A man of many talents, Craig Redman is a New York based illustrator, typographer, pattern artist, installation artist, sculptor, animator, designer, and art director. A list worthy of comparison would be his equally long list of well-known clients, such as, MTV, Louis Vuitton, Nike, Apple, Vogue, Converse, and The New York Times. And this may be overkill, but Craig not only has exhibited in various parts of the world, but he also exhibited at the Louvre, Paris (every artist’s dream!)
While we have many reasons to envy Craig Redman, we can also take solace in the fact that all of his accomplishments are well deserved. Craig’s diverse talents are immediately visible in his vibrant, smart, and secretly optimistic work.
A while back we did a tribute shirt to one of my favorite bands Bad Brains. They have been a constant staple on my playlist as long as I can remember. Not only were they one of the first African American punk bands to become well known, but they were also one of the most influential bands in the last 40 years, inspiring everyone from Janes Addiction to In Living Color to the Red Hot Chilli Peppers. There’s something about the stripped down energy and versatile range that I always found refreshing in a sea of bands that sounded and looked alike.
Bad Brains never got the recognition that they truly deserved. Especially since they influenced many bands that have gone on to become some of the biggest acts today. Since I’m such a fan of the underdog, I thought I’d share the following mini documentaries and music videos with you in hopes of reminding those of you who are fans, and those of you who have not heard of them, about how ground breaking this little band from Washington DC really was. PMA!
Alvaro Sanchez-Montañes, a Barcelona based photographer, decided to explore the abandoned homes and ghost towns of the Namib desert after reading about the deserted diamond mines in Namibia. In this series, Desert Indoors, Alvaro documents inside these empty homes time etching itself into the paint-chipped walls, and observes the desert conquering over any bit of memory or clue of human habitation.
Currently Brooklyn based, Ryan Peltier is a talented illustrator who is currently earning his Masters at the School of Visual Arts. He has been featured in publications such as 3×3, American Illustration, and has won awards from the Society of Illustration Los Angeles. His work has been exhibited at BRIC in Brooklyn, and the Tinlark and Billy Shire Fine Arts in Los Angeles.
Ryan’s process depends heavily on the kind of surface he is working on. He makes it a point to begin with beautiful materials that hold character. The outcome is a collection of illustrations with a whole lot of awkward humor, and delightful surrealism.
Scott Everingham is an artist who is based in Toronto. As a painter, Scott particularly enjoys the various forms of experiences created through the vast language of paint. He creates abstract, gorgeously fictional environments where you could almost make out tangible imagery. An experience I would relate to observing an illusion out of the corner of your eye. Though Scott’s paintings appear almost completely spontaneous, you would be surprised to know that along with the process of impulsive mark making, there are extensive preparations through drawing.
Currently, Scott Everingham is exhibiting his paintings in Amsterdam and Rotterdam at the Le Secet Museum. If this blog post has sparked your interest in Scott Everingham, you can view his work up close at his solo exhibition at Galarie Trois Points in Montreal in January 2011.
I love a graffiti artist with a good simple typeface. The artist simply known as “Rero” works exceedingly simply – but all the better to get his point across. Recently, he has been making challenging through contradiction, posting fliers with phrases like “I hate graffiti” and “I don’t really like people who stick bills on walls,” as well as questioning our perception of public art.
Tom Schmelzer, an artist from Germany, has created this amazing headpiece which acts as a direct opposite to the late Alexander McQueen’s butterfly hat (shown below) for Spring 2008. This wearable sculpture was created with using wood, brass, felt, steel, rubber, viscose, and 140 scarabaeus sacers… also known as, 140 dung beetles! What Tom intended to symbolize by creating an antipode to McQueen’s butterfly headpiece, is to communicate the end of the noughties with its “neocons and megalomanians, its butterfly paintings and art market-bubbles.”
McQueen’s butterfly hat instantly resembles a vibrant flower in full bloom, while Tom’s headpiece orchestrates the exact opposite: a dead flower appearing rigid and brittle with time. When you compare the two, noticing the stark difference, we are reminded of the constant cycle of booming and withering of which we are surrounded by.