Portland based, Corey Arnold, has taken some truly amazing documentary style photos of the honest accounts of what it means to be a fisherman at sea. Corey’s photos are endearing telling stories of grueling and gritty conditions of the life of a fisherman tackling themes of isolation, courage, absurdity, and fortitude. Corey is a fisherman himself, and has been taking astonishing real account photos as long as he has been fishing. It is important to note that what makes Arnold’s photos so true and honest is the fact that he is actually a fisherman, just one of the guys out at sea, and has to earn his mate’s trust and pitch in like the rest bearing the harsh conditions of the day but still finding the nerve to grab his camera in opportune times. In the summer Corey captains a wild salmon fishing boat in Bristol Bay, Alaska. Arnold has exhibited his show “Fish-Work”: The Bering Sea earlier in 2012 and has published a book titled ‘The Bering Sea.’ (via)
London-based photographer Bertil Nilsson has created an ongoing photography series titled “Naturally” that explores the dynamism of the active human form within natural landscapes. For this project, Nilsson captures the explosive movements of circus performers and dancers, some of whom are painted or powdered. Bodies are contorted and posed, or levitate, creating a surreal aesthetic that is at once visceral and abstract. Feature Shoot notes, “The nude figures are dressed in intense colors that punctuate each frame, creating another possible layer of interpretational poetry. Set loose in this Eden, the photographer himself gives way to the chaos, each image exploding in an evolution of release.” Nilsson’s work is currently on view at Galerie Wilms in The Netherlands until January 12. (via feature shoot)
Jackie K. Seo’s hyper realistic figurative sculptures are painstakingly created to depict every hair, skin blemish, and spot on the figures bodies. Jackie says about her work, ” In each of my pieces I like to show a moment where we feel the need to repair something in our lives and how we deal with it. I think the style of hyper-realism is a good way of showing the minute subtleties of the challenges of life, in a sculptural form.
I can show things like the wetness of tears in the eyes, the flushing of skin or the story that the fine lines and wrinkles of the face tell. The biggest challenge is balancing the overall feel of the piece without getting lost in the details.”
Artist Eugenio Merino produces overtly political sculptures. His witty work explores issues such as class, violence, war, religion. For example, the piece Redecorate Your Life is an ultra-realistic silicone model of a homeless man who seemingly fell asleep (or died?) while flipping through an Ikea catalog. His home, however, is simply the packaging of the items he was glancing at. Merino’s work cleverly comments on materialism, poverty, and homogeneity. His sculptures make a statement with a sense of humor while retaining a sense of gravity.
I’m really digging these poppy, transparent illustrations by Patrick Hruby!
Charlie Roberts recent exhibition at Richard Heller showcased a contemporary double-take on old European salon style exhibitions. His subject matter sifts through the sheer availability and prevalence of, signs, symbols and iconographies present in today’s visual landscape. Roberts notes, “the groups of things isolated on blank pages started as a sort of excercise or study to ween my hand and eyes off using photographs to paint figures from in my paintings, and over time they became a end in themselves, a way to make a painting with out.” Organized in loose, self-devised groupings, in a pseudo-scientific faux-taxonomical manner Linnaeus would be proud of, Roberts draws parallels between hundreds of gestures and ideas. The result are images that look like they could be pulled straight from vintage Audobon Society botanical illustrations. Yet with titles and conglomerations of groups such as “NYC Hip Hop,” “Gang Bangin’,” and themes such as obsessive object collecting and Scientology, Roberts depicts not the wildlife of geographic and biological discovery, but bravely explores our digital, information-soaked New World.
A drive in movie theater and its silver screen. The scene looks real: parked cars, dim-lights, sunset and in the background a celebrity playing her best role. Andrew Valko is fooling us. The scenery could have been mistaken for a photography of a painting representing a celebrity. The artist is used to depict fragmentary narratives in hyper realistic paintings. Marilyn Monroe, Audrey Hepburn, Amanda Seyfried, Angelina Jolie or Anthony Hopkins are taking part of this set up.
Andrew Valko creates a glowing contrast between the portraits and the surroundings with details meticulously painted. Playing with the flare and shadows of the street and car lights accentuates the expressions on the faces. Each painting represents a different parking lot with a different background. The feeling of nostalgia due to the context is palpable. There’s a will to go forward, represented by the contemporary actors. Yet the old school drive-in scene is taking us back to the past.
In the artist’s paintings, our eyes take turn alternatively as viewers and voyeurs. We start off as being the viewers, as if we were participating in the scene, comfortably watching from our car. And we quickly become the voyeurs; standing afar from the whole scene, watching the viewers watching the movie. This juxtaposition is interesting in the work. Clearly Andrew Valko manipulates us until the end. Therefore we could investigate and go as fas as wondering if the use of Hollywood stars is a pretext to entice us into the paintings. (via Design Boom)
The work of legendary street artist Banksy is now iconic, even throughout the larger art world. Photographer Nick Stern uses these easily recognizable images as a starting point. Stern literally brings Banksy’s pieces to life. He restages the wall art using real people and objects in place of the spray paint and posters. Using living subjects adds emphasis to the often powerful and startling art of Banksy.