Paul over at Buy Tees recently reviewed our recent Summer ’09 apparel release that went on the online shop last week. The review is really something else- he went through and gave amazing, descriptive reviews of four of our tees (Explosion, Goldfish, Meltdown and Throw Up). Just check out his words on Goldfish: “Highly reminiscent of Terry Gilliam’s early animated works with topped up with a thick slice of Salvador Dalifor good measure, Jerico Santander’s beautifully bizarre t-shirt design simply entitled Goldfish leaves me agog. I’ll type one-handed as the other attempts to close my dropped jaw which will probably remain in that position for at least the next few minutes.” Anyways, check out the review….and, while you’re at it….check out Paul’s artwork here.
Photographer Tommy Kha, a 2013 graduate of Yale’s MFA program, will not kiss you back. In his project, Return to Sender, Kha documents himself receiving a kiss from strangers, friends, lovers, acquaintances, and not returning it. To what do we owe this visual pleasure and physical discomfort? These images of Kha’s bewildered, open eyes while his malleable body is taken, touched, and grabbed at another’s whim conjures up an amalgam of emotions, the least of which is our own discomfort.
Why? The photographer knows: “While my passive character mirrors stereotypes of the Asian men—almost always depicted as neutered, asexual, or submissive within media—it is my transgression as the photographer that undermines this passivity. Coupled with the other participants’ control over their own representation through their kiss, these images intend to question and confuse the role of the photographer and sitter, protagonist and supporting character, self-portrait and performance.” We recently found out more from Kha.
Why did you choose kissing as the method for self-portraiture as it is in effect here?
“I approach the picture making to explore desire, through intimacy, but it doesn’t necessarily look intimate in the photographs. It has to do with the desire to see oneself reflected. With kissing (on the lips), there’s something very expected about doing that act. I like to be surprised by photography since my work lies within the terrains of self-portrait, performance, and staged photography. Even in making these photographs, it’s not really about the kiss as an act itself but how each kiss is different.”
Yes, please! I would like to wear my television. London based fashion company CuteCircuit specializes in “wearable technology”. If you think your TV and computer weren’t enough how about wearing it. What “it” is a dress embroidered with over 24,000 color LEDs. The dress has become a permanent piece at the Museum of Science and Industry in Chicago in order to celebrate its 75 years.
Patrick Krzyzanowski’s watercolors are action packed not just with intricate detail but also with face ripping, body slamming, choke holding, wrestlemania extravaganza.
Culinary artist Annabel de Vetten creates, bakes, and sculpts incredible, artistic edibles that tend to be on the dark side. She makes sinister sweets that look exactly like bird skulls, animal insides, and the exposed organs of a cadaver. All of her detailed work would be impressive as a sculpture, but to make it with chocolate, cake, and icing takes a very unique set of skills. Her morbid, graphic style of cake making grew from a background of fine art and, not surprisingly, taxidermy. During this practice, Vetten became very familiar with the site of guts and bones, which is why the inside of her human and animal corpses appear so real, even though they are actually desserts.
You may wonder who would want to eat something that looks so horrifying, but Vetten’s business is booming! Her business, clever named Conjurer’s Kitchen, is wildly successful and only continues to grow. This means that her cooking not only looks amazing, but it must taste great as well. In order to accurately construct each bone and blood vessel, Vetten must only use the finest ingredients. For her chocolate sculptures, she must use high quality Belgian chocolate, so that the features won’t melt away. For the coloring, she invents deliciously creative ways to integrate food that naturally has the hue she desires, making both her technique and her subject matter equally innovative and unique. Vetten’s sickening sweets may display a deathly subject matter, but more importantly display unbelievable artistic skill. (via Munchies.Vice.com)
As part of Coca Cola’s Move to the Beat program for the 2012 Olympics, London design partners Asif Khan and Pernilla Ohrstedt put together the Coca Cola Beatbox pavilion in the Olympic Park, an interactive architectural installation composed of 200 translucent air cushions. The cushions respond to movement from pavilion visitors with sound and light, effectively remixing a track commissioned by the bottling company for the Games. Different areas in the structure emit various sports-themed sounds like sneakers squeaking on the court and recorded heart rates. This one’s probably not for the claustrophobic, but London is definitely the place to be right now. Concept sketches and more images of the musical pavilion after the jump. (via)
Check out Michelle Muzyka’s Memories In Decay installation consisting of ultra detailed cut paper sculptures.
Mark Khaisman, born in Kiev, Russia and now living in Philly, has much more love for packaging tape than I can attest to. Using it as a “wide paint stroke,” Khaisman uses the packaging tape on light boxes, essentially creating a look that embodies pixels on a screen, but much more hands on.