Each project carried out by Winkler + Noah has a meaningful focus with a motive to provoke serious thought. My favorite has to be the “Short Life” series. “We had been working for about a year and a half at the Shortlife project when we found a newspaper article with the following title: “DIES WHILE WAITING IN LINE FOR THE ART SHOW AND TOURISTS TAKE PICTURES”. An old man died while waiting to see the Raffaello’s exhibition in Florence and other tourists started to shoot at him with their cameras as if it were the most natural thing to do. This was the sad confirmation of what we were trying to represent in this photographic project: the end of respect for man means the end of everything: everything is legal, commercial and sellable. Nothing is private anymore, nothing can be stopped, everyone can do whatever he/she wants, without rules or morals, in a accelerating process that leaves nothing behind. Not even death can stay out of the show.”
Chicago’s Paul Octavious creates imaginative and whimsical scenes from household objects and everyday life. His work is full of clever ideas that always make me smile. Make sure to check out his gravity-defying “The Book Collection” where he plays a literary Jenga to spell out words and numbers.
See more of Paul’s work at his website and below the jump. Then see how many books you can stack up.
Jessica Ward has a brilliantly dark mind. The majority of her work is black and white, which really helps to maintain her macabre aesthetic. The nature of her drawings feel sexual and violent, while tempting and frightening the viewer. She has an interesting series of drawings that depicts deities of various eating disorders. According to her bio, Jessica has struggled with eating disorders herself, so the diety series comes from a very personal place.
Carly Waito’s paintings are so crystal clear you have to look twice to make sure they’re not photos. They’re all oil paintings on panel and I’ve gotta say, this is one girl who has surely mastered her craft. She’s picked such interesting gems as subjects, and represents them flawlessly. I’m just as enamored with every new one I see as I was with the one before. She exhibits with Narwhal Art Projects in Toronto, Canada, if you’re lucky enough to be in the area, I’m sure they’re breathtaking in person.
Inspired by a childhood dream to be a rockstar and fueled by a “narcissistic desire to re-embody” himself, innovator Guy Ben-Ary has developed a synthesizer using his own stem cells. The project, titled “cellF,” began with what the artist is calling a “new materialist” quandary: Through using both biological and robotic technologies, what sort of responses can one achieve “in regards to shifting perceptions surrounding understandings of ‘life’ and the materiality of the human body?” Or, in other words, how can one explore one’s biological selfhood via means of a technological interface? Or, even further, how can one “clone” oneself into a robotic entity? And, what does that mean for the purpose of the human body?
The machine acts as a “biological self-portrait,” a literal doubling of the artist that is meant to act and behave as Ben-Ary, using his own cells. After receiving the “Creative Australia Fellowship,” Ben-Ary was able to research and develop his project, which he divided in two parts; the first being to grow his own external “brain,” and the second was the development of the robotic interface that would interact with said brain.
To develop the brain, Ben-Ary gathered his cells through a biopsy of his arm. He then used Induced Pluripotent Stem Cell technology (iPS), a method that manipulates cells back into their embryonic state, which would allow him to “reprogram” the cells.
To development of the robotic interface, he created a machine that would serve as a real time feedback loop between itself and the cells. The robotic interface acted as a sound-producing “body” through an analogue synthesizer that is able to reflect “the complexity and quantity of information via sound.” When noise is fed to cellF, the cells then respond using the synthesizer and “perform” live. Pretty cool. (via The Creators Project)
Steve Nishimoto lives and works in New York. He creates large pieces that approach abstract painting with a sense of humor. His paintings frequently examine modern subject matter such as the anonymous character featured on the display of generic ATM machines spread throughout the city or the word “Time” written as if it were a CAPTCHA on the internet. Another trademark is his magnification of the mundane and overlooked, from the security patterns within envelopes to 99 Cent Store tags Nishimoto reminds the viewer that anything can inspire.
MMmade have just released three new posters, available for purchase on their site. The posters, called “Order/Disorder,” represent the spaces between order and disorder, as the title implies. MMmade has a good mix of both commercial and self-initiated works, which you can view on their website. Check out more pictures of their poster series after the jump.