I found Mary Ann Heagerty on our friend Graham’s blog (Future Shipwreck): she is a sensational sculptor, chic craftswoman, radical rock collector, and also his roommate. Here are some of her work, which includes dentures made out of lollipops and wood chips, hand castings, a giant three-dimensional mirror diamond, hair trapped in wax hexagon, and a series of carefully hollowed-out eggs incubating invitations to a MOCA opening. She also does these awesome video shorts that are uploaded on her Youtube channel about crafts with unlikely materials.
Black and white line illustrations, no written instructions, umlauts scattered like rose petals, that smiley cartoon guy—this certainly looks familiar. Illustrator Ed Harrington has subverted the ubiquitous directions sheet for his “Ikea Instruction” series. In Harrington’s world, it’s not streamlined Swedish furniture that’s being assembled, but monsters, killers, and Edward Scissorhands.
The clever illustrations make use of all of Ikea’s standard elements: the illustrated pieces, the bold sans-serif font, the crossed-out warning images. The Vörhees requires a simple assembly of one very large knife, one hockey mask, and one Allen wrench, whereas the Edvard needs 14 units of two different types of scissors, a heart, and hand removal. So far the DIY instruction sheets include Brundlefly from The Fly, a Human Centipede, Jason Voorhees from Friday the 13th, Edward Scissorhands and Pinhead, the Cenobite leader from Hellraiser.
Merging two incredibly popular, and incredibly different, pop culture genres makes this series work. Who could be next in the flat pack? Perhaps a small striped shirt, overalls, and an axe. Who wants to build Chücky?
Australian sculptor Paul Kaptein handcrafts laminated wood into exquisitely seamless sculptures. Interested in materialism and inspired by both nature and the concept of time, Kaptein creates works that are realistic yet surreal, rooted simultaneously in real life and in fantasy.
To Kaptein, the use of laminated wood is central to his practice. Representative of the dialogue between expansion and contraction and the relationship between interconnection and incompleteness, “the panels slip and slide, creating their own holes which exasperate the gaps in the fabric of the universe.”
While his wooden works vary in subject matter—a common motif being hooded, faceless busts—they all convey Kaptein’s innate interest in portraying of “the immaterial as an expression of the overt reliance (and ignorance of the composition) of materialism as a somewhat naive description of reality.” In one of his most recent works, And in the endless sounds there came a pause, the artist tackles reality through illusion: while the meditative figure is clearly distorted by the river-like grooves of his robe’s drapery when observed from the front or back, he appears perfectly normal when viewed from either side.
Ultimately, with its deceptive composition and well-crafted aesthetic, And in the endless sounds there came a pause merges two qualities characteristic of the artist: his interest in fabricating new realities and, of course, his undeniably superb woodworking skills.
Photographer Julieanne Kost‘s latest project takes a look at the Salt Lakes south of San Fransisco. Treating her photographs as abstract paintings, she chooses a very specific angle of the landscape to focus on. With the emphasis on the graphic nature of the lakes, they become something entirely otherworldly. Sky becomes water, the horizon is in the wrong place, power lines seem to float in mid air, clouds appear unexpectedly, and the colors are all wrong. That being said, these images are the result of something even more surprising – the intense shades are all a part of the salt evaporation process. The ponds can range in color from a rich navy blue to a luscious magenta, and are due to the salinity levels of the water and the micro organisms that live in each pond.
Kost is heavily involved in Photoshop and other Adode photo enhancing programs (and is also the publisher of the Daily Photoshop and Lightroom Tip), but has for a long time had an eye for interesting landscapes and their natural patterns.
She wants her images to be abstract enough to allow viewers room for their own interpretation – to inject images from their own dreams into her snapshots. And she is able to do just that – turning a familiar type of landscape (albeit a very interesting process that is happening there) into something that looks like it is an image sent back to Earth from Rover exploring the surface of Mars.
Street artist Roa keeps things large and in charge with his massive animals. Whether it’s dead gators, or skinned rabbits Roa brings the carnage of the wild into the urban streets for all of us to enjoy.
Photographer Alan Sailer fills your standard Christmas ornaments with all sorts of things like glitter, gelatin, food dye, and many other strange things that would never find their way into your standard ornament. He then shoots them with a pellet rifle against brilliantly colored backdrops and documents the entire process in detail capturing the millisecond explosions in all their glory. The result is a festive explosion of color and texture celebrating the season of giving in an a very unusual and imaginative way.
Canadian artist Andre Ethier‘s oil paintings are rich with all the messiness of life. He seems to find and expose more beauty and meaning from the unsavory elements of life than the average person does from generic blue skies and roses. I remember catching some of his works in person a few years ago and each one just glowed with so much power — hobos and monsters leering and searching from behind syrupy glazes. And Ethier’s quasi still lifes, well, they’re practically wall-mounted explosives. See what I mean after the jump.