An entire galaxy trapped into a tiny glass sphere. Japanese Glass artist Satoshi Tomizu in his Space Glass series fabricates planets and dust trails by heating up glass. A traditional technique using heat energy and the talent of a man. The rendering is fascinating and creates a world of magic and fantasy.
The artist depicts the solar system and the universe inside transparent glass balls. The planets are made out of opals placed in the center, flecks of real gold and trails of colored glass that spins and twirls in concentric circles. They all are the size of an eyeball and have a small glass loop which allows the piece to be turned into a pendant. Each piece in unique and different.
Satoshi Tomizu’s work is full of details. The eye can catch the twirls of colors but quickly looses track of each individual features. There’s something magical in carrying a poetic scenery around one’s neck. Space dust, rainbow colored trails, stars and asteroids are elements which evoke fantasy and the possibility to escape the present moment. (via This Is Colossal)
High end fashion made out of Beef Gelatine and agar-agar sea vegetables might not hit the runways just yet but kuddos to Emily Crane for being at the forefront of high tech kitchen couture (who knew there was such a thing). Read more and watch a video after the jump and see how glycerine, fatty acids, and even bubbles are turned into fashion.
If you are lucky enough to be in Los Angeles you can catch their antics next month at “Legacy IIX”. The mysterious show opens April 3rd at Synchronicity Space and runs until May 1st. Your guess is as good as mine what might happen. Flyer for the show and other works after the cut.
There are many kinds of maps to help find our way in this world. Political, road, and topographic maps may be familiar, but in Chilean artist Rodrigo Arteaga’s hands, maps are made by and of cultivated fungi. Meticulously grown and preserved, Arteaga’s maps are simultaneously science lesson and aesthetic object.
“Convergence” is a mapamundi (map of the world); an installation composed of filamentary fungi in glass containers. The propagation these fungi propagated represented the surface of the earth. The other components of the work were elements that evidence the research process: photocopies of mycology books, pencil drawings that imitate the growth of fungi, sketches, photographs, and Petri dishes with laboratory tests.
A second project, “Atlas de Chile Regionalizado,” consists of 15 glass containers in which different types of filamentary fungi represent each one of the 15 regions of Chile. The living organic matter of the fungi is delimited and cut in the shape of each region, then preserved under resin.
These interdisciplinary works involve people from interdisciplinary areas of thought. Their beauty is in the relationship between art and science; order and chaos.
French designer and illustrator Maxime Francout’s quirky designs are super fun and are sure to brighten up your day! Much of the time, you can find Francout’s designs on T-shirts (he’s made some for Urban Outfitters), but he’s also designed art zines, loves to create hand drawn type, and he’s even made some wallpaper for Studio Nommo.
For a plastic doll, Barbie can be polarizing. Emiliano Paolini and Marianela Perelli discovered this recently when their exhibit “Barbie: The Plastic Religion” at POPA gallery in Buenos Aires was cancelled. “Given repeated anonymous threats concerning the event, the artists decided not to exhibit his work, fearing for the physical safety of visitors,” a notice on the gallery’s website announced.
The 33 pieces in the controversial collection are each one-of-a-kind, and they include Barbie dolls as the Virgin Mary; Joan of Arc; Kali, the Hindu goddess of destruction; and the Virgin of Guadalupe, patron saint of Mexico. Ken becomes Christ on the cross, Buddha, Moses, St. Sebastian and the Sacred Heart of Jesus. The sculptures represent figures from Christianity, Judaism, Hinduism, Buddhism, and Argentine folk religion. The Muslim prophet Muhammad is not included in the series—the artists told Reuters that since Islam prohibits the creation of his image they omitted him out of respect.
Questions of taste and faith have been raised by Argentine Catholic Priests, Italian Bishops, and Hindu Clerics, much to the surprise of the artists. “We have a sanctuary in the kitchen that has more saints than the Vatican,” Paolini told the Associated Press. Some have accused the artists of grandstanding—disrespecting religion in order to gain notoriety. They disagree.
“The true message of our work was mutilated by magazines and television. That’s a shame. The media is killing our art.” (Source)
The sculpted dolls are additional portrayals in the canon of religious iconography, weighted down with the 55-year legacy of a plastic girl and her boyfriend.
For “Phonies,” the UK photographer Dan Rubin turns celebrity selfies into works of fine art. In his unusual street photographs, the smartphone itself stands in for the face of passersby, projecting the grins of social media-savvy stars like Kim Kardashian, James Franco, and Harry Styles. Rubin’s series is equal parts playful and scathing, capturing the narcissism of celebrity in the 21st century in such a way that highlights the anonymity of the digital age.
Within the medium of street photography, normally characterized by raw and gritty from-the-hip shots, Rubin replaces candid captures with shiny screens projecting perfectly made-up celebrity faces. In these clever doubles, these photographs of photographs, notions of identity are complicated. Our faces, especially in photographs, have the power to betray our innermost selves and to define our perceptions of that self; here, the subject’s visage is shown only to be a reflection of the media we consume. As we are continuously bombarded with social media, how do we shape our egos in relation to the rich and famous?
From images, we derive meaning. Flawlessly inserting the HTC One mini 2 phone into his compositions, the artist creates a hybrid human that is simultaneously a celebrity and just another face in the crowd. As we become more vain and the innocent selfie borders on arrogant self-indulgence, do we stifle our individuality? Here, the realm of social media is ambiguously seen, a powerful force that is both fun and disconcerting. Take a look.