Speaking of surrealism how about the works of Sarolta Bán? These epicly surreal photographs are painstakingly created digitally creating a seamless world where bears read stories to small birds, trees grown in the sky, humans live inside cameras, and keys as tall as buildings are portals to an alternate universe. Sarolta’s images transport us deep inside storybook fictions where every dream can become a reality as long as you believe.
British composer Anna Meredith just released her debut, Black Prince Fury EP on limited edition vinyl from the Vinyl Factory/Moshi Moshi in the UK. It’s limited to only 300, so if you want one, you better act fast. You can stream the full version of Nautilus and check out the animated video via Noisey, directed by Tony Comely.
At first glance the work of Koreon artist Seong Tae Jin may look like you average painting but as you get closer to these hyper-colored scenes you realize that the surface of each piece is meticulously carved out of a single piece of wood revealing secret texts, patterns, and marks. The result is a cartoon filled world where strange figures carry out strange behaviors on a bed of never-ending scratches, cuts, and scrapes.
Benjamin Marra, perfecter of awkward angles and radical tangents and exploding heads and 80’s boobies, recently re-visualized American Psycho in a crisp Pettibon-ish series of drawings. They provide a nice contrast to the way Marra often works his comics, which tend to be explosively high-speed and feverishly paced. He excels at both approaches, and further proves why he is one of the best action comic artists out there. Get deeper, read his blog, visit his website, frequent his webstore, and amazingly, you can buy a bunch of his comics, released from his very own Traditional Comics, for only 16 bones. I bought ’em. You?
We posted about Nikki Toole’s Epic photo project last year and wanted to update you again on what she’s been doing since. Roller Girl is the newest batch of work by Nikki, documenting the tough and gritty ladies that take part in the Australian Roller Derby Scene. Based on 19th century military portraits, these roller girls are battle ready warriors donning their best armour for the war ahead.
Van Halen at the Forum, 1984. Photo credit: Paul Chinn.
Mötley Crüe rehearsal, 1983. Photo credit: Gary Leonard.
Anthony Kiedis and Flea, 1989. Photo credit: James Ruebsamen
Dickies show, 1989. Photo credit: Todd Everett
Southern California, thanks to its diverse landscape, has always enjoyed a wide variety of musical genres. Los Angeles in the 1980’s saw a kaleidoscope of tunes, and different beach communities, the Valley, South Central, the Inland Empire and East LA each had its own form of local music. Plus, since the late 60’s, a growing number of major record labels had/were setting up their headquarters there. Coupled with an abundance of clubs, Los Angeles become the epicenter of the music industry.
So, not surprisingly, major rock groups did very well in Los Angeles – devoted fans packed their venues. While the alternative scene got less coverage, the free press such as L.A. Weekly, the L.A. Reader, BAM, Rock City News, and Music Connection provided the recaps and nightly gigs around the town.
If you’re local to Los Angeles, stop by and see the exhibition at the LAPL History & Genealogy Department from January 8 to June 28, 2015. In addition, there’s a companion catalog available for purchase on Amazon.
Combining Japanese architectural influence with a concern and skill for using reclaimed materials, Australian firm March Studio decided to make a statement to the entryway staircase to the Nishi building in Canberra, Australia. Already being called “Australia’s most radically sustainable mixed-use building and apartment complex,” the building’s design makes an effort to harmony with its natural surroundings, treelife, and wasting as little as possible in it’s construction.
Hotel Hotel Blog explains March Studio’s design goals well, quoting, “Let the location inform the materials, and then let the materials inform the design. In Nishi’s case, the creative catalyst was the splendour of the construction site itself: chaotic but precise. March also prescribes to the philosophy of “letting the material be the material” (ah so desu ka, sensei) by using them in their natural state.”
Made of 2,150 recycled (or upcycled, whichever word seems more appropriate), the repurposed wood from homes, basketball courts, and the remnants of the construction site of the building itself. Held in place with over 2000 steel rods, the installation creates a striking effect, yet balanced with an ordered peacefulness. Beautiful yes, but dusting seems like it will be a pain. (via colossal and hotel hotel blog)