Spencer Murphy has several great bodies of work in his portfolio but I have to say that my favorite is his Architects Of War series. There wasn’t much text about this series but it looks like images taken at a weapons trade show. It’s amazing how casual and laid back the salesmen/saleswomen appear in the photos while selling products that can potentially kill thousands and create chaos in countries around the world. It’s quite creepy.
We’ve all used hundreds of pencils in our lives since we were kids. Jennifer Maestre uses pencils too, but not the way most of us do, or even the ways most artists do. These imaginative creatures use pencils to showcase the contrast between lifelike forms and industrially produced materials. They were inspired by the texture of the sea urchin, which she has been exploring in many materials for several years.
It’s extremely hard to pull off the old tie dye painting move but Saira Mclaren has managed to do it with these interesting experimental abstractions. If you squint real hard you’ll start seeing figures, buildings, landscapes, and maybe in jesus.
The city district Amsterdam Osdorp recently merged with Slotervaart and Geuzenveld-Slotermeer and was given the name Amsterdam Nieuw-West. This change also meant the end of 20 years of restructuring urbanized areas. Amsterdam Osdorp gives a dynamic overview of the architectural highlights complete with fantastic typography, motion graphic trickery, and audio sound fantasy. Watch the video after the jump.
This coming Saturday (Jamuary 22nd), Geoffrey Todd Smith opens up Casual X @ Luis De Jesus. Using the letter X as a jump -off point for his newest suite of paintings, Smith serves up a helping of beautifully big-balled geometric abstraction. More jams after the jump…
John Jerome O’Connor’s playful psychedelic abstractions are not just inventive in markmaking and composition but also use inventive and sometimes bizarre premises/rules to conjure up the imagery .
Here’s a description by John about how the above piece was concieved: “This work is based on cultural differences in interpersonal space – the actual space people create between themselves and another person in casual conversation. Specifically, I used a study from 2004 in the Journal of Social Psychology of Dutch, English, French, Irish, Scottish, Greek, and Italian conceptions of personal space. The study looked at gender, pairs of people, and groups. The literal space was recorded for each group studied, and then averaged. I used these measurements to create the structure and patterns in this work. The length of the lines and sizes of shapes in my drawing correspond to the actual spaces (measured in the study) between people of different cultures. The patterns I made also reference these differences. In the center, I used photographs I took and found of people moving through crowds at parades – their patterns trying to navigate these spaces.”