Brittany Zagoria‘s deeply personal and emotional paintings do battle with her inner demons.
“My paintings reflect my subconscious need to demonstrate the existence of evil in others. I grew up with a mentally ill mother, whose physically and verbally abusive actions towards me were relentless, cruel, and, most crucially, without reason. The arbitrary nature of her attacks left me feeling scared, insecure, and especially perceptive of the inherent capacity for monstrosity in all individuals. Through painting portraits of people I have known, I have become aware that my perceptions of others and my relationships with them have been greatly skewed by emotional tumult from my past. A finished portrait is evidence of my raw, childlike way of perceiving each subject. Judgmental and distorted, they are artifacts of my disturbed perception of the world that render tangible my personal, psychological confrontations; the process of painting turns a critical eye toward subject and painter alike. Often grotesque, monstrous and condemning, the final product constitutes my ultimate judgment of human relations.”
Interdisciplinary artist and illustrator Lilli Carré‘s “Moving Drawings” are simple and abstract and capture, in looped form, the surreal whimsicality to be found in her comic illustrations and animations. Based in Chicago, Carré has created several comic books and is a co-founder – along with her animator husband, Alexander Stewart – of the Eyeworks Festival of Experimental Animation. Carré’s animations are playful, evocative of childhood, and deal with themes of mundanity and transformation. Aware of the way animated gifs command attention and provoke feelings of delight and curiosity, of her gifs, Carré says, “They help me get little images in my head — like a woman incessantly eating flowers — out of my mind and into moving forms. They don’t have to be part of bigger projects; they can just exist on their own and live forever on the Internet. They’re like little breaths of fresh air.” You can find a collection of Carré’s animated films over on Vimeo. (via juxtapoz)
I threw up in my mouth a little bit while I was watching this. Phil Hansons work conjures up all the reasons I no longer dine with 6 year olds. Dont think I wouldnt understand if you disagreed with me. Sure, its art. Its also the reason why the rest of the world hates us, right? The only rewarding thing about this video as far as Im concerned is that awesome little dog, who must’ve been convinced that day that he could control people with his thoughts.
Oh yeah. One more thing. Its an Arbys Commercial. Consumerism has now officially penetrated every orifice of my daily life. Boo
Color is the name of the game for Beatriz Milhazes, a multidisciplinary artist from Rio de Janeiro. Wild colors in fact, and wild geometric forms to boot. Milhazes has exhibited in museums around the world and even represented Brazil at the Venice Biennale in 2003. If you are in the New York area, make sure to go and see her Gold Rose Series at James Cohan Gallery, an edition of seven silkscreen and wood block prints that were made at Durham Press in Pennsylvania.
Chris Fowler‘s work is curious and complex with depth and brightly interwoven colors. His portfolio demonstrates two primary focuses; people and surreal landscapes. His non-descriptive unusual lands are captivating to me purely by his color choices and how he adds zigzag courses, nooks, and abstract crevasses that lead only to the imagination. I am a big fan of The Human Project he created of little long-limbed creatures finding there way into orbs, slightly reminding me of something you would see under a microscope. Check out more of Mr. Fowler’s work after the jump.
Christian Maychack lives and works in Brooklyn, NY. Combining epoxy clay with various pigments Maychack creates dynamic marbled abstractions that dance around their wooden surroundings. The nature of the clay and pigment allows the forms to appear as paintings upon first glance. In this way the work blurs the line between abstract painting and sculpture.
German photographer Thomas Kellner‘s contact sheet photo montages deconstruct iconic architectural landmarks and cityscapes. Each of Kellner’s frames are shot sequentially, then printed in the film’s exact order – no cut/paste or digital manipulation – before strips are cut and then placed together. Each final contact sheet montage’s size depends on how much film Kellner uses for his subject – with one roll of film, the montages are only 20 x 24 cm. Kellner first began descontructing architecture using the contact sheet method in 1997, and since 2003, has been photographing and decontructing buildings around the world.
Of his work, Kellner says, “I think I am more of an artist than a photographer. At the moment I am working on architecture, but it is not classic architectural photography. There are definitions in art about ‘construction/deconstruction’ or ‘collage/decollage,’ but I don’t think any of it really fits what I am doing right now, maybe my work is closer to conceptual art or conceptual photography. Many have said it is ‘very Germany,’ and that might be closer.” (via art chipel)
Argentinian artist Lorena Guzman brings beautiful and twisted fairy tales to life on a daily basis. Using polyester resins and hobby materials she creates haunting scenarios complete with intricate details that continue to be uncovered the closer you look. She uses popular folk lore, bed time stories and myths as a base to her work. Guzman makes work about over-sized alligators who help monkeys cross rivers; genies who are spinning animals around on their fingers as a hypnotic trick; a surreal alpine landscape that is actually a coiled snake; an octopus who eats rabbits; and a crow who is building a cosy nest in the back of a skull.
Guzman chooses subjects that are curious, disturbing or grotesque in some way or another. Her Chihuahua Toy sculpture comments on the bizarre subculture of dog breeding and the type of monsters people choose to create. She asks if a two headed dog is really that much worse than Bull Terriers or Boxers that have been specifically chosen for features that, to some, are ugly.
Another piece is about a hunting mission that focused around catching the illusive albino hare in the Spanish town of Santa María de los Llanos. Pointing out our strange behaviors and traditions is what Guzman excels at. She has been prolifically creating work for over ten years. Be sure to check out her many other incredible sculptures.