Makena recently concluded her 3 month internship here at the headquarters, and during her stay here contributed a number of excellent blog posts. (You can read her epic anthology here.) Makena wowed us with her Feminist-conceptual essay on PJ Harvey during her interview, and amazed us even further by single handedly re-organizing an entire shelf of thousands B/D back issues. To give you an impression of the monumental nature of this feat, when I asked any and all of our former dude interns to reorganize this shelf for us, they would just look at it, then look at me, shuffle their feet, and mumble to themselves about remembering something else they suddenly had to do. (Sorry dude interns, but you know who you are….feel free to check out the pic of the chick who whooped you above.)
Makena has also compiled some of our most viewed posts, such as her collection of artists who use cut paper in their works or recycled materials. Thanks for all your hard work over the past few months Makena and good luck in your second year at college!
Andy Gilmore is a draftsman and designer based in Rochester, NY. His work looks like a more sophisticated and colorful version of the spirographs from our youth. Gilmore’s use of repetitive shapes creates a kind of Faux gradient that I’m quite fond.
Announcement! Beautiful/Decay friend Jessica Hische‘s first font, entitled Buttermilk, is now on sale at myfonts.com. The font is good for “magazine headlines, book title type, initial caps, holiday cards, wedding invitations, you name it.” In related news, a shirt Jessica designed for B/D Apparel will be coming out soon!
Raul Ronald Moreno‘s digital creations are fun, experimental and in many ways abstract. Most of the work has a cool color pallette but along with playful compositions, he creates a lot of dimension in the work using bright colors to highlight areas of interest.
Mixed media artist Travis Bedel, also known as bedelgeuse, seamlessly blends vintage anatomical illustrations with botanical or other biological images to create stunning collages that range anywhere from 5 inches to 6 feet in size. Bedel often uses glue and a razorblade to excise printed vintage illustrations, combining them into beautiful and surreal new iterations. He’ll also scan his images and manipulate them digitally because this technique provides him with more opportunity to play around with sizing, cutting, and pasting the various elements in his collages.
Of his interest in human anatomy, Bedel says, “I find the body beautiful and mysterious. I am amazed and what people can do with their bodies and how if you take care of your own body, the rewards are much greater than imagined. I believe a lot of self-healing takes place mentally and physically when you eat clean and stay active.”
As glossy, digital, full color perfection becomes the norm on brochures and other printed matter, the photocopier has become more of an artistic medium than a simple reproduction system. Jakob Johnsen’s collages and image manipulations are sublimely composed and pull on dark, thought-provoking subject matter.