Immortilized vapid party pictures of ridiculousness by Leah Tinari. Her exhibit opens at Mixed Greens this weekend.
Pablo Reinoso recreates a basic park bench into a swirling chaotic knot of line and form, giving a new dimension to a common piece of furniture. By sculpting organic spaghetti shaped wood branches his ultimate goal is to modify the perception we have on simple objects. Those animated random pieces of furniture are meant to create a state of visual suprise, the materials (wood, marble, steel) are becoming living beings; new species of their own.
The artist extends the primal functions of a bench, a frame, a chair, a pillow and a slab of marble to a new dimension, gently associating sculpture and art with nature.
The result is baffling, our notion of space is reset as there is no manual of how to consider the transformed pieces. Pablo Reinoso builds a landscape from marble, an air ventilating machine from pillows, spaghetti roots from a bench and replaces the canvas of a frame with swirled pieces of wood with no other intention than to turn our world around. By reinitializing daily objects and giving them life we encounter Pablo Reinoso’s subtle prediction: “The presence of flora is a message, mother nature is somewhere around. And she could be taking over”.
Pablo Reinoso’s solo show can be viewed at La Maison de l’Amerique Latine in Paris, St Germain district until September 5th 2015. The Breathing Sculptures piece can be viewed at La Maison Rouge in Paris, Bastille disctrict as part of the Buenos Aires artists group exhibition until September 20th 2015.
German artist Lars Teichmann goops on the black and white paint in his rich textured works.
This is probably the best short film I have ever seen using only a camera phone. Director Thomas Hilland was asked to make the most out of Nokia N8’s smartphone camera. If the quality of the film doesn’t do it for you, I know I especially enjoyed the rotund men running around in costumes, battling each other with remote controlled dragonflies. Music was by the British band, Kap Bambino.
Tour de Fork is a creative duo made up of photographer and food stylist Claudia Castaldi and product designer Stefano Citi. The pair of “culinary creative consultants” are diving head first into revolutionizing DIY culture. Their collection of laser cut rings is a magical and intriguing combination of culinary art, 3D printing, and jewelry making. Their process is a perfect combination of technology and culinary art: The 3D printer provides them with the rings, which are laser cut and can then be decorated with various edible deserts and other foods of choice. The end result is an original ring featuring an edible jem, giving their jewelry an amusing double status of accessory and snack.
Their merging of technology and art is both clever and amusing. Making edible art seems like something out of a dream and, here it comes with the added advantage of being a DIY project which adds to the fun. Their process is innovative and gives us more of an inside look into the potential of 3D printing while merging old and new forms of art and expression.
The winning combination of the culinary and jewelry arts makes for an original take on ornamental foods, similar to gingerbread ornaments. Their rings are the perfect gift for the person who is both always hungry and loves to accessorize.
Downloads of the designs can be accessed via the Tour de Fork website.
Cradle of Mankind is the newest series by Canadian-born photographer, Joey L. Shot in Ethiopia’s Omo Valley, and featuring portraits of the various tribes that inhabit the area. The photographs are a deeply moving, visual homage to the tribal peoples of Ethiopia, the birthplace of Homo sapiens.
The photographs from Cradle of Mankind, along with Joey L.’s documentary film, Faces of a Vanishing World (watch the trailer after the jump)– which first aired on Ovation TV in September 2010, chronicle the artist’s deep interest in Ethiopia, and the rapid transition of it’s oldest cultures. During his time in the country, Joey L. lived with various tribes in the region, learning the different customs of each while capturing individual portraits. Though these tribes may seem untouched by time, they are in fact in constant danger of disappearing forever. The artist states in a 2010 NPR interview that he is interested in anthropology and likes photographing different cultures, “but the ones I’ve been paying attention to lately are the, I suppose what you’d call vanishing ones, … the cultures that are on the verge of extinction, tribes that are threatened by progress and losing their language and losing their ways of life that they’ve sustained for thousands of years.”
See a selection of Cradle Of Mankind from June 21st-August 4th 2012 at Stephen Cohen Gallery in Los Angeles
Michael Massaia’s haunting new series Seeing The Black Dog is based on a saying truck drivers use to describe hallucinations that occur as a result of sleep deprivation during cross country runs. When they see the “black dogs” scampering across the highway they know to pull over and get some sleep. The moment they make that decision is when Michael sneeks up to their trucks while they’re in the cabs sleeping and captures the moment the dogs melt away (it’s also the moment Michael tries not to get his ass shot off). All of the images were taken between the hours of 2am and 6am along the New Jersey Turnpike.
Today’s article is brought to you by the rack card printing company offering quick turnaround times and great prices, Next Day Flyers.
Artist Kozoo (featured in our newest B/D Issue!) worked on this giant cake as a member of small creative unit GwaGwa. The towering confectionary and large eating utensil was stationed in a mix-use complex in Roppongi, Tokyo and truly expressed the creative goals of GwaGwa to express the magic of childhood fantasies and everyday curiosities. Highly preferred over Godzilla.