Lee Materazzi uses her body to manipulate her photographs (as opposed to giving in to digital manipulation). In her newest series she explores the thin line between finding oneself and losing oneself. She references artists like Charles Ray and Anna Mendieta as she “attempts to achieve a resolution of the body’s role within contemporary art.”
Welcome to the second week of Click To Collect, Beautiful/Decay’s new campaign to help art lovers start their collection of original artists works at affordable prices. Our second featured artist is Ben Tegel whose gorgeously rendered drawings have graced the pages of our print publication, apparel, and website dozens of times. Ben’s iconic Helter Skelter drawing which depicts the faces of Charles manson through the ages was one of the most popular Beautiful/Decay t-shirt graphics ever made. Now you can purchase the original piece and add it to your collection today! See the rest of the available work by Ben Tegel and read more about our Click To Collect project after the jump!
You may be back at work today but that doesn’t mean that you missed out on saving big at the Beautiful/Decay shop. Everything on the Beautiful/Decay shop is 50% off until tonight at Midnight (PST Time). Use discount code holiday50 to get all our books, magazines, artist posters, shirts and accessories at half the price. We have limited quantities of everything and will not be restocking any sold out products so act fast to take advantage of this rare holiday sale!
With a visual aesthetic ranging from anime and manga, to the French art nouveau movement and traditional Japanese scroll art, Aya Kato transforms a common fairytale or love story into a passionate and vivid art piece.
With the design “Pharaoh,” Kato travels to the sphinx-riddled lands of ancient pyramids to create a royally bearded king transforming in swirling smoke into icons of Egyptian lore, from falcons to jackal heads and beyond. The 200 print run limited edition shirt is on a unique color way that will not be reprinted once sold out- so be sure to order today before it’s gone!
About the Shirt of the Month
-Available exclusively on Beautiful/Decay online shop
-Unique color way printed in limited runs
-Available in advance before the season ships to retailers
-33% discount off retail price, at just $19.95 a shirt
The Connecticut-based artist Dalton M. Ghetti carves mind-glowingly small sculptures atop the tips of pencils. Bored with carving larger objects, the sculptor invented this delightfully miniature medium to draw the eye to the pleasures of the minuscule; in a world where bigger is generally thought to be better, his work reminds us that sometimes the most magical things can spring forth from right under our noses. Ghetti uses sewing needles and razor blades as carving tools, and he works by holding the pencil steady beneath a direct light source like a lamp. Due to the required precision and effort, a single piece may take months or even years to finish.
Ghetti’s work contains a charming childlike curiosity and innocence, one that is maintained in part by his staunch refusal to sell or profit financially from his creations. The pencil is an artistic medium in itself, and by carving it, the artist shifts our perspective and subverts our understanding of what constitutes fine art. Furthering this whimsical challenge to the visual arts cannon, Ghetti avoids fancy pencils, using only recycled or discarded pencils that he finds on the street. The subject matter of his sculptures is also delightfully regular; by carving these everyday objects—a saw, a hammer, a spool of thread— he elevates the seemingly mundane.
Ghetti’s most ambitious piece is his 9/11 memorial. For the project, titled 3,000 tears, the artist carved 3,000 tiny teardrops from pencil graphite. Each tear took approximately an hour to make, and the entire work was in progress for a decade. Together, the tears form one large drop. Take a look. (via KoiKoiKoi)
Cartoons that look like they are for children but are really for adults are the best. The colors and animation in this dryly funny fable are so natural, maybe its because the animators are from the UK and have old world taste.
As a child, Jonathan Latiano found his artistic inspiration in the displays and dioramas at the Philadelphia Academy of Natural Sciences. Latiano uses his understanding of biology, astronomy, physics and geology as starting points for the creation of his work and the way he contextualizes his physical world. Created with a variety of materials, his work evokes tensions of temporality and permanence, physicality and ephemerality, destruction and creation, stasis and kinesis, and fragility and strength. “I find the poeticism and concepts of the physics of our universe simultaneously fascinating, beautiful and horrifying. The pieces that I create contrast abstracted human intuition with the reality of our natural environment. I strive to emphasize the areas that exist in-between the boundaries of defined regions. My work, in many ways, is my own personal attempt to understand my place in the physical universe.”
Mathew Borrett’s intensely detailed drawings of maze-like rooms and secret compartments that seem to never end are mysterious puzzles that fade into the nothingness of the stark white paper that they are drawn on.
“From a very early age I used to have frequent dreams about finding hidden rooms between rooms in my house. Usually some facet of my fears or desires would be present in these rooms. As a Lego fanatic, I’d often find fantastic new Lego sets I didn’t know existed (which made waking up a disappointment). Later we moved into an old farmhouse with lots of nooks and crannies and a basement that often flooded. It underwent a lot of renovation over the 17 years we lived there, and I was always fascinated when a wall was removed or temporarily breached and you could pass from one room to another in a new way. The scope of the dreams expanded to include strange gaps and holes and secret shafts that dropped away into spooky abysses. Sometimes I’d explore basements beneath the basement, or attics beyond the attic. I think I’ve probably explored a thousand different dream versions of that old house.”