The work of architect and designer Sophia Chang, Suspense is a site-specific installation that blends the inner and outer environments of a gallery space. A recent graduate with distinction at Harvard Graduate School of Design, Chang created Suspense at Invivia Gallery in Cambridge, Massachusetts.
By pulling large sheets of Lycra between rectangular frames, her work creates an interactive, suspended environment which both blurs yet highlights the building’s pre-existing architectural features. Some rooms are completely explorable, while others remain visible yet restricted by the installation. Says Chang, “The whole piece holds itself in shape under the tensile forces of being stretched without any extra pneumatic input – except perhaps the breeze flowing in and out of the two doors!” (via designboom)
Lisa Rienermann‘s Type the Sky series is reminiscent of the big city tourist’s point of view. The tops of metropolitan buildings squeeze in the sky to form a unique alphabet. Rienermann uses the negative space, the small patches of cloudy sky, between roofs to as the structure of a fun typography. The font has been understandably popular. The series received an award from the Type Directors Club New York. It was also used by Mercedes and Renault for respective advertising campaigns.
Before he was the Prince of Pop Art and arguably the biggest art star on the planet, Andy Warhol was one of the most sought-after graphic illustrators in Manhattan. Years before he designed two of Rock and Roll’s most iconic album covers, Warhol was responsible for a series of recently recovered Jazz record covers for Count Bassie, Thelonious Monk and Moondog.
Rendered in his then-trademark ‘blotted line’ style (a technique Warhol mastered before screenprinting, where a single line of heavy, beaded ink was drawn on one sheet of paper, and then pressed against another which created a blotted monoprint), these whimsical and funky covers graced some of the best jazz albums of the 1950’s. The quality of Warhol’s highly trained freehand drawings separated him from other commercial illustrators of the day, but one of his many secret weapons was his mother’s gorgeous script writing, seen heavily in the looping, colorful script featured on The Story of Moon Dog (above). Warhol employed his mother’s lovely writing to essentially double his work-load, a precursor to his loose-authorship creative policy that would become commonplace later in his Factory days. (via dangerous minds)
As part of a summer workshop at Duke University’s Center For Documentary Studies, Frith Gowan and Ayanna Seals created a short film about printmaker Bill Fick. The video cuts back and forth between an interview with Fick and footage of the artist’s lino cut process. It’s always great to get a glimpse into a talented artist’s process, but the interview is really insightful as well. Fick, who features monsters and skulls pretty heavily within his work, speaks about what his subject matter might indicate about his personality, his interests, and his response to the world. He never takes himself too seriously though, which is nice to see. Watch the video after the jump. (via)
What exactly is happening in this photo? This clever “trick mat,” designed by A.P. Works, utilizes a simple tweak with a standard grid pattern to alter an otherwise ordinary placemat with the illustion that the items on it are causing the lines to sink into some sort of “mat world vortex”. What you see here is a protoype of the product, and it hasn’t yet been released on the markets but would make an excellent holiday present or housewarming gift. Or you can just leave it on your table at a dinner party and freak out your friends.
Johannes VanDerBeek doesn’t depend on high production or heavy handed techniques to create his work. Instead he creates playful sculptures with simple materials like aluminum mesh, tin cans, and some well placed tie dye wizardry. The above piece entitled Hippie Ghost has to be one of the best sculptures i’ve seen all year.
“Nighttwins” Laura and Kindra have been helping keep the New York nightlife scene alive for over seven years. Better known as Daughters of Devotion, this pair originally from Seattle, dress up, act out, perform, inspire and create installations. Combining their interests in romantic/fetish fashion and showroom/glam drag, these two extroverts quickly bonded over a mutual love of creating twin-themed costumes.
Setting out to be more than just colorful characters, Daughters of Devotion have created a brand and an unusual type of business for themselves. They have performed with Cher, been nominated for a Glammy, featured on the cover of Next magazine and have even lain on the beach in Hawaii with Carmen Electra. Proving to be much more than just part of the ‘club creature family’, DOFD have surpassed their own expectations of where their flamboyant passions would lead them.
“We draw inspiration from so many sources. Couture designers through the ages, vintage patterns, showgirl pageantry, Dolly Parton, John Willie, nightlife artists present and past, fetish, cartoons — you name it…. The looks we conceptualize, create and present to the world are living works of art to be admired for just a moment in time; especially because we rarely repeat looks. “
Loaded up with jewels, face paint plastered on, eyelashes applied, belts buckled tightly, and stockings hoicked up high, Daughters of Devotion are a celebration of the wonders that go on after dark. Equal parts entertainment, and artistic expression, these two women are their own subculture, their own art genre, and certainly are a sight for sore eyes.
(Via Huff Post)