Galleries come in all sizes, even in a really, really tiny scale. Swedish graphic designer and illustrator Henrik Franklin has created an installation that’s something you’d be more likely to see in a dollhouse than anywhere else. But, instead of a bedroom, it’s located at the Odenplan underground station at Gallery 1:10 in Stockholm, Sweden. The group exhibition is titled If You Tolerate This – an exhibition about resistance. Franklin’s piece features a library of colorful books, all small enough that you can hold between two fingers.
In a show centered around worries of the future and the holding on to hope, Franklin’s tiny books represent how important literature is in our development. It teaches us the lessons of the past so we won’t be doomed to repeat them; prose also encourages and inspires us to dream and to think differently.
If You Tolerate This – an exhibition about resistance is on view until December 6.
It would probably be prudent to begin by letting you know this whale is not real. Rather, the whale is a highly-detailed site-specific installation and the “scientists are actors organized and created by a Belgian collective known as Captain Boomer. The installation was on the banks of the river Thames and in conjunction with Greenwich + Docklands International Festival – an outdoor festival. The installation (which pops up on various river banks throughout Europe) stir up and disrupt entire communities just as real beached whales do. The collective sets out to educate communities on whale the beaching of whales and the larger issues tying humans to nature. Regarding viewers’ unique reaction to their installation, Captain Boomer describes:
“During our beachings, we see an intensive interaction among the crowd. People address each other, speculate and wonder. They offer help and ask for information. The different layers of perception create funny games. Some audience members know it is a work of art but feed the illusion to other people.”
Make sure to catch Kevin Cooley’s gorgeous show at Kopeikin Gallery in Los Angeles up until February 11th of next month. Titled Take Refuge, the exhibition features large scale photographs and videos evoking human struggles in the harsh and unforgiving, yet sublime, natural world. This body of work was created in disparate locations including the Arctic territory of Spitsbergen and the American West as well in more ordinary places such as New York City and Los Angeles. Referencing the Romantic movement in art and literature, the work attests to both the fear and longing nature inspires.
Nick Krijno makes blown out contemporary still lives that are the best things to look at. Made out of hot dogs, slinkies, spiders, and clothes, his images update the classic tradition in a way that everyone can get relate to and get behind. It’s a great, inspirational reminder that if you’re ever feeling down about the your staid surroundings, just organize them into an interesting composition, make a backdrop out of your friends’ shirts or some colored paper, and voilá–you’ve got yourself a modern still life. Now just paint it or take a picture of it or take a note from yoko ono and burn it. (via)
Ebony G. Patterson constructs immense and elaborate installations filled with everything you can think of. The artist creates intricate work both attractive and kitschy, using mannequins, sunglasses, beads, beer bottles, and lots of gaudy jewelry. Interested in mixed media tapestries, video, and photography, she often incorporates one or all of these different techniques into her work, creating a complexity of objects and imagery. Exploring racial and gender politics, she uses photographs, mannequins, and clothing to make reference to ‘popular black’ culture in her art. Her work, so filled with patterns and flashy objects, is highly satirical, commenting on race, questioning stereotypes often associated with the culture she is representing. Concepts on beauty are also questioned, as the figures in her work are adorned with jewelry, bright colors, and flashy clothing. Although the mannequins appear to be making an attempt to look attractive, they inevitably look over-the-top and ridiculous.
When you see Patterson’s installations, there is an overwhelming sense of color and pattern inviting you to examine every last detail of the chaotic mass of objects. You get lost in a see of mismatched clothing and clashing patterns, all shown like a department store display. Transforming her mannequins into striking objects participating in her art, their individual genders are often blurred, pointing out pre-conceived notions concerning the masculine and feminine. Her installations not only have mannequins, but also still humans that appear to be inanimate until they spring to life, turning her installation into a performance piece. This talented Chicago-based artist creates confrontational work that, due to content and appearance, is not easily ignored
Spencer Tunick designs and installs nude human bodies into landscapes and photographs or films them. The blending of the color and texture of human skin with industrial or natural landscapes is stark and effective; the bodies themselves become their own landscape. Tunick has traveled the world staging photographs and videos of these large nude installations, and uses anywhere from a handful of voluntary participants to tens of thousands of them. The end result is a beautiful combination of art forms, including design, sculpture, performance, photography, and video. According to his website, Tunick has been arrested 5 times since 1992 while performing in New York City, and has gone to court to defend his First Amendment rights, which he won, but was still denied a permit from the city to practice his art. As a result, he creates his work abroad and has not performed in New York City in over 10 years.
Joseph Cruz constructs incredibly narrative, and romantic sculptures that which stem from his inspiration of the production and reception of information. They are physical representations of the intuitive questions of himself, and the world around him.