I’ve been eyeballing Michael Velliquette’s ultra-detailed cut paper reliefs for a while now and they continually get better and better with every year. Having started with surreal landscapes and figurative narratives his new works pictured here have morphed into self contained, ornamental abstractions that look more like rainbow bright totem poles or stretched out musical instruments that have just been painted by a psychedelic poster factory.
Catch these and other works by Michael in NYC from April 2nd-May 8th at DCKT Gallery.
New York-based artist Brian Dettmer’s sculptural, multi-layered books are so intricate that they require him to use surgeon tools in his process. He carefully carves illustrations and text out of old medical journals, dictionaries, maps books, encyclopedias, and more. Nothing inside of the books is implanted – pieces are only removed. The idea is that these subtractions will reveal new histories and memories now that the story and context has changed. Dettmer sees his work as a collaboration with the existing work’s past creators.
He writes about his creations, which are a comment on the changing landscape of technology. From Dettmer’s artist statement:
The age of information in physical form is waning. As intangible routes thrive with quicker fluidity, material and history are being lost, slipping and eroding into the ether. Newer media swiftly flips forms, unrestricted by the weight of material and the responsibility of history. In the tangible world we are left with a frozen material but in the intangible world we may be left with nothing. History is lost as formats change from physical stability to digital distress.
The richness and depth of the book is universally respected yet often undiscovered as the monopoly of the form and relevance of the information fades over time. The book’s intended function has decreased and the form remains linear in a non-linear world. By altering physical forms of information and shifting preconceived functions, new and unexpected roles emerge. (Via Demilked)
Glass bottles, broken ceramic statues, buildings, and an oven are all things you’ll find in Sabine Timm’s work. If this sounds excessive, I assure you it’s not. All of these things are miniature-size and require no heavy lifting. The Dusseldorf-based artist uses found and vintage objects to assemble tiny sculptures and arrange items in an amusing way. The images, captured in photographs, don’t seem like permanent installations. Instead, Timm’s handiwork feels fleeting, like we’re seeing a scene from a play.
Timm often utilizes the same objects among assemblages. This practice weaves a narrative through several images, and we can start to imagine a world where all of these things exist. They are vignettes, depicting a fantastic yet logical place. A pile of small petals nearly cover an entire house. Broken ceramics are given a second chance by simply drawing a new body parts. Timm also solves issues like overcrowding simply by stacking houses on top of each other. Build up instead of out, right?
There is obviously a lot of play at hand in Timm’s work. Her sense of humor is very sweet and goofy; for instance, she adds a face to plastic containers, using a comb as a wild hairstyle. It’s has a broad audience and is amusing in a couple of ways. She’s giving personality to inanimate objects, which is absurd. Additionally, the things she uses to create these faces are ingenious. Timm uses a lot of toys, such as the trees out of a train set. It’s nostalgic for many viewers, but also fun for kids, too. There is a quiet sophistication to her work. The fine details are refined and innovative, yet the attitude of the images themselves are very accessible. You don’t need a formal art education to enjoy Timm’s work, and it’s able to be appreciated on a number of levels.
I will start this off by saying, I know it’s a bit cliche for a 25 year old woman to begin posting about wedding chapels on art blogs. Regardless, I do have other things on the brain, like art!
Honestly, I feel like I never really appreciated the mighty, widely conferred “greatness” bestowed upon the behemoth architect Frank Lloyd Wright until seeing this 1948 Wayfarer’s Chapel. I know that’s like a musician “suddenly” getting the Beatles, but this is magestic and awe-inspiring! The setting itself looks like a wizard’s mighty abode; constructed entirely out of glass, towering redwoods act as the pilasters of the church itself. It’s like a living, breathing ancient relic from The Hobbit- can’t you just see the Elvin-Mortal weddings taking place here? Not to mention, it’s dedicated to Swedenborg,the mystic who wrote the canonical (later very influential on occultists, who blended the text with alchemy and divination) text “Heaven and Hell,” detailing all manner of demons and spirits that he purported to have witnessed himself. It’s quite a crystal ball, I feel the energy could channel some very supernatural thoughts indeed.
Our good buddies over at Two Rabbit Studios is having a big ol’ 4th of July print sale and BBQ. Go hang with them, listen to some good music, get some food, and most importantly get some amazing prints and posters for your walls at a fraction of the price!
Have you ever looked at a black and white photograph and wondered what it would look like if it were taken in the modern day? The Dutch website NSMBL recently uploaded GIFs of vintage photographs being colorized. We are not only able to see the original range of black, grey, and white tones, but we can see the color each hue translates to. As each nostalgic scene turns to color, we realize how different contemporary technology is and how far it has come. The new colors and tones are not muted or faded like we might expect a color vintage photograph to be. They are ultra-bright and full of vibrancy, leaving each image looking near perfect.
Because the images look too high quality for real vintage color photos, they almost make it seem as if we were in the frame of the picture within the scene, or like the photos were taken in modern times. Either way, it breaks the time barrier that creates such a nostalgic distance between the photograph and the viewer. It makes you wonder what images would have been captured if they had better technology during those times, or perhaps, what advanced technologies will capture images of our lives in the future. Contemporary film photography is becoming more and more obsolete, as vintage film is becoming aged and damaged over time. These images are refreshing to see as these classic photographs are now often documented digitally. We can both marvel at the technological advances in film photography while still seeing the timeless and beautiful original.
Travis LeRoy Southworth‘s spit wad ceiling installation The Growing Metaphysical Void at the Center of My Bedroom Ceiling immediately transports me to a simpler time when throwing things at the ceiling and watching them stick was king and snapping girls bra’s was the ultimate form of flirting.