conversations sparked by the process.
There is little to be found on mixed media artist Kuinexs, who claims this name as an identity and artform. For his “Photodissolutions,” the artist applies paints solvents to photographs, creating a chemical reaction that smears and blurs the colors in the photograph. The effect is at once haunting and a bit disturbing. Some of the elements of the original photograph peek through or remain untouched backgrounds to the dissolutions, presenting a jarring juxtaposition of realism and surrealism. The subjects in Kuinexs’ images are often obscured, and only the curves of faces and bodies and flesh-tone colors exist as evidence of a subject’s presence. (via juxtapoz)
Glass boxes reveal human silhouettes made out of drawings, newspapers and discarded cutouts of images. Dustin Yellin, an artist based in New York, piles up layers of glass sheets and ripped up medias. It took up to 6 years for the artist to complete this work initially produced for New York City Ballet’s annual Art Series. He was influenced by the movement and the discipline of the dancers.
The artist’s work consists on drawing on slides of glass. He collects newspapers, magazines and cuts out heads and shapes he finds interesting to apply to the character he is working on. He only depicts humans. By stacking up the collages, drawings and the slides of glasses he creates a “window sandwich”. The 3D silhouette designed in the end is poetic, colorful and up close extremely creative. He calls the series of his 12 characters, “Psychogeographies”, or archive in the shape of humans.
His purpose is to redefine the insides of individuals. In order to bring humans together and to evolve together towards a brighter future, we need to make one. He claims that countries, borders and religions are not relevant when it comes to human kind. Instead of being divided by external elements, Dustin Yellin believes in exchanging as much as we can before the world of differences we produce and live in collapses. (via High Fructose).