Combine of Shapes is a series of paired images by Yooyoungkyu, unexpected combinations linked by either a visual or thematic commonality. The pairings allow the viewer to notice things in the images they may not have seeing them individually.
If you’re in the Los Angeles area you still have time to check out Barry McGee’s show up at Prism until June 30th. As usual with all of McGee’s shows his latest offering features dynamic installations that cover every corner of Prism’s massive gallery space. With this new body of work you’ll notice a greater transition towards the abstract and patterning with only moments of his signature graffiti references and typography. Could this be signs of an evolution out of the street iconography that McGee built his career on? I doubt it but the new evolution is quite nice nonetheless.
Not only does Steven Riddle make bold and eye catching collage work but he is also one of the featured artists in Beautiful/Decay :Future Perfect book. We can’t ruin all the fun and show you what Steven’s contribution to the book is but you can get your very own copy here at the B/D shop before it sells out!
As his name hints, [hu]Man vs. Machine delivers work created with traditional materials in order to mimic what can be done with the computer. His work is very enjoyable and ranges from ink drawings to paintings to installations.
Andrew Laumann utilizes multiple media and presents the viewer with tongue-in-cheek installations that are witty and often irreverent. He seems to revel in destruction and humor. In one piece we see The Wipers logo combined with that of The Wu-Tang Clan. I find it interesting that elements from both emblems appear on albums released in 1993 (Silver Sails and Enter the Wu-Tang 36 Chambers).The resulting composite of 90’s punk and rap iconography speaks of his youthful energy and disregard for the conventional. It takes an astute artist to simultaneously mock and enlighten.
Art director Kouhei Nakama has created a computer generated short film that explores the possibilities of a 21st century human chameleon. Within her film titled Diffusion, she portrays a female figure as a generative canvas to investigate the potentiality of human flesh. Using a system that simulates biological processes through mathematical testing, she is able to imitate texturized skin based on patterns and textures that occur in nature. The film begins with what most closely resembles, perhaps, a white and red version of the shapeshifting capabilities of Mystique from X-Men, and transitions into a soft poetic display of a humanoid light show. Through vibrant alterations of rainbow colors and body motions displayed with toned muscles, the film provokes thoughts of almost futuristic yogi sentiments of human aura and energy field displays. The film comes to it’s climax with sculptures of human bodies that seem to be either virtual or somehow physically interconnected as hands appear to have the ability to travel through bodies. The constant shift of color and pattern and eventual bloating and deformation of the figures allow the piece to end on a dramatic, yet satisfying note. Simultaneously alien, human and robotic, Nakama’s display of futuristic metamorphosis is both disturbing and undoubtedly magical. Kouhei Nakama’s short film holds its own as a mystifying and captivating piece of work; however, it’s true allure lies in it’s ability to display the vast ability (and even further potential) of what CGI programs can accomplish. (via The Creators Project)
As part of a summer workshop at Duke University’s Center For Documentary Studies, Frith Gowan and Ayanna Seals created a short film about printmaker Bill Fick. The video cuts back and forth between an interview with Fick and footage of the artist’s lino cut process. It’s always great to get a glimpse into a talented artist’s process, but the interview is really insightful as well. Fick, who features monsters and skulls pretty heavily within his work, speaks about what his subject matter might indicate about his personality, his interests, and his response to the world. He never takes himself too seriously though, which is nice to see. Watch the video after the jump. (via)
Romanian artist Felix Deac creates hyper-realistic sculptures…sort of. His pieces covered in human-like skin are replete with moles, veins, blemishes, and hair. However, their form is anything but familiar. His sculptures are intentionally amorphic and anthropomorphic at the same time. In a way Deac encourages the viewer to contemplate the irrational situation in which a creature like this would be a possibility and how it came into existence.