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Mondrian Pong

 

 

Everyone loves a good Gift and I thought this Mondrian pong Gif is one of the more clever Gif’s i’ve found lately. Enjoy!
(via sfmoma)

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Howie Tsui

howie tsuiOttawa-based artist Howie Tsui uses a mix of traditional Asian themes with Western aesthetics. His paintings depict scenes of terror that are very nightmare-like. “Tsui’s work is informed by a variety of dark subjects, including Asian ghost stories, Buddhist hell scrolls, Hong Kong vampire films, neo-conservative propaganda, and twentieth-century genocides such as the Nanking massacre.” We dig it.

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Anouk Wipprecht’s Tech-Infused Dress Translates Human Biosignals Into Spider Behavior

Anouk Wipprecht, Spider Dress 2.0 - Fashion Anouk Wipprecht, Spider Dress 2.0 - Fashion Anouk Wipprecht, Spider Dress 2.0 - Fashion

As the famous designer Miuccia Prada once said, “fashion is instant language” — if worn with intention, fashion can allow us to express our inner identities without having to say a word. But what if our clothing was so in tune with our emotional lives that it responded physically to external stimuli — like the approach of another person? Anouk Wipprecht, a Dutch designer known for her explorations at the intersections of fashion and technology, has created an animatronic dress that does just that. Named the “Spider Dress 2.0” (an updated version of the original Spider Dress), this curious tech-garment embraces the torso in a spider-like carapace, while eight spindly legs shift from the shoulders. Eerie and enchanting, this specially-engineered dress should be approached with caution and consent, as Hep Svadja explains for Make:

“[The] Spider Dress 2.0 […] is a mechatronic dress with an Intel Edison chip that uses biosignals and learned threat detection to defend the wearer’s personal space. Mechanical arms extend and retract as a response to external stimuli, making it a truly intuitive system. As people approach, the wearer’s own breath will help to signal the defense posture of the robotic arms. The speed of the approach will also feed into defensive behavior; approach quickly and the arms will aggressively posture, but approach in a leisurely fashion and the arms will gently greet you.” (Source)

Wipprecht is known for her other cutting-edge designs, such as a dress that allows you to vanish in a smoke screen, and another that becomes transparent as one’s heartbeat increases (such as during intimate, interpersonal encounters). The Spider Dress 2.0 is her newest (upgraded) creation, unique in its mimicry of animal behaviour, and infused with the power to visually display deep-set emotions and experiences without a reliance on verbal cues. Words, after all, are typically put through a mental filter before they come out of our mouths; the Spider Dress communicates directly from the body via internal biosignals. It interprets and visualizes inner phenomena that may not be immediately known to the wearer. In this way, Wipprecht’s work imagines a future wherein fashion could be used to physically extend the expressive capacities of human body language.

Wipprecht’s other ground-breaking and exploratory designs can be viewed on her website and Facebook page. (Via Synesthesia Garden)

 

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Ignacio Canales Aracil Crafts Delicate Scluptures Out Of Dried Flowers

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Designer Ignacio Canales Aracil has created delicate floral sculptures that recall the garden and home. Aracil doesn’t use any adhesives; he dries and presses the flowers for months at a time and then lightly sprays them with varnish. The resulting works are fragile yet strong enough to stand on their own.

“The flowers of these sculptures have been collected in the private gardens of the most renowned landscape designers of Europe,” Aracil says. He also says that a key part of his work is to “show the plants and flowers which represent the better the spirit of the garden in a different place where you wouldn’t expect to find it.”

Aracil acknowledges the history of the art of pressing flowers. “Tradition is a very important value in my work,” he says. Just as traditional or long-lived as the medium, perhaps, are the themes that Aracil seeks to tackle.

“Working with flowers trying to preserve their beauty, faces directly the fears that we share in the society about time,” Aracil says. “Life and dead are confronted in a piece which celebrates beauty, sexuality and time.”

Aracil’s work at currently being shown at Galeria Lucia Mendoza in Madrid, Spain. (via This Is Colossal)

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Ricardo Bojorquez’s Feedback Occurrences

Ricardo Bojorquez is an artist and graphic designer in Los Angeles. His latest artwork, Feedback Occurrences, uses standard materials, common techniques and everyday electronics to create an inventory of interactions. As a graphic designer, Ricardo’s practice is messy and defiant of the typical grid-like structures and legibility we are all taught to praise in design school, while still feeling so deliberate and well communicated. Ricardo received his MFA in Media Design from the Grad Media Design program at the Art Center College of Design in 2012. In 2011, Ricardo was invited to the Werkplaats Typografie / ISIA workshop in Urbino, Italy, where he studied under the mentorship of Armand Mevis, Maureen Mooren, Leonardo Sonnoli and Karel Martens. Ricardo is a partner at The Rare Studio, a studio for design and research that works within graphic design, interaction, and architecture. All of this work payed off as just last week he was honored with the prestigious recognition of being named a “Young Gun” by the Art Directors Club.

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Heather Benning’s Life-Size Dollhouse

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In 2005, Heather Benning acquired then began restoring a 60s-era abandoned and decaying farmhouse near Sinclair Manitoba, Canada. After finishing her restoration and furnishing the home with 60s-era furniture, she then removed the north-facing wall and replaced it with plexi-glass. In June 2007, the house was opened to the public where it remained “tomb-like” as a life-size dollhouse until this March 2013. Eventually, the house began to deteriorate and the safety of the structure was compromised, leading Benning to  end the project with fire. The Dollhouse images are currently represented by “Telephone Booth Gallery” in Toronto.

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Jedediah Johnson Catalogues His Subject’s Faces After Making Out With Them

Men and women, young and old, you name it…everyone is included in Jedediah Johnson‘s unorthodox photography series: The Make-Out Project.

It all started in 2012, when Indiana native Jedediah moved to Chicago in order to complete an MFA at the Art Institute. During his graduate school years he developed The Make-Out project, a photographic series featuring the moment after making out.

For each image, Johnson puts his hands around the subject’s neck and then proceeds to the kiss (notice the trail of red lipstick), after the kiss he instantly snaps the subject’s reaction and condition.

The kisses vary in length and intimacy. My subjects are all aware of what I’m going to do ahead of time, but in the moment of the kiss anything can happen. The lipstick mark I leave on my subjects invites viewers to imagine the circumstances surrounding the kiss.”

The project revolves around the idea of collecting memories. Johnson is interested in cataloging and collecting people, specifically, keeping record of experiences. Johnson’s project is not just about kissing random people, rather, it is an interesting series of images that let is on very intimate situations. Can you tell what each of these subjects were feeling like after the kiss happened?

I guess we’ll never truly know, but it is this kind of cataloguing that gives us a chance to figure it out. (via Huff Post)

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Matter Matters

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So we got an email from Mr. Matt Manos of B/D internship fame, regarding UCLA’s Design Media Arts Undergrad show on Jan 14th. In his words: “what is funny is that me, Kate Slovin, and Corinna Loo are the ones curating it. Also what is funny is that I designed the poster for it and Greg Ruben took the photo for the poster. Also, Cameron Charles will be in attendance. So the show is basically reigned upon by B/D alumni.” Well yay, B/D alumni! More official text after the jump….

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