Nick Cave combines free-spirited motion exploratory modern dance with ostentatious sculptural detail to breath new life into contemporary art. In many ways, Nick’s work function within the vein of African art/costuming in the sense that they are intended to be “danced,” and enlivened within the context of performance and dance to illustrate and reflect upon societal mores and the cultural landscape. With references to haute couture, sculpture, performance, African American culture, costume, masquerade and beyond, Nick’s “Sound Suits” defy categorization. Beautiful/Decay recently had the opportunity to interview Nick Cave to discuss his background, inspiration and ideology behind the suits. Nick Cave is currently showing his latest works at Jack Shainman Gallery, until Feb 7, 2009.
Let’s face it. Going to the movies can be an expensive and sometimes obnoxious endeavor. As the popularity in streaming services like Netflix and Hulu grow, it’s so much easier and cheaper to just stay at home. But, when you look at these photographs of grandiose theaters by Franck Bohbot, it makes you wish you paid the $15 to be there. In his series simply titled Cinema, he captures the old elegance and spectacular detailing of these places, all of them empty so you can see all of their idiosyncrasies.
Not surprisingly, all of the photographs are theaters in California, in Hollywood and beyond. Some of the decor of these places is totally over the top, like the Orinda Theater, where faux Egyptian hieroglyphics line the walls and guests sit in red velvet seats. Or the Brava Theater in San Francisco, which has an absinthe green ceiling. The Crest in Los Angeles lines its walls with a city landscape and its ceiling dotted with stars, making its patrons believe they are viewing a film outside.
Bohbot’s photography frames these places so they really shine. He controls the lighting and exposure, making these venues appear glitzy and impressive, probably more so than they actually are. But isn’t that movies are trying to do, and by extension the theaters, too? They want you to escape your everyday life for a few hours and believe that you are somewhere else. (Via Flavorwire)
Anita Bruce combines her love of craft and zoology and biology into her unique works of art. Creating string and wire lace pieces, Anita crochets plankton, starfish, octupii, coral… all wonderfully marine and beautiful. Surprisingly, she’s part of a whole subculture of marine crochet, just google it and you’ll see what I’m talking about.
This is Laurent Clermont’s latest animation “Heart”. A heartwarming tale about a lonely heart looking for love in an urban city. Does he find love? Check it out! And to see more of Laurent’s animations check out this french fella’s Vimeo.
We have all been haunted by something worrying or had nightmares we just can´t forget. And so has German photographer Elena Helfrecht. She uses her camera as a therapeutic device to overcome her worries, fears and nightmares. After shooting many dark and dramatic photographs exploring the depths of human emotions, Helbrecht has quite the oeuvre of dramatic images. She works with many different narratives, creating a mini story in each frame. Last week we featured her past series Little Stories, this time are focusing on her collection called Nightmares. A bunch of disturbing snapshots, each photograph represents something that has been frightening to Helbrecht at some point.
Scenes of long creepy fingers reaching out of cupboards and from around doors, bodies smeared in blood or wrapped in plastic have such an impact, they will haunt you nearly as much as an actual nightmare. Helbrecht tells us a bit more about her inspiration:
“Nightmares developed from my very beginnings as a photographer and continues to grow. The series shows exactly what it describes: my very own nightmares. The series is a mix of early visions which I used to have as a child (a great fear were creatures coming from my closet and taking me with them for example) and abstract dark emotions and anxieties. By visualizing these thoughts, feelings and visions I get rid of them. Whenever I am inspired and have a picture in my mind I get my camera and pull it out of my head. By visualizing your inner demons you somehow remove their power. It gets less terryfing; you somehow disclose the darkness you previously feared.”
You would think from someone who spends a lot of time expressing horrific and challenging thoughts, that her work would have a heavy severity to it, but the end result is quite different – they are something of a melancholic, sentimental memory, albeit ones often filled with blood.