It seems Los Angeles has finally decided to warm up to us and the heat is slowly but surely attacking our foggy lovable city. I was trying to find something to post here that would welcome the heat wave back in LA after months of rain and freezing cold nights. Although this commercial is obviously targeting the concept of using natural gas in “winter”, I feel like if I could describe the heat in LA right now, would be a wool covered house.
The commercial is made by Lovo Films, a company that operates in Europe. They are known for making great commercials for companies like Belgacom, Coca-Cola, Telenet, Yamaha, TDK, Mio, McDonald’s, Gordon Beer, Center Parcs, Renault and Seat. They also have a “making of video” of this awesome commercial.
Now get ready to welcome the heat of Los Angeles with open arms~! HA!
You could say artist Aganetha Dyck creates her sculptures as much as she fascilitates them. Dyck uses honeybees to decorate these figurines. The bees create graceful lines and countours that seem compliment the existing shapes of the figures. Their honeycomb patterns don’t seem like strange additions but rather enhancements. Dyck begins her process with figurines, often broken or damaged in some way. Then collaborating with beekeepers and scientists, bees are allowed to add their distinctive pattern to each small statue. Dyck describes her process:
“To begin a collaborative project with the honeybees, I choose a slightly broken object or damaged material from a second hand market place. I choose damaged objects because honeybees are meticulous beings, they continuously mend anything around them and they do pay attention to detail. To encourage the honeybees to communicate, I strategically add wax or honey, propolis or hand-made honeycomb patterns to the objects prior to placing them into their hives. At least I like to think my methods are strategic. The honeybees often think otherwise and respond to what is placed within their hive in ways that make my mind reel.”
Kim Tucker’s ceramic sculptures are burly messes of gender– exorcising primal desires, akin to a Bukowski or Fante novel, with a dash of Freud, but crafted with more of a surrealistic feminine charge. Each nude, for example, sexually and emotionally gestures at our gentle need for communion from one body to the next, illustrating psychologically how we bleed failure, rejection, isolation or loss.
KCRW’s Laura Schumate laments on each figure’s soft absorption: “There’s a desire to protect them like your own children or a friend, while acknowledging their familiar sorrow within yourself.”
On that note, the entire menagerie evokes not only Tucker’s inner children, but also our own, as they engage in “psychological storytelling”– narrating open wounds we are inclined to protect, lick, mother, or share: a deep commiseration over the tragedy of bodily confinement.
Looking a bit akin to people who emulate the popular group KISS, makeup artist Lydia Cambron emulates defaced advertisements on the subway. She’ll first take a lookalike selfie then recreate the ad’s defaced portion using cosmetics. What she comes up with are some interesting pieces which remind of the famous hard rock foursome but also recall old music zines. They have the same DIY quality which when taken in a fine art context combine zerox and collage sensibilities.
Her use of cosmetics lends a different element which make the surfaces unique but also similar since makeup is pretty much paint for the face. The pieces she chooses to copy are mostly portraiture of women. In them the eyes are blanked out and the lips are Botox bloated. In one black streamers are coming out of the eyes. These provoke a dark humor which take on a very punk rock attitude. It could also be a parody of advertisements in general where women have lots of eyeliner and thick lips. By making these into selfie’s Cambron also makes fun of what the average person thinks of how women are perhaps falsely portrayed in subway advertising..
Crazy small drawings from Edinburgh-based artist Paul Chiappe. Recreating graphite versions of early 20th century photography, the artist meticulously produces his works within tiny confines. Many of his drawings fall below the 4×4 cm. mark. Looking at the sad faces of our forebears given life by Chiappe’s drawings, you get the sense that they might easily have been forgotten by the world. His efforts celebrate those we’ve lost in a really unique way. Check out more below. (via)
Beautiful/Decay is honoring its DIY zine roots by teaming up with 5 artists from around the country to bring you their limited edition zines. Mailed exclusively to Beautiful/Decay subscribers, each copy of Beautiful/Decay Book:8 will come complete with
it’s very own zine. Each B/D subscriber will receive a different zine blind packed into their issue. These zines are not available in stores, only B/D subscribers will receive them. Subscribe today to make sure you get your hands on one of these exclusive zines. Read about the talented zine makers after the jump and click on the subscribe link to reserve your copy of Beautiful/Decay Book:8 with the limited edition zine today!
The brutally exquisite and honest drawings and paintings of Matthew Watson capture every wrinkle, blemish, hair, and flaw on the faces of his sitters and force you to look beyond the imperfections to discover the beauty that is within.