As part of our ongoing partnership with Feature Shoot, Beautiful/Decay is sharing Greg Funnell’s interview with Photographer Andrew Youngson.
Andrew Youngson’s series, The Devil’s Garden, documents Bedouin communities living amidst Second World War minefields in Egypt’s Western Desert. It is estimated that approximately 17 million unexploded anti-personnel and anti-tank mines; artillery shells; bombs dropped by aircraft and machine gun, small arms and mortar rounds remain beneath the sand.
The Western Desert is an area rich in natural resources but whereas areas allocated for luxury beach resorts and Petroleum Company compounds have been cleared of unexploded ordnance, Bedouin land has not benefited from such programmes. Official records of incidents involving UXO have not been kept until recently but it is believed thousands of Bedouin have been killed or injured since the end of the Second World War.
Youngson is based in London and his new book, Aida, will be published by Black Box Press in July 2012.
Leandro Erlich should be everyones favorite Argentinean installation artist. He could even be my favorite artist of all time. Leandro simple kills it! He was born in Buenos Aires, Argentina and now lives and works in Paris, France. His latest project, “Shattering Door,” is on display at Luciana Brito, São Paulo, Brazil. Make sure to check out more of his projects in his stunning portfolio.
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Michael DeLucia draws with a scary talent for hand-rendering intense geometric grids and patterns. The Rochester born, Brooklyn-based artist (whose sculptures were previously featured here) creates drawings that reference shape, geometry and intersecting lines to create familiar and affecting moiré patterns. Utilizing carefully spaced lines, which intersect and diverge in different points, gives the work an almost meditative quality for the viewer, and more than likely for the artist during their creation.
Perhaps unsurprising when considering the strength of depth and field in the drawings, DeLucia has received more attention for his sculptural work than the works on paper, though both quite obviously inform each other. Several sculptural works (Partial Sphere and projectionfor example) echo the same skill and detailed work as the drawings, and exist as both independent and linked artworks. (via butdoesitfloat)
Stefan G. Bucher is a graphic designer, illustrator, author, creator of monsters, and pursuer of obsessions. The (sole) creative force behind 344, his clients have included art galleries, film directors, magazines, record companies, Saks Fifth Avenue and the Blue Man Group. If you’ve seen the Yeti themed Saks Christmas windows, you’ve seen Stefan’s work. The Daily Monster is his, too. The cover of The Matrix soundtrack; typography for Mirror, Mirror; Blue Man Theater. All Stefan G. Bucher.
Aside from his amazing and prodigious creative skills, Stefan is an astute observer of culture and a consistently funny writer. He agreed to be interviewed for Beautiful/Decay.
B/D: Thanks for talking with me, Stefan—I’m just going to jump right in. What’s the most interesting thing you’re working on right now?
Stefan Bucher: It’s my pleasure. The most interesting project I’m working on right now is the pitch for an animated show surrounding the Daily Monsters. It’s a long process of uncertain outcome, but it involves a lot of things I love—illustration, working with a brilliant writer and a genius animation producer, thinking about music and character design. It’s great! I’m also working on a solo gallery show for the spring. That’s just a big beast breathing down my neck. I don’t know how much of it will be retrospective and how much will be new work. I just want it to be a fun trip for the audience.
Matt Wisniewski has so much great work on his site that i could do 15 posts about him. However my favorite pieces from the bunch has to be these digital collages that seamlessly blend painting and photography to create gorgeous abstractions of the human figure.