Arend deGruyter-Helfer gives you a pile of Facebook gifts. Gifs. They’re almost better than a pile of real gifts!
Jessica Stockholder’s work first caught my eye when I saw images of her Color Jam, a word play on “traffic jam,” installed in a downtown intersection in Chicago in 2012. The installation included sidewalks, streets, buildings, windows and doors. It was a three-dimensional painting, of sorts, incorporating color and texture. Beyond that though, the comings and goings of Chicago’s inhabitants, yellow taxicabs, blue buses etc. augmented the effects of the work.
Stockholder seeks to undermine the preciousness of art. By occupying public spaces she forces interaction and engagement with the work. Visitors, whether they want to or not, become a part of the process and installation. For another work, Flooded Chambers Maid, 2009-10, Stockholder re-imagined a portion of Madison Square Park. Enthused park visitors, environment and weather all interacted with the installation, giving life to an otherwise static work.
Eddie Martinez invited Beautiful/Decay over to his sunny Brooklyn studio to check out his new body of work. The next day the show was headed to Berlin, so it was excellent to get to talk to Eddie before the work shipped. I was able to take pics for over an hour while Martinez came in and out of the studio space. Martinez had shelves built to hold the work at nice heights, making it easier to get up close and examine the paintings. The reason I like Martinez’s work is that it doesn’t try to mimic reality, but instead the work represents reality. It works sort of the way a great story functions: there is a language which uncovers something hidden or reveals something new about the world. As far as we know, human beings are the only creatures which live with a sense of time. Because we are bound to our own time, each generation needs people who show us back to ourselves, which in turn allows us to conceptualize ourselves and the world. I think this is what Martinez is doing, and without a doubt his work does that for me. The show, Seeker, opens November 11th at Peres Projects Mitte, Berlin.
The talents of James Callahan, Tommy Ruets, and James Quigley are now available on 3 wildly colorful 1″ buttons. These mini treats, complete with custom full-color packaging, are ready to adorn your clothing and other accessories–take B/D wherever you go! Visit our apparel shop to order your own button pack today at the button-size price of $2.95.
For these new additions to our shop, we worked with Six Cent Press (located in Vancouver, Canada), and were extremely happy with the results! We highly recommend their work, as they quickly prepare and ship buttons to clients worldwide. These buttons are great as promotional tools for bands, portfolio take-aways for artists, et cetera!
Gestural fluid abstraction and geometric patterns usually don’t well together but Kent Michael Smith has figured out a way to make them live harmoniously on the same surface. By using resin inbetween layers of paint he manages to combine these two disparate forms of mark making that reference Nascar color schematics, hunting gear, camouflage, and graffiti.
I was snooping around Cargofolio today and found this lovely gem. Not only is Yu Jie Wu an amazing experimental photographer, he is a high school student. I am consistently impressed by how ambitious and talented some of the artists from the younger generation are. His work explores time, motion and repetition within a single scene. I see a lot of work that uses repetitive imagery, but I think that Yu Jie Wu has done it better. He is subtle, and the images he chooses to repeat force the viewer to notice small differences, or recognize that there is sometimes no difference at all.
I really like these illustrations from Sandra Beer of Frankfurt, Germany. They somehow have a dirty and nostalgic feel all at once. If I encountered the animals and youngsters of Beer’s portfolio in the real world, I wouldn’t know whether to go in for the hug or run to safety. Where others may have tried for crowd pleasingly cuteness on some of her subjects, Beer’s not afraid to bring out the ink splotches and faded palette. Also, this aesthetic carries throughout all of her work, including the digital stuff. (via)