These are not photos of miniatures or models. Rather these are images from photographer Ben Thomas‘ Cityshrinker series and are actual cities around the world. Thomas uses what is called a ’tilt-shift technique’. Among other things, the technique basically corrects the distortion caused by perspective. This correction often has the appearance of miniaturizing the camera’s subject. Thomas’ images present the world as if it were a toy. Some of the world’s largest cities seem to shrink into playful places. The images turn a lighthearted eye onto some of our favorite places. [via]
Through the lens of Mona Kuhn, images turn into memories that slip through your fingers. Her photography captures fragmented pieces of time, filled with shameless beauty with an ethereal aura. An enigmatic narrative flows through her series Private, as Kuhn offers us delicate and intimate moments filled with breathtaking nudes and spider webs. Kuhn explains that this particular series is a personal journey of hers, exploring beauty and mysticism. The color palette in Private is serene, airy, and embracing all at the same time. Seeing each photograph of Kuhn’s is like uncovering a clue to a past life, like looking inwards through your memories that have slipped through the cracks of time.
In Kuhn’s equally stunning series Acido Dorado, translating to “acid gold”, the nude also appears often. Kuhn’s nudes represent a timeless sense of self, of all humans, and our direction on this earth. The artist often pushes the nude figure to abstraction, creating new context and meaning. There is a mysterious atmosphere that follows Kuhn’s work that is both seductive and mesmerizing. Both series’ are filled with surreal scenes and abstracted imagery that is like a mirage. Large format nude photography being a reoccurring theme in Kuhn’s work, she explains the draw to this raw form of a person or subject.
“I realized I ought to photograph the human in us, without shame, without regret, free and timeless.”
Michael Grab creates his own version of land art by balancing rocks in seemingly impossible ways. Using a learned technique involving patience and a sense of balance Grab finds the process therapeutic and meditative. Grab refers to the work as “gravity glue” and says of the work, “Through witnessing what this art has done for me personally over years of practice, my vision grows more and more to encourage others to seek their own “still-point” or inner silence…This art allows one to freely be themselves, manifesting their own particular vibration into a 3D world.”
Grab believes that stone balancing teaches the practitioner lessons through silence. Using language that describes the benefits of self-realization through meditation Grab discusses stone balancing as a spiritual experience. He describes how the fundamental element in balancing is finding a kind of “tripod” for the rock to stand on. Explaining how each rock requires examination to discover the point of balance, Grab says that the biggest challenge is overcoming doubt. Both honoring nature and the importance of time spent by himself Grab believes that the ephemeral nature of the balance encourages contemplations of non-attachment, beauty and even death.
Grab is available for workshops and live performances. Check his website for any upcoming exhibitions so that you can see his process live.
A thousand chairs creating chaos in the middle of a plaza. Baptiste Debombourg is the messenger from the skies. With his installation ‘Stellar’ he transports us above and beyond infinity. A snapshot of a movement, dancing chairs all linked in the air to connect with the public once landed on the ground, is the artist’s vision for this temporary installation.
It took Baptiste Debombourg 1200 chairs, 300 meters of steel tubes and 11 months to set up the installation in the middle of plaza du Bouffay in Nantes, France. Chairs are an important part of the six coffee shops symmetrically facing the plaza, they are the symbol of conviviality. Imitating that concept, he created the installation, structured yet taking us elsewhere, a relaxing place. From each coffeeshops, the sculpture can be perceived from a different angle; creating a different point of view.
Baptiste Debombourg was inspired by the French artist Robert Delaunay’s installation exhibited in 1937 (see the black and white photo far below). The shape’s roundness and exhilarating feeling is reproduced, except the artist chooses to incorporate ordinary materials: chairs that come in six different colors. His purpose is to nourish the eyes, to get a reaction and to defy specific contexts. In many of his installations he is not afraid to deconstruct and recompose, preferring being close to reality and see his work alive.
Baptiste Debombourg’s ‘Stellar’ installation can be viewed at the plaza du Bouffay in Nantes, France until August 2015.
Curtis Santiago (Talwst) has created a series of wall-mounted relief masks out of altered Bossons heads. He has conspicuously attached shutter shades, Ray Bans, and gold fronts to the familiar, idiosyncratic mass-produced sculptures. A modern take on 15th century Italian Death Masks, the works are Santiago’s farewell to certain aspects of “Swag Rap Culture” and other possibly misguided, recent advents of Popular Culture. Industrialization and watered down culture with Renaissance undertones? Pretty interesting. Talwst will be exhibiting his Swagged Out Bossons Heads at Fuse Gallery in NYC from August 15th through September 12th.
Some artists just have a way with drawing. Each line is exquisitely placed on the paper with the most delicate ease as if it had always been there. Sarah McNeil’s drawings do just that. Her marks are so refined and gentle that they can even make a skull with a mustache and a cat tumbler look cute.
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