For those of you in the Bay Area, Guerrero Gallery is having a group show of awesome artist featuring AJ Fosik, Ben Venom, and Erin Riley. With a focus on traditional craft, a seemingly almost extinct skill in today’s highly digitized world, this exhibition aims to bring light and exposure to the hands-on work of each of these very distinct art. The show will run through until December 4th.
When the photographer Aline Smithson found an old, discarded doll from the 1970s, she was touched by his seeming unlovability; his bald head and uncannily wizened features made him unsuitable for most children. Like a lost boy, pitied for his strangeness, the doll found a home behind the artist’s camera. In rich and moody gray tones, Smithson constructs a visual narrative of poignant self-discovery, titled The Lonesome Doll.
The doll’s distinctively his floppy, childlike body works in tension with the firm face of an older man; in choosing to shoot him in black and white, Smithson heightens this drama, creating a dreamy, nostalgic atmosphere. The doll, no longer a boy and not yet a man, exists in a anxious state of perpetual adolescence; where he sits bolt upright in his bed as if woken by a child’s nightmare and dressed in a footed onesie, he also cautiously explores his sexuality, his oversized fingers grazing the shining nude body of another doll. Similarly, he submits to the caresses of a disheveled barbie.
Smithson’s doll is touchingly outcast by his own awkward existence; more mature than his companion toys, he must act out his fantasies with smaller, less ornate dolls, pressing their lips together, his wide-set eyes spit between each figure. He’s too small for the dollhouse, weighty for the clothesline. This strange adolescent is woefully confused, just verging on the point self-awareness. When stuck in a washing machine, he pleads for release, his stunned face reflected in the floor below. Take a look.
Smithson has created from these images a beautiful book that tells a poignant story of hope and love. She is currently looking for a publisher.
Influenced by 21st. century technology like video games, Google earth, Internet, and You-tube, Kenneth Burris drawings become an expression of isolation and sporadic: envisioning apocalyptic tableaux with a future of decadence and decay.
Inquietto (Oscar Marchal) is a art director and creative director, specialized in Motiongraphics with background in animation, (quite convincing) 3D graphics, illustration, graphic design, cinema, tv graphics and multimedia applications.
Lee Stoetzel carves fast food, life-size VW buses, vintage Mac computers, and even fine art from wood, recalling iconic objects, and ironically, examining worn-out symbols or ideas in contemporary art, initially cultivated from the likes of Chuck Close, Rube Goldberg, and Claes Oldenburg.
Whether its mesquite or cypress, each renewable resource favors sinewy flaws or wood marks that, according to Stoetzel, feel comparable to brush strokes, providing another layer of texture and pop of craftsmanship.
Check out the video of Stoetzel discussing his work in his studio and see a few more stills after the jump.
Gabriel Isak is a Swedish photographer who uses digital techniques to create surreal scenes inspired by the inner worlds of dreams and psychology. Recurring through Isak’s images are people isolated against a backdrop of fog and vast emptiness. With their faces obscured by hair, balloons, mesh, or smoke, they become intangible wanderers who symbolize our own unconscious states. There are also repeating images: “birds, [the] ocean, and the fog” — the three things that symbolically compose Isak’s life, as he writes on his Instagram (Source). In their apparent ambiguity, Isak’s dream-like visions evoke a series of shifting experiences and emotions: serenity and mystery, safety and loneliness, hope and despair. In a statement provided to Beautiful/Decay, Isak described his creative process:
I have always been fascinated by the psychological world and the many places we encounter in our dreams. Whenever I create an image, I mostly start with some sort of brainstorming, whether it is writing down words, listening to music and drawing down the vision that appears, or a place I dreamt about. I also get very inspired by locations and always try to find interesting but simple sceneries that I can use in my imagery.
Working in a stream-of-consciousness fashion and drawing on the vagueness of dreams, Isak manages to create scenes of vast interpretative potential. Like the visions seen through a dream, there is an atmosphere of darkness and melancholia — his faceless characters, after all, are all donned in black — but the longer you look and the more you read the symbols, a sense of peace arises. Isak writes:
In my work I use photography as a metaphor for experiences of the soul. My objective is to bring common human emotions into my photography, where the viewers can interact with the moods of the images and find a piece of themselves within it.
Isak is currently residing in San Francisco, where he is obtaining a Bachelor of Fine Arts in photography at the Academy of Art University. Check out his website, Facebook, and Instagram and immerse yourself further in his turbulent-but-still, dark-but-uplifting dreamscapes. (Via Juxtapoz)