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Liz Hickok

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It’s possible this is the most intriguing food-as-art I’ve seen yet!  San Francisco artist Liz Hickok sculpts, molds and casts scale models of urban city landscapes using Jell-O.

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Julia Fox Exposes An Intimate Portrait Of Brutal Love In Her Autobiographical Art Book

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Julia Fox, artist and head designer of Franziska Fox, recently released a graphic, autobiographical art book titled Heartburn/Nausea. The book acts as a character sketch, exposing flashes of intimate details that add up to mold a vision of a troubled girl. There is no hesitation between honesty and story telling, as this book is a collection of literal documents from the artist’s life. The book is extremely raw and almost devastatingly personal. She invites us into her own past, for just a moment, allowing us to truly have an experience through her memories.

RH: The book is autobiographical, extremely graphic and exposes probably the most intimate moments of your life. What made you want to share these moments?

JF: I believe that when you share something with someone it is no longer yours. I was tired of carrying it so I gave it away.

RH: Do you feel like the book falls under confession, warning, or exposé? Or perhaps, none of those. Maybe its something entirely different.

JF: I don’t know… It’s just a picture book of artifacts and stuff I have collected over the years. I’m not sure what the message behind it is. I guess since my life is so different now and I’m somewhat successful and happy, the message is that it’s ok to be fucked up. It’s ok to have a past.

And more importantly it’s ok to show your vulnerability and your weaknesses. And if you are fucked up and able to use it to your advantage, you are probably more interesting and insightful than most. So just like don’t be ashamed of yourself.

RH: Does the work aim to address mental illness at all?

JF: I think indirectly it does. I am bipolar. I think being untreated as an adolescent had a huge impact on my life. I’m very impulsive. I do what I want, when I want and when I want something, I want it now. I live in the moment and never take into consideration the consequences. I’m more or less still the same, the only difference is that the things I want have changed.

RH: It seems the book touches upon the borders between love, intimacy and obsession. Can you talk, just briefly, about these relationships at all. Do you believe healthy love, or love in of itself, exists?

JF: I do believe in healthy love. I just think it’s boring. To be completely honest, I have such a good time on my own that for me to want to be with someone else it better be one hell of a ride. I better feel everything and I better feel pain and in turn learn something new. Otherwise I’m ok being with just me. I’m a good time, in my opinion. 

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Brought by Burberry: New Music From Britian

The good folks at Burberry have gathered a great collection of musicians to create a brilliant campaign promoting their line of Aviator glasses. Comprised of British bands The Daydream Club, Life In Film, Marika Hackman, and One Night Only, each video is a classic stripped down, black and white music video that takes all the typical cliche gimmicks we’re used to seeing in music videos and focuses on what matters, the music. Each band has it’s own unique sound ranging from alt folk, garage rock, and classic rock but with a modern twist. Watch all the videos after the jump.

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Fashion Brand KOFTA Forms Leather Into Gothic Anatomy Inspired Bags

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KOFTA is the brain child of Kiev based designer Konstantin Kofta. In his collections Hug, Born, Roots, he experiments with leather manipulation to produce surrealistic and elegant garments, accessories and wearable items. His pieces imitate body parts and look like they are extensions of the person wearing them. Including backpacks that mimic torsos, bags with raised vertebrae, straps with hands attached ‘holding’ onto the wearer’s shoulders, and shoes that look like feet, Kofta’s designs are delicately gothic. He describes his inspiration for the Hug collection further:

From birth, we try to stand up and take our first steps. We yearn to touch and be touched and to feel sensations for the first time. We can perceive objects with an unclogged consciousness. Pure perception without comparison. We know nothing other than that which we can see and feel… Spirit does not have form, but some forms can have spirit, vibration does not have a color but color can have vibration, mood does not have a texture, but textures can have a mood. In this collection we focus for the first time more on feelings than just on physical forms and we have created forms, colors and textures according to these sensations… (Source)

Designing with a emphasis on sensuality, Kofta loves to tease out an emotional response to his designs. He combines the unintentional and unexpected to produce durable, unique and wearable pieces of art. Kofta designs with the intention of adding unusual components to a person’s lifestyle, not just their wardrobe, and I would say his pieces achieve a lot more than that.

Via Demilked

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Loretta Lux’s Surreal Portraits Of Mysterious Children

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German photographer Loretta Lux captures surreal portraits of children, portraying them in a way that makes them appear as if they’re porcelain dolls. Young boys and girls stare towards the camera and with expressions that you can’t get out of your head. As they look beyond or at you, their large eyes look as if they know deep, dark secrets. Pastel and faded colors contrast with the mysterious feel that these works evoke.

Lux studied painting at Akademie der Bildenden Künste in Munich and uses this influence in her images. Some pieces take up to a year to complete, and her process involves a combination of photography and digital manipulation. She’ll strip the background and then place her subjects into muted, minimal environments. The flatted backdrop and realistic foreground confuse your eye and help craft these strange images.

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halsey hathaway

Elegant geometric abstractions with layers of veiled colors and color shifting borders by New York painter Halsey hathaway.

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Do Ho Suh’s Cottage In The Sky

When Do Ho Suh first proposed “Fallen Star” to UC San Diego’s Stuart Collection, he “never thought it would be realized.” A cottage built from scratch and permanently joined to an existing campus building – several stories up in the air? Right, mm-hm.

“Fallen Star” is hard to miss. The 18th addition to the renowned collection of site-specific sculptures at UC San Diego is in a central campus location. It sits atop Jacobs Hall, also known as Engineering Building 1 – cantilevered at an angle from a corner of the seventh floor.

The house was built during the fall of 2011. On Nov. 15, it was gently hoisted 100 feet and then attached to Jacobs Hall.

It has since been furnished and accessorized. Its garden is growing: There’s a plum tree, a wisteria vine, tomatoes and more. Lights flicker on at night; a TV, too. And steam, simulating smoke, sometimes rises from the chimney.

To some, imagining Oz, it might look like a tornado-tossed interloper from Kansas. To others, more biologically minded, perhaps like a small blue creature living in symbiosis with its much larger host. Either way, it can be seen from multiple vantage points on campus and off. (Watch a video about the installation after the jump)

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Jessica Frelinghuysen


Jessica Frelinghuysens work is concerned with, as she puts it “…creating democratic spaces”. Devises that abet the assimilation (and sometimes alienate) the user in our new civilized constructs. Ponchos to enjoy grass in without having to actually touch grass, and big collapsable paper helmets to tell secrets in are a few concepts that blur the line between genius and funky-freshness.

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