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Salão Coboi

I sure do love these amazing sculptures of magical figures by Salão Coboi.

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Documentary Watch: Charles Krafft’s Human Bone China

 

Seattle based Charles Krafft has spent decades creating gorgeous porcelain sculptures referencing everything from war to pop culture. In this short documentary hear Charles describe his inspirations, process, and his use of human bone china to memorialize friends.

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The Mixed Media Work of Xochi Solis

Artist Xochi Solis‘ work combines painting with collage into smartly layered pieces.  Rather  than spreading the elements throughout the composition, Solis places them all at the center.  She layers each piece on the on top of the one before it, revealing only pieces of found images or painterly strokes.  The round images almost appear cellular though still resisting easy interpretation or identification.  The Austin, Texas based artist’s materials range from acrylic and oil paint to found images and acetate.

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Satan’s Fashion By Valerija Ilchuk

Fashion Collages with a dark twist by Valerija Ilchuk.

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Hand-Stitched Portraits Reflect Our Complicated Relationship With The Digital Age

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Melbourne-based artist Catherine Tipping uses an analog way of working to depict digitally-minded portraits. Blurring the line between what’s on the screen and off, she uses wool to stitch human faces that are partially pixelated, glitchy, or generally just obscured through Photoshop. They are sewn onto a gridded canvas, which is not unlike the the pixels that we see on screen. These similarities make for a compelling series titled Filter that meditates on identity and the way technology has totally changed our culture.

Tipping explains the concept behind her work in an email to The Huffington Post, writing:

I was learning about Modernism and how technology changed society culturally back then. I saw how the Digital era has had a similar affect on our culture. Now that we are in the second decade of the new millennium, we rely on the efficiency of digital technology. Recently, in some aspects of society, it appears there is a yearning for the handmade. Maybe now is the time when digital and handmade mediums can be combined and embraced by society. I see this bridge in my processes by using a digital image with all its pixels and hand stitching it.

Depending on how you’re looking at them, they can resemble digital renderings or traditional fiber work. Tipping intersperses bits of both worlds within a single composition, creating one whole work that’s a combination of influences. “I am interested in cultural identity on many levels; societal, sub-cultural and personal,” she writes to The Huffington Post. “I like considering the distinctive visual traditions of different eras and outside factors that shape them. These portraits may appear distinctive of our current era or not, I sometimes wonder if we are becoming so anachronistic that we are indistinctive of a time.” (Via The Huffington Post)

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Rhiannon Schneiderman Takes On Ideals Of Beauty And Grooming In Her Hilarious “Lady Manes” Series (NSFW)

Rhiannon Schneiderman Photography

Rhiannon Schneiderman Photography

Rhiannon Schneiderman Photography

Rhiannon Schneiderman‘s self portrait series “Lady Mane” takes on societies ideals for women but with a hilarious tongue-in-cheek spin. Striking the same types of poses you’d find in fashion magazines with hip accessories across a neutral background, the artist stares into the camera while long wispy ponytails, four foot hair braids, and jheri curls dangle from her crotch. In a recent interview with Design Taxi Schneiderman states about the project:

The Lady Manes is a series of eight self-portraits. In each image I’m standing in your typical feminine pose in an outfit or article of clothing, and I’ve accessorized each outfit with its own unique, stylized ‘Lady Mane.’ A ‘Lady Mane’ is just a somewhat empowering pseudonym for a bunch of pubes, a “bush,” your “hair down there”… And that’s what the series was about for me: empowerment. I can’t really pinpoint any one source of inspiration for the project because it really was a culmination of so many things going on at the time; I’d moved to and lived in Daytona Beach, the armpit of Florida and possibly all of civilization, for almost two years (for school) during which time I’d witnessed and been subject to some pretty amazingly sexist ordeals. I was moving more into my hardcore feminist phase, which I think every lesbian in their 20’s goes through, and just so happened to have a hardcore feminist, fine-arts-major professor who had been giving me a semester of the most intense and life-altering class critiques I’d ever experienced. I’d been introduced to Cass Bird’s “Rewilding”, an amazing body of work that continues to influence me. All of these things, and maybe a few Lady Gaga songs, were inspiration enough to create a series that kind of laughed at conventional gender norms. I wanted to tell people that they were ridiculous, make them uncomfortable for a change. I wanted to challenge femininity and the objectification of women that is still so incredibly prevalent in society. I guess it was my way of saying, “Fuck you. Enough is enough.”

 

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Niccoló Bonfadini’s Othewordly Photos Of Frozen Forests

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Some people have an innate understanding of nature, and our place in it. Very few have the dedication to capture the most foreboding environments, even though these landscapes often offer the most complete portrait of the diversity and beauty of our planet. Niccoló Bonfadini is one of those few. The photographer (and environmental engineering student) captured these sensational landscape photographs while travelling through the Finnish lapland in the dead of the winter season.

With snow piled high and enveloping even the tallest trees, the Monza, Italy-based photographer offers a panoramic view of the very nature of winter. Taken at sunrise in temperatures reportedly ranging from -40°C to -15°C, Bonfadini’s photos show the plains and trees transformed into a world of towering clouds and endless white, carved with ice and snow. And with the snow covering everything (and all visual stimuli removed), the power of the season, and Life’s ability to persist through even the most brutal of environments, is shown.

Says the photographer and ardent traveller, “From the rugged mountain peaks to the fury of the ocean, from the snowy winter panoramas to the dense forests, the landscape never fails to impress and inspire those who observe it. Landscape photography is one of the most difficult kinds of photography. The artist has to be patient and determined to trasform what is ordinary in something extraordinary. But, above all, the photographer has to feel the beauty and the majesty of Nature.” (via mymodernmet)

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Claire Martin’s Damaged Land

Claire Martin takes extremely beautiful photos of some of damaged people and disturbing situations.

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