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The Clayton Brothers Visit The Same Thrift Shop For Four Years For Their Latest Exhibit

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Artist duo Christian and Rob Clayton, who exhibit as The Clayton Brothers, found their muse at Sun Thrift, inspiring their latest show “Open to the Public.” Three to four years in the making, the artists visited the shop almost every other day to browse and people watch. Rob Clayton says:

“There are two aspects to this show: one side of it is the store itself and the employees that run it, and more importantly, the other side is the people that go there to get things they need.” (Source)

A third aspect could be said to be the pieces that the brothers purchased and brought into their studio, and sometimes into their finished works. Drawn to the handmade and personal the artists speculate on the embedded stories the objects can’t tell. They see the store itself as a curated collection of sorts, where the employees determine the exhibition by making connections and creating categories. Christian and Rob, inspired by this method of organization, say it inspired the way they worked for this show.

When creating, the brothers have an interesting method of collaboration. They work simultaneously in the same studio, leaving unfinished pieces out for the other to be inspired by and often to add to.

Rob elaborates, “At the studio we don’t say, ‘This is mine, that’s yours.’ We refer to the drawings that haven’t made it into the process yet as carcasses. If a painting sits around for a while, one of us will usually grab it all of a sudden and change it in some way. It’s a constant give and take.” Christian adds, “When do get into a heated spot with a piece, we know each other well enough to let things stew.” (Source)

Their different approaches and techniques are evident in this collection, and it is particularly apt. The varied stylistic choices — assemblage, drawing, collage—speak to the patchwork merchandise in the store as well as to the diverse shoppers.

“The characters that inhabit Open to the Public are overall a sweet bunch. They might look disjointed and fractured, or some might say disturbing, but our overall intent with these drawings was to gain an honest understanding of ourselves as humans. The objects that are discarded or donated to the thrift store become a direct reflection on us as people. We look at the objects like archaeologists, and there is narration attached to all of it. The stories of peoples lives, creative heartfelt moments, messages left for loved ones, forgotten memories… this is what has been driving our characters.” (Source)

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Ellie Coates’ Drawings of Myths, Folklore, and the Renaissance

Through the work of Ellie Coates the viewer is invited into the timeless world of story telling. Combining inspiration drawn from myths, folklore and Renaissance painting she creates the props with which to encourage the imagination of the viewer to weave the narrative. Through the well-known Greek Myth of Medusa the Gorgon Queen Ellie explores and adapts both the anatomy of this formidable character and that of the story surrounding her.

The work deals with entrapment, the female role in storytelling and the close relationship between the beast and the human. Whilst Ellie’s work addresses themes of entrapment it in turn provides the tools for escapism. The otherworldly and uncanny feel is made even more mysterious and mythical through her drawing and making process. The surface of the paper is laboriously prepared with layer upon layer of rabbit skin glue and gesso before graphite is applied with meticulous mark making to give an ethereal and luminescent quality.

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Artist Interview: Medusawolf

By day Alan E. Brown is a mild mannered bookstore employee in Bear, Delaware.   At night he transforms himself into Medusawolf and paints quaint little portraits of demons, beasts, and robots – each radiating their own agonizing, pulsating energies.   These intensely hued dimensions merge bits of insanity, beauty, and humor and crunch it all down into a fun but very warped output.   I got a chance to catch up with Medusawolf to find out what he is up to…

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PFFR-LEGACY IIX

Brooklyn based production company/art collective/band/enigma PFFR are known for their outrageous humor and lo-fi production.  They have collaborated on shows such as Wonder Showzen, Xavier: Renegade Angel, and the sadly short-lived Doggy Fizzle Televizzle.

If you are lucky enough to be in Los Angeles you can catch their antics next month at “Legacy IIX”. The mysterious show opens April 3rd at Synchronicity Space and runs until May 1st. Your guess is as good as mine what might happen.  Flyer for the show and other works after the cut.

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Blip Boutique

The company says it best themselves! “Blip Boutique is a Los Angeles based collective creating visual content that is truly not boring! We conceive and produce original concepts for digital and emerging media that are innovative in both content and form. We thrive on working at the intersection of design, art, and technology, and our research and development in these fields is fundamental to our creative process. Blip Boutique strives to create engaging and innovative visual art in an ever expanding and elastic digital world, for a range of clients in music, fashion, advertising, the arts as well as ourselves. Feast your eyes and Fantasize.”

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Alejandra Villasmil’s Bizarre Collage World

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Alejandra Villasmil’s creepy collages frighten and intrigue me all at once.

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Chris Garcia’s Graphic Chrome

Chris Garcia‘s paintings are inspired by his love of cars and bicycles, and the relationship between people and objects. His graphic compositions and carefully rendered contrasting textures make his paintings especially striking.

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Christina Bothwell’s Fantastical Glass Creatures Will Inspire You

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Christina Bothwell

Christina Bothwell

Christina Bothwell

Christina Bothwell, an American artist, is creator of all things weird. These fantastic yet strange beings (Bothwell’s sculptures) are both creepy but inevitably inspiring. Bothwell’s intriguing sculptures invite the viewer to imagine fantastical worlds; ones where these weird creatures could potentially exist in.

Most often made from cast glass and clay, her made-up creatures are sometimes fitted out with found objects that serve as limbs and other body parts. The glass allows for a more ethereal, surreal feel; it also allows for a soft light to radiate through the figure, simultaneously revealing beauty yet the imperfections found within the glass. This aspect of the work is representative of Bothwell’s interest in notions of vulnerability and childhood innocence. Christina states that her ideas are in many ways autobiographical; the pieces certainly arise from what is going on in her current adult life, or what has gone on in her early childhood. (via Feather of Me)

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