Pepa Prieto is very much in touch with her inner kid; her playful doodles are complex while maintaining the spirit of innocence and fantasy. Prieto is truly multi-talented, designing not only for print, but also television, and even airplanes for MTV! Did I mention that she was also a pro snowboarder?
Argentinian collective DOMA (Julian Pablo Manzelli, Mariano Barbieri, Orilo Blandini, Matias Vigliano) have a long track record putting on absurdist installations, performances, “happenings”, etc. They also run Turbo Gallery in Buenos Aires. They design characters and toys, and direct videos as well. Insane. Even with such extraordinary output, DOMA doesn’t seem to have overly serious ideas about their work. Even worksfeaturing severed limbs or raw meat and blood splatters take on an air of fun, creative freedom. Check out some of their previous projects below (furry dudes, robots, futuristic machines- all the good stuff). (via)
Beautiful/Decay has teamed up with MSTRKRFT & SPRFKR to present a creative giveaway. All you have to do is send us your COOLEST drawing of two dudes sporting mustaches and shades! You can draw MSTRKRFT if you want- or any other two guys sporting this incognito look. Three lucky winners will receive a MSTRKRFT prize package of a SPRFKR poster & MSTRKRFT’s latest cd, “Fist of God.” Winning submissions will also be featured on the Beautiful/Decay blog! So get creative- submissions can be digital, painted, crocheted, Bento boxes, whatever!
Loving photographer Martin Usborne’s series on dog shows. Here is more about the project in the artists own words.
“Crufts, the world’s biggest dog show that takes place in Birmingham each year, was under intense scrutiny a few years ago when a secret TV documentary argued that dog inbreeding was essentially unhealthy and cruel. As a dog-lover and a pedigree owner I thought I had better see what it was all about.
Much to my surprise (and slight disappointment) Crufts is decidedly pleasant. I half expected to capture malicious owners that looked fully like their pets. But the impression is of a prosaic middle-England gathering of weekend enthusiasts. The dog owners are friendly and, dare I say it, normal. Although they trim their dogs’ heads into perfect spheres and their tails into cascades of pure silk they couldn’t be more down to earth. They remind me of Sunday gardeners who trim their hedges into the shape of leaping dolphins and then go inside to watch Antiques Roadshow on TV. The vast halls, despite being full of thousands of different breeds are strangely quiet and more surprising than this – almost turd-free. The merchandising stalls, which sit around the perimeter of the space and sell marginally tasteless doggy-tat (buy two bottles of ‘Urine-off’ and receive a free 100% fish-based dog chew) are harmless enough. And amongst this the dogs themselves seem to be willing, as if they too have read the convention guide and know they must wait their turn to appear on the green carpet.
If you like funny looking faces, then you’re gonna love what P.Williams has going on. A little bit of Crumb mixed with some Barry McGee, throw in some Spongebob Squarepants and we’re starting to get a little bit closer. Great selective use of color and text too, it looks like this guy fills up an entire sketchbook every week!
Colombian photographer Adriana Duque uses digital photography to illuminate bizarre narratives taken from myth and the fantastical. Combining both the context of Western lifestyle with that of the rural Colombian world, Duque explores the uncharted territory of her mind through carefully crafted scenes and settings. This series, Anthology of an Obsession, features highly polished photographs, nearly monochromatic, of children interacting with a world before the one we know.
As said within her artist statement:
“Duque treats her medium as a kind of mis en scene in which she projects her child-centered concerns, in an apparently static dramatization of actions in which a sense of astonishment and anxiety is present that also points out to a collision between the normal and paranormal. Some of her photographs build illusions of mythical proportions developed with an almost religious ritual sense; photography in this terrain is a kind of romantic gesture that directs the viewer towards a transcendental experience. In the fictional fairy tale references there lurks a disquieting subtext of sadistic overtones related to notions of childhood identity.” (Excerpt from Source)
In the current state of Reality TV and backstage blogs, we as a world have lost our sense of wonder. And it’s because of one brave artist, Jon Bernad, that we will get it back. He was part of the Venice Art Walk AUCTION, not just as himself, but as an offer for an experiential possibility that attendees could bid on for a good cause, since the money would go directly to The Venice Family Clinic. What that means was that he fearlessly walked up to strangers with a bid sheet around his neck, as opposed to on a table or wall like the other artworks in the auction, and pitched to each new person a different adventure he felt they would want to go on. Everything from skydiving to dinner came up and during his time there he was offered to join unfamiliar faces on white water rafting trips and treks in the Amazonian Rain Forest. I like to say that Jon takes people on Art Adventures, but it’s really so much more than that. He is the only artist that embodies the ultimate truth. For he is only but himself, but his self is great.
For centuries, artists have funneled suffering and anger into their art. Columbia University senior Emma Sulkowicz is doing the same, using her work “Mattress Performance: Carry That Weight” as an endurance performance art piece protesting the lack of school imposed consequences on the man she says raped her in her dorm room.
American colleges are notorious for their treatment of sexual assault cases brought to them by students, often pressuring victims not to report attacks to the police and conducting disciplinary hearings related to sexual assault led by improperly trained personnel.
Sulkowicz’s story is similar to many — in fact she says that her rapist committed the same crime on a number of other women on their campus. The difference is the way that she’s chosen to use her art piece as a call to action. Sulkowicz will carry a dorm room mattress with her until her alleged attacker either moves off campus or the school expels him. She says:
I’ve written up 5 pages for the rules of engagement for the piece. I’ve tried to make it as thorough and well-researched as I can – as long as I’m on Columbia campus or any Columbia-owned property, I have to have this mattress with me. It’s an extra-long twin and made of foam so it’s not heavy and impossible, but it’s floppy and unruly. … I could have taken my pillow, but I want people to see how it weighs down a person to be ignored by the school administration and harassed by police.
One of the rules of engagement she’s created is that she’s not allowed to ask for help in carrying the mattress, but others are allowed to offer help, which she can accept. This is an interesting choice, implying that perhaps she’s still dealing with the self-blame survivors of rape frequently experience.
The entire project serves as a self-imposed scarlet letter in many ways. Sulkowicz has bravely allowed herself to become the visible face of a horrifying violation, one that still carries significant victim shaming. Just read the You Tube comments to see what she’s enduring by going public. She says, “I feel like it’s taken over my entire college experience. It’s like a cloud that will always hang over me.” Yet by committing to this public performance, she is continuing to burden herself every day, literally and figuratively, with memories of the experience. In her creation of art in the face of terrible pain, one can only hope that Emma Sulkowicz finds peace. (via New York)