DJs have always set the tone for what happens on the dance for but in Foot Locker’s new project the dancers set the beat. Like something out of Michael Jackson’s Billy Jean, the turntable is now a dance floor. Working with one of the world’s leading installation artists Footlocker created a live action mixing deck where dancers can use their feet to create music. Using beats and fx sounds dancers reverse engineer the music with their bodies and their sneakers. The result is an imaginative and fun video that brings together marries motion and music of music with everyone’s favorite clothing item, the sneaker.
At the live show for Flying Lotus‘ ‘You’re Dead’ tour, audience members were treated to a visual spectacle few were expecting. Using his artist name of Strangeloop, David Wexler joined forces with John King (Timeboy), not only to produce hypnotizing visual art, but to transform the whole experience of FlyLo’s new stage show. Calling the sculpture Layer³ (pronounced Layer Cubed), this multi-screen set up is an expansion of an earlier project called Layer 3.
Working under the label Brainfeeder, Ellison and Wexler reconnected and began combining their respective talents of creating memorizing tunes and animations. Recognizing that most moments we remember are cinematic ones, Ellison knew he wanted a strong visual component to his stage show. With none of the animations pre-programmed, Timeboy and Strangeloop are responding to FlyLo’s tunes in real time, trying to visually produce something that reinforces the audio experience. Wexler describes the logistics of making the animation cube:
It’s essentially two projectors—a rear projected screen and a front projected screen. You can get a certain amount of three-dimensionality because we have a foreground projection, Flying Lotus performing in the mid-ground, and a background projection. (Source)
For FlyLo, to play in between the screens and not be able to engage with the audience in a conventional way allows him to delve into his set more; really trying to communicate the story he wants to tell through his music. He is trying to find the place that reminds him of being a kid, and wants to transport his fans to the same magical place he loves.
I think as we get older that idea of magic is taken from us, there’s just less and less of it as we get older. I really try to dabble in things that feel magical. (Source)
Peter Scherrer is a Washington (state) based artist and makes amazing paintings about the woods he grew up around. His newer work feels like a combination of fauvism and DeKooning, but his older stuff is 100% woods and it makes the woods feel like a whole other kind of jungle. If you find yourself in Seattle in the next two days, check out his work at the Cornish College where he is hanging until the 13th. “You have to love the paintings of Peter Scherrer. They’re perfectly serious, thick and virtuosic and painterly and dark, and funny at the same time.” – Jen Graves of The Stranger ( via )
When the cold and snow are as harsh as this winter, the idea of an outdoor art fair sounds less than ideal to most. But, when cabin fever kicks in, anyone stuck indoors for too long understands the need to take drastic action to make the Hibernation Months bearable. Taking inspiration from the omnipresent winter ice fishing communities that spontaneously gather upon frozen lakes and ponds across the Midwest, the Art Shanties Project groups together to various themed ice shanties into a small winter attraction to give warm-blooded (and hot chocolate drinking) Minnesotans something to get through the cold months.
Proposals for these art-minded ice house are selected by committee, and run by volunteers for a few weeks in the dead of winter, creating an outdoor happening which explores the potential of new ideas in community-driven art. As the Shanties’ mission statement explains, “Art Shanty Projects is an artist driven temporary community exploring the ways in which relatively unregulated public spaces can be used as new and challenging artistic environments to expand notions of what art can be.”
Taking place in Minnesota since 2006, and operating every other year to protect the water quality and natural wildlife after the ice’s thaw, this year’s was the first on the ice of the Twin Cities suburb of White Bear Lake (hence the 25 foot, Bear-shaped bicycle-powered Pedal Bear). Each shanties’ theme range from winter-related like Ice Ice Maybe (which encases boutique items in ice) and the history museum/training course Curling Clubhouse Ice Shanty, to more participatory (such as the boogie-down Dance Shanty and the kite-making Wind Shanty) to the more conceptual (the Lost Found and Wanting Shanty, which collects actual lost belongings as well as existential yearnings). Citing artist-audience involvement to the spontaneous community which gathers on the ice as its main goal, the Art Shanties Project “…provides a unique opportunity for artists to interact with their audience, and vice versa, in an un-intimidating, non-gallery like environment.” (via l’étoile)
Australian artist Troy Emery’s practice is an ongoing project of producing a series of artworks that investigate decoration and the aesthetics of craft associated with natural history and the animal form . In his sculpture practice, taxidermy foam bodies are covered in bright polyester pompoms and craft textiles such as tassle fringing. The artworks, non-descript predator animals with their playfully colorful pelts, become hyper exotic specimens in a menagerie of art / animal objects.
Watch a fantastic short documentary on Troy Emery after the jump.
“Bela” is a short documentary which follows the day in the life of a street performer named Bela Erdei or “the cat man”. Bela, a recognizable face to some, travels hours by train throughout the south of France to perform with his affectionate house cats. An affable and eccentric character who has a real passion for what he does. Watch the full documentary after the jump.
Dutch painter Joram Roukes’ large scaled oil paintings of collaged images bring together moments of abstraction, figuration, and pop iconography together to create dynamic mutating and morphing figures. His imagery refers to the moral dilemmas one may find himself in, viewing today’s western society. Through experience by participation Joram Roukes reflects not necessarily on an opinion on society’s flaws in his work, but rather observes and reports on typical western phenomena, leaving judgement up to the viewer, who thereby, establish their own position in these matters. (via)