Adrienne Kammerer’s exquisite graphite drawings depict an ongoing narrative exploring the history of magic set in a fictitious past. Through beautifully rendered figurative portraits and environments, Kammerer intuitively combines historic folklore with documented and imagined instances of magic, mythology and the occult. Drawing influence from the fear and superstitions rooted in childhood, Kammerer’s images conjure memories of the past while offering a subtly dark humor indicative of their present existence.
I really like how the isolation of the object and their illumination by the camera give the plants human characteristics- those not getting any love. The ones in our office are slowly resembling these :[
The Nairobi-based artist, Michael Soi, was asked by The Center for African Family Studies (CAFS), a Nairobi-based international NGO, to work along their side in order to create an eye-catching condom line with pop art-inspired packaging to promote safe sex and raise awareness about HIV/AIDS.
Soi is primarily known for his satirical commentary on socio-political issues (political impunity, greed and Kenya’s growing sex industry). Unafraid to shy away from taboo subjects like sex and interracial relationships, the artist was more than happy to collaborate with the NGO on this important project.
“I felt like everybody is basically trying to deal with this whole issue — HIV, unwanted pregnancies — and when I talk about everybody I mean the church is doing whatever they can, the government is doing whatever they can.I felt the project was a good thing. I wanted to try to chip in and create something that would help fight a good fight.”
Soi’s visual work offers a grounded and relatable aesthetic that engages with the targeted public in a very fun way; his subjects are modern, often interracial couples or young women drinking Tusker, a popular Kenyan beer brand. His “pop-art condoms” are meant to attract young buyers who might otherwise face social stigma.
According to CNN, the project is in its on its first stages, and they are asking for funding on Indiegogo. (Via CNN)
The photography of Amanda Charchian is like a vaguely familiar dream. Her series featured here make a strange sort of sense in much the way a dreams do. Titled When There is Nothing Left to Burn, You Have to Set Yourself on Fire, Charchian makes use of an all female cast of subjects, primary coloring, peculiar lighting, and hazily 1970’s fashion photography aesthetic for an understated surreal atmosphere. However, she especially makes skillful use of the scenery blending all of the components into one sun-induced hallucination. Interestingly, she says of her process:
“I really enjoy what I do, so I am constantly working. I am very fast paced and I like working in a trance state, so it doesn’t suit me to adhere to a particular plan. The process always starts with that sort of light bulb flash (usually when I am doing something really mundane), and then I refine the concept. With that concept lurking, the physical making of the work always becomes very intuitive.” (via)
I am really enjoying Matthew Daniel Swan’s work. He creates beautiful illustrations and paintings from which he draws inspiration from pulp cartoons and references Trenton Doyle Hancock. Swan was born in 1987 and works and lives in Edinburgh.