The German graffiti crew have covered Palmitas, a Mexican city with swirls of rainbow colors in a giant mural, hoping to change some of the damaging behavior and negative attitudes there. The community-focused team took to the hillside village and splashed neon bright paint all over the sides of houses, garden walls, fences, window frames and roofs.
Covering more than 209 houses, the super sized mural is dramatic, eye catching and apparently achieving quite dramatic results within Palmitas. Together, the graffiti group (called Germen Crew) and the Mexican government hoped the mural would be a step toward rehabilitation of the Mexican town. Known for drug-related problems, the community is quietly changing it’s focus. The power of color is working.
The mural directly affects around 500 families and apparently is eliminating youth violence and street crimes. The power of the mural is not overlooked and goes to prove that the graffiti crew really does focus their artistic skill on the community. Seeming like such a simple project, the psychedelic rainbow mural has definitely changed the character of the town, and no doubt the characters of the inhabitants. Such a great example of artist organizations and government working together to benefit the locals. (Via Bored Panda)
A giant red ball has traveled the globe for the past 13 years. Aptly called the RedBall Project, it’s stopped in cities from Paris to Perth and is currently stationed in Rennes, France at the historic Place de la Mairie. It’s there from July 3rd to July 9th as part of the Les Tombées de la Nuit Arts Festival.
The larger-than-life inflatable sphere is currently squeezed into the Opéra de Rennes’ narrow archways and begs for the passersby to interact with it; at 250 pounds and 15 feet tall, it’s hard to miss. Reminiscent of a child’s toy on steroids, it adds a sense of playfulness to the landscape as it’s photographed, touched, and even bounced into.
The creator, Kurt Perschke, explains the idea behind his sculpture:
The urban environment is overbuilt and full of possibilities, and the project is about seeing the sculptural spaces of a city. The humor and charisma of the piece allow it access to the city and invites others into its story. I think it’s essential for public work to do more than be “outdoors” – it needs to live in the public’s imagination. (Via designboom)
Colorful, textured creatures imagined by designers Andy Reisinger and Ezequiel Pini from The Six and Five Studio. The series called “Morbo” is a rendering of 3D printing and digital coloring. The result is bluffing. Easily mistaken for real existing sculptures or hyperrealistic paintings, the designers have had to explain themselves a lot about the disturbing aspect of their work.
Pushing the limits of art and design, the Argentinian duo Andy Reisinger and Ezequiel Pini like to explore the three dimensional world. Stranded on the beach after an apocalyptic episode, the creatures are found as they are presented to us. Raw, shapeless and twisted by the centrifugal force of nature, they mix elements which has nothing to do with each other. Hair, coral, gelatinous paste, plastic, porcelain and more are harmonized in objects that, in the end, make sense to the eye.
At first glance, the creatures seem ugly. Part of it is due to the fact that we can envision a living hairy animal coming out of it. Once the process of creation is understood, the look on it changes. The designers are interested in that shift. From unpleasant to attractive, our curiosity grows as we discover that these fantasy ‘things’ do not really exist. Leaving us wondering if beauty is better off restrained within our minds instead of being exposed out there. (via booooooom)
Ryan Bradley’s large, intricately composed pastel paintings of attractive female faces are seductive. The delicate paintings are “unfixed,” which means the pastel is left loose. This creates a surface similar to butterfly wings. If you touched the paintings, some would rub off onto your hands. I can’t help but think there is some relationship between the fragility of the surface and the portraits’ beauty. Like the really ripe moment when someone is at the tops of their looks, you know it can’t last, but you can look away either.
Richard Amsel (1947-1985) was a commercial artist famous for his movie posters, which include Raiders of the Lost Ark, Chinatown, and more. Having been discovered at 22 (edit: 21) when he made a successful proposal for the poster of Hello, Dolly!, Amsel had a fruitful career applying his hyper-realistic painting style to not only movie posters but album covers, book covers, and TV Guide covers. Amsel passed away in 1985 from AIDS.
If you think your jackhammer and motorcycle make you look tough, just take a look at Theresa Honeywell’s knit accessories! What says “macho” better than tools and guns made out of knit fabric? This Washington D.C. native takes traditionally masculine objects, and gives them a feminine edge by creating them with knit and embroidery. By using methods that have previously been labeled a “feminine craft,” she sparks a dialogue on the masculine and feminine and what it means to align objects with these social constructs. Studying sculpture at university, she combines her talents in three-dimensional art with her interest in combining art and craft. The dichotomy between feminine and masculinity paired with art and craft challenges our pre-conceived notions of these themes.
It is interesting that knitting and embroidery have traditionally been perceived as feminine, when masculinity is often associated with labor-intensive tasks. These two techniques are in fact incredibly time consuming and require a lot of labor and skill. You can see the astonishing details includes in Honeywell’s work while examining every stitch and bead in her work. The artist even included the brand name of the jackhammer, and the pink and purple motorcycle is actually life size! Her intricate, delicate sculptures really show us the softer side of these “masculine” objects.