Touching on themes of the politically backwards, the environmentally compromised and the socially divided, Séguin’s “Illustrated Guide for Aliens”reveals deeper truths about the nature of humanity through images that are not only thought provoking but beautifully elegiac.
Brooklyn/Montreal artist Marc Séguin has a show with Mike Weiss Gallery in NYC through October 13th. In case you can’t make it out in person, we’ve got some snaps for you. The show is titled My Century (An Illustrated Guide for Aliens), and features fairly large works (most are 6 x 9 ft.) done in oil and charcoal on raw canvas. The paintings also contain unorthodox materials like taxidermy, locks of hair, and tar. This is Séguin’s second solo exhibition with the gallery, and it seems he’s taken things up a notch since his last show with Mike Weiss in the spring of 2011. The humorous works do a great job of illuminating the major imbalance of wealth and power in contemporary times, and don’t pull any punches. See more from My Century (An Illustrated Guide for Aliens) after the jump.
Christian Montenegro some beautiful illustrations on his site that fuse idiosyncratic line work, unexpected compositions & figurative elements and bright, saturated color palettes. I am totally in love with his silkscreen above, “Glam Rock!” that seems to fuse the act of head-banging with a swirling color wheel calling to mind Kenneth Noland’s color paintings.
Scott Dalton, an award-winning photographer and filmmaker based in Houston, Texas documents the pilgrimage devoted to Mexican faith healer, Niño Fidencio, in Espinazo, Mexico.
Through the years in Mexican cultural history, Curanderos (Faith Healers) have served an important role in peoples’ medical and spiritual lives. In fact, many of these healers become celebrities, as their miraculous healing creates huge followings. In the early 20th century, El Niño Fidencio became one of the country’s most celebrated healers; today he is regarded as a folk saint by thousands of his devotees, or, as they call them, fidencistas.
In 2009, Dalton traveled to Espinazo to document the festivities devoted to El Niño Fidencio.
“What interested me in the project was just the idea of faith, and how it takes a variety of forms in peoples’ lives. This project just looks at one part of that, but I think it serves a reminder of how important faith is for so many people throughout the world, and how we all come to terms with our own belief system within the context of our own society and environment.”
Fidencistas believe that modern-day curanderos can channel the spirit of Fidencio; these photographs show many of the rituals provided by these modern day healers. To us this looks unusual, cinematic and surreal, but to them these ritualistic activities only mean their salvation. Dalton said he witnessed transformations, in which the eyes of curanderos would roll back and they’d assume a high-pitched voice- taking Fidencio’s spirit in order to heal. (via Slate)
For Susanna Bauer, a casual fall stroll can lead into a creative process. She transforms nature’s most fragile corpses into mini art sculptures. The leaves she delicately sews and crochets are brought back to life and hung off walls next to their fellow forest companions: pieces of woods and stones. With an astonishing dexterity she is able to roll, curve and assemble elements that were found dried and shriveled. She uses all of her concentration to operate on her findings. The artist takes the raw, emotionless leaves and patiently nurtures them, stitching back their wounds, unifying two different kinds of leaves together and taking care of the smallest details. Comparing the tenderness and tension of her work to the vulnerability and resilience of a human relationship.
She says she doesn’t work with nature but she collaborates with it. She respects flora, and her main will is to embellish the organic beauty that has fallen instinctively on her path. She closely examines how the fragile leaf, with no brutality, can be manipulated; and yet with a firm hand she pierces the dead element, making sure she leaves her imprint. Metaphorically, the work of Susanna Bauer is beyond interesting. To the eyes, it is a simple and precious vision, set in the immensity of a pumpkin toned abundant forest.
Susanna Bauer’s work will be exhibited at Salon Vert in Switzerland as part of a group show until August 2015 and at Lemon Street Gallery in Cornwall UK until September 2015.
Marci Macguffie’s work ride the line between relief sculptures and wall paintings. My favorite works are her When Animals Attack series (pictured above) which have a great playful nature to them while dealing with issues of space and abstraction.