German born artist Roger Herman creates really beautiful paintings and sculptures. Check out some of his work after the jump!
I love Jason Rood’s illustrations and the way he incorporates his sense of humor into his work. Especially his beard series; so tight!
Stefan Danielsson creates captivating socio-political collages that embody themes of suffering and redemption.
Dealing with the ups and downs of an independent business can at times be a drag, but getting packages like this in the mail makes all the work worthwhile. I first met Justin B. Nelson when he entered our contest with Colt45. Justin was one of the top ten finalists and his work was entered in our show at Synchronicity Gallery. I loved Justin’s work in the show but was blown away when I met him at the opening. At first I thought Justin had drove an hour or two, but he flew in all the way from Tampa, FL just to check out the show! If that’s not dedication I don’t know what is. Since then, Justin’s been part of the Cult of Decay. We’ve only met each other once but we probably email or send each other tweets at least once a week. It’s amazing to be able to connect with creative people without the restrictions of distance. (The internet kicks ass!)
Anyways back to the package… Yesterday our mailman brought us an envelope all the way from Tampa. it included not only a print of one of my favorite pieces in the Colt45 show but also a note from Justin. It might not seem like much but it’s a great feeling to get feedback like this. We get caught up in all the chaos of running the show and sometimes forget that YOU are out there reading our books, wearing our shirts, and spreading the good word of decay! I’m glad that you guys are out there. Without your there would be no Beautiful/Decay.
P.S. You can check out a larger image of Justin’s print after the jump along with his note. You can also get a copy of his sick print here.
Some of Los Angeles based photographer Michael Flores’ awesome work.
Can something be so unbelievably ridiculous that it is actually good? That is what Ashley Morris’s illustrations are to us. We just simply cannot ignore them.
Erik Parker was preparing for two solo shows, one in LA, and one in Fort Worth, when I visited his studio in Brooklyn. Parker is known for making large scale paintings that are as comfortable with their roots as they are disorienting with their forms and spaces. First you get a hug, and then a slap. He said he wanted his paintings to still look good 40 years from now. By reorienting Modernist and Pop sensibilities, and then almost using contrapposto to create a balanced but expressive distortion, Parker was remixing some old school classics — like flower still-lives– into something fresh. His LA show is at Honor Fraser and opens on October 30th, and the Fort Worth show is at the Fort Worth Modern and opens on December 5th, and is curated by Andrea Karnes.