On the last day of 2009 we thought we’d pick yet another dedicated B/D Flickr Creative Pic Pool members work to post on the blog. This time we bring you Tom Hudson’s hyperspectrum colored collages displayed on his Flickr page full of tasty illustrations, collages, and other eye candy. Tom is 1/4 of a collective called the ‘Nous Vous’, who create everything from drawings to noise performances. That’s quite the spectrum if you ask me.
Remember to join the B/D Flickr Creative Pic Pool as we are always looking for new ways to promote our readers & members! Here’s to an awesome new year filled with tons of visual stimuli!
This video is bananas. Two design teams from Cologne, Germany, Lichtfront and Grosse 8, produced the video using a number of methods. First, making the sculpture and then placing four projectors “around the object. The graphics were done in AfterEffects. [They] worked in a composition that was cut into the four output movies at the end. Then played the four videos on two computers, synchronized by a vvvv patch,” explains a member of Lichtfront. Now, that makes exactly zero sense to me, but maybe you’ll understand their wizard-talk.
Nebraska based artist Cindy Chinn carves unbelievable miniaturized objects within the lead of carpenter pencils. Chinn’s starting material is less than an inch wide, yet using an X-Acto knife and a magnifying glass, the artist is able to achieve intricate details with a charming folk art-like character. Her most involved piece of the series features a tiny locomotive train that scales the whole pencil. This work even includes a cut out carved portion that acts like a bridge crossing, exposing the train to be the full length of the pencil. The work was created through a process of collage; she carved the 3/16 inch train from the lead of one pencil and then fashioned it within the center of another pencil, adding two other small pieces of lead as rails. Due to the unique size of her work, Chinn incorporates a tiny magnifying glass as a part of her pieces, glorifying the work’s preciousness and inviting the viewer to have a personalized and intimate experience of the minuscule details. Her work tends to portray every day and perhaps even nostalgia provoking objects. For example, a tiny Chuck Taylor shoe, a darling fall leaf, and a hockey stick with a puck. This pencil carving project is just a side project; she is also a multimedia artist with many focuses such as larger scale wood carvings, murals, and paintings. (via My Modern Met)
The photographer Ingrid Berthon Moine is taken with testicles, both figuratively and physiologically; turning to the anatomically accurate statues of Classical Greece for her project Marbles, she focuses her lens on representations of the male sex organ. Isolated from the rest of the statues, the male sex organs take on new meanings, their textured curves wrought in stone with masterly precision.
The careful renderings of the genitalia reveal tender folds of skin; set against the aged and worn marble, the apparent softness is complicated by durability. Testicles, as a cultural symbol, retain these nuances; they are simultaneously representative of sexual vigor and unfaltering power, but they are also framed as a physical weakness, an immensely vulnerable organ. As Berthon Moine explains, the word itself gave rise to aggressive, powerful words like “detest, protest, or contest or […] testify.” But the artist was also inspired by the theory of the neuroscientist John Coates, who posited that the testosterone hormone played a role in the financial recession; these marble testicles hope to express both the powers and dangers that we assign to them.
In a world where artworks depicting naked women outnumber works by women artists in our most renowned art museums, Berthon Moine’s work serves to turn the male gaze in on itself. She explains that until recently, only women were made to feel aware of being watched, judged by their sexual allure. She sees this dynamic shifting to expose both genders to the gaze of others, and this series, uncomfortable to some and amusing to others, is a part of that transition. (via Hyperallergic)
I am in awe of Jody Alexander… one could spend hours sifting through a single work by this book & installation artist. Librarian by day, book & installation artist by night, the Santa Cruz artist is incredibly detailed in her execution – teetering on the obsessive – and sparks in the onlooker, a childlike curiosity.
British Artist Andy Goldsworthy is a master of ephemeral work, capturing the beauty of nature and tempering it with the fleeting nature of all organic things. Each one of his works is a collaboration with nature, and with each piece he strives to gain a closer understand of nature through these intimate interactions. Using his hands and “found tools,” Goldsworthy’s work is a celebration of the world outside the buildings that humans spend their lives inside. His photographs capture the sculpture moments after they are complete, afterwards the sculptures live on changing with the wind, rain and elements until it ceases to exist as Goldsworthy shaped it.
Such is the nature of the Woolly Pocket. Woolly Pocket allows the urban dweller to manipulate nature and incorporate plants into formerly inhospitable territory. Woolly Pocket can take over a wall, fence, living room or any structure and make you the sculptor of your surroundings. Our favorite aspect of Woolly Pocket is their Woolly School Gardens project that connect schools looking to start a garden with community members looking to support their efforts. Help kids get their hands dirty by visiting Wolly School Garden and find a school near you to sponsor.
Constance & Eric are a married couple from Brooklyn who have carved a niche and figured out how to make a living taking pictures of people having sex. Blurring the lines between high art and commercial photography, the duo have photographed over 140 couples. Beginning the project out of disappointment in the way commercial photography generally treats bodies and sex, the couple came up with their own parameters for “sexy.” Disenchanted, as many of us are, by the narrow definition advertising and media give to the term, Constance and Eric decided to pursue a visual journey through the erotic and corporeal.
Subtle in their abstraction, the duo’s photographs transcend pornography or explicit imagery and become mere suggestions of the actual act. But there is a sensual nature to the images that feels incredibly personal, even if a viewer can’t actually discern what precisely he is looking at. In an interview with Nerve, Constance said, “The abstract images help create more of a feeling of the moment. It enables the viewer to put themselves in the image without the distraction of recognizable features.”
In an interview with Huffington Post Constance and Eric said that the part of their job they enjoy the most is “Showing people how beautiful they are together.” Check out their website, and if you’re brave enough, grab your significant other and contact them for a session. (via HuffPost & Nerve)