Allie Pohl uses the measurements of an ideal woman (36-24-36) to engage in a number of conceptually driven art projects. Taking this ‘perfect form’, she fabricates a mannequin torso to represent the prototype for her conversations. To Pohl, this middle area constitutes a place of birth, renewal and assists the artist in her studies about self esteem, image and determination. In one project, the form is used as a chia pet showing the grass growing in the torso’s genital area. In another, the form is created using a red mirrored material and placed on a pedestal.
Pohl reassesses our idea of beauty and reflects on what women deem important. Some of her other work has examined the torso in the bathroom where she photographed a model on the toilet in gallery and museum restrooms. Her intention was to show the amount of time woman spend in the john. Another saw her take on the high heel. In 6″ shoes with a strap-on camera she went hiking. The result bore an all too familiar metaphor to the extremes women go to achieve physical perfection.
The hairier sex has also been the subject of Pohl’s studies. Using male mannequin legs from different eras, she created a group sculpture. The idea was to show what the perfect ‘male leg’ looked like throughout the years. Most recently, her torso has been used for philanthropy through a line of jewelry where all the proceeds go to various women’s organizations where Pohl lectures and discusses these important issues.
Artist Akihiko Miyoshi creates amazing abstract work using simple photographic technique. He uses little more than a camera, colored tape, and a mirror to explore ideas of composition and color. While photography is arguably thought of as the epitome of representational art, Akihiko’s images are decidedly abstract. While minimally manipulating his images, they stand distinct from painting counterparts. In a way Akihiko abstracts not only form, but light.
Polish painter Jarek Puczel‘s works are arrestingly simple, yet compelling takes on the everyday. Sketching out fragments, and in-between moments pulled from everyday experiences, these pieces possess an air of the cinematic—key lighting, dramatic angles, arrested motion—all elements that tie into his overall concept of the world being one giant set for quiet, dramatic moments of ennui.
With his compositions, he explores the tension of seemingly empty moments, calling out their bare, bored elements like props on a stage. His color selections tiptoe between the real and the vivid, with punches of color tucked away in the very best places of each piece. By attempting to capture some sort of potential energy or agency within the frames of each scene, he has created a series of charged, silent stills, pulled right from the edges of someone’s daily experience. The result is a pleasing archive of slightly faded half-memories, sketched out in richly-hued oil on canvas.
New York City based artist Klaus Enrique constructs portraits based on painter Giuseppe Arcimboldo’s 400 year old work that features human figures with features represented by images of plant, fruit, or other organic elements. Enrique was inspired to create these portraits while photographing a human eye peeking out of leaves. He thought he could use leaves to construct facial features or masks. After some research, Enrique discovered Arcimboldo’s paintings and decided to recreate the images. This project has also inspired him to recreate other portraits, like those of Darth Vader, Gandhi, and The Terminator.
Enrique says, “Although most recognize the images immediately as portraits, there are many people who do not. At first they only see the individual parts of the image: the fruits, flowers, and vegetables. But after looking at it for a while, they realize that it’s a portrait of a person. To see that thought process being played out in real time is very satisfying to me because it mimics the thinking behind the art: that simple organic objects come together to create something more meaningful than the sum of its parts.” (via lens scratch)
David Skazaly is a Hungarian/German graphic designer who has been creating hypnotic, mind-warping GIFs since 2008. Working under the name Davidope, Skazaly’s psychedelic GIFs and warped images have set the standard for animated GIFs across the internet. Even if you haven’t heard his name before (or his online pseudonym, Davidope), you probably recognize some of Skazaly’s technicolor, organic forms, pulsing in infinite loops, whether on art blogs or the annals of Tumblr. Skazaly’s animations are strangely hypnotic and entrancing, pushing a format that is now primarily used for cat memes and celebrity reactions into successful, technically adept artistic territory.
Skazaly got his start experimenting with animation program Macromedia Flash in the 90s before focusing on his own motion graphics. Looking at his Tumblr now, it’s clear Skazaly has mastered the art form of creating technically perfect GIFs, from trippy, twisting shapes to black and white worms perpetually moving forward. Skazaly’s mind-bending GIFs are dizzying, satisfying works of art, elevating a now common internet trend to a mesmerizing new level.
I recently came across these great collage paintings of Devin Troy Strothe (thanks for the link Mr.Redwood) and was blown away by the recent Art Center grads color explosion and the humorous content. The work is playful but dabbles with social/political issues which is always a nice mix as too often political work = boring and predictable. Visit his site and make sure to read the titles as they are fantastic.
Daniel Everett embodies the current technological zeitgeist shared by post dot-com kids, the kids of the dot-com kids, and the relationship we have to our interconnectivity (the internet). His work is jaded, earnest, and self mocking at the same time.
Climate control has been a controversial and momentous topic, well, for at at least two decades, but, the issue of global warming seems to be re-trending in light of the the 2015 United Nations Climate Change Conference in Paris. One tactic of addressing the issue’s importance, as we have seen, has been the thousands of activists marching all over the world (and the silent protest in Paris due to recent events). However, a Chinese performance artist who goes by the name “Nut Brother” has decided to take a more quantitative and perhaps informative approach. Beijing, the capital of China (the country that has largest CO2 emissions in the world), is a city of industrial smog. The artist announced a plan to literally vacuum the dust from the Beijing’s air for four hours a day, for 100 days in a row. As a performance, the artist walked the streets, starting in late July, with a pony tail, often a respirator mask, and vacuum with suction nozzle held in his hand to collect debris. On November 30th, the last day of his project, he gathered all 100 days worth of dust and brought it to a brick factory to be mixed with clay and turned into an alarming soot filled brick. Nut Brother is aware that he is not actually changing the air quality, however, he hopes his project will provoke passerby’s to consider their relationship to the environment and their surroundings. (via QUARTZ)