I know this video is a tad on the cheesy side of the spectrum but you gotta admit that it’s interesting to see these Van Gogh portraits shapeshifting from one work to the next. The most bizarre part is that the expression never changes once.
Amsterdam based Jasper de Beijer constructs detailed scale models and staged sets, which then create a specific and entirely made-up image. De Beijer’s work stems from a fascination with the pictorial and photographic information of foreign cultures and former historical periods. Each series is specifically inspired, but ends with photographs that are dreamlike and not quite real. De Beijer focuses on real cultures and events that are removed from his own personal experience, dealing with the character of information that is created by photography. The distance created between artist, viewer and subject matter is further built upon by De Beijers staging process to build a bridge from “there” to “here”.
Elly Heise is a commercial and fine arts photographer who’s created a series where daughters do their mother’s makeup. Some of the results are close to conventional makeup application, but for the most part the girls were very creative. Children, in art and evidently makeup, are always able to think outside the box. It’s exciting to see what they can come up with.
What’s a bit strange about the series is that the portraits are quite serious. In many the mothers look sad, and in combination with makeup that in some cases resembles bruising, it sends a mixed message.
Heise states of her fine art photography:
“My artistic practice often involves psychological inquiries I make concerning our identities. I see photography as a potential medium that can represent the outer physical identity of a subject while simultaneously expressing their natural drives. I hope that my work will cause my audience to consider the natural and unnatural influences that affect the formation of their own identities. I aspire to make images that give voice to the photographic subject’s realism and the humanity existing behind their masks.”
The #daughterdoesmymakeup series deals with themes of mask and identity. It highlights the absurdity of makeup as a mask with which to hide our natural beauty. It also demonstrates the creativity of a mind not yet strongly influenced by standardized beauty.(Via 123 Inspiration)
Stockholm, Sweden based artist Joakim Ojanen works in mediums as diverse as sculpture and zines. His paintings, however, particularly standout. Familiar snippets of cartoon characters, body parts, and shapes congeal as a hallucinatory mass. Normally lighthearted characters appear to be in a paranoid panic or a manic giddiness. Eyeballs peek from oddly placed holes or simply roll on the ground. Ojanen’s portraits don’t seem to depict monsters as much as characters mutated by abstraction.
For a while now, Gerry Judah has produced extremely large-scale outdoor installations. And he’s become pretty good at it. Especially notable are his automobile-themed works, which suspend scale-sized model cars high in the air as part of whirling, vertigo-inducing sculpture work. Kinda like Steve Tobin’s work, except with horsepower. (via)
Brussels-based Hélène Jeudy consistently pumps out magical graphite drawings that never cease to dazzle the eyes with the banal and the demonic. From the kitchen to the pits of hell you will go, with your eyes being blasted by her beautiful tonnage. She recently, had a book released by POGO Books. Support. This. Lovely. Dream.
Street artist Roa keeps things large and in charge with his massive animals. Whether it’s dead gators, or skinned rabbits Roa brings the carnage of the wild into the urban streets for all of us to enjoy.
Macabre artist Jonathan Monaghan creates digital sculptures, prints, and animations that definitely puts us in a sense of discomfort. His clean, almost sterile use of style in detail, color, and light is both beautiful and extremely uncomfortable.