To celebrate the short work week we’re putting all our back issues of Beautiful/Decay magazine on sale for the rest of the week! Save 50 percent off all our magazines from now until Thursday May 31st midnight PST. Just use discount code 50magdiscount during checkout and get piles of magazines at a fraction of the cost!
DIAcussion, a group show that engages in dialogue and discussion through form and subject, opens tonight at envoy enterprises, 87 Rivington St. (6-8 PM). The exhibition seems to approach its concept very directly; a lot of the interplay between the work is very pronounced, sort of in your face. This is far from a problem, as the overall quality of the show looks to be pretty high. The focus on figurative elements opens up a direct, personal vein through which we are able to consider the implications of the vastly different ways in which we approach the same goals. You can keep your questions at face value (medium vs. medium, subject vs. subject). And you can take in the decaying face of Gerald Collings’ The Hollow (above) and go all out dust-to-dust; considering the myriad ways you might choose to live your life in the face of the possibility that we all end up in the same lame, dead position eventually, that we all think we know the best way out of the maze but none of us actually find the exit in time.
All images courtesy of the artist and envoy enterprises, New York.
Spanish artist Javier Riera produces what he calls “light and geometry interventions” on landscapes. Using powerful light Riera projects geometric patterns on to natural vistas. The projections can appear to transform a treeline into a two dimensional plane. At other times the light seems to add strict geometric shapes to the wilderness. The light and patterns disrupt the perception of the view they cover. Riera’s transposing geometric patterns onto natural scenery partly alludes to language, matter, and the way the two interact.
Philadelphia’s Kyle Fisher creates paintings on wood that move in and out of the grain with a mind of their own, compositions that present themselves boldly to the world while receding into contemplative distance all at once.
Deliberate, but slickly nonchalant, they could totally pass as the love-child of an Audrey Kawaski ageless vixen and a Mr. Jago aerosol android. But that description wouldn’t go anywhere near properly crediting these immersive works, which stand well enough on their own.
Fisher is a co-founder of Part Time Studios, a great gallery/collective in Philly.
Nothing is more exciting than opening up your inbox and discovering a great new artist like Alejandro Diaz. His work is playful, layered, technically beautiful, and experimental. Looking forward to seeing what Alejandro produces next!
CREATE YOUR VISION FOR A BETTER TOMORROW AND GET FEATURED IN BEAUTIFUL/DECAY BOOK 6
We want to see the world you want to live in, your Future Perfect. Submit your work of art based on the Future Perfect theme; you are free to use any medium and interpret the theme as you see fit. On March 15th we will pick one lucky person from the submissions who will get a package of Beautiful/Decay goods valued at $300 and a 10-15 page interview in Beautiful/Decay book 6! Up to 70 additional future perfect submissions will also be selected and published.
Share your vision, plan a better tomorrow and join Beautiful/Decay to create a Future Perfect.
Graphic Design can often get the bad rap of lacking soul or substance. Designer Brent Holloman, however, created a series with heart. When his daughter was born in 2012 he decided to create a new silhouette of her each week. Ranging from illustration to sculpture, each week brings a profile of his little girl. These are a sampling of the many pieces he created. Holloman comments on the series:
” With the arrival of our first baby girl there is one thing I hear all the time… “They grow up so fast.” So I decided to start a project where I can mark the stages of her growth by doing a silhouette of her each week for her first year (or as long as I can keep it going).”
In his unconventional series, Raíces Aladas (Winged Roots), Spanish artist David Cata explores the possibilities of plant growth by transplanting vegetation into an unusual and unheard of herbaceous foundation: the palm of his hand.
For this project, Cata physically manipulated his hands in order to create a sustainable—albeit temporary—basis for plant habitation. By strategically peeling a designated layer of skin from his palm, Cata was able to create a small, vacant pouch. He then filled this compartment with soil, and, finally, with transplanted flora, which he then documented and compiled into a photographic series.
Much like A Flor de Piel—a preceding series in which the artist used a needle and thread to stitch sentimental portraits onto his own skin—Raíces Aladas presents, challenges, and defies known limitations of the human body—and, ultimately, effectively proves its opportune abilities as a canvas for artistic expression. (Via Design Boom)