Israeli inventor Izhar Gafni recently developed a bicycle that is pretty amazing in a lot of different ways. Not only is it made out of cardboard, it’s sustainable, durable, functional, super light, looks like a bike, and only costs 9$ to produce, which means he can sell it for $20 a piece. Everything about it is amazing. Not the least of which is his inspiring determination to realize such a seemingly impossible idea. I’m really crossing my fingers that this goes into mega production and opens some doors for a lot of people who wouldn’t otherwise have access to the wonderful world of bicycles and transportation. Watch the video after the jump to see his process; it’s a real day-maker.( via )
Hey Readers, we’ve been loving all the Plywerk contest submissions so far, make sure you them commin’! There is definitely a lot of talent within the Beautiful/Decay crowd. Also, a little reminder that Tuesday (August 25) will be your last chance to submit your work. For all of you that have no idea what I’m talking about, here is the link to our Plywerk contest post: Plywerk Contest
Good luck guys!
Austin Watts’ work reminds us of all the finer things the 80’s had to offer, like VCRs and Huey Lewis. It’s that fabulous, American Psycho lifestyle that Bateman personified so well, minus, of course, that nasty business about human mutilation. His unique aesthetic has attracted some big names, including MTV, and we’re excited to see where Watts will go next–as long as it’s not to his remote storage unit where he hides the bodies.
Jan Otto Schreiber, a photographer from Hamburg, Germany, decided to explore Australia last year. He traveled by cargo ship for two months, traveling on the Panama Canal, and in that time documented his surroundings with over 250 different shots of islands, ships, and the sea. He spent weeks editing the proofs of his documentation, and ended up with 14 dreamy images.
This series is titled: Somewhere Between the Shores. A yellow-tinged, pale collection of photographs that mimics the experience of quiet nostalgia, the subtle stillness of the ocean, and the mystery inside moving silhouettes.
North Korea is a country famous for its censorship. Even so, Associated Press photographer David Guttenfelder has been able to capture images of the country and share them via Instagram. Recently, the DPRK relaxed their laws surrounding the internet. Foreigners are allowed to carry their phones with an activated 3G network. Guttenfelder talks about his motivations and experiences to Wired magazine, stating:
“In a country known for its censorship, I’m now uploading photos to Instagram from the streets of North Korea like I would anywhere else in the world. Through social media, I’m trying to piece together a picture of this country for the outside world … No one puts their hand in front of my camera, and no one tells me not to shoot things. There’s no review process. They don’t look at my pictures at all before I send them on the Associated Press wire or my Instagram account. Facebook even asks me to tag my “friends” Kim Jong Il and Kim Il Sung when I upload my photos.”
Displaying his photos on Instagram allows for followers to interact with Guttenfelder directly. He welcomes this, and comments on one of his photos, writing, “I appreciate the comments and the direct connections. It has given my work a cool and unexpected extra purpose.”
Guttenfelder posts photos of everyday life, displaying different aspects of the country and the influence the regime has on the cultural landscape. Of course, because they have been “Instagram’d” they look old, but are completely contemporary. In some of these photos, based on subject matter, it’s hard to imagine that they are of our time. (Via Huh Magazine)
Come check out the opening of Mastadon Maze show (curated by our friends Mya Stark & Graham Kolbeins) at the Pacific Design Center in West Hollywood tonight 5-7pm! Just look at the enticing list of things that may or may not (but probably will) happen during the show! The Art Los Angeles Contemporary fair will also be happening at the same time so be there or be square!
Like stunning x-rays from an alien world, Bruce Riley‘s resin paintings seem to be lit from within. His playful shapes and psychedelic colors blossom in suspended animation, humming with as much electrical energy as any other multicellular organism.
Riley describes his process as intuitive and organic, saying, “I’m not really trying to define any ideas, I’m just letting it flow.” Watching him work is certainly hypnotizing as fluorescent greens and ozone blues blossom and blend into each other. The paintings can be appreciated from afar as well as up close, each brimming with meditative detail.
“You’re always investigating,” Riley says of his process. “It’s not about an end result. [You’re] trying to use techniques that you remember but also looking for things you’ve never seen before.”
Part of the beauty of Riley’s work is that it can be appreciated on various levels. Open to interpretation, one could call it the secret life of lava lamps . It could also be described with a narrative, a foray into extraterrestrial forensics. Or you could just take it as it is: the stream of conscious of a man who certainly knows his way around a paint brush. (via This Is Colossal)
We’re not in the habit of sharing stuff that’s not contemporary here, but sometimes you come along something that shouldn’t be overlooked, as it seems relevant no matter when it was created, and could use a little more attention. Jugendstil, the German Art Nouveau movement, was named after the late nineteenth century literary magazine Jugend, which promoted the aesthetic within its pages and on its covers. If you’re looking for some fresh typography/design/illustration inspiration, check out this online resource, which contains lots of images from and info on the magazine. There’s even some Impressionistic stuff mixed with the Art Nouveau goodness, but it all comes off as really fresh. I wonder what Jugend, which didn’t make it out of World War II and Nazism, would be like if it were around today.