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Not sure what the process is, or what we’re looking at, but the official response to “….How…?” is: “This is a typical electronic chaotic system. The circuits and block diagram are published elsewhere in this set. It shows a stable “chaotic transient” which at some irregular time (from one run to the next) eventually falls into a trap. It is supposed to indicate what may happen to the planet’s climate patterns in the future, although it is not likely in that case that the trap region will be so regular. In this system the timing of the trapping event is unpredictable.” Flickr user rabinal insists that it’s not art, though…. We beg to differ.
Adrienne Allebe’s exquisite drawings are a visual manifestation of the events happing in our enviornment. Renderings of microscopic organisms morph, blend, and sit atop imagery of man-made objects. Endangered and threatened animals and environments are drawn and painted so that they appear to transform, disappear and reappear in order to reinforce the tenuous condition of their existence. And forms appear to float in and out of focus, sometimes peacefully, sometimes violently, evoking the uneasy merging of human industry and technology with natural ecosystems.
Brooklyn based painter Alexandra Rubinstein‘s paintings of women in orgasmic moments are beautiful, sensuous and a little bit kitsch. Reminiscent of some over-the-top romance novel illustrations, her paintings are full of women with blue eyeshadow, novel earrings and big hair – kissing, moaning, or caught in the moment of climax. Even though they are a little bit 80s, her paintings focus on an important, modern day feminist issue – the women’s perspective during the act of sex. The series Looking for Mr Goodsex is a series of small sexy vignettes inspired by vintage porn films, in particular the well known ‘Deep Throat’ movie.
The artist explains more about her work:
Inspired by the title of the 1985 movie, they highlight the shots taken of women’s faces – which are less emphasized in contemporary videos. This disparity questions progression in sexuality and value placed on female pleasure as pornography became more accessible and mainstream. The portraits also explore the emotional states of the women in these films. (Source)
While they seem at first to be quite superficial, cheesy and perverse, Rubinstein’s paintings are a celebration of coitus. She has managed to capture moments of tenderness and enjoyment, even though the source from which they come from is something that usually isn’t so sentimental.
While the styling and acting portray a romanticized version of reality, the faces suggest more honest emotions like vulnerability and withdrawal – left up for interpretation of the viewer. The series evolved into stills of male faces, as well as kissing stills. (Source)
Pringle of Scotland has commissioned Glasgow-based artist David Shrigley to produce a corporate film. The 3-minute animation depicts the making of jumpers and cardigans over the past nearly 200 year history of the Scottish brand.
Facundo Arganaraz lives and work in San Francisco. Using entirely found imagery and a crisp design sensibility Arganaraz alters and skews in order to create a modern dialogue with vintage visuals. His subject matter and acrylic with screen print technique is reminiscent of Christopher Wool and Andy Warhol as he too utilizes a design based aesthetic in which he incorporates text, multiples of the same imagery, and washed out color fields. In his own words: “Living among the vestiges of cultural entropy, I am using anachronistic elements and discarded images not for their nostalgic value but as remains (debris, waste, etc.) of 20th century utopias on the making. Mostly comprised of found photographs, photocopies, and pages from vintage books depicting modern designs and/or environments, I recruit this imagery (retro esthetics) as a mark-making tool, already packed and charged (ready-made?) with pictorial formal elements. Their core forms serve only to organize visual fields into dynamic, constructed compositions that hold a structural relation to the surface they organize.”
Nick Smith‘s playfully arranges Pantone swatches to paper to re-create famous paintings from “Girl with a Pearl Earring” to “Mona Lisa.” Though his work uses broad swaths of colors, the pictures are still recognizable, looking almost like 8-bit art. He takes classic pieces and brings them into the 21st century, adding a little twist of tongue-in-cheek pop art to it along the way.
Smith’s previous work has also been largely representative, such as his “Shades of Lust” series, which labels various shades of pink Pantone swatches with suggestive yet simple titles such as “NIPPLE” and “BOUNCY.” (via I Need a Guide)
Montreal-based artist Jon Rafman‘s series New Age Demanded is dominated by a distorted, bodiless figure made from textures and skin taken from paintings by artists – such as Gerhard Richter and Franz Kline – and made anew. With the aid of photoshop, Rafman collages numerous different elements onto the deformed classical bust and its background to mix old with new, high art with low art, and craft with technology. More after the jump.