I imagine these graphic designs, by Hong Kong artist Jerry Luk, in tranquility chambers in the near future.
For those who are not regulars at their local gun club, you might be surprised to know that shooting targets aren’t all the classic bullseye or silhouetted portrait. No, some of them are much more realistic, as the Amsterdam-based magazine Useful Photography has pointed out. The publication collects everyday images, and for issue 11 depicts several decades of targets from tens of thousands of shooting ranges in the United States. The results are disturbing, to say the least.
While traditional targets were once anonymous figures, they are now much more lifelike. You’ll find photographs of dictators, women, children, and everyday people pointing a gun back at you. It gives the target a personality, and you can practice your aim and get swept up in the grim, suggested narratives. Some manufacturers have gone too far, and which includes a line of targets called No More Hesitation that featured small children and pregnant women holding guns, and a bleeding “ex-girlfriend” (masquerading as a zombie). Both were pulled off the market.
Erik Kessels publishes the magazine and explains to Fast Company:
We found that shooting targets in the U.S. are getting more and more bizarre with what they show. Our biggest question on the topic was what scares a nation–gunman who hold children ransom or infamous terrorists? In this age of high impact gun crime, are the participants seeking protection or accelerating the violence?”
He goes on to say,
“By taking these images from their original context and putting them together in a magazine we hope that people start to look at them again.”
(Via Fast Company)
Nokia recently challenged BMXer, James Ivett to try out the Lumia 900 in and around the city of Barcelona. James took the challenge to hear tearing through the city and documenting every step of the way on his Lumia 900. Find out more about the Nokia Lumia 900: http://nokia.ly/AkeWie
Artists David Ellis and Blu blended two art forms that rarely meet: street art and animation. Throughout the video the mural takes over an entire building unfolding through a stop motion style. At times the art playfully utilizes aspects of the structure’s architecture – a style Blu has expertly developed in his work (for example, check out the first piece in this post.) The artists tirelessly paint and repaint images to further the animated sequence. Amazing images are quickly covered over to make way for the next image. The labor necessary was certainly staggering as is the self-control necessary to paint over pieces that were just complete.
Painting something like Lolita crossed with David Lynch crossed with a crude porn site, the works of Lisa Yuskavage seem to have people divided. Her luscious images of nude women and girls have been described as both vulgar and earnest, affectionate and alienating. She has developed a unique style that blends Renaissance techniques, landscapes, still lifes, cartoon-like figures, porn and religious iconography that both delights and disturbs viewers. Yuskavage’s world is full of innocent yet flirtatious vixens parading around in their undies and getting into mischief in meadows or apartments. Her characters seem a bit narcissistic, and self loving, and in some cases maybe even self loathing. Yet they are definitely interesting and magnetic; a commentary on the complexities of the modern woman and her sexuality.
Drawing on her own childhood experiences, Yuskavage explains her encounters with, and understandings of sexiness and power:
As a little girl, in Catholic school, they were the first feminists I met. It seems counterintuitive, but these women rejected the normal system of life. The ones that taught me were quite smart. When I came to my senses, I realized it would actually be awful for me to live that particular life. I guess I liked the idea of a calling, the intensity of it. (Source)
Works from the last 25 years of Yuskavage’s career is now on show at The Rose Art Museum of Brandeis University in Waltham, Massachusetts. Be sure to visit and make up your own mind if you love or loathe her style and content. Her solo show Lisa Yuskavage: The Brood is on display from September 12 to December 13, 2015 at David Zwirner Gallery in NYC.
I saw Jacob (one part of the trio? I think who makes up Paper Rad, and half of hip-hop-mashing/electro/idkwhat Extreme Animals) Tuesday night at Wildness and yesterday night at the Family bookstore, two stops on his “2 Blessed 2 B Stressed” tour.
I made a list of the things he “live blogged” about: how he was a fan of the Christian band Paramour’s positive messages, the Eddie Murphy and MJ duet “What’s Up With You“. I also grabbed one of the attitude bracelets that he’s so into right now. David of Extreme Animals also showed a synchronized guitar riff + head banging video piece during the Family show which was painful yet ecstatic everlasting repetition.
We sent off Book 4 to the printers the other day, so we thought we’d give you a sneak peak of what we have in store for you. The above is a screen cap from an amazing collaboration between 26 artists from around the world. I don’t want to give away all the details for this project, but think of it as a Y2K version of one of the most classic art-based games. Confused? Good! Read on to see more behind-the-scenes tidbits….
If you don’t want to shout “FUCK CHEVRON & TEXACO” at the end of watching Crude I’ll give you a dollar. I’m disgusted by yet another example of greedy corporate companies taking advantage of the innocent and the poor. Okay I’m done venting. Here is what Crude is about.
Three years in the making, this cinéma-vérité feature from acclaimed filmmaker Joe Berlinger (Brother’s Keeper, Paradise Lost, Metallica: Some Kind of Monster) is the epic story of one of the largest and most controversial environmental lawsuits on the planet. The inside story of the infamous “Amazon Chernobyl” case, Crude is a real-life high stakes legal drama, set against a backdrop of the environmental movement, global politics, celebrity activism, human rights advocacy, the media, multinational corporate power, and rapidly-disappearing indigenous cultures. Presenting a complex situation from multiple viewpoints, the film subverts the conventions of advocacy filmmaking, exploring a complicated situation from all angles while bringing an important story of environmental peril and human suffering into focus.