An amazing photography project by Tiina Itkonen about his trips to Greenland. Here is a description of the project in the artist’s own words: Since the beginning of the 1990s, I have been searching for my own Ultima Thule, my place in the Far North. I was enchanted by the story of the Mother of the Sea and, in 1995, it inspired me to set off for the place where the story originated in Greenland. The lack of haste, the friendliness of the people and the silence of the glaciers compelled me to return to Greenland in 1998, 2002, 2005 and 2006.
Bear Kirkpatrick is a New Hampshire-based photographer whose dreamlike visions delve into human emotion, memory, and myth. His work is characterized by allegorical, painterly images that blend baroque-style drama with a modern melancholia and passion. The two series featured here are Hierophanies I and II, which are based off of Mircea Eliade‘s theory of the same name. Kirkpatrick explains the term further in the context of his work:
“This study went afield looking for evidence in the modern world of Mircea Eliade’s evocation of the Hierophany, a tear in the fabric of the profane world that showed a glimpse of the sacred world behind it. All that lives and breathes, dies, is part of a cycle of life and death, is a natural part of the profane world. The sacred world exists as a memory of a place before death.” (Source)
In search of these tears between worlds, Kirkpatrick hiked miles into the wilderness, enduring swamps, mosquitoes, and ticks to find the perfect locations. Once there, he would capture—guided by intuition—the sacred as it briefly emerged through nude figures and the landscape. In postures of rapture and anguish, bodies struggle and recline against trees, in the grass, and between rocks, their actions solemn but mysterious, invoking an ancient language that transforms emotion and spirit into a visceral physicality. Permeating these two series is a sense of isolation, one that comes from a profound sense of heartbreak; but on the brink of myth and the eternal, each figure embodies healing and rebirth.
Visit Kirkpatrick’s website to view more of his stunning work.
In self-described “experientialist” artist Lee Walton’s most recent project (though on his Vimeo, it seems the last upload was 9 months ago…), he will perform what his Friends on facebook are doing. This online project will only be viewable to those listed as Friends on the web site. The man is hilarious and ridiculously clever- I’ve added him as a friend, so should you!
Dealing in an atypical kind of self-portraiture, Dawn Woolley often creates photographic copies of herself, and then photographs them in various locations, positions and moods. Making herself a substitute and her visual representative, the work forms an inquiry into the act of looking, and being looked at. As she says of the work, “Referring to psychoanalysis and phenomenology I examine my own experience of becoming an object of sight and also consider the experience the viewer has when looking at me as a photographic object. By producing artwork that establishes me as an object it could be argued that I reinforce stereotypical images of the female body.” Indeed, the female body is a common subject of Woolley’s work, often playing with stereotypes through reinforcing them, or defying them.
In series, such as TheSubstitute, Woolley created a photographic copy of herself and placed it in the real world in her stead. Seeking to reinforce conventional images of the female body, but with apparent exhibitionism, Woolley created a replacement that rendered her real body invisible. The sense of disbelief for a viewer is slow to materialize, as our brain wants to see an actual 3-dimensional person. The effects are similar even when both individuals are cutouts. Selecting moments in her past, Woolley’s series, Adolescence gives her some distance from emotionally heightened events by re-creating them using photographs.
The ambiguousness of her work allows Woolley to play with assumptions about gender, and conventions of photography. There is a performative aspect to the work that is ultimately completed by the viewer. A viewer feels like a voyeur, and then, after realizing he is looking at a 2-dimensional depiction of a 2-dimensional photograph, a fool for being duped. An interesting way to examine gender roles and self-portraiture, Woolley’s images are challenging and provocative.
Designer/Artist/Self-Obssessor JK Keller really knows how to make use of his tools. Witness his curious expertise as JK wills the computer to create these amazing works of art. With a conceptual work ethic that borders on mischief, Keller humorously exposes to us the inherent beauty within the hidden structures in our lives.
Practically everyone can remember a time in his or her childhood when they got to eat a Cornetto ice cream cone, it starts out with an ice cream and topping swirl and ends in a tasty burst of chocolate. Cornetto took the same approach in creating their new series of short films called Cupidity. Each film is highly cinematic and like the Cornetto cones themselves, reveal something new in every act. The films take us around the globe in Istanbul, Hong Kong, New York and Los Angeles, showing off a beautifully filmed vignette showcasing each city.
The Cupidity series of short films Cornetto created are tales of love from a teenager’s perspective- a time when love is grandiose and mysterious, the stuff of fairy tales. The film featured here is called Kismet Diner and is set in a cozy, fifties style diner. The story revolves around Laura, the adorably shy waitress with a gift for singing. The story reveals itself in four acts, each act getting the viewer closer to the “choclately burst” at the end. The whimsical story and storybook setting calls to mind the charm of movies like Amelie.
Cupidity is an interesting project for an ice cream company to take on and certainly one that is blurring the lines between advertising and content. We solute Cornetto for pushing the boundaries of their ad campaigns and adding a creative bend to how they market their brand.
The design studio/street art crew known as Truly Design is truly an expert at creating anamorphic art. The group is playful with both literal and figurative perspective. The Medusa anamorph, for example, does precisely this. According to the myth if a person looked directly at the serpant haired Gorgon they would instantly turn to stone. Perseus was only able to slay the monster by looking at her reflection. Similarly, this Medusa can only be seen from singular perspective.