Small Victories, the latest project by Booooooom, opens Thursday May 20th at Hong Kong’s Above Second gallery. This collaborative experiment came together by requesting 4×6 photographic prints from numerous participants, and aims to be “a photographic celebration of the quietly beautiful, unintentionally funny, people and things all around us. It is these little moments that make life worth living.” If you can’t make it to Hong Kong, Booooooom.com will be posting the submissions.
May 20th at Above Second gallery, 31 Eastern Street Hong Kong.
Nelson Balaban is an illustrator/designer working in Sao Paulo. At 20 years of age, he has worked with some impressive clients including Adidas, Diesel, Coca-Cola, and Oakley. He is now the art director working for Cisma @ Paranoid BR. For a bigger list of his clients and more of his work check out his site or follow him on the Behance network.
Michael Shapcott is an emerging artist from Connecticut. His paintings and illustrations take traditional portraiture and add elements of folklore and dream imagery, his main source of inspiration. His work is nothing less than powerful, inspiring, and emotional.
Jessica Ward has a brilliantly dark mind. The majority of her work is black and white, which really helps to maintain her macabre aesthetic. The nature of her drawings feel sexual and violent, while tempting and frightening the viewer. She has an interesting series of drawings that depicts deities of various eating disorders. According to her bio, Jessica has struggled with eating disorders herself, so the diety series comes from a very personal place.
Daniel Weiss is a photographer from NYC practicing what he calls, “traditional street photography.” One of his bodies of work, entitled “New Yorkers,” depicts the everyday people he encounters throughout New York as the title suggests. His goal is to capture the traditional cast of characters of the big city. His other portfolio, titled “Street Scenes,” is more your basic street art. In each of his photos he aims for a timeless feel, only capturing scenes that do not give away the time period. He says that by not being able to tell if the photo was taken now or 50 years ago, “it allows you to focus more on certain, more interesting details that may be in the photograph.” He states, “Especially since I feel that most the city nowadays is in an aesthetic slump that it will never recover from.” Check out more of his work after the jump, or visit his site.
Born in Oklahoma to a Vietnam veteran, Geoffrey Michael Krawczyk grew up in close proximity to the violence and sacrifice required by war. “My work is an exploration of the mythology of spirituality, the politics of aesthetics, and the connections between sacred and profane,” says Krawczyk. His series, “Passages,” was most recently shown at Artspace Gallery in Buffalo, New York, where he now resides.