Judith G. Klausner combines two of my favorite things, food and art in her Oreo Cameo series. Carving delicate portraits into the centers of Oreo cookies, Klausner’s gorgeous relief sculptures measure at only 2 inches in diameter and reference hand made crafts such as ancient placards or rare roman coins. (via 1 design per day)
Mike Leavitt is already known for his playfully subversive figures that feature and poke fun at other artists, celebrities, and world leaders. In his newest series, Empire Peaks, Leavitt combines famous leaders and innovators with characters from Star Wars. Comprised of 18 figures sculpted out of wood, and each corresponds to one character from the movie franchise. Albert Einstein’s infamous expression is sculpted into R2-D2, while Steve Jobs is his counterpart C-3PO. Michael Jackson plays the part of the adorable Ewoks. US President Barack Obama is Lando Calrissian.
Inspiration for Empire Peaks came from Leavitt’s experience growing up as a Gen-X’r raised by Baby Boomers. With both his parents working, he had to entertain himself, relying on the cheap thrills of television and plastic toys. Describing the series, he writes:
For better or worse, each ‘Empire Peaks’ non-fictional character is complicit in the world order today. We’re all shackled to our past because of endlessly echoing paradigms. David Sirota argues in ‘Back to Our Future’ for a cyclical 30-year regurgitation of politics and culture. I think it’s an inescapable human nature causing regimes to repeat themselves. ‘Empire Peaks’ are meant to reduce modern dynasties to a sci-fi soap opera of objects.
It’s all about gluttony. Serving desires lubricates civilization. Capitalism fills desire and demand. Development expands. Culture thrives. From religious redemption to material objects, mass coveting is the driving force. (Via ARTNAU)
Marina Abramović is one of the most compelling artists of our time. Seductive, fearless and outrageous, she has been redefining what art is for nearly forty years. Using her own body as a vehicle, pushing herself beyond her physical and mental limits, and at times risking her life in the process, Marina creates performances that challenge, shock and move us. Through her and with her, boundaries are crossed, consciousness expanded — and art as we know it is reborn.
The feature-length documentary film Marina Abramovic The Artist Is Present follows the artist as she prepares for what may be the most challenging performance of her life — a new piece that will be the highlight of a major retrospective of her work, taking place this spring at The Museum of Modern Art in New York.
To be given a retrospective at one of the world’s premiere museums is, for any living artist, the most exhilarating sort of milestone. For Marina, it is far more — it is the chance to finally silence the question she has been hearing over and over again for four decades: “But why is this art?” At 63, she has lost patience with being branded “alternative.” That designation, she says, just gives people license to rip her off. What she wants now is for performance art to be legitimated. She is thinking of her legacy — and the MOMA show, as she well knows, can secure it once and for all. “It is,” she says simply, “the most important [show] of my life.””
View some of our favorite videos and interviews with Marina Abramovic after the jump.
Fabio Esposito is a London-based (Italian-born) fashion and beauty photographer with an alternative and darkly sensual style. Among his impressive list of collaborators are the designers Jitrois, Pam Hogg, Úna Burke, and Jay Briggs (who we featured recently — read more here), as well as the artists Amanda Lear and Francesca Belmonte. No matter what Esposito is shooting — be it leather couture, surrealist still lifes, or bizarre head apparatuses — his results are consistently expressive, using powerful lighting and color schemes (often in monochromatic tones) to evoke emotion and tell a story. When I inquired about how he would describe his style, Esposito explained:
“My style keeps changing with my emotions, but it’s always a fight between my dark side and the part of me that could not live without vibrant colours. When you strive to express your inner world and somehow show it through your work, then this is what I think makes it different and unique.”
There is no doubt that Espostio brings an original and exciting element into fashion and beauty photography. Inspired by artists such as Dalí and Caravaggio, his work follows artistic traditions while transforming them into something new; like a contemporary Dalí, many of Esposito’s works contain strange and surprising elements, such as the armless, nude woman wearing a mask that resembles a crossover between a disfigured classical sculpture and a cyborg. Recalling Caravaggio, Esposito’s photos often have a chiaroscuro-type effect, using blotted shadows to create bold contrasts on the skin of his models. The result is a set of images that are classical, honest, and seductive in their beauty, yet buzzing with a distinctly modern and alternative edge.
No this image was not computer generated. The rainbow was manually made with 5,000 Pantone color chips glued onto wood boards. The project focused on promoting Pantone color guide books to art college students and faculty, and to convince them that Pantone has the most color selection for their printing guidance. To grab their attention, they re-created a rainbow (8 meter in length and height of 4.5 meters) consisting of Pantone color chips in the middle of college’s park. Pretty rad.
If you were ever a fan of Powell Peralta in the 80’s and 90’s then you know that Rodney Mullen was the king of freestyle skating. Hands down he was one of the most skilled skaters inventing tricks that left viewers scratching there heads in disbelief. Freestyle skating doesn’t get much hype these days but Kilian Martin is taking the torch and bringing freestyle back with a vengence. I don’t even know if there are names for half the tricks in the above vid! Amazing.
ps. I put Rodney’s part from Questionable after the jump for all you old schoolers. I