In Patty Chang’s video art piece, “In Love”, she makes out with her mom and dad… I am horrified. I literally squirmed through the entirety of the video. I don’t really know what to say about this… all I know is that I feel like crying and I don’t know why.
Jessica Stoller‘s porcelain sculptures exaggerate the objectification of female bodies using 18th century French aesthetics. Through the medium of clay, Stoller sculpts fluid and grotesque shapes, emphasizing the lack of boundaries between bodies and other materialist images related to consumption. She embellishes this unsettling bodily abundance with a soft, feminine, candy and ice-cream color palette and opulent adornments. These figures are often erotically or mythically charged.This creates an experience of surreal bodily and material abjection for the viewer, while addressing cultural concerns about the control of the feminine body. Stoller’s work, “Spoil,” is currently on view at PPOW Gallery in New York until February 8. (via hi fructose)
Macabre artist Jonathan Monaghan creates digital sculptures, prints, and animations that definitely puts us in a sense of discomfort. His clean, almost sterile use of style in detail, color, and light is both beautiful and extremely uncomfortable.
Our good buddies over at Two Rabbit Studios is having a big ol’ 4th of July print sale and BBQ. Go hang with them, listen to some good music, get some food, and most importantly get some amazing prints and posters for your walls at a fraction of the price!
Nick Cave combines free-spirited motion exploratory modern dance with ostentatious sculptural detail to breath new life into contemporary art. In many ways, Nick’s work function within the vein of African art/costuming in the sense that they are intended to be “danced,” and enlivened within the context of performance and dance to illustrate and reflect upon societal mores and the cultural landscape. With references to haute couture, sculpture, performance, African American culture, costume, masquerade and beyond, Nick’s “Sound Suits” defy categorization. Beautiful/Decay recently had the opportunity to interview Nick Cave to discuss his background, inspiration and ideology behind the suits. Nick Cave is currently showing his latest works at Jack Shainman Gallery, until Feb 7, 2009.
Our big biannual Subscription sale ends this Wednesday at midnight. If you want to get Beautiful/Decay delivered to your door at a fraction of the price click on the link below, save yourself some cash and get access to some of the best art and design from around the world packaged nicely in our limited edition book series. Use discount code Discountdecaysub and get a one year subscription for only $34.00!
Holding her Nikon Digital SLR camera up to a spotting scope, Carol E. Richards examines a surprising array of feathery emotions akin to her own.
The use of two surfaces or buffers, sometimes three, if shot through a window, create a fascinating ring around each figure, a soft focused vignette of sorts, comparable to that of a toy camera. The result is an ambient deepening, apparent not only in the composition, but also in the subject matter and the artist’s intrigue with trailing or meditating on each flighty movement.
Salvador Dali once said, “Intelligence without ambition is a bird without wings.” On this note, Richards explores the act of bird watching as a certain mirroring, clearly exposing humanity’s inclination to anthropomorphize animals and as she asserts, “project qualities onto them that can be heartbreaking, sweet, or simply intriguing.”
Thus, in the vein of Dali’s quote, Richards shares with us her most recent collection: Birds Have Wings from Nazraeli Press.
The story of Meghan Howland‘s oil paintings are quiet like a secret. Her work captures understated dreamy scenes. A confusion of birds, hidden faces, a scarf that may or may not be choking its wearer – her work at once is lighthearted and hints at a darker undercurrent.
Her gallery relates, “Her paintings are often dreamlike, and yet carry a weight of something that is slightly more dissonant. The question of whether something is safe or dangerous, loving or hateful, is often unexplained in her work.”
A snapshot quality to the image, fill flash like lighting, lends the paintings the characteristic of a caught instant. However, her painterly hand stretches the moment. While definitely working a contemporary aesthetic, Howland’s paintings are at times reminiscent of Degas’ style and palette.