The Amsterdam-based company NL Architects has proposed a beautiful and “slightly insane” project: a series of luxury hotels resembling amethyst geodes. The unique buildings would all vary slightly in their shapes, sizes, and forms, but their layout would be similar: hallways along the periphery (or shell) of the building that connect to rooms adjacent to the violet, crystalline center. The architects describe this project as “a mutation of the innovative hotel typology as developed by the architect and real-estate entrepreneur John Portman: hotel rooms lining a sensational void” (Source). Portman — who has designed hotels for Hyatt, Westin, and Marriott — is known for his high-rise buildings with interior atria. The Amethyst Hotel is similar in structure, only it has been bisected, thus revealing a spacious and awe-inspiring interior.
The goal of the Amethyst Hotel chain would not only be to produce structures of stunning (and arguably utopian) beauty, but to replicate and harness the well-known positive energies of the violet mineral. Deriving etymologically from an Ancient Greek word meaning “without drunkenness”, amethyst was thought to prevent intoxication. Today, it is still attributed with natural healing powers, and is believed to detoxify the body and mind, helping to cleanse the consciousness from “drunken” (delusional) thoughts. It is also seen as an aid in the treatment of stress, insomnia, depression, and anxiety. While the concept may seem somewhat idealistic and far-fetched, should these effects be simulated in the Amethyst Hotel, NL Architects will have designed a space wherein the geodic form matches and manifests the building’s function: a hotel that fosters both “hospitality and well-being” (Source).
The first Amethyst Hotel would be located on China’s Ocean Flower, a man-made island currently in development. Check out NL Architect’s website for a slideshow explaining their concept and goals for this project. (Via designboom).
Nicholas Bohac creates psychedelic collage landscapes that fuse fantasy with images of urban and bucolic spaces. These landscapes reveal both the natural environment as well as man made structures within those spaces. Bohac is concerned with our current ecological climate and while the role of urban spaces is not overtly problematic, the works represent the struggle of control between man and nature.
A curious emptiness permeates the work of painter Chris Ballantyne. Pulling inspiration from the flat, graphic façades of industrial buildings and cookie-cutter suburban streets, Ballantyne merges elements of the banal with the absurd. Upon closer inspection, the vibrant, delicately rendered landscapes reveal strangeness that showcases the artist’s wry, observation-based humor. A giant cavern appears between bright, friendly row houses, surfers ride breakers down a peaceful mountain stream and a tiny footbridge spans a huge geological tear through a grassy plateau—shifting the viewer’s expectation of what “should” appear in the context of each frame.
His subdued, sophisticated color sense marries well with the stark, simplified structures Ballantyne creates. He intentionally omits visual information in the hopes that viewers will instead focus on the subtlety of each scene, their attention swallowed by the strange beauty of each place. The empty, isolated nature of the subject matter also quietly points to our own relationship to space, built structures and contemporary landscape.
In his dream-like art and illustrations, London-based graphic artist and illustrator Ruben Ireland mixes traditional techniques — ink and acrylic — with non-traditional techniques — dirty water, food and weathered paper — and modern techniques — Photoshop and a wacom tablet. Women are fused with natural elements and despite the soft textures appear stronger and more beautiful for it.
Hello blog readers, the above image is a microscopic view of Feline Herpes. It’s also my icon for commenting on blogs. If you don’t like the random icon that our website automatically gives you, you can create your own avatar at en.gravatar.com . Your Gravatar is an image that follows you from site to site appearing beside your name when you do things like comment or post on a blog. Y’all can go crazy with icons now.
Art director, designer, and photographer Francois Prost captures the exteriors of french night clubs in his series After Party. There’s a twist to these straightforward compositions, and it’s that they are all pictures taken the in the daylight, where the glitz is non-existent. It’s safe to say that they are significantly less impressive places in the afternoon. Instead of of neon lights and gaggles of beautiful people, they are abandoned-looking, desolate buildings that show their age.
We see a lot of faux features at these clubs, like fake palm trees, sphinxes, and even an Acropolis. It’s all meant to create a fantasy and make the guests feel like they’ve been transported from their normal lives and into some glamorous one. Of course, without the aid of the dark and flashing lights, the buildings are dilapidated and out of place. If you’re a club goer, it’s probably best to avoid them during work hours to preserve their intended effect. (Via It’s Nice That)
Suellen Parker builds each character from unforgettable moments of strangers or friends. First, she starts with sculpting the shape from plastiline clay before photographing it with a blank backdrop. Then, simultaneously, she scavengers for props, walls, or environments that might suit a certain character well and shoots those too. All of these images are finally loaded into a computer, where the art of merging and manipulation occurs. Skin tones are “digitally painted” and human faces technologically blend with clay while backgrounds stitch together to create a new imaginative world.
Of Letting Go, her most recent series collected here, Parker strives to twist not only mediums, but also gender roles. She suggests her characters concretely and conceptually have a fine blend of both, and states, they “are attempting to find a sacred space, a place of vulnerability, a place where they allow themselves to be really seen. By quieting one’s life, even momentarily, an opportunity is presented to learn truths about oneself. By engaging in private play, one is able to let go of expectations and rules. The result is a private and truthful moment that may be enjoyed without fear of judgment or consequence.”