Photographer Martin Klimas‘ series “What Does Music Look Like?” is a fun attempt at answering that very question. He uses paint as a vehicle for sound. Klimas places brightly colored paints on a surface that sits just above a speaker. Playing loud music such as Kraftwerk or Miles Davis makes the paint splatter above the speaker with the vibrations making it “dance”. The paint jumps and splattes while being captured by the camera. Klimas snapped approximately 1,000 photographs to capture the set.
Fiona Curran lives and works in London. From her artist statement: “Fiona Curran’s paintings, installations and assemblages explore the impact of new digital technologies on our experience of landscape space. The works reveal a recurring utopian impulse, formal idealism and sense of escapism that registers in a palette borrowed from the computer screen and advertising. There’s a sense of spatial precariousness at work as objects and forms are broken down and reassembled. Paintings break away from their frames becoming sculptures and existing works are re-placed and dis-located through new configurations and assemblages of value. Splinters of the natural world appear in the use of hardwoods and veneers alongside plastics, fabric, hand-stitched fragments and found images. Formal compositions explore how angles contend with and counterbalance one another in shifting spatial planes. The titles of the works often give a further clue to their origin in this push-pull between fragmentation and ambiguity, loss and longing where all is not quite as it should be in the bright and beautiful image-world we inhabit.”
Lullatone is probably the most preciously adorable art/music/Cauc-asian couple to have graced the Flickr & WWW world. Their music videos will make you want to smother yourself in fluffy clouds and be rocked into eternal slumber. No but honestly…they’re great.
Kristine Five Melvær is a Norwegian designer who brings a really subtle, but affective approach to the table. This Bloom lamp series is great. Inspired by natural forms, the shades call to mind “buds, fruit, or water”. Each of the three lamps are a different height, which promotes a sense of organic incongruity. The shades are made of canvas, which, though a possible fire hazard, goes along nicely with the earthy vibe of each piece. (via)
Kim Dorland was born in 1974 in Wainwright, Alberta, Canada. He lives and works in Toronto, Canada. This series, entitled “Red Deer Alberta”, lights up the forest with almost neon-like colors. But not to the point where the fire burns everything down. Just enough so that you can see what’s hiding in the shadows.
Taylor Holland’s Fra[me’s] project came about when Holland visited the Louvre museum and found himself more engaged with the heavily embellished and ornate frames that went around the master works of art instead of the paintings. Using digital manipulation Holland has created a body of work where the picture frame serves both as frame and content of the piece eliminating the need for outside content. Taylor states ” This project was born of the idea that, on several visits to the Louvre, I was often more interested in the artistic merit of the frame than the art itself. The result hopefully challenges the viewer’s notion not only of what art is, but the viewer’s own perceptions about where to find and appreciate art in various settings such as the Louvre.” (via)
Taylor is currently partnering with Saintill Lijsten (Haarlem, NL) to realize a physical prototype of this project by taking antique frames and filling them with hand-crafted molds.